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This second volume of the three-volume catalogue raisonné, published in reverse-chronological order, features paintings made by Jörg Immendorff (1945–2007) between 1984 and 1998. Each painting is illustrated and accompanied by a commentary and documentation of the work’s provenance.

In his youth, J rg Immendorff was an assistant at Joseph Beuys's legendary performance How to Explain Pictures to a Dead Hare. As he describes here in an interview with Hans Ulrich Obrist, when Beuys complied with his dealer's request to rearrange the stage for commercial reasons ('I need the stuff we can sell at the front.'), Immendorff stuck a red dot on Beuys's vest, the international sign that a work has sold, and in this case the scarlet letter of the sellout. Immendorff remains as politically and personally engaged today. Male Lago, a gigantic scrapbook and portfolio almost three-and-a-half inches thick and weighing in at 880 pages, tracks his work from its earliest and most political days through to his recent paintings and quietly wry brass monkeys.

This second volume of the three-volume catalogue raisonné, published in reverse-chronological order, features paintings made by Jörg Immendorff (1945–2007) between 1984 and 1998. Each painting is illustrated and accompanied by a commentary and documentation of the work’s provenance.

Book is in NEW condition. 2.52

128 pages. German language. 8.23x5.04x0.71 inches. In Stock.

Used. Very Good conditions. May have soft reading marks and name of the previous owner.

Verdi: Das Wahre erfinden, Eine Hoerbiografie von Joerg Handstein Verdi / Wachtveitl / Stockerl / Amberger / Hieden - CD 4035719009040

Now in hardcover! The Philly Joe Jones Solo book, transcribed by Joerg Eckel. 380 pages of master jazz drummer Philly Joe Jones solos, meticulously...

From one of the world's leading authorities on the subject, an innovative and comprehensive account of religion in the ancient Roman and Mediterranean worldIn this ambitious and authoritative book, Jörg Rüpke provides a comprehensive and strikingly original narrative history of ancient Roman and Mediterranean religion over more than a millennium―from the late Bronze Age through the Roman imperial period and up to late antiquity. While focused primarily on the city of Rome, Pantheon fully integrates the many religious traditions found in the Mediterranean world, including Judaism and Christianity. This generously illustrated book is also distinguished by its unique emphasis on lived religion, a perspective that stresses how individuals’ experiences and practices transform religion into something different from its official form. The result is a radically new picture of both Roman religion and a crucial period in Western religion―one that influenced Judaism, Christianity, Islam, and even the modern idea of religion itself.Drawing on a vast range of literary and archaeological evidence, Pantheon shows how Roman religion shaped and was shaped by its changing historical contexts from the ninth century BCE to the fourth century CE. Because religion was not a distinct sphere in the Roman world, the book treats religion as inseparable from political, social, economic, and cultural developments. The narrative emphasizes the diversity of Roman religion; offers a new view of central concepts such as “temple,” “altar,” and “votive”; reassesses the gendering of religious practices; and much more. Throughout, Pantheon draws on the insights of modern religious studies, but without “modernizing” ancient religion.With its unprecedented scope and innovative approach, Pantheon is an unparalleled account of ancient Roman and Mediterranean religion.

Calling all vegans: it’s your turn at the grill!BBQ, make way for VBQ: smoky, succulent, and completely plant–based barbecued fare. Nadine Horn and Jörg Mayer have transformed the art of grilling into a veggie lover’s feast—complete with Grilled Bok Choy and Peppered Tofu Steak and everything in between. Here are over 80 recipes to satisfy every craving for food that’s fresh and fiery: BBQ classics: Eggplant Hot Dogs, Cauliflower Cutlets, Pulled Mushrooms SandwichesSavory sides and sauces: Crunchy Coleslaw, Grilled Potato Salad, Cashew Sour CreamGlobal inventions: Eggplant Gyros, Tandoori Tofu Skewers, Vietnamese Pizza  Over 100 mouth–watering photos prove it: VBQ takes everything you love about BBQ and adds a kick of color, creativity, and flavor. Plus, Horn and Mayer’s illustrated guide to tools and techniques takes the guesswork out of using a chimney starter, getting the perfect char on your asparagus and tofu, and more. You’ll be a vegan pitmaster in no time!

This CD is a MUST for previous attendees of the Blues & Boogie Piano Summit, and for folks that have never witnessed the event: two grand pianos, a stellar rhythm section and an OUTSTANDING representation of piano styles: JOERG HEGEMANN (Germany), possessing grace, power and the spirit of Albert Ammons (one of the pioneers of boogie woogie); STEPHANIE TRICK (St.Louis), a prodigious master of stride a la Fats Waller & James P. Johnson; ROB RIO (Los Angeles) bringing fun and a bawdy good time with

The South German/Austrian branch of the Anabaptist family was unique in its mystical origins, spiritualist emphases, fascination with the end times, and communal forms of Anabaptism. These newly translated sources--from influential pre-Anabaptist writings by Jörg Haugk von Jüchsen and Hans Hergot, through writings of Hans Hut and confessions of Ambrosius Spitelmaier in the 1520s, to the experiences of the Hutterite missionary Hans Schmidt in 1590--shed light on this part of the Anabaptist world. The collection includes testimonies of Anabaptist leaders, writings by Protestant clerics, and testimonies and hymns from Anabaptist women including Katharina Hutter and Helena von Freyberg.

