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German language. 8.46x5.35x1.97 inches. In Stock.

De 1923 à 1945, Joseph Goebbels écrit, puis dicte son Journal. L’Institut d’histoire contemporaine de Munich en a entamé en 1993 la publication intégrale (29 volumes, en cours). Cette édition française présente cent vingt-sept journées significatives du Journal de Goebbels, entre le 1er janvier 1943 et le 28 mars 1945. Il constitue le premier des quatre volumes à paraître d’ici deux ans. Le projet est mené en collaboration avec l’Institut d’histoire contemporaine de Munich et avec la Fondation pour la mémoire de la Shoah. Les textes ont été choisis conjointement par l’équipe de l’Institut d’histoire contemporaine de Munich et l’historien français Pierre Ayçoberry. Ils livrent un témoignage sur le vif des trois dernières années de la guerre : chute de Stalingrad, déportation des Juifs berlinois (ordonnée par Goebbels), insurrection du ghetto de Varsovie, débarquement de Normandie, complot du 20 juillet 1944, arrivée des Russes aux portes de Berlin... Le Journal de Goebbels est un document historique exceptionnel, à plusieurs titres. Ministre de l’Information et de la Propagande à partir de 1933, Goebbels joue un rôle déterminant dans la mise en scène du régime et dans l’entreprise d’endoctrinement national-socialiste. Responsable de la mobilisation des Allemands, mais aussi de l’administration de Berlin, il est le mieux informé des chefs nazis et révèle ainsi de nombreux rapports secrets. Le journal de Goebbels, intime de Hitler dont il partage jusqu’au bout les options idéologiques, est aussi notre seule source d’informations sur les décisions de Hitler, dont on sait qu’il gouvernait par instructions orales. Le texte est accompagné d’un important appareil critique : introduction générale de Pierre Ayçoberry, présentation des sources et de leur histoire par Horst Möller. Les droits de ce livre sont reversés à la Fondation pour la mémoire de la Shoah.

Hardcover. 9 1/4" X 6 1/4". 910pp. Mild shelf wear to covers, corners, and edges of unclipped dust jacket. Bound in gray paper over boards with spine stamped in red and white. Pages are clean and unmarked. Binding is sound. Text is in German. ABOUT THIS BOOK: As a young man, Joseph Goebbels was a budding narcissist with a constant need of approval. Through political involvement, he found personal affirmation within the German National Socialist Party. In this comprehensive volume, Peter Longerich documents Goebbels' descent into anti-Semitism and ideology and ascent through the ranks of the Nazi party, where he became an integral member Hitler's inner circle and where he shaped a brutal campaign of Nazi propaganda.In life and in his grisly family suicide, Goebbels was one of Hitler's most loyal acolytes. Though powerful in the party and in wartime Germany, Longerich's Goebbels is a man dogged by insecurities and consumed by his fierce adherence to the Nazi cause. Longerich engages and challenges the careful self-portrait that Goebbels left behind in his diaries, and, as he delves deep into the mind of Hitler's master propagandist, Longerich discovers first-hand how the Nazi message was conceived. This complete portrait of the man behind the message is sure to become a standard for historians and students of the holocaust for years to come.(Publisher).

An insightful new biography of Joseph Goebbels, Propaganda Minister of the 'Third Reich' and one of the most important and troubling figures of the twentieth century. The first account to use all of Goebbels' surviving diaries, it sheds new light on his personality, private life and political convictions, as well as his relationship with Hitler.

