32 products were found matching your search for Joseph Roth Erdbeeren in 3 shops:

Maintain a positive classroom environment by implementing the tips, suggestions and strategies provided in this teacher resource. With a focus on classroom management, this resource helps teachers support rigorous instruction through topics such as providing a positive learning environment, observing the physical and social classroom environment, handling classroom disruptions and keeping students engaged, communicating with parents and more. This professional development resource provides a perfect way to begin maintaining a positive classroom environment. Book is designed for students attending kindergarten to 12th-grade.

The monumentality of this biographical work further establishes Joseph Roth―with Kafka, Mann, and Musil―in the twentieth-century literary canon.Who would have thought that seventy-three years after Joseph Roth’s lonely death in Paris, new editions of his translations would be appearing regularly? Roth, a transcendent novelist who also produced some of the most breathtakingly lyrical journalism ever written, is now being discovered by a new generation. Nine years in the making, this life through letters provides us with our most extensive portrait of Roth’s calamitous life―his father’s madness, his wife’s schizophrenia, his parade of mistresses (each more exotic than the next), and his classic westward journey from a virtual Hapsburg shtetl to Vienna, Berlin, Frankfurt, and finally Paris.Containing 457 newly translated letters, along with eloquent introductions that richly frame Roth’s life, this book brilliantly evokes the crumbling specters of the Weimar Republic and 1930s France. Displaying Roth’s ceaselessly inventive powers, it finally charts his descent into despair at a time when “the word had died, [and] men bark like dogs.”

The legendary Austro-Hungarian novelist and essayist, Joseph Roth, was born in Ukraine in 1894 and died tragically in Paris in 1939. These letters span the breadth of Roth's life, from his schoolboy years to the veteran of 44, marked by war, poverty, alcoholism, the loss of his wife through madness, and two decades of prolific work. It is a deeply moving portrait of the life of the writer as an outsider; in exile from a world he no longer recognized as his own.

Broche bon etat . Interieur tres propre. Taches jaunatres sur la tranche verticale . Bas du 1er plat corne. 469 pages. 2009. Loin d'oà ?.

RO60082130: 1976. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 237 pages. Quelques annotations dans le texte. Jaquette fortement déchirée. Avec Jaquette. . . Classification Dewey : 430-Langues germaniques. Allemand

This is the first monograph on the work of Joseph Roth (1894-1939) to be published in English by a British-based academic, and should prove useful both to those with a specialized interest in Roth, whose novels and journalism continue to gain admirers around the world, and to those interested more broadly in an extraordinarily rich period in twentieth century European culture. It serves both as an introduction to the early part of a body of work whose variety and volume were for many years overshadowed by the reputation of the historical novel Radetzkymarsch (1932), and as a re-assessment of Roth's writing, both of fiction and of journalism, within the modern tradition. A perceived fragmentation of social, political, cultural and other traditions was a particular concern for Roth, as for many contemporaries, and the thematic chapters present a detailed contextual survey of Roth's intense and often ambivalent engagement with aspects of modern life, including travel, gender, technology, the city, and cinema. Besides assessing the continuities and discontinuities in Roth's attitudes, these chapters examine how his responses to the contemporary world impact upon both the form and content of his writing. The author argues that Roth's writing of the 1920s should be considered modernist not just in its often prescient sensitivity to cultural and political developments, but in its employment of a formal aesthetics and narrative self-consciousness which eventually made possible the illusory wholeness of the later fiction.

1116 Seiten; Zustand geprüft. Sehr gut erhalten FO 256974 Sprache: Deutsch Gewicht in Gramm: 6

Seiten; KiWi - 1. Auf. 1974 : David Bronsen - gb + Su. dick - 9-20-5-L3 OO-ED01-5HH9 Sprache: Deutsch Gewicht in Gramm: 500

1st printing (2001). 291pp. VG/VG copy, tiny nick to half-title fore edge, now preserved in archival jacket protector

Ca. 2000 Seiten ACHTUNG!!! VERSAND ins AUSLAND nur nach vorheriger Absprache, da sich die Portokosten für Warensendungen der Deutschen Post / DHL, bezüglich Auslandssendung, extrem verteuert haben. Die angegebenen Portokosten sind für Büchersendungen bis 999 Gramm berechnet. Bücher die schwerer sind, muss man je nach Zielland neu berechnen. // WATCH OUT!!! SHIPPING ABROAD only after prior agreement, since the postage costs for shipments of goods from Deutsche Post / DHL, regarding international shipments, have become extremely expensive. The postage costs given are calculated for book shipments up to 999 grams. Books that are heavier have to be recalculated depending on the destination country. //// Alle Bücher befindet sich in einem gebrauchten sehr guten Zustand. Die vorhandenen Alters- und Gebrauchsspuren sind nur äußerst gering. Der Schuber ist gering berieben. Rik0615-7Bü Sprache: Deutsch Gewicht in Gramm: 6100

898 pages, a near fine hardback, publisher's original blue cloth binding with gilt lettering to the spine and front cover against black labels, minimal evidence this is from a uk university [3462019937].

