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Journalism is in the middle of sweeping changes in its relationships with the communities it serves, and the audiences for news and public affairs it seeks to address. Changes in technology have blurred the lines between professionals and citizens, partisan and objective bystanders, particularly in the emerging public zones of the blogosphere. This volume examines these changes and the new concepts needed to understand them in the days and years ahead. With contributions from up-and-coming scholars, this collection identifies key issues and paves the way for further research on the role of journalism in today's world. It will appeal to scholars, researchers, and advanced students in journalism, communication, and media studies, and will also be of interest to those in public affairs, political science, and government.

The Online Journalism Handbook has established itself globally as the leading guide to the fast-moving world of digital journalism, showcasing the multiple possibilities for researching, writing and storytelling offered to journalists through new technologies. In this new edition, Paul Bradshaw presents an engaging mix of technological expertise with real world practical guidance to illustrate how those training and working as journalists can improve the development, presentation and global reach of their story through web-based technologies. The new edition is thoroughly revised and updated, featuring: a significantly expanded section on the history of online journalism business models; a new focus on the shift to mobile-first methods of consumption and production; a brand new chapter on online media law written by Professor Tim Crook of Goldsmiths, University of London, UK; a redeveloped section on interactivity, with an introduction to coding for journalists; advice on the journalistic uses of vertical video, live video, 360 and VR. The Online Journalism Handbook is a guide for all journalism students and professional journalists, as well as being of key interest to digital media practitioners.

This book explores tensions surrounding news media coverage of Indigenous environmental justice issues, identifying them as a fruitful lens through which to examine the political economy of journalism, American history, human rights, and contemporary U.S. politics. The book begins by evaluating contemporary American journalism through the lens of "deep media", focusing especially on the relationship between the drive for profit, professional journalism, and coverage of environmental justice issues. It then presents the results of a framing analysis of the Standing Rock movement (#NODAPL) coverage by news outlets in the USA and Canada. These findings are complemented by interviews with the Standing Rock Sioux Tribe, whose members provided their perspectives on the media and the pipeline. The discussion expands by considering the findings in light of current U.S. politics, including a Trump presidency that employs "law and order" rhetoric regarding people of color and that often subjects environmental issues to an economic "cost-benefit" analysis. The book concludes by considering the role of social media in the era of "Big Oil" and growing Indigenous resistance and power. Examining the complex interplay between social media, traditional journalism, and environmental justice issues, Journalism, Politics, and the Dakota Access Pipeline: Standing Rock and the Framing of Injustice will be of great interest to students and scholars of environmental communication, critical political economy, and journalism studies more broadly.

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Journalism: Yesterday and Today Journalism: Yesterday & Today - DVD 883629227016

Journalism (Made Simple Books) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

A first for the world's greatest cartoon reporter, a collection of journalism, including articles on the American military in Iraq that have never been published in the United States Over the past decade, Joe Sacco, "our moral draughtsman" (Christopher Hitchens), has increasingly turned to short-form comics journalism to report from the sidelines of wars around the world. Collected here for the first time, Sacco's darkly funny, revealing reportage confirms his standing as one of the foremost war correspondents working today.In "The Unwanted," Sacco chronicles the detention of Saharan refugees who have washed up on the shores of Malta; "Chechen War, Chechen Women" documents the trial without end of widows in the Caucasus; and "Kushinagar" goes deep into the lives of India's untouchables, who are hanging "onto the planet by their fingernails." Other pieces take Sacco to the smuggling tunnels of Gaza; the trial of Milan Kovacevic, Bosnian warlord, in The Hague; and the darkest chapter in recent American history, Abu Ghraib. And on a mission with American troops―pieces never published in the United States―he confronts the misery and absurdity of the war in Iraq.Among Sacco's most mature, accomplished work, Journalism demonstrates the power of our premier cartoonist to chronicle human experience with a force that often eludes other media.

This book teaches students that essential historical literacy, providing a full overview of how changes in the ownership, emphasis, and technologies of journalism in Britain have been motivated by social, economic, and cultural shifts among readerships and markets. Covering journalism′s enduring questions – political coverage, the influence of advertising, the sensationalization of news coverage, the popular market and the economic motives of the owners of newspapers – this book is a comprehensive, articulate, and rich account of how the mediascape of modern Britain has been shaped. 

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The complaint is all too common: I know something about that, and the news got it wrong.  Why this should be, and what it says about the relationship between journalism and truth, is exactly the question that is at the core of Tom Goldstein’s very timely book.              Other disciplines, Goldstein tells us, have clear protocols for gathering evidence and searching for truth.  Journalism, however, has some curious conventions that may actually work against such a goal.  Looking at how journalism has changed over time--and with it, notions about accuracy and truth in reporting—Goldstein explores how these long-standing and ultimately untrustworthy conventions developed.  He also examines why reliable standards of objectivity and accuracy are critical not just to a free press but to the democratic society it informs and serves.  From a historical overview to a reconsideration of a misunderstood book about journalism (The Journalist and the Murderer) to a reflection on the coverage of the war in Iraq, his book offers a remarkably wide-ranging and thought-provoking account of how journalism and truth work—or fail to work—together, and why it matters.