In The German Public and the Persecution of the Jews, editor Joerg Wollenberg examines the painful question of the extent to which the German public was aware of Nazi persecution of the Jews. By weaving together eyewitness reports of Reichskristallnacht, this "night of arson, terror, and destruction" of November 9, 1938, with interpretive essays by contemporary scholars, he constructs an eerie insider look at a gruesome event.Written in stark, almost conversational tones, the eyewitness testimony of Jews, half-Jews, and non-Jews is both moving and horrifying. The first-person narratives of the non-Jews document how impossible it was not to know what was happening on Reichskristallnacht and how painful it is years later to deal with repression and denial. The victims whose accounts are included here struggle with the subjectivity of their childhood memories, filling gaps with adult verification and continuing to agonize about distrust of their record.The text is arranged in two parts: first the eyewitness accounts from Nuremberg of the events of November 1938; then a section containing analyses of policies, behavior, and events as they were directed at the Jews during the Third Reich.

Neu -Schon als Junge war Tieck ein Bücherfresser par excellence. Und seine eigene Phantasie schlug wilde Volten. Der Fremde, Der Psycholog, Liebeszauber, Der Runenberg und ähnlich heißen seine frühen Geschichten, die freilich kaum jemand kennt. Ein großer Fehler, sagen Jörg Bong und Roland Borgards - und liefern zu Tiecks 250. Geburtstag eine brillante Auswahl davon. Sie erzählen zudem in kurzen Zwischentexten vom Genie ihres Erfinders. Tiecks Erzählungen haben bis heute nichts von ihrer mitreißenden Intensität verloren. Denn sie haben es in sich: Tieck entwickelt darin Arten des Erzählens, die bis heute bestimmend geblieben sind, von der Literatur über das Kino bis zur Netflix-Serie, im Dreiklang von Comedy, Horror und Fantasy. 288 pp. Deutsch

The South German/Austrian branch of the Anabaptist family was unique in its mystical origins, spiritualist emphases, fascination with the end times, and communal forms of Anabaptism. These newly translated sources--from influential pre-Anabaptist writings by Jörg Haugk von Jüchsen and Hans Hergot, through writings of Hans Hut and confessions of Ambrosius Spitelmaier in the 1520s, to the experiences of the Hutterite missionary Hans Schmidt in 1590--shed light on this part of the Anabaptist world. The collection includes testimonies of Anabaptist leaders, writings by Protestant clerics, and testimonies and hymns from Anabaptist women including Katharina Hutter and Helena von Freyberg.

Jörg Frey has devoted decades of his scholarly career to exploring the rich landscape of John’s Gospel. Frey chronicles the results of this work in The Glory of the Crucified One, demonstrating how the Gospel sits at the very heart of the New Testament witness.Frey begins by locating his approach to the Gospel in relation to five classic ways John has been interpreted (Part 1) and by offering a summary of the results of his own interpretation, in which Frey argues that the Gospel forms the apex of New Testament theology (Part 5). In between, Frey first untangles several problems, such as questions of anti-Judaism, dualism, and docetism, that are characteristic of any discussion of John’s Gospel (Part 2). From there, he focuses attention on the weighty events that, for John, form the crucial "hour" of Jesus―the death, resurrection, and glorification of Christ (Part 3). Frey then builds on this central theme to explore the Christology and theology of John (Part 4). The Glory of the Crucified One underscores the central message Frey sees in the Gospel: "John’s post-Easter memory (anamnesis) of the Jesus story aims at communicating that Jesus, who was crucified, has actually been glorified and is present in the realm of God, and in spite of his apparent absence from this world he is present in the community of believers through the Spirit."For John, according to Frey, there is no concealment of the cruel reality of Jesus’ death on the cross. The narrative of Jesus’ trial and his crucifixion deliberately shapes its readers’ perception of the truth of faith visualized in John’s narration. In the end, readers should contemplate the "pierced," crucified one as the source of their life and their communion with God.

Parkett 81 features Christian Jankowski, Cosima von Bonin and Ai Weiwei. Texts on German-born Jankowski are by Cay Sophie Rabinowitz, Jörg Heiser and Harald Falckenberg--who sees the artist as a sort of chameleon: a blend of "actor, performer, magician, seducer, thief, knave, and charlatan." Cologne-based cult figure Cosima von Bonin, "expresses control, domination, subordination, and freindship" in her large-scale stuffed animal sculptures and colorful wall-hung fabric collages, according to Bennett Simpson, who writes along with Dirk von Lowtzow and Diedrich Diederichsen. Ai Weiwei--celebrated internationally for his mutant table and bicycle sculptures and collaborative urban architectural projects--is discussed in this issue by Philip Tinari, Jaques Herzog and Charles Merewether. Other contributions by Thomas Eaton, Jan Verwoert, Christian Scheidemann, Jeremy Sigler, Tim Griffin, Jennifer Higgie, Heimo Zobernig, Nico Baumbach, Adam Sczymczyk and Ulla von Brandenburg.

German painter Jörg Immendorff, who died in 2007, used his drawings as a way of thinking out ideas. These works--many of which are unknown--are extremely significant to his oeuvre. This volume contextualizes this under-examined facet of Immendorff's practice.

Jörg R. J. Schirra investigates the data structure "image", its components, and its application conditions, and elaborates the very foundations of computational visualistics as a unique and homogeneous field of research. He also closely examines the theory of pictures in general and the definition of pictures as perceptoid signs in particular.

Armanism and Ariosophy are the names of ideological systems of an esoteric nature, pioneered by Guido von List and Jörg Lanz von Liebenfels respectively. The term 'Ariosophy', meaning wisdom concerning the Aryans, was first coined by Lanz von Liebenfels and became the label for his doctrine. Various schools of esotericism in Germany and Austria have existed, including more recently, various modern systems of runic magic.