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This discussion by a leading expert on drug use illuminates the factors that permit some people to use such highly addictive and dangerous substances as alcohol, marijuana, psychedelics, and opiates in a controlled fashion. "This cogently written work should be of interest to members of the medical community, particularly those who have contact with substance abusers, psychiatrists, sociologists, policymakers, administrators, and interested laypersons. It is well worth reading."―Joseph Zentner, Journal of American Medical Association"Extremely interesting, readable, and thought-provoking."―Library Journal"This book is an important theoretical work that should be studied by everyone interested in the effects of psychoactive drugs and the ways in which individuals and society can learn to contain their potential for harm."―Andrew T. Weil, M.D., Journal of Psychoactive Drugs"A wealth of information set in a new conceptual framework."―Booklist"Norman Zinberg takes a refreshing approach to the correction of stereotyped notions about drugs and drug users. He has learned how the great majority of drug and alcohol users themselves minimize the hazards of intoxicants, and he has developed a theoretical framework for understanding what they do. By suggesting an alternative to punitive controls, he implies an alternative to public hysteria in the discussion of drug problems."―Lester Grinspoon, M.D.

Examines the social conditions surrounding drug use and analyzes how some people are able to control their use of intoxicants and avoid addiction

Examines the social conditions surrounding drug use and analyzes how some people are able to control their use of intoxicants and avoid addiction

Myths from the ancient world usually have some supernatural element, a component often generated from a particular intoxicant. These substances promoted a variety of states including possession by the gods, liberation of the soul or a communion with the spirit world. From Acan, the Mayan god of intoxicating drinks, to Zagreus, the first incarnation of the Greek god Dionysus, this encyclopedia encompasses intoxicant-related stories from world mythology that explain the origins of a particular intoxicant or how that intoxicant was involved in creating a particular culture. Entries are arranged alphabetically without regard to category (e.g., gods, intoxicants, places, and rites). Different versions of a single myth are presented when pertinent to the overriding theme. Entries record the referenced story, the identity of the culture in which the myth originated, and when applicable, information about related plant sources and pharmacological effects. Cross-references are noted in bold and sources appear at the end of each entry. Appendices group entries by category and by place of origin.

This discussion by a leading expert on drug use illuminates the factors that permit some people to use such highly addictive and dangerous substances as alcohol, marijuana, psychedelics, and opiates in a controlled fashion. "This cogently written work should be of interest to members of the medical community, particularly those who have contact with substance abusers, psychiatrists, sociologists, policymakers, administrators, and interested laypersons. It is well worth reading."―Joseph Zentner, Journal of American Medical Association"Extremely interesting, readable, and thought-provoking."―Library Journal"This book is an important theoretical work that should be studied by everyone interested in the effects of psychoactive drugs and the ways in which individuals and society can learn to contain their potential for harm."―Andrew T. Weil, M.D., Journal of Psychoactive Drugs"A wealth of information set in a new conceptual framework."―Booklist"Norman Zinberg takes a refreshing approach to the correction of stereotyped notions about drugs and drug users. He has learned how the great majority of drug and alcohol users themselves minimize the hazards of intoxicants, and he has developed a theoretical framework for understanding what they do. By suggesting an alternative to punitive controls, he implies an alternative to public hysteria in the discussion of drug problems."―Lester Grinspoon, M.D.

Shooting Up: A Short History of Drugs and War examines how intoxicants have been put to the service of states, empires and their armies throughout history. Since the beginning of organized combat, armed forces have prescribed drugs to their members for two general purposes: to enhance performance during combat and to counter the trauma of killing and witnessing violence after it is over. Stimulants (e.g. alcohol, cocaine, and amphetamines) have been used to temporarily create better soldiers by that improving stamina, overcoming sleeplessness, eliminating fatigue, and increasing fighting spirit. Downers (e.g. alcohol, opiates, morphine, heroin, marijuana, barbiturates) have also been useful in dealing with the soldier's greatest enemy - shattered nerves. Kamienski's focuses on drugs "prescribed" by military authorities, but also documents the widespread unauthorised consumption by soldiers themselves. Combatants have always treated with various drugs and alcohol, mainly for recreational use and as a reward to themselves for enduring the constant tension of preparing for. Although not officially approved, such "self-medication" is often been quietly tolerated by commanders in so far as it did not affect combat effectiveness. This volume spans the history of combat from the use of opium, coca, and mushrooms in pre-modern warfare to the efforts of modern militaries, during the Cold War in particular, to design psychochemical offensive weapons that can be used to incapacitate rather than to kill the enemy. Along the way, Kamienski provides fascinating coverage of on the European adoption of hashish during Napolean's invasion of Egypt, opium use during the American Civil War, amphetamines in the Third Reich, and the use of narcotics to control child soldiers in the rebel militias of contemporary Africa.