De 1923 à 1945, Joseph Goebbels écrit, puis dicte son Journal. L’Institut d’histoire contemporaine de Munich en a entamé en 1993 la publication intégrale (29 volumes, en cours). Cette édition française présente cent vingt-sept journées significatives du Journal de Goebbels, entre le 1er janvier 1943 et le 28 mars 1945. Il constitue le premier des quatre volumes à paraître d’ici deux ans. Le projet est mené en collaboration avec l’Institut d’histoire contemporaine de Munich et avec la Fondation pour la mémoire de la Shoah. Les textes ont été choisis conjointement par l’équipe de l’Institut d’histoire contemporaine de Munich et l’historien français Pierre Ayçoberry. Ils livrent un témoignage sur le vif des trois dernières années de la guerre : chute de Stalingrad, déportation des Juifs berlinois (ordonnée par Goebbels), insurrection du ghetto de Varsovie, débarquement de Normandie, complot du 20 juillet 1944, arrivée des Russes aux portes de Berlin... Le Journal de Goebbels est un document historique exceptionnel, à plusieurs titres. Ministre de l’Information et de la Propagande à partir de 1933, Goebbels joue un rôle déterminant dans la mise en scène du régime et dans l’entreprise d’endoctrinement national-socialiste. Responsable de la mobilisation des Allemands, mais aussi de l’administration de Berlin, il est le mieux informé des chefs nazis et révèle ainsi de nombreux rapports secrets. Le journal de Goebbels, intime de Hitler dont il partage jusqu’au bout les options idéologiques, est aussi notre seule source d’informations sur les décisions de Hitler, dont on sait qu’il gouvernait par instructions orales. Le texte est accompagné d’un important appareil critique : introduction générale de Pierre Ayçoberry, présentation des sources et de leur histoire par Horst Möller. Les droits de ce livre sont reversés à la Fondation pour la mémoire de la Shoah.

There is probably no other politician who has exerted so much power over the medium of film as Joseph Goebbels, Propaganda Minister in the Third Reich.

Quite possibly the most dangerous and intelligent member of the Nazi hierarchy, Joseph Goebbels’s flair for propaganda and spectacular organization ensured the fu¨hrer’s rise to power. As founder of the Reich Chamber of Culture, gauleiter of Berlin, and architect of complex machinery of modern totalitarian propaganda, Goebbels is considered one of the most evil figures of the twentieth century. It was through his understanding of the instruments of public enlightenment” that the dictatorship was built and maintained. Through interviews with his friends and family and with information from his own unpublished diary, a remarkable picture of Goebbels emerges.

Chronicles the life of Joseph Goebbel's wife, who rose to the pinnacle of the Nazi hierarchy alongside her husband and who, when the Reich collapsed, committed suicide with him in the Berlin bunker

The Berlin newspaper Der Angriff (The Attack), founded by Joseph Goebbels in 1927, was a significant instrument for arousing support for Nazi ideas. Berlin was the center of the political life of the Weimar Republic, and Goebbels became an actor upon this frenetic stage in 1926, becoming Gauleiter of Berlin's Nazis. Focusing on the period from 1927 to 1933, a time the Nazis later called "the blood years," Russel Lemmons examines how Der Angriff was used to promote support for Nazism. Some of the most important propaganda motifs of the Third Reich first appeared in the pages of Der Angriff. Horst Wessel, murdered by the German Communist Party in 1930, became the archetypal Nazi hero; much of his legend began on the pages of Der Angriff. Other Nazi propaganda themes―the "Unknown SA man" and the "myth of resurrection and return"―made their first appearances in this newspaper. How could the Germans, seemingly among the most cultured people in Europe, hand over their fate to the Nazis? As this book demonstrates, Der Angriff had much to do with the rise of National Socialism in Berlin and the cataclysmic results.

Joseph Goebbels was possibly the most dangerous and intelligent member of the Nazi hierarchy, not excluding Hitler himself. Without Goebbels’ flair for propaganda and spectacular organization the Fuehrer might never have come to power. If Hitler was the Nazi genius of destructive evil, Goebbels was its constructive genius, for it was through his practical and intuitive understanding of the instruments of public enlightenment’ that the dictatorship was built and maintained. As the founder of the Reich Chamber of Culture, the Gauleiter of Berlin and the architect of the complex machinery of modern totalitarian propaganda, Goebbels can be considered one of the most significantly evil and portentous figures of the twentieth century. A remarkable picture emerges of Goebbels’ mind as a schoolboy, student, lover, unsuccessful author and apprentice in political agitation. Interviews with his friends and family shed light on his character as a young man. This book charts the full trajectory of Goebbels’ career, showing him at the apex of his power, a master of oratory, a brilliant and cynical showman and a ruthless administrator. Doctor Goebbels also portrays the man at the end, in the Berlin Bunker, the most devoted of the Fuehrer’s henchmen, committing the last gesture of propaganda of which he was capable: the sacrifice of his life and that of his wife and six children.

