76 products were found matching your search for Irish Drama in 2 shops:

"This superb collection of eighteen plays has long been needed. It provides a sound and solid introduction to the rich field of modern Irish drama, and should be as delightful to the private reader as it will be useful for university classes."―Journal of Irish LiteratureContents:Spreading the News and The Gaol Gate― Lady Gregory; On Baile's Strand and the Only Jealousy of Emer―W.B. Yeats; The Land―Padraic Colum; The Playboy of the Western World―J.M. Synge; Maurice Harr―T. C. Murray; The Magic Glasses―George Fitzmaurice; Juno and the Paycock- -Sean O'Casey; The Big House―Lennox Robinson; The Old Lady Says "No!"―Denis Johnston; As the Crow Flies―Austin Clarke; The Paddy Pedlar―M. J. Malloy; The Vision of Mac Conglinne―Padraic Fallon; The Quare Fellow―Brendan Behan; All that Fall―Samuel Becket; Da―Hugh Leonard; Translations―Brian Friel

This Norton Critical Edition reprints the complete texts of twelve plays by eight major Irish playwrights: Cathleen Ni Houlihan, On Baile's Strand, and Purgatory by W. B. Yeats; Spreading the News and The Rising of the Moon by Lady Gregory; Riders to the Sea and Playboy of the Western World by J. M. Synge; John Bull's Other Island by George Bernard Shaw; Juno and the Paycock by Sean O'Casey; The Quare Fellow by Brendan Behan; Krapps Last Tape by Samuel Beckett; and Translations by Brian Friel. The texts are fully annotated with explanatory notes on Anglo-Irish usage, place names, historical figures, and literary allusions. "Backgrounds and Criticism" contains almost fifty texts relevant to the twelve plays represented. Included are prefaces by the authors, reports by spectators on original productions, memoirs concerning playwrights and performances, and recent critical assessments by American, British, and Irish scholars. From its collection of documents relevant to the origin of the Irish Literary Revival in the midst of Ireland's republican revolution to the recent formation of the Field Day Company in Northern Ireland, Modern Irish Drama charts the rise and development of one of the most powerful national dramas of the twentieth century. A Chronology and Selected Bibliography are also included.

The Politics of Irish Drama analyzes some twenty-five of the best-known Irish plays from those of Dion Boucicault to Sebastian Barry, including works by Shaw, Yeats, Lady Gregory and Beckett. The book looks at political contexts for these plays and, in arguing for the outward-directed nature of dramatic representation of Ireland, shows Irish drama to be an international as much as national phenomenon.

Contents: Philadelphia, Here I Come; The Freedom of the City; Living Quarters; Aristocrats; Faith Healer; Translations Brian Friel was born in County Tyrone in 1929 and worked as a teacher before turning to full-time writing in 1960. His first stage success was in 1964 with Philadelphia, Here I Come, which established his claim as heir to such distinguished predecessors as Yeats, Synge, O'Casey, and Behan. In 1979 he and actor Stephen Rea formed the Field Day Theatre Company, whose first theatrical production was Friel's Translations in 1980.Also included in this selection are The Freedom of the City, set in Londonderry in 1970; Living Quarters, which Desmond MacAvok in the Evening Presscalled "one of the most fascinating and, in the end, truly moving evenings. . .in Irish Theatre"; Faith Healer, a metaphoric depiction of the artist and his gift' and Aristocrats, "as fine and as stimulating and as warm a piece of writing as had appeared on the Irish stage for many years," according to David Nowland, the Irish Times. --------------------------------------------------------------------------------

Modern and Contemporary Irish Drama is the ideal focal point for the study of Irish literature and culture and, because of its many great twentieth-century works, for the study of drama more generally. This revised and expanded Norton Critical Edition reprints the complete texts of fourteen plays by the major Irish playwrights: W. B. Yeats, Lady Gregory, J. M. Synge, Bernard Shaw, Sean O’Casey, Samuel Beckett, Brian Friel, Conor McPherson, and Marina Carr. The texts are accompanied by John Harrington’s introduction to the volume and by his detailed explanatory annotations. “Backgrounds and Criticism” is chronologically organized by playwright and includes prefaces, letters, journal entries, program notes, and interpretative essays for each play in the volume. In order to provide additional context for readers, these materials are preceded by five essays on the early-twentieth-century “The Irish Dramatic Revival” and followed by four essays on the current state of “Theater in Ireland.”A Chronology and a Selected Bibliography are included.

Some sun-fading on the cover. A former library book with all the expected stamps, stickers and markings. Some shelf, storage or usage wear present. The binding is tight and all pages are present. Includes dustjacket with wear and tearing along the edges. The pages appear unmarked. Pictures available upon request. Individually inspected by Shay. Thanks for supporting an independent bookseller!