Journalism, Gender and Power revisits the key themes explored in the 1998 edited collection News, Gender and Power. It takes stock of progress made to date, and also breaks ground in advancing critical understandings of how and why gender matters for journalism and current democratic cultures. This new volume develops research insights into issues such as the influence of media ownership and control on sexism, women’s employment, and "macho" news cultures, the gendering of objectivity and impartiality, tensions around the professional identities of journalists, news coverage of violence against women, the sexualization of women in the news, the everyday experience of normative hierarchies and biases in newswork, and the gendering of news audience expectations, amongst other issues. These issues prompt vital questions for feminist and gender-centred explorations concerned with reimagining journalism in the public interest. Contributors to this volume challenge familiar perspectives, and in so doing, extend current parameters of dialogue and debate in fresh directions relevant to the increasingly digitalized, interactive intersections of journalism with gender and power around the globe. Journalism, Gender and Power will inspire readers to rethink conventional assumptions around gender in news reporting―conceptual, professional, and strategic―with an eye to forging alternative, progressive ways forward.

Closely organized around the Society of Professional Journalists' code of ethics—the news industry's widely accepted "gold standard" of journalism principles—this updated edition uses real-life case studies to demonstrate how journalism students and professionals can identify and reason through ethical dilemmas. Stressing the cross-platform viability of basic ethical principles, this study features a wide selection of case studies penned by professional journalists—including several new additions—that offer examples of thoughtful, powerful, and principled reporting. Cases where regrettable decisions have taught important lessons are also included, providing a new template for analyzing moral predicaments. Examining the similarities and differences between media law and media ethics, this revised edition includes chapters such as "Seek Truth and Report It," "Minimize Harm," "Act Independently," and "Be Accountable." Describing the basic connection between ethical journalism and excellent journalism, this is a lively, succinct, and accessible discussion of how this type of reporting can be morally upheld in the present day, regardless of medium or platform.

  The fourth edition of Journalism Next is updated with the latest technological innovations and media industry transformations, ensuring that Mark Briggs’ proven guide for leveraging digital technology to do better journalism keeps pace with ongoing changes in the media landscape. To keep ahead and abreast of these ever-evolving tools and techniques, Briggs offers practical and timely guidance for both the seasoned professional looking to get up to speed and the digital native looking to root their tech know-how in real journalistic principles.

Edward Snowden's release of classified NSA documents exposed the widespread government practice of mass surveillance in a democratic society. The publication of these documents, facilitated by three journalists, as well as efforts to criminalize the act of being a whistleblower or source, signaled a new era in the coverage of national security reporting. The contributors to Journalism After Snowden analyze the implications of the Snowden affair for journalism and the future role of the profession as a watchdog for the public good. Integrating discussions of media, law, surveillance, technology, and national security, the book offers a timely and much-needed assessment of the promises and perils for journalism in the digital age.Journalism After Snowden is essential reading for citizens, journalists, and academics in search of perspective on the need for and threats to investigative journalism in an age of heightened surveillance. The book features contributions from key players involved in the reporting of leaks of classified information by Edward Snowden, including Alan Rusbridger, former editor-in-chief of The Guardian; ex-New York Times executive editor Jill Abramson; legal scholar and journalist Glenn Greenwald; and Snowden himself. Other contributors include dean of Columbia Graduate School of Journalism Steve Coll, Internet and society scholar Clay Shirky, legal scholar Cass Sunstein, and journalist Julia Angwin. Topics discussed include protecting sources, digital security practices, the legal rights of journalists, access to classified data, interpreting journalistic privilege in the digital age, and understanding the impact of the Internet and telecommunications policy on journalism. The anthology's interdisciplinary nature provides a comprehensive overview and understanding of how society can protect the press and ensure the free flow of information.

The public, James Carey famously wrote, is the “god-term” of journalism, “the term without which the entire enterprise fails to make sense.” In the last thirty years, scholars have made great progress in understanding just what this means. In this much-needed new book, leading scholar David Ryfe takes readers on a journey through the literature that explores this most important of relationships. He discusses how and why journalism first emerged in the United States, and why journalism everywhere shares a family resemblance but is nowhere practised in precisely the same way. He goes on to explain why journalists have such difficulty talking about the business aspects of their profession, and explores the boundaries of the field's collective imagination. Ryfe looks at the nature of change in journalism, providing sketches of its possible futures. Ultimately, he argues that the public is a keyword for journalism because it is impossible to understand the practice without it. This rich and insightful guide will prove indispensable for anyone interested in understanding the practice of journalism.

Journalism Today, 6th Edition contains a large amount of new material that deals with the Information Age. With the enormous impact of the Internet on journalism and the world, it becomes a must for students to understand the relationship between technology and journalism. Journalism Today offers students insight into the journalism process. This text deals with interviewing, story leads, staff organization, school newspapers, ethical and legal concerns, and many more engaging topics.

Traditional news values no longer hold: infotainment has the day. Journalism is in a terminal state of decline. Or so some contemporary commentators would argue. Although there has been a great diversity in format and ownership over time, Conboy demonstrates the surprising continuity of concerns in the history of journalism. Questions of political influence, the impact of advertising, the sensationalisation of news coverage, the 'dumbing down' of the press, the economic motives of newspaper owners - these are themes that emerge repeatedly over time and again today. In this book, Martin Conboy provides a history of the development of newspapers, periodicals and broadcast journalism which enables readers to engage critically with contemporary issues within the news media; outlines the connections, as well as the distinctions, across historical periods; spans the introduction of printed news to the arrival of the 'new' news media; demonstrates how journalism has always been informed by a cultural practices broader and more dynamic than the simple provision of news By situating journalism in its historical context, this book enables students to more fully understand the wide range of practices which constitute contemporary journalism. As such it will be an essential text for students of journalism and the media.

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