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Written by Jewish and Christian educators for use by college and adult learners, this volume explores eight basic questions that lie at the core of both traditions and that can serve as a bridge for understanding. Among the questions are: Do Jews and Christians worship the same God? Do Jews and Christians read the Bible the same way? What is the place of the land of Israel for Jews and Christians? Are the irreconcilable differences between Christians and Jews a blessing, a curse, or both? Each chapter includes discussion questions.

In this bittersweet comedy, aspiring writers Albert (Ryan O'Neal) and Lucy (Shelley Long) meet on a rainy night and fall head-over-heels for each other. Happily married with a beautiful little daughter, their simple life starts crumbling down as Albert's career in Hollywood prospers and he falls in love with his leading actress (Sharon Stone). Growing up and seeing her loving parents go from love to hate, nine-year old Casey (Drew Barrymore) has had enough and is tired of being emotionally and p

Exploring what it means to be a responsible rider, this book asks whether, in today’s society, it is indeed possible for riders in any horse sport to put the good of the horse first and foremost—most pointedly above ambition and fame. With illustrations of the horse’s anatomy and how it is impacted by various riding techniques, the book presents further proof that, although some steps have been taken to prevent the use of forceful and cruel techniques in the training of top horses, many sport horses still perform in pain and discomfort. Detailed and practical information on horse physiology is provided as are several examples of poor riding so that the reader can avoid similar pitfalls. Based in Gerd Heuschmann’s experience as a veterinarian and his knowledge of the working equine’s body, this exposé shows how bad horse-training methods can be eradicated in favor of more humane ones.

Art Nouveau was deliberately nouveau. With a spirit of willful reform, this “New Art” style between the 1880s and the First World War inflected architecture, design, painting, graphic work, applied arts, and illustration with a radical rejection of imitative historicism and a new undulating aesthetic of flowing lines and organic forms, ripe with linear freedom and a liberation from artistic tradition and expectation.Within this repertoire of sensual contours and natural motifs, Art Nouveau also followed the example of the English Arts and Crafts movement to emphasize a return to handcraftsmanship and the synthesis of artistic media and practices into a Gesamtkunstwerk, or total work of art. In this, as in its turn to nature, Art Nouveau is often seen as an aesthetic response to the Industrial Revolution, a recoil from the mass-produced and mechanic, and an elevation of the human hand and wonders of the great outdoors.This fresh TASCHEN edition considers Art Nouveau as a broad historical phenomenon with distinct local features. We consider the style’s wider artistic, economic, and political circumstances, as well as its particular flavor in such hubs as Vienna, Glasgow, Munich, Weimar, and Chicago. Outstanding proponents such as Victor Horta, Antoni Gaudí, and Charles Rennie Mackintosh are featured in connection with the cities of their greatest activity. The result is a vivid portrait of the age and a movement that is as much entrenched in our imagination of the fin de siècle as it is in the trajectory of modernism.

Art Nouveau. Reconciling the Irreconcilable Art Nouveau, whose emergence at the same time as cinema was no mere coincidence, represents the most remarkable attempt to reconcile the demands of the technical age with the undying wish for beauty and glorification - or to pit the one against the other. Under the title "Art Nouveau - Utopia: Reconciling the Irreconcilable" the reform movement of the turn of the century is not only dealt with as an artistic event, but those economic and political interests which inspired, supported and handicapped it are also taken into account. In the chapters "Movement", "Unrest" and "Equilibrium" the historical phenomenon as a whole is characterised and is also presented with its own distinct local features. The centres of Brussels, Nancy, Barcelona, Glasgow, Helsinki and Chicago are dealt with in subchapters as are Munich, Darmstadt and Weimar. Finally, Vienna, that city in which the synthesis achieved its culmination, is described separately. The outstanding artists are dealt with in detail in connection with the respective cities of their greatest activity. The result is a complex picture of the symbiosis of architecture, furniture design and craftsmanship with their corresponding approaches to artistic revitalisation.

