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"This is the story of J.R.R. Tolkien, an ordinary man with an extraordinary imagination who became one of the world's most beloved authors"--Front jacket flap.

JRR Pedals Janice The Janice is a natural, transparent drive pedal that sounds like an extension of your amp. It is a modified version of the Vemu...

JRR Pedals TS-809 The TS-809 is inspired by the Analogman Silver Modded Tube Screamer . It takes the beloved Tube Screamer sound and adds clarity...

Triangle or Ram's Head? Get both.The Ram Triangle puts two of the most sought after fuzz pedals together in a single package: the Triangle Big Muff...

TONE WEAL AT-1 OverDrive Tone Weal AT-1 - The AT-1 is designed to emulate that "hard to get" crunchy blues tone from a good guitar amp. The mid...

10th ANNIVERSARY SERIES We all know the classic tones of The Police or laying down those killer funk lines, tearing it up with our double stop...

The AFX Delay is an essential stompbox designed specifically for the acoustic guitarist. It features eight delay presets created from two high-qual...

The TS-809 is inspired by the Analogman Silver Modded Tube Screamer . It takes the beloved Tube Screamer sound and adds clarity and a professional...

JRR Pedals OD1.3 The OD1.3 is inspired by the Fulltone OCD 1 Series 3, sometimes called the "Rico" edition. The OCD 1 Series 3 featured a meati...

Here we have for sale this used JRR Pedals GeSi Face. It is in excellent cosmetic condition and proper functioning condition. The product box is in...

This is not only a masterpiece because of its popularity but also an outstanding example of excellent craftsmanship in bookbinding and illustration. A real treasure!

A new death for the old world, winds of industrial change that gust across green hills and dales, machines and callous hearts that dig deep into the ecosystems of Earth as trees crash upon the shrinking forest floors and ecological devastation is visited upon the land. This is the darkest hour of Middle-earth as presented in J.R.R. Tolkien's The Lord of the Rings - how curiously all of this resembles our reality, and the environmental crisis that threatens the modern world... This new study, in a clear and engaging tone, explores and unfolds the environmental dimension of Tolkien's work and worldview, not only in terms of the themes observable in his masterwork The Lord of the Rings, but also across his wider fiction, essays and private papers. With discerning recourse to the work of leading ecologists and eco-thinkers, this book argues that Tolkien - in his unfolding narratives of machine against nature, where regimes of power ruthlessly move against the land - holds up a mirror to the ecological crisis of the primary world and offers a vivid depiction of (and thus a warning against) where the reckless abandonment of concern for the green face of the planet may lead. Tolkien, Campbell argues, by virtue of his consistent adherence to such striking and compelling environmental themes, was a visionary defender of nature who, before the emergence of any organised Green Movement, may have anticipated the scale of the environmental emergency that was yet to dawn. In the exploration of Tolkien's green themes and the critical analysis of his tales of Middle-earth and wider fiction, Campbell re-evaluates Tolkien as a contemporary writer, and offers new insights into Tolkien's work and new perspectives on the literature of the fantastic.

The standard hardcover edition of the second volume of The Lord of the Rings includes a large format fold-out map. Frodo and his Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in a battle in the Mines of Moria. And Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape, the rest of the company was attacked by Orcs. Now they continue the journey alone down the great River Anduin -- alone, that is, save for the mysterious creeping figure that follows wherever they go.

A new death for the old world, winds of industrial change that gust across green hills and dales, machines and callous hearts that dig deep into the ecosystems of Earth as trees crash upon the shrinking forest floors and ecological devastation is visited upon the land. This is the darkest hour of Middle-earth as presented in J.R.R. Tolkien's The Lord of the Rings - how curiously all of this resembles our reality, and the environmental crisis that threatens the modern world... This new study, in a clear and engaging tone, explores and unfolds the environmental dimension of Tolkien's work and worldview, not only in terms of the themes observable in his masterwork The Lord of the Rings, but also across his wider fiction, essays and private papers. With discerning recourse to the work of leading ecologists and eco-thinkers, this book argues that Tolkien - in his unfolding narratives of machine against nature, where regimes of power ruthlessly move against the land - holds up a mirror to the ecological crisis of the primary world and offers a vivid depiction of (and thus a warning against) where the reckless abandonment of concern for the green face of the planet may lead. Tolkien, Campbell argues, by virtue of his consistent adherence to such striking and compelling environmental themes, was a visionary defender of nature who, before the emergence of any organised Green Movement, may have anticipated the scale of the environmental emergency that was yet to dawn. In the exploration of Tolkien's green themes and the critical analysis of his tales of Middle-earth and wider fiction, Campbell re-evaluates Tolkien as a contemporary writer, and offers new insights into Tolkien's work and new perspectives on the literature of the fantastic.

If you are a "fan" of the fantasy books by Tolkien, C.S.Lewis, Charles Williams or Chesterton, then this is a book worth reading. It is a collection of essays by various authorities in literature, myth and theology. A couple of the contributors were acquainted with either Tolkien or Lewis. The central thesis running through this collection of essays is that mythic symbols found in folk-tales and religious rituals, all express a common, fundamental human yearning for healing and a return to a "lost paradise". The essayists draw on insights from religious phenomenology, Jungian analysis, Christian theology and literary interpretation to tease out the potent mythic symbols found in the writings of Tolkien, Lewis, Chesterton and Williams. Lewis, Williams and Tolkien were associated with one another as drinking partners in an informal literary club known as The Inklings. The essayists "test" their thesis about the power of myth to reveal our search for meaning through the novels of the Inklings. The essayists take us a step further to consider the Christian world-view that informed and shaped the writings of Tolkien, Lewis, Williams and Chesterton. Although a couple of the essays are slightly "dated", any one interested in fantasy literature would find the thesis very absorbing. It should be useful not merely to students of english literature but also to the general reader who might like to know more about the backdrop to The Lord of the Rings, Narnia, etc. Certainly a book to add to your list for reading if you enjoyed the novels!

