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Despite their independence, cats have enjoyed (one hopes) a relationship with humans that has lasted for thousands of years. Literally millions of cats were mummified in Egypt while excavations of Neolithic sites in the Near East have uncovered many cat burials. Erhard Osser's study draws on archaeological, artistic, literary and historical evidence to survey the history of the man's friendship with the cat through the millennia, whilst also tracing changes in the symbolism of the cat which has often been positive but has also been negative. Following a discussion of Victoria attitudes towards the cat, the book goes back to ancient Egypt and traces te history of the relationship through antiquity to more recent centuries when, for a time, cats and witchcraft became inseperable. The reasons behind superstitions, such as the Black Cat and the nine lives are also discussed, as is the contribution cats made to the control of urban rat populations and, therefore, to human health. German text.

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Discover the Philippe Model wide jeans for men, featuring washed black denim with a marble effect. These regular fit jeans are made from 100% cotton and are detailed with a branded rubber label on the back and a shield-shaped fifth pocket.

Discover the Philippe Model wide jeans for men, featuring washed black denim with a marble effect. These regular fit jeans are made from 100% cotton and are detailed with a branded rubber label on the back and a shield-shaped fifth pocket.

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Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

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The definitive biography and critical study of Jean-Philippe Rameau (1683–1764), this volume deals at length not only with the composer's musical achievements but also with aspects of his life and work that made him one of the most important cultural figures in eighteenth-century France. Fascinating incidents include his central position in a musical controversy that excited the enmity of Rousseau, Diderot, and the Encyclopedists; his friendship and collaboration with Voltaire; and his position as the author of a treatise on harmony that endured for two centuries.This critical evaluation focuses chiefly on Rameau's musical works, devoting entire chapters to his operas and ballets as well as his chamber music, cantatas and motets, and minor works. Additional topics include his links to Lully, his influence on Gluck, and the nature and importance of his acoustic and harmonic theories. Supplements include more than 300 musical examples, numerous useful appendices, indexes, an extensive bibliography, and a new Introduction by the distinguished musicologist and historian Philip Gossett.

The stroke of his brush is almost as sharp as his wit, but the result is always playful and droll. Jean-Philippe Delhomme is a prolific name in the world of illustration and often described as the Parisian answer to the smart cartoons that appear in the New Yorker. His instantly recognizable style is world-renowned in a range of media—from chic television ads for Saab to the boutique campaigns for Barneys and fashion advertising. The Cultivated Life, the first-ever English compilation of Delhomme’s work, is a celebration of his gently satiric musings of "first-world" problems. Drawing from the trials and tribulations of the contemporary lifestyle—the design addict cautiously circling the latest modern furniture piece in an upscale boutique, or finding the perfect outfit to convey one’s current philosophy—Delhomme chicly illustrates the humor in all that surrounds him. This monograph includes over 100 illustrations and an insightful essay about Delhomme’s work.

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The definitive biography and critical study of Jean-Philippe Rameau (1683–1764), this volume deals at length not only with the composer's musical achievements but also with aspects of his life and work that made him one of the most important cultural figures in eighteenth-century France. Fascinating incidents include his central position in a musical controversy that excited the enmity of Rousseau, Diderot, and the Encyclopedists; his friendship and collaboration with Voltaire; and his position as the author of a treatise on harmony that endured for two centuries.This critical evaluation focuses chiefly on Rameau's musical works, devoting entire chapters to his operas and ballets as well as his chamber music, cantatas and motets, and minor works. Additional topics include his links to Lully, his influence on Gluck, and the nature and importance of his acoustic and harmonic theories. Supplements include more than 300 musical examples, numerous useful appendices, indexes, an extensive bibliography, and a new Introduction by the distinguished musicologist and historian Philip Gossett.

“Nothing in the architecture of Lacaton and Vassal is what it looks like at first glance.”― Iñaki Ábalos, introducing Anne Lacaton and Jean-Philippe Vassal, Harvard University Graduate School of Design, March 24, 2015Anne Lacaton and Jean-Philippe Vassal are known for an architecture that privileges inhabitants' freedom and pleasure through generous, open designs. The Paris-based architects opened their 2015 lecture at Harvard University with a manifesto: study and create an inventory of the existing situation; densify without compressing individual space; promote user mobility, access, choice; and most importantly, never demolish. Freedom of Use reflects on these core values to present a fluid narrative of Lacaton and Vassal's oeuvre, articulated through processes of accumulation, addition, and extension. The architects describe built and unbuilt work, from a house in Niger made of little more than branches; to the expansive Nantes School of Architecture; to a public square in Bordeaux where, after months of study, their design solution was: do nothing.Lacaton and Vassal's principle of doubling space is echoed in the book's treatment of photography: black-and-white exterior shots that run alongside the text form a dialogue with corresponding full-color photographs of each interior, gathered at the end of the book.The Incidents is a series of publications based on events that occured at the Harvard University Graduate School of Design between 1936 and tomorrow.Edited by Jennifer Sigler and Leah Whitman-SalkinCopublished with the Harvard University Graduate School of Design

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