One of the great intellectual battles of modern times is between evolution and religion. Until now, they have been considered completely irreconcilable theories of origin and existence. David Sloan Wilson's Darwin's Cathedral takes the radical step of joining the two, in the process proposing an evolutionary theory of religion that shakes both evolutionary biology and social theory at their foundations. The key, argues Wilson, is to think of society as an organism, an old idea that has received new life based on recent developments in evolutionary biology. If society is an organism, can we then think of morality and religion as biologically and culturally evolved adaptations that enable human groups to function as single units rather than mere collections of individuals? Wilson brings a variety of evidence to bear on this question, from both the biological and social sciences. From Calvinism in sixteenth-century Geneva to Balinese water temples, from hunter-gatherer societies to urban America, Wilson demonstrates how religions have enabled people to achieve by collective action what they never could do alone. He also includes a chapter considering forgiveness from an evolutionary perspective and concludes by discussing how all social organizations, including science, could benefit by incorporating elements of religion. Religious believers often compare their communities to single organisms and even to insect colonies. Astoundingly, Wilson shows that they might be literally correct. Intended for any educated reader, Darwin's Cathedral will change forever the way we view the relations among evolution, religion, and human society.

That the longstanding antagonism between science and religion is irreconcilable has been taken for granted. And in the wake of recent controversies over teaching intelligent design and the ethics of stem-cell research, the divide seems as unbridgeable as ever.In Science vs. Religion, Elaine Howard Ecklund investigates this unexamined assumption in the first systematic study of what scientists actually think and feel about religion. In the course of her research, Ecklund surveyed nearly 1,700 scientists and interviewed 275 of them. She finds that most of what we believe about the faith lives of elite scientists is wrong. Nearly 50 percent of them are religious. Many others are what she calls "spiritual entrepreneurs," seeking creative ways to work with the tensions between science and faith outside the constraints of traditional religion. The book centers around vivid portraits of 10 representative men and women working in the natural and social sciences at top American research universities. Ecklund's respondents run the gamut from Margaret, a chemist who teaches a Sunday-school class, to Arik, a physicist who chose not to believe in God well before he decided to become a scientist. Only a small minority are actively hostile to religion. Ecklund reveals how scientists-believers and skeptics alike-are struggling to engage the increasing number of religious students in their classrooms and argues that many scientists are searching for "boundary pioneers" to cross the picket lines separating science and religion. With broad implications for education, science funding, and the thorny ethical questions surrounding stem-cell research, cloning, and other cutting-edge scientific endeavors, Science vs. Religion brings a welcome dose of reality to the science and religion debates.

For more than two thousand years, philosophers and theologians have wrestled with the irreconcilable opposition between Greek rationality (Athens) and biblical revelation (Jerusalem). In Athens and Jersusalem, Lev Shestov—an inspiration for the French existentialists and the foremost interlocutor of Edmund Husserl, Martin Heidegger, and Martin Buber during the interwar years—makes the gripping confrontation between these symbolic poles of ancient wisdom his philosophical testament, an argumentative and stylistic tour de force.Although the Russian-born Shestov is little known in the Anglophone world today, his writings influenced many twentieth-century European thinkers, such as Albert Camus, D. H. Lawrence, Thomas Mann, Czesław Miłosz, and Joseph Brodsky. Athens and Jerusalem is Shestov’s final, groundbreaking work on the philosophy of religion from an existential perspective. This new, annotated edition of Bernard Martin’s classic translation adds references to the cited works as well as glosses of passages from the original Greek, Latin, German, and French. Athens and Jerusalem is Shestov at his most profound and most eloquent and is the clearest expression of his thought that shaped the evolution of continental philosophy and European literature in the twentieth century.

For more than two thousand years, philosophers and theologians have wrestled with the irreconcilable opposition between Greek rationality (Athens) and biblical revelation (Jerusalem). In Athens and Jersusalem, Lev Shestov—an inspiration for the French existentialists and the foremost interlocutor of Edmund Husserl, Martin Heidegger, and Martin Buber during the interwar years—makes the gripping confrontation between these symbolic poles of ancient wisdom his philosophical testament, an argumentative and stylistic tour de force.Although the Russian-born Shestov is little known in the Anglophone world today, his writings influenced many twentieth-century European thinkers, such as Albert Camus, D. H. Lawrence, Thomas Mann, Czesław Miłosz, and Joseph Brodsky. Athens and Jerusalem is Shestov’s final, groundbreaking work on the philosophy of religion from an existential perspective. This new, annotated edition of Bernard Martin’s classic translation adds references to the cited works as well as glosses of passages from the original Greek, Latin, German, and French. Athens and Jerusalem is Shestov at his most profound and most eloquent and is the clearest expression of his thought that shaped the evolution of continental philosophy and European literature in the twentieth century.

