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Dark Star Stereo Soundscape Reverb Dark Star is a characterful lo-fi reverb, ideal for slow attack and pad generation. Around the core voice are a ...

Vinyl LP pressing. Blood Money Part 1 is the highly anticipated sixth studio effort from metal/industrial rock act Dope and their first release since 2009's No Regrets. "I think that it's fair to say that Dope is one of the more evolved bands from our genre & time period," says band mastermind Edsel Dope. "Our new single, 'Hold On,' is a great example of this. It sounds like Dope, but it is clearly, very modern, and in no way reflects a band who is stuck in it's past. The hooks are melodic and m

Blood Money uses the same template and players as Alice (released at the same time) and first saw life as an opera production by Robert Wilson. It's Waits's treatment of Georg Buchner's 1837 socio-political play, Woyzek which premiered in 2000 in Copenhagen. It's a dark morality play performed in a style where a barker from a medicine show is mysteriously transported to the Weimar Republic via Tin Pan Alley. Disturbing and delirious when it's not romantic and hilarious, the songs have a much mor

Three friends on a wilderness excursion stumble upon bags of money and suddenly must outrun a white collar criminal hell bent on retrieving his fortune. Soon, greed and mistrust turn the friends against each other as they wage a desperate fight for survival.

William Nack is widely acknowledged as one of the finest sports writers of the past half-century. He has won the prestigious Eclipse Award, given annually for the best magazine piece on horseracing, an unprecedented six times. Laura Hillenbrand, best-selling author of Seabiscuit, recently called his acclaimed biography Secretariat the "gold standard" of horse books. But Nack's "turf" goes far beyond the racetrack.In this, his first collection, Nack's finest horse racing journalism is coupled with his legendary, one-of-a-kind profiles of athletes from Sonny Liston to Formula One driver Alex Zanardi, Rocky Marciano to Rick Pitino, and Keith Hernandez to Willie Shoemaker. And that is not all. From his compelling history of Yankee Stadium, to his inspiring account of Bob Kalsu, the only professional American athlete to die in Vietnam, to his poignant portrait of Cincinnati Reds catcher Willard Hershberger, who, at fifteen, discovered his father dead of a self-inflicted gunshot wound and later committed suicide himself, Nack serves up riveting stories of people and places. He also uncovers some of the dirtiest secrets in sports from the shady world of hit men and greedy owners who hire them to kill their horses for insurance payoffs to weightlifting muscle men, who, while stoked up on steroids, have gone on murderous rampages. Whether writing about famous athletes-human and equine-or weighing in on some of the most controversial events and personalities in sports, William Nack has few equals.

Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films such as Black Christmas (1974), Halloween (1978) and Friday the 13th (1980) in order to claim that these were formulaic, excessively violent exploitation films, fashioned to satisfy the misogynist fantasies of teenage boys and grind house patrons. However, by examining the commercial logic, strategies and objectives of the American and Canadian independents that produced the films and the companies that distributed them in the US, Blood Money demonstrates that filmmakers and marketers actually went to extraordinary lengths to make early teen slashers attractive to female youth, to minimize displays of violence, gore and suffering and to invite comparisons to a wide range of post-classical Hollywood's biggest hits; including Love Story (1970), The Exorcist (1973), Saturday Night Fever (1977), Grease and Animal House (both 1978). Blood Money is a remarkable piece of scholarship that highlights the many forces that helped establish the teen slasher as a key component of the North American film industry's repertoire of youth-market product.

The disappearance of fabulously rich Chicago candy heiress Helen Brach and the suspicious deaths of a string of champion racehorses are linked in a celebrated scandal that has reverberated through every level of the glamorous enclaves of thoroughbred horse breeding.When widowed heiress Helen Brach suddenly disappeared on the morning of February 17, 1977, after a visit to the Mayo Clinic, she left behind a lavender Rolls-Royce, Cadillacs in red, pink, and coral, an eighteen-room mansion, and a fortune now estimated at 75 million. She also left behind a mystery that would tantalize investigators for years.When Assistant U.S. Attorney Steven Miller assigned himself the challenge of solving the Brach case, he never imagined an investigation of the horse world would lead to a charming gigolo named Richard Bailey, who made a career of romancing wealthy women out of huge sums of money, a shadowy figure called The Sandman, who made his living by killing priceless horses so that their owners could collect insurance, and the ghastly murder of three children in 1955.

Sheds light upon crime and punishment among the rich in Houston while probing the circumstances of the sudden death of Joan Hill, the trial for murder of her husband, and subsequent events

NYPD Detective Gray Yates has major trust issues. Protecting a serenely beautiful woman hiding enough secrets to take down an entire city wasn’t something he bargained for. She’s a loving single mother, hot as hell, and protecting her will test every ounce of his resolve. Alex Romano is being blackmailed by the Pyramid—an elusive international organization of assassins every cop in the world is after. When Alex tries severing ties with them they refuse to let her go. The darkly dangerous detective she’s irresistibly drawn to is her only hope of staying out of jail. He just might be her savior...or her downfall. Despite efforts to maintain his professionalism, Gray can’t deny the fiery passion Alex ignites in him. In an explosive confrontation, Alex’s lies are revealed and Gray is faced with the most important decision of his life: trust the woman he’s falling in love with, or arrest her.