From the 1910s to the 1970s, author and linguist J. R. R. Tolkien worked at creating plausibly realistic languages to be used by the creatures and characters in his novels. Like his other languages, Sindarin was a new invention, not based on any existing or artificial language. By the time of his death, he had established fairly complete descriptions of two languages, the "elvish" tongues Quenya and Sindarin. He was able to compose poetic and prose texts in both, and he also constructed a lengthy sequence of changes for both from an ancestral "proto-language," comparable to the development of historical languages and capable of analysis with the techniques of historical linguistics.In A Gateway to Sindarin, David Salo has created a volume that is a serious look at an entertaining topic. Salo covers the grammar, morphology, and history of the language. Supplemental material includes a vocabulary, Sindarin names, a glossary of terms, and an annotated list of works relevant to Sindarin. What emerges is an homage to Tolkien's scholarly philological efforts.

"It is precisely against the darkness of the world that comedy arises, and it is best when that is not hidden." With these words Tolkien replied to Rayner Unwin's comments upon first reading Book 1 of Lord of the Rings. Rayner had not commented on the comedy of Book 1 but on the overpowering effect of "the struggle between darkness and light", as he put it, and that omission disappointed Tolkien. If this was the response of Tolkien's famous first reviewer, it is not surprising that academic studies have also tended to overlook or disregard both the presence of humour in Tolkien's work and the effect of his work to inspire humour in readers' and artists' responses. Laughter in Middle-earth: Humour in and around the Works of JRR Tolkien more than compensates for this critical oversight. From onomastic studies and parody, to historical, literary, and social contexts, a history of illustrations, textual interpretations, heroic forms of defiant laughter, and then to a reminiscence of the Inklings' tastes in humour, these scholarly articles analyse the broad range of comedy which arises against the darkness of the world in Tolkien's narratives. As well, interspersed between these studies are numerous comic illustrations, some of which appear in print for the first time, from well-known Tolkien illustrators. As Eru is reported saying, in a typically egregious internet appropriation of Tolkien, "There is no joke that hath not its uttermost source in me." This book demonstrates that humour is truly a significant aspect of Middle-earth and its influences. Eru, like Tolkien himself, could, indeed laugh.

"It is precisely against the darkness of the world that comedy arises, and it is best when that is not hidden." With these words Tolkien replied to Rayner Unwin's comments upon first reading Book 1 of Lord of the Rings. Rayner had not commented on the comedy of Book 1 but on the overpowering effect of "the struggle between darkness and light", as he put it, and that omission disappointed Tolkien. If this was the response of Tolkien's famous first reviewer, it is not surprising that academic studies have also tended to overlook or disregard both the presence of humour in Tolkien's work and the effect of his work to inspire humour in readers' and artists' responses. Laughter in Middle-earth: Humour in and around the Works of JRR Tolkien more than compensates for this critical oversight. From onomastic studies and parody, to historical, literary, and social contexts, a history of illustrations, textual interpretations, heroic forms of defiant laughter, and then to a reminiscence of the Inklings' tastes in humour, these scholarly articles analyse the broad range of comedy which arises against the darkness of the world in Tolkien's narratives. As well, interspersed between these studies are numerous comic illustrations, some of which appear in print for the first time, from well-known Tolkien illustrators. As Eru is reported saying, in a typically egregious internet appropriation of Tolkien, "There is no joke that hath not its uttermost source in me." This book demonstrates that humour is truly a significant aspect of Middle-earth and its influences. Eru, like Tolkien himself, could, indeed laugh.

Compact Disc. JRR Tolkiens legacy of short stories which inhabit the realm of The Hobbit, The Lord of the Rings and The Silmarillion, on CD for the first time. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Lord of the Rings with a whole collection of background and new stories from the twentieth centurys most acclaimed popular author.The book concentrates on the realm of Middle-earth and comprises such elements as Gandalfs lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End, the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand, and an exact description of the military organization of the Riders of Rohan.Unfinished Tales also contains the only story about the long ages of Numenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantiri and the legend of Amroth. The tales were collated and edited by JRR Tolkiens son and literary heir, Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his fathers writings. JRR Tolkiens legacy of short stories which inhabit the realm of The Hobbit, The Lord of the Rings and The Silmarillion, on CD for the first time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Oversized illustrated hardback edition of the second part of JRR Tolkien's epic masterpiece, The Lord of the Rings, fully reset and featuring full-page watercolour paintings by award-winning artist, Alan Lee. Celebrated Tolkien artist Alan Lee's lavishly illustrated volume tells the story of Frodo and the Companions of the Ring who have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in the battle with an evil spirit in the Mines of Moria; and at the Falls of Rauros, Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape the rest of the company were attacked by Orcs. Now they continue their journey alone down the great River Anduin -- alone, that is, save for the mysterious creeping figure that follows wherever they go.