Table of Contents SECTION I-The Philosophy of Intemperance SECTION II-Alcohol and Society SECTION III-Tobacco SECTION IV-Other Stimulants and Narcotics SECTION V-Milder Intoxicants SECTION VI-Activating Principles of a Changed Life SECTION VII-Rehabilitating the Intemperate SECTION VIII-Our Broad Temperance Platform SECTION IX-Laying the Foundation of Intemperance SECTION X-Preventive Measures SECTION XI-Our Relationship to Other Temperance Groups SECTION XII-The Challenge of the Hour

The Five Mindfulness Trainings to not kill, steal, commit adultery, lie, or take intoxicants are the basic statement of ethics and morality in Buddhism. In this fully revised edition, Zen master and peace activist Thich Nhat Hanh argues eloquently for their universal applicability in daily situations. Nhat Hanh discusses in depth the value and meaning of each precept, offering insights into the roles that they could play in our changing society. In a world marked by moral and spiritual emptiness, he says, The Five Mindfulness Trainings offer a path to the restoration of meaning and value. The author calls the trainings a diet for a mindful society” that transcends sectarian boundaries, and he presents simple yet powerful ways that people can come together around them to explore and sustain a sane, compassionate, and healthy way of living.

“A colossus among critics. . . . His enthusiasm for literature is a joyous intoxicant.” —New York Times In this charming anthology, esteemed literary critic Harold Bloom collects the last poems of history's most important and celebrated poets. As with his immensely popular Best Poems of the English Language, Bloom has carefully curated and annotated the final works of one hundred poets in Till I End My Song, with selections from John Keats, T.S. Eliot, Elizabeth Bishop, Emily Dickinson, Dylan Thomas, Robert Frost, D.H. Lawrence, W.H. Auden, John Milton, Herman Melville, Emily Brontë, and others. Written with the same wise and discerning commentary of earlier books—including his acclaimed Shakespeare: The Invention of the Human and The Book of J—Till I End My Song is a moving and provocative meditation on the relationship between art, meaning, and ultimately, death, from the literary titan of our time.

From opium in Stone Age caves to crack on our own streets, intoxicants have always played a deeply significant role in society. In this entertaining and provocative look at the uses and abuses of mind-altering drugs through history, Richard Rudgley shows how our attitudes toward these substances have been shaped by cultural values, and how our own use of intoxicants like alcohol, coffee, tea, and tobacco is an integral part of the age-old worldwide quest for altered states.Essential Substances is a magical tour of the fantastic and often bizarre world of intoxicants peopled by tribesmen and mystics, statesmen and writers, housewives and yuppies. From the traditional mind-altering substances - like magic mushrooms in Siberia, tobacco and peyote in the Americas, qat in Africa, and betel in Southeast Asia - to the psychoactive plants of medieval witchcraft, hallucinogens like LSD and marijuana, and stimulants like coffee, tea, and cocoa, Rudgley cogently shows how the significance of these substances extends beyond simple pleasure to the economic, political, and sexual life of the community. In the process, he challenges our assumptions that deem certain intoxicants socially and legally acceptable, while others remain taboo.Essential Substances is a timely, much-needed reconsideration of the roles intoxicants play in our lives and society. With the "war on drugs" now widely seen to be a failure, this insightful, cross-cultural look at the word of intoxicants will provide a new basis for creative thinking on a perennial problem.

In New York City where we lay our scene, two rival witch families fight to maintain control of their respective criminal ventures. On one side of the conflict are the Antonova sisters, each one beautiful, cunning, and ruthless, and their mother, the elusive supplier of premium intoxicants known only as Baba Yaga. On the other side, the influential Fedorov brothers serve their father, the crime boss known as Koschei the Deathless, whose community extortion ventures dominate the shadows of magical Manhattan. After twelve years of tenuous coexistence, a change in one family’s interests causes a rift in the existing stalemate. When bad blood brings both families to the precipice of disaster, fate intervenes with a chance encounter, and in the aftershocks of a resurrected conflict, everyone must choose a side. As each of the siblings struggles to stake their claim, fraying loyalties threaten to rot each side from the inside out.If, that is, the enmity between empires doesn’t destroy them first.