Cardinal Joseph Ratzinger, well-known Vatican prelate and head of the Congregation on the Doctrine of the Faith, gives a full-length interview to secular journalist Peter Seewald, on a host of controversial and difficult issues facing Catholicism and Christianity at the end of the millennium. Similar to his best-selling book interview in 1985, The Ratzinger Report, he responds with candor and insight, giving answers that are often surprising and always thought-provoking on a series of wide-ranging topics regarding the present and future state of Christianity. Ratzinger begins by discussing his own life, including his family life, being a theology professor and writer, becoming a Bishop, Cardinal and the Pope's top authority on doctrine. He then discusses the problems of the Catholic Church today and talks about the challenges and hopes of the future of Church and the world at the beginning of the Third Millennium.

A year-long leadership development course, divided into short, weekly lessons, based on Peter Drucker's personal coaching program, previously unpublished material, and selected readings from the management guru's classic works, compiled by his longtime collaborator Joseph A. Maciariello.A Year with Peter Drucker distills the essence of Peter Drucker's personal mentorship program into an easy-to-follow 52-week course, exploring the themes Drucker felt were most important to leadership development, including: Leaders Must Set Sights on the Important and not the Urgent—a key differentiator between a subordinate and a chief. Management is a Human Activity—Process must serve people, in and out of the organization. The Roadmap to Personal Effectiveness—the importance of mission and doing the Right Things not just Getting Things Done. The critical importance of leadership succession especially at top ranks of the organization.Each weekly management meditation includes a lesson and a message or anecdote taken from Drucker's extensive body of work, as well as suggestions for further reading, reflective questions, and quick, easy prompts to help readers incorporate the knowledge they've learned into their daily work.A lifetime of wisdom brilliantly honed into a single essential volume by Drucker's collaborator Joseph A. Maciariello, A Year with Peter Drucker gives both lifelong Drucker fans and young executives now discovering his brilliance an invaluable opportunity to learn directly from the late master.

Haydn, Joseph Concerto No.1 in C Hob.VIIa/1 Instrumentation: Vln-Pf Composer: Haydn, Joseph Editor: Carl Flesch Details: with cadenzas

This artist's book by the influential but deliberately elusive Düsseldorf Conceptual photographer features a series of pictures of a woman putting on her makeup. A peer of Gerhard Richter, Joseph Beuys and Bernd and Hilla Becher, Feldman helped pave the way for artists like Richard Prince, Sherrie Levine and Christopher Williams.

During his years as Prefect of the Congregation for the Doctrine of the Faith, well-known Vatican prelate Joseph Cardinal Ratzinger has given three in-depth interviews. The first two interviews have become best selling books: The Ratzinger Report and Salt of the Earth. Because of the tremendous reception those books received, the Cardinal agreed to do another interview with journalist Peter Seewald, who had done the very popular Salt of the Earth interview. This third in-depth interview addresses deep questions of faith and the living of that faith in the modern world.The interview took place over three full days spent at the Benedictine Abbey of Monte Cassino in a setting of the silence, prayer, and hospitality of the monks. For this meeting with the highly regarded Churchman, theologian, and author, the seasoned journalist, who had fallen away from the faith but eventually returned to the Church, once again provided a very stimulating, well-prepared series of wide-ranging questions on profound issues. The Cardinal responds with candor, frankness and deep insight, giving answers that are sometimes surprising and always thought provoking.

Haydn, Joseph Concerto No.1 in C Hob.VIIa/1 Instrumentation: Vln-Pf Composer: Haydn, Joseph Editor: Carl Flesch Details: with cadenzas

Few musical repertoires have attracted such a convenient and thorough compendium of knowledge." ―Early Music NewsA. Peter Brown has performed an excellent service for devotees of early keyboard music, and for all students of eighteenth-century music... " ―Early Keyboard JournalA. Peter Brown has created a unique compendium, discussing all of Haydn’s works with keyboard, comparing them and placing them in a variety of contexts, historical, social and scholarly." ―Journal of the American Musicological Society... stimulating... a book for which pianists... must be thankful." ―Journal of the American Liszt SocietyHaydn scholar A. Peter Brown offers the first detailed and comprehensive study of the composer’s keyboard works, encompassing the solo sonatas, keyboard trios, accompanied divertimentos, concertos, concertinos, and Klavierstücke.