New Condition.Clean crisp tight copy, no marks or tears. Email Notification. Satisfaction Guaranteed.

It’s the summer of 1936, and the writer Stefan Zweig is in crisis. His German publisher no longer wants him, his marriage is collapsing, and his house in Austria—searched by the police two years earlier—no longer feels like home. He’s been dreaming of Ostend, the Belgian beach town that is a paradise of promenades, parasols, and old friends. So he journeys there with his lover, Lotte Altmann, and reunites with fellow writer and semi-estranged close friend Joseph Roth, who is himself about to fall in love. For a moment, they create a fragile haven. But as Europe begins to crumble around them, the writers find themselves trapped on vacation, in exile, watching the world burn. In Ostend, Volker Weidermann lyrically recounts “the summer before the dark,” when a coterie of artists, intellectuals, drunks, revolutionaries, and madmen found themselves in limbo while Europe teetered on the edge of fascism and total war.   Ostend is the true story of two of the twentieth century’s great writers, written with a novelist’s eye for pacing, chronology, and language—a dazzling work of historical nonfiction.  (Translated from the German by Carol Brown Janeway)

Book is in NEW condition. 1.74

Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the trauma of World War I included the sudden loss of the geographical entity into which they had been born: in 1918, the empire was dissolved overnight, leaving Austria a small, fragile republic that would last only twenty years before being annexed by Hitler’s Third Reich. In this major reconsideration of European modernism, Marjorie Perloff identifies and explores the aesthetic world that emerged from the rubble of Vienna and other former Habsburg territories—an “Austro-Modernism” that produced a major body of drama, fiction, poetry, and autobiography. Perloff explores works ranging from Karl Kraus’s drama The Last Days of Mankind and Elias Canetti’s memoir The Tongue Set Free to Ludwig Wittgenstein’s notebooks and Paul Celan’s lyric poetry. Throughout, she shows that Austro-Modernist literature is characterized less by the formal and technical inventions of a modernism familiar to us in the work of  Joyce and Pound, Dada and Futurism, than by a radical irony beneath a seemingly conventional surface, an acute sense of exile, and a sensibility more erotic and quixotic than that of its German contemporaries. Skeptical and disillusioned, Austro-Modernism prefers to ask questions rather than formulate answers.

Joseph Roth: Rechts und links. Roman Erstdruck: Gustav Kiepenheuer, Berlin 1929. Vollständige Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2015. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Eugene de Blaas, Die junge Schönheit, 1882. Gesetzt aus Minion Pro, 11 pt.

Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the trauma of World War I included the sudden loss of the geographical entity into which they had been born: in 1918, the empire was dissolved overnight, leaving Austria a small, fragile republic that would last only twenty years before being annexed by Hitler’s Third Reich. In this major reconsideration of European modernism, Marjorie Perloff identifies and explores the aesthetic world that emerged from the rubble of Vienna and other former Habsburg territories—an “Austro-Modernism” that produced a major body of drama, fiction, poetry, and autobiography. Perloff explores works ranging from Karl Kraus’s drama The Last Days of Mankind and Elias Canetti’s memoir The Tongue Set Free to Ludwig Wittgenstein’s notebooks and Paul Celan’s lyric poetry. Throughout, she shows that Austro-Modernist literature is characterized less by the formal and technical inventions of a modernism familiar to us in the work of  Joyce and Pound, Dada and Futurism, than by a radical irony beneath a seemingly conventional surface, an acute sense of exile, and a sensibility more erotic and quixotic than that of its German contemporaries. Skeptical and disillusioned, Austro-Modernism prefers to ask questions rather than formulate answers.

"[Joseph Roth] is now recognized as one of the twentieth century's great writers." ―Anthony Heilbut, Los Angeles Times Book Review The Joseph Roth revival has finally gone mainstream with the thunderous reception for What I Saw, a book that has become a classic with five hardcover printings. Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, The New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty; a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

The wisdom of a lost generation distilled in a bottle of Calvados. At one time an underground hero in the world of journalism, with prose on a par with Tolstoy and Kafka, Joseph Roth now looms large in the pantheon of European literature. Indeed, the last five years have seen a major Roth revival culminating in Report from a Parisian Paradise, a haunting epitaph by the greatest foreign correspondent of his age. An exile in Paris, Roth captured the essence of France in the 1920s and 1930s. From the port town of Marseille to the erotic hill country around Avignon, Report from a Parisian Paradise―superbly translated by Michael Hofmann―paints the sepia-tinted landscapes, enchanting people, and ruthless desperation of a country hurtling toward dissolution. Roth's book is not only a paean to a European order that could no longer hold but also a miraculous and revelatory work of transcendent philosophical clarity. 6 illustrations

The Radetzky March, Joseph Roth's classic saga of the privileged von Trotta family, encompasses the entire social fabric of the Austro-Hungarian Empire just before World War I.