Sixteen stories from the most infamous cantina in the universe...by some of today's leading writers of science fiction. In a far corner of the universe, on the small desert planet of Tatooine, there is a dark, nic-i-tain-filled cantina where you can down your favorite intoxicant while listening to the best jazz riffs in the universe. But beware your fellow denizens of this pangalactic watering hole, for they are cutthroats and cutpurses, assassins and troopers, humans and aliens, gangsters and thieves.... Featuring original stories by: Kevin J. Anderson * Doug Beason * M. Shayne Bell * David Bischoff * A.C.Crispin * Kenneth C. Flint * Barbara Hambly * Rebecca Moesta * Daniel KeysMoran * Jerry Oltion * Judith & Garfield Reeves-Stevens * Jennifer Roberson* Kathy Tyers * Tom Veitch & Martha Veitch * Dave Wolverton * TimothyZahn

Margaret is doing everything in her power to forget home. And Tokyo's exotic nightlife -- teeming with intoxicants, pornography, and three-hour love hotels -- enables her to keep her demons at bay. Working as an English specialist at Air-Pro Stewardess Training Institute by day, and losing herself in a sex- and drug-addled oblivion by night, Margaret represses memories of her painful childhood and her older brother Frank's descent into madness.But Margaret's deliberate nihilism is thrown off balance as she becomes increasingly haunted by images of a Western girl missing in Tokyo. And when she becomes enamored of Kazu, a mysterious gangster, their affair sparks a chain of events that could spell tragedy for Margaret, in a city where it's all too easy to disappear.

This exploration of the use of intoxicants in society reveals how drugs have had a central role in the religious and social life of a wide range of cultures around the world, from Stone Age Europe and Classical Greece to the New World and New Guinea. Rudgley looks at the use of psychoactive substances in European witchcraft, the role of scientists, poets and artists in introducing new hallucinogens into the West, and the social use of milder stimulants such as alcohol, tobacco and tea.

Drugs and Empires introduces new research that re-evaluates the relationship between intoxicants and empires in the modern world. It re-examines controversies about such issues as the Asian opium trade or the sale of alcohol in Africa and addresses new areas of research, including the impact of imperial drugs profits on American history.

Scientists consider kava ( Piper methysticum ) a narcotic and a hypnotic, but not a hallucinogen or a stupefacient. It is used throughout the South Pacific as a social intoxicant, an aid to religious inspiration, and as medicine for a number of conditions. Here is a review of the literature on kava's botany, chemistry, ethnobotany, pharmacology, social usage, distribution, and the economic potential for its spread beyond the region. Annotation copyright Book News, Inc. Portland, Or.

A look at how humanity transformed history in its search for rare spices, stimulants, and intoxicants documents the drive for these substances that fueled journeys across the Atlantic to the "new world"

Drugs and Empires introduces new research that re-evaluates the relationship between intoxicants and empires in the modern world. It re-examines controversies about such issues as the Asian opium trade or the sale of alcohol in Africa and addresses new areas of research, including the impact of imperial drugs profits on American history.

Shooting Up: A Short History of Drugs and War examines how intoxicants have been put to the service of states, empires and their armies throughout history. Since the beginning of organized combat, armed forces have prescribed drugs to their members for two general purposes: to enhance performance during combat and to counter the trauma of killing and witnessing violence after it is over. Stimulants (e.g. alcohol, cocaine, and amphetamines) have been used to temporarily create better soldiers by that improving stamina, overcoming sleeplessness, eliminating fatigue, and increasing fighting spirit. Downers (e.g. alcohol, opiates, morphine, heroin, marijuana, barbiturates) have also been useful in dealing with the soldier's greatest enemy - shattered nerves. Kamienski's focuses on drugs "prescribed" by military authorities, but also documents the widespread unauthorised consumption by soldiers themselves. Combatants have always treated with various drugs and alcohol, mainly for recreational use and as a reward to themselves for enduring the constant tension of preparing for. Although not officially approved, such "self-medication" is often been quietly tolerated by commanders in so far as it did not affect combat effectiveness. This volume spans the history of combat from the use of opium, coca, and mushrooms in pre-modern warfare to the efforts of modern militaries, during the Cold War in particular, to design psychochemical offensive weapons that can be used to incapacitate rather than to kill the enemy. Along the way, Kamienski provides fascinating coverage of on the European adoption of hashish during Napolean's invasion of Egypt, opium use during the American Civil War, amphetamines in the Third Reich, and the use of narcotics to control child soldiers in the rebel militias of contemporary Africa.