This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.

The essays in this collection cover the entire range of Irish drama, from the late nineteenth-century melodramas (anticipating the rise of the Abbey Theatre) to the contemporary Dublin of theater festivals. In addition to studies of individual playwrights, the collection includes an examination of the relationship between the theater and its political context as reflected through its ideology, staging and programming. Including a complete chronology and bibliography, this collection will be an important introduction to one of the world's most vibrant theater cultures.

This is the eighth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history.The years covered in this volume saw the end of the careers of most of the great Jacobean dramatists, such as John Fletcher ,Thomas Dekker, and Thomas Middleton, and the emergence of a new generation of playwrights, including James Shirley, Richard Brome, and John Ford. The period also saw the heyday of theatre at the English Jesuit College in St Omers and the ascendancy of French masquing at the English court.

Throughout his long life, William Butler Yeats -- Irish writer and premier lyric poet in English in this century -- produced important works in every literary genre, works of astonishing range, energy, erudition, beauty, and skill. His early poetry is memorable and moving. His poems and plays of middle age address the human condition with language that has entered our vocabulary for cataclysmic personal and world events. The writings of his final years offer wisdom, courage, humor, and sheer technical virtuosity. T. S. Eliot pronounced Yeats "the greatest poet of our time -- certainly the greatest in this language, and so far as I am able to judge, in any language" and "one of the few whose history in the history of their own time, who are a part of the consciousness of an age which cannot be understood without them." The Yeats Reader is the first single volume to encompass the full range of William Butler Yeats's talents. It presents over a hundred of Yeat's best-known poems, plus eight plays, a sampling of his prose tales, and excerpts form his published autobiographical and critical writings. Also included are selections from the memoirs left unpublished at his death and complete introductions written for the projected Scribner edition of his collected works. These are supplemented by unobtrusive annotation and a chronology of the life. Yeats is a protean writer and thinker, and few writers so thoroughly reward a reader's efforts to essay the whole of their canon. This volume is an excellent place to begins that enterprise, to renew an old acquaintance with one of world literature's great voices, or to continue a lifelong interest in the phenomenon of literary genius.

This is the fifth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history. The years covered in this volume saw the consolidation of the Burbage and Shakespeare company as the King's Men, and the emergence of the Jacobean court masque.

This is the fifth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history. The years covered in this volume saw the consolidation of the Burbage and Shakespeare company as the King's Men, and the emergence of the Jacobean court masque.

This is the eighth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history.The years covered in this volume saw the end of the careers of most of the great Jacobean dramatists, such as John Fletcher ,Thomas Dekker, and Thomas Middleton, and the emergence of a new generation of playwrights, including James Shirley, Richard Brome, and John Ford. The period also saw the heyday of theatre at the English Jesuit College in St Omers and the ascendancy of French masquing at the English court.

This is the third volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution. The catalogue covers every known play, extant and lost, including some which have never before been identified. It is based on a new, complete, and systematic survey of the whole of this body of work, and is presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, a list of roles, and details of the human and geographical world in which the fictional action takes place; a list of sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history. Volume III covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.

Throughout his long life, William Butler Yeats -- Irish writer and premier lyric poet in English in this century -- produced important works in every literary genre, works of astonishing range, energy, erudition, beauty, and skill. His early poetry is memorable and moving. His poems and plays of middle age address the human condition with language that has entered our vocabulary for cataclysmic personal and world events. The writings of his final years offer wisdom, courage, humor, and sheer technical virtuosity. T. S. Eliot pronounced Yeats "the greatest poet of our time -- certainly the greatest in this language, and so far as I am able to judge, in any language" and "one of the few whose history is the history of their own time, who are a part of the consciousness of an age which cannot be understood without them." The Yeats Reader is the most comprehensive single volume to display the full range of Yeats's talents. It presents more than one hundred and fifty of his best-known poems -- more than any other compendium -- plus eight plays, a sampling of his prose tales, and excerpts from his published autobiographical and critical writings. In addition, an appendix offers six early texts of poems that Yeats later revised. Also included are selections from the memoirs left unpublished at his death and complete introductions written for a projected collection that never came to fruition. These are supplemented by unobtrusive annotation and a chronology of the life. Yeats was a protean writer and thinker, and few writers so thoroughly reward a reader's efforts to essay the whole of their canon. This volume is an excellent place to begin that enterprise, to renew an old acquaintance with one of world literature's great voices, or to continue a lifelong interest in the phenomenon of literary genius.