Frequently, alleged irreconcilable conflicts between science and religion are instead misdescribed battles concerning negotiable philosophical assumptions--conflicts between metaphysics and metaphysics. Hud Hudson provides a two-stage illustration of this claim with respect to the putative inconsistency between the doctrines of The Fall and Original Sin and the deliverances of contemporary science. The tension in question emerges through a study of the many forms the religious doctrines have assumed over the centuries and through a review of some well-established scientific lessons on the origin and history of the universe and of human persons.The first stage: After surveying various paths of retreat which involve reinterpreting and impoverishing Original Sin and minimizing and dehistoricizing The Fall, one version of moderate realism about the doctrines is articulated, critically evaluated, and found both consistent with contemporary science and suitable to play a crucial role in the theist's confrontation with the Problem of Evil.The second stage: Recent work in the philosophy of time and in the philosophy of religion provides intriguing support for a Hypertime Hypothesis (a species of multiverse hypothesis), distinctive for positing a series of successive hypertimes, each of which hosts a spacetime block.After arguing that the Hypertime Hypothesis is a genuine epistemic possibility and critically discussing its impact on a number of debates in metaphysics and philosophy of religion, Hudson reveals a strategy for unabashed, extreme literalism concerning The Fall and Original Sin which nevertheless has the extraordinary and delightful feature of being thoroughly consistent with the reigning scientific orthodoxy.

Can a scientist believe in God? Does the ongoing debate between some evolutionists and evangelicals show that the two sides are irreconcilable? As a paleontologist and a religious believer, Robert Asher constantly confronts the perceived conflict between his occupation and his faith. In the course of his scientific work, he has found that no other theory comes close to Darwin's as an explanation for our world's incredible biodiversity. Recounting discoveries in molecular biology, paleontology and development, Asher reveals the remarkable evidence in favor of Darwinian evolution. In outlining the scope of Darwin's idea, Asher shows how evolution describes the cause of biodiversity, rather than the agency behind it. He draws a line between superstition and religion, recognizing that atheism is not the inevitable conclusion of evolutionary theory. By liberating evolution from its misappropriated religious implications, Asher promotes a balanced awareness that contributes to our understanding of biology and Earth history.

In this story of irreconcilable loves and infidelities, Milan Kundera addresses himself to the nature of 20th century Being. The novel encompasses the extremes of comedy and tragedy, and embraces, it seems, all aspects of human existence.

Pierre A. Kandorfer delivers the latest proof that science confirms the accuracy of the Bible. Our secular society wants to make us believe that the Bible represents only an irreconcilable conflict between “science vs. religion”. This atheist worldview is suggesting a dispute between scientific facts versus a religious belief system. Nothing can be further from the truth, and scientific facts can prove it.Incidentally, the proof of Bible’s historical correctness is by far no more a scientific problem. This question has been decisively answered decades ago. What remains, is only the interpretation of scientific facts, depending on people’s worldview.It is true that the Bible is not a “science book”. At the same time, we are not aware of any evidence that the Bible contradicts the science. Actually, just the opposite. The book assembles all the facts we must know. The book documents hundreds of scientific facts the Bible mentioned already thousands of years ago. Pierre A. Kandorfer compares these facts with the “evolution theory” by Charles Darwin, which many scientists now call a hoax and a complete fraud. Don’t be fooled! This book will finally set the record straight.

Drawing on a deep knowledge of Christian scripture as well as Hindu philosophy, musician and teacher Russill Paul reveals that the mystical core of religion offers us much more than the simple solace of unthinking dogma. By demonstrating that these two seemingly separate and irreconcilable religions can actually unite in one person’s spiritual practice at the center of his life — as they did in his — he offers an alternative to religious intolerance and strife, as well as hope for personal liberation.

They seem to be at irreconcilable odds: violence and grace. Yet award-winning author and musician Michael Card paints a stunning and poignant picture of how violence was the price of grace. Based primarily on passages in Isaiah 53 and Psalm 22, the reader is led on an exploration of the suffering and sacrifice it took to achieve our salvation, of Christ's separation from the Father so that we could enjoy intimacy with God, of His desertion so that we'd never have to be alone, of His rejection so that we'd find acceptance, and of His death so that we'd have eternal life. A Violent Grace gives readers a renewed appreciation for God's eternal love and an important reminder that His love came at a terrible cost.