Essential texts on a legendary twentieth-century artist, including key essays by Benjamin H. D. Buchloh, Rosalind Krauss, Peter Bürger, Thierry de Duve, and others.Twentieth-century artist Joseph Beuys (1921-1986) -- legendary and self-mythologizing, enigmatic and controversial -- remains an important influence on artists today. Beuys embraced radically democratic artistic and political ideas, proclaiming "Everyone is an artist," and advocating direct democracy through referenda. He famously worked with such nontraditional materials as felt, fat, and plants and animals both alive and dead. Beuys and his work -- performance art, drawing, painting, sculpture, installation -- received perhaps the most contentious reception of any postwar artist. This reader brings together the crucial writings on Beuys and his work, presenting key essays by prominent artists and critics from North America and Europe. With a foreword by Arthur C. Danto, "Style and Salvation in the Art of Beuys," Benjamin H. D. Buchloh's now classic 1980 essay, "Beuys, Twilight of the Idol," and influential texts by Vera Frenkel, Thierry de Duve, Rosalind Krauss, Peter Bürger, Irit Rogoff, and others, Joseph Beuys: The Reader is the most significant gathering of critical texts on this challenging artist that has ever been assembled. It will be essential reading for any student of Beuys and for all those interested in postwar art, the cult of the artist, and art's engagement with politics and society. ContributorsJoseph Beuys, Eugen Blume, Benjamin H. D. Buchloh, Peter Bürger, Jean-François Chevrier, Catherine David, Thierry de Duve, Vera Frenkel, Stefan Germer, Rosalind Krauss, Barbara Lange, Dirk Luckow, Claudia Mesch, Viola Michely, Irit Rogoff, Gregory Ulmer, Theodora Vischer, Antje von Graevenitz, Dorothea Zwirner

From one of the most prominent biographers of the Nazi period, a new and provocative portrait of the figure behind the century's worst crimesAcclaimed historian Peter Longerich, author of Goebbels and Heinrich Himmler now turns his attention to Adolf Hitler in this new biography. While many previous portraits have speculated about Hitler's formative years, Longerich focuses on his central role as the driving force of Nazism itself. You cannot separate the man from the monstrous movement he came to embody. From his ascendance through the party's ranks to his final hours as Führer in April 1945, Longerich shows just how ruthless Hitler was in his path to power. He emphasizes Hitler's political skills as Germany gained prominence on the world's stage. Hitler's rise to, and ultimate hold on, power was more than merely a matter of charisma; rather, it was due to his ability to control the structure he created. His was an image constructed by his regime - an essential piece self-created of propaganda. This comprehensive biography is the culmination of Longerich's life-long pursuit to understand the man behind the century's worst crimes.

Heinrich Himmler was an unremarkable looking man. Yet he was Hitler's top enforcer, in charge of the Gestapo, the SS, and the so-called Final Solution. We can only wonder, as biographer Peter Longerich asks, how could such a banal personality attain such a historically unique position of power? How could the son of a prosperous Bavarian Catholic public servant become the organizer of a system of mass murder spanning the whole of Europe?In the first comprehensive biography of this murderous enigma, Longerich answers those questions with a superb account of Himmler's inner self and outward acts. Masterfully interweaving the story of Himmler's personal life and political career with the wider history of the Nazi dictatorship, Longerich shows how skillfully he exploited and manipulated his disparate roles in the pursuit of his far-reaching and grandiose objectives. Himmler's actual strength, he writes, consisted in redrawing every two or three years the master plans for his sphere of power. Himmler expanded that sphere with ruthless efficiency. In 1929, he took the SS-a small bodyguard unit-and swelled it into a paramilitary organization with elite pretensions. By the end of 1934 he had become Reich Chief of the Political Police, and began to consolidate all police power in his own hands. As Germany grabbed neighboring territory, he expanded the Waffen SS and organized the "Germanization" of conquered lands, which culminated in systematic mass murder. When the regime went on the defensive in 1942, Himmler changed his emphasis again, repressing any opposition or unrest. The author emphasizes the centrality of Himmler's personality to the Nazi murder machine-his surveillance of the private lives of his men, his deep resentments, his fierce prejudices-showing that man and position were inseparable. Carefully researchedand lucidly written, Heinrich Himmler is the essential account of the man who embodied Hitler's apparatus of evil.