Book is in NEW condition. 0.33

A true story of one woman's experiences as a co-owner of a franchise abortion clinic in Dallas, Texas. Everett helps readers see the value of taking a pro-active, pro-life stance against abortion in an attempt to bring America back in line with God's Truth and desires. Demonstrates the life-changing power of the Lord as He gives a one-time abortionist a dynamic pro-life ministry!

William Nack has won the prestigious Eclipse Award-given annually for the best magazine piece on horseracing-an unprecedented six times. His only previous book, Secretariat: The Making of a Champion, has been eloquently described by Laura Hillenbrand, author of Seabiscuit, as the "gold standard" of horse books.Now, Nack's finest turf writing, coupled with an ample assortment of dead-on profiles and investigative stories across the world of sports, is brought together in My Turf. Nack serves up unforgettable portraits: from his celebrated account of the death of Secretariat to his homage to both Yankee Stadium and Saratoga, including one-of-a-kind profiles of boxers Sonny Liston and Rocky Marciano, jockeys Willie Shoemaker and Robbie Davis, baseball players Keith Hernandez and the schizophrenic Martin Bergen, basketball coach Rick Pitino, and the chess master Bobby Fischer.

Inside details of assassination plot from former LBJ attorney.

Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films such as Black Christmas (1974), Halloween (1978) and Friday the 13th (1980) in order to claim that these were formulaic, excessively violent exploitation films, fashioned to satisfy the misogynist fantasies of teenage boys and grind house patrons. However, by examining the commercial logic, strategies and objectives of the American and Canadian independents that produced the films and the companies that distributed them in the US, Blood Money demonstrates that filmmakers and marketers actually went to extraordinary lengths to make early teen slashers attractive to female youth, to minimize displays of violence, gore and suffering and to invite comparisons to a wide range of post-classical Hollywood's biggest hits; including Love Story (1970), The Exorcist (1973), Saturday Night Fever (1977), Grease and Animal House (both 1978). Blood Money is a remarkable piece of scholarship that highlights the many forces that helped establish the teen slasher as a key component of the North American film industry's repertoire of youth-market product.

New York Times bestselling author James Grippando delivers a powerful, nonstop thrill ride ripped from the headlines. Miami criminal defense attorney Jack Swyteck is back in his most frightening case yet, and this time the price of victory is measured in blood.It is the most sensational murder trial since O. J. Simpson's. The nation is obsessed with Sydney Bennett, a sexy nightclub waitress and good-time girl accused of murdering her two-year-old daughter for cramping her party life. When he had agreed to defend Sydney, Jack Swyteck knew he'd be taking on the toughest and most controversial case of his career.Millions of "TV jurors" have convicted Sydney in the court of public opinion.When the shocking verdict of not guilty is announced, citizens across the country are outraged, and Jack is bombarded by the fallout: angry, profanity-laced phone calls and even outright threats. Media-fed rumors of "blood money"—purported seven-figure book and movie deals—ratchet up the hysteria, putting Jack's client and everyone around her at risk.On the night of Sydney's release, an angry mob outside the jail has gathered to serve its own justice. In the frenzy, an innocent young woman bearing a striking resemblance to the reviled Sydney Bennett ends up in a coma. While the media blame Jack and his defense team, the victim's parents reach out to him, requesting his help. They don't believe the attack was the tragic result of random mob violence.Searching for the truth about what happened that night, Jack makes a frightening discovery. Larger and much more powerful forces are working in the shadows, and what happened outside the jail is a symptom of an evil that infected the show-stopping trial and media-spun phenomenon of Sydney Bennett.

It was supposed to be quick, easy, and cheap: the Bush administration promised American taxpayers that Iraqi oil revenues would pay for it all. But thousands of lives and billions of dollars later, the Iraqi reconstruction is an undeniable failure, overrun by staggering corruption, waste, and incompetence. In BLOOD MONEY, "top-flightinvestigative reporter" (Mother Jones) T. Christian Miller reveals how the Bush administration failed to keep its promises and allowed a nation to tumble into chaos. Widely hailed as one of the most important books about the quagmire, BLOOD MONEY is essential reading for anyone who cares about the fate of Iraq, and about America's place in the world.

Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.25

An account of the murder of seventy-four-year-old Elaine Witte describes how her widowed daughter-in-law, Hilma Marie Witte, and Hilma's two teenaged sons murdered Elaine in order to collect her social security checks. Original.

Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 1