This is the third volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution. The catalogue covers every known play, extant and lost, including some which have never before been identified. It is based on a new, complete, and systematic survey of the whole of this body of work, and is presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, a list of roles, and details of the human and geographical world in which the fictional action takes place; a list of sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history. Volume III covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.

The Irish novel has had a distinguished history. It spans such diverse authors as James Joyce, George Moore, Maria Edgeworth, Bram Stoker, Flann O'Brien, Samuel Beckett, Lady Morgan, John Banville, and others. Yet it has until now received less critical attention than Irish poetry and drama. This volume covers three hundred years of Irish achievement in fiction, with essays on key genres, themes, and authors. It provides critiques of individual works, accounts of important novelists, and histories of sub-genres and allied narrative forms, establishing significant social and political contexts for dozens of novels. The varied perspectives and emphases by more than a dozen critics and literary historians ensure that the Irish novel receives due tribute for its colour, variety and linguistic verve. Each chapter features recommended further reading. This is the perfect overview for students of the Irish novel from the romances of the seventeenth century to the present day.

Containing six award-winning plays by contemporary Irish writers, thisis an exciting collection of the best writing to come out of Ireland inthe last six years. The volume is edited with an introduction by JohnFairleigh, editor of earlier collection, Far From the Land, also published by Methuen Drama. The six plays in the volume are:Gerald Murphy: Take Me Away (2004) GeraldMurphy is a Dublin based writer and actor. His first play, 'TheWelcome', was staged by Druid Theatre Company in 2001. His first radioplay, 'Stranger in the Night' won a PJ O'Connor Award and was broadcastby RTÉ in 2001.Mark Doherty: Trad (2004) Mark Doherty is a Dublin-based writer who previously worked as a stand-up comic.Eugene O'Brien: Eden (2001) Eugene O'Brien is a Dublin-based writer and actor. 'Eden'won the 2001 Irish Times Theatre Award for Best New Play and wassubsequently staged at the Arts Theatre, on London's West End.Malachy McKenna: Tillsonburg (2000) MalachyMcKenna was trained at Focus Stanislavski Studio. He has workedextensively as an actor, and has written for film and theatre.Christian O'Reilly: The Good Father (2002) ChristianO'Reilly is a Galway-based writer. Two of his short films, 'TheBirthday' and 'The Kiss of Life', have been produced and he has severalfeature-length screenplays in development. He also writes fortelevision.Richard Dormer: Hurricane (2002) Richard Dormer is an actor based in Belfast.

Almost everyone of her own generation in Ireland knew the story of Grace Gifford. She became part of the drama of the 1916 insurrection when she married Joseph Mary Plunkett in Kilmainham Jail a few hours before his execution. He had been one of the leaders in the fight for Irish freedom and also one of the signatories of the Proclamation of the Republic. Richly illustrated, this book tells the story of her life for the first time. Those who knew her well spoke of her beauty, and of a charm laced with a mordant wit which spared neither friend nor foe. Her story has been compared to something from the novels of French writer Honore de Balzac. In her case, the truth is indeed stranger than fiction.

The masterly epic, The Irish Century, continues in 1949, a sequel to 1916 and 1921.The struggle of the Irish people for independence is one of the compelling historical dramas of the twentieth century. Morgan Llywelyn has chosen it as the subject of her major work, a meticulously researched, multinovel chronicle that began with 1916, continued in 1921, and that she now brings up to the midcentury in 1949.Her new novel book tells the story of Ursula Halloran, a fiercely independent young woman who comes of age in the 1920s. She experiences the tumult of the times in a way that brings those days vividly alive for every reader. The tragedy of Irish civil war gives way in the 1920s to a repressive Catholic state led by Eamon De Valera. Married women cannot hold jobs, divorce is illegal, and the IRA has become a band of outlaws still devoted to and fighting for a Republic that never lived. The Great Depression stalks the world, and war is always on the horizon, whether in Northern Ireland, Spain, or elsewhere on the European continent.Ursula, the adopted daughter of a revolutionary, Ned Halloran, remains an idealist believing in Ireland. She works for the fledgling Irish radio service and then for the League of Nations, while her personal life is torn between two men: an Irish civil servant and an English pilot. One is too much a gentleman, and the other too much a scoundrel.Defying Church and State, Ursula bears a child out of wedlock, though she must leave the country to do so, and nearly loses her life in the opening days of World War II. Eventually she returns to an Ireland that is steadfastly determined to remain neutral during the war; an Ireland shaken by the great duel between De Valera and Winston Churchill. As always with Ireland, politics and passion go hand in hand.1949 is the story of one strong woman who lives through the progress of Ireland from a broken land to the beginnings of a modern independent state.