Set against the backdrop of a rapidly fissuring disciplinary landscape where poetry and science are increasingly viewed as irreconcilable and unrelated, Bernhard Kuhn's study uncovers a previously ignored, fundamental connection between autobiography and the natural sciences. Examining the autobiographies and scientific writings of Rousseau, Goethe, and Thoreau as representative of their ages, Kuhn challenges the now entrenched thesis of the "two cultures." Rather, these three writers are exemplary in that their autobiographical and scientific writings may be read not as separate or even antithetical but as mutually constitutive projects that challenge the newly emerging boundaries between scientific and humanistic thought during the Romantic period. Reading each writer's life stories and nature works side by side-as they were written-Kuhn reveals the scientific character of autobiographical writing while demonstrating the autobiographical nature of natural science. He considers all three writers in the context of scientific developments in their own times as well as ours, showing how each one marks a distinctive stage in the growing estrangement of the arts and sciences, from the self-assured epistemic unity of Rousseau's time, to the splintering of disciplines into competing ways of knowing under the pressures of specialization and professionalization during the late Romantic age of Thoreau. His book thus traces an unfolding drama, in which these writers and their contemporaries, each situated in an intellectual landscape more fragmented than the last, seek to keep together what modern culture is determined to break apart.

Marcelo Gleiser refutes the notion that science and spirituality are irreconcilable. In The Dancing Universe, he traces mystical, philosophical, and scientific ideas about the cosmos through the past twenty-five centuries, from the ancient creation myths of numerous cultures to contemporary theories about an ever-expanding universe. He also explores the lives and ideas of history’s greatest scientists, including Copernicus, Galileo, Kepler, Newton, and Einstein. By exploring how scientists have unlocked the secrets of gravity, matter, time, and space, Gleiser offers fresh perspective on the debate between science and faith.

The book presents a new theory of personality, referred to as cognitive-experiential theory (CET). Currently there are a variety of personality theories that seem irreconcilable with each other. CET is integrative of all other major personality theories. This integration is accomplished by expanding upon current basic assumptions, including the assumption that all higher-order animals automatically construct an implicit theory of reality that is necessary for adapting to their environments and that is therefore inherently reinforcing. The system that accomplishes this is referred to as the experiential system, as it is an empirical system that adapts by automatically learning from experience. Because it operates without requiring conscious awareness it can be regarded as an adaptive unconscious system, however, this book reveals that the experiential system is not identical with an unconscious adaptive system, and is superior to that construct in several important respects.Humans, of course, also uniquely operate with a conscious, reasoning system, referred to in CET as a rational system. This book demonstrates how these two systems operate in parallel and influence each other in important ways. For example, the influence of the experiential on the rational system can account for why the human species, despite its outstanding intelligence in solving impersonal problems, which are mainly in the domain of the rational system, often think and behave unintelligently and destructively in solving interpersonal problems, which are primarily in the domain of the experiential system. Yet, neither system is generally superior to the other, and the book discusses how each system is superior in uniquely important ways.

Psychoanalysis and neurological medicine have promoted contrasting and seemingly irreconcilable notions of the modern self. Since Freud, psychoanalysts have relied on the spoken word in a therapeutic practice that has revolutionized our understanding of the mind. Neurologists and neurosurgeons, meanwhile, have used material apparatus—the scalpel, the electrode—to probe the workings of the nervous system, and in so doing have radically reshaped our understanding of the brain. Both operate in vastly different institutional and cultural contexts. Given these differences, it is remarkable that both fields found resources for their development in the same tradition of late nineteenth-century German medicine: neuropsychiatry. In Localization and Its Discontents, Katja Guenther investigates the significance of this common history, drawing on extensive archival research in seven countries, institutional analysis, and close examination of the practical conditions of scientific and clinical work. Her remarkable accomplishment not only reframes the history of psychoanalysis and the neuro disciplines, but also offers us new ways of thinking about their future.

For almost three-quarters of a century, the countries of Western Europe have abandoned national sovereignty as an ideal. Nation states are being dismantled: by supranationalism from above, by multiculturalism from below. This book explains why supranationalism and multiculturalism are in fact irreconcilable with representative government and the rule of law. It challenges one of the most central beliefs in contemporary legal and political philosophy, which is that borders are bound to disappear.