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Ernst Jünger - A Portrait is a book about Ernst Jünger (1895-1998), Germany's greatest author since Goethe. This is a popular Jünger biography for the English speaking world, a personal portrait painted by an avid Jünger reader. The book starts out with a thorough biography of Jünger's life. Then the author examines the controversial aspects of the man, and discusses Jünger's role as an outsider, mentioning  the reception of his works in the modern post-war era. After examining Jünger's books on war, the author proceeds to describe Jünger's other literary works such as The Adventurous Heart, On the Marble Cliffs, Heliopolis, and Eumeswil. Moreover, there are chapters on Jünger's perception of art, history, and philosophy. There are also sections on Jünger as a Science Fiction author, and comparisons between Jünger and other authors, both dead and living. In the introduction to Ernst Jünger - A Portrait the author states that: "My aim in this study has been to look at what Jünger represents rather than at what he is, in this respect striving to highlight the fruitful aspects of his work, the neglected sides such as the esotericism and the idealism, the vitalism and the life-affirming traits. At the same time I don't deny that Jünger in the 20s was a radical nationalist dealing with fire; I have chapters covering that too. Wishing to write a book that's simple and hands-on I sport "simple but not facile" as my ideal." About the Author: Born in the north of Sweden in 1965, Lennart Svensson took a BA in Indology in Uppsala 1998. While working as a freelance writer he published the novels Antropolis and Camouflage. Ernst Jünger - A Portrait is his debut in English.

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Ernst J�nger: Between the Gods and the Titans 0.53

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Ernst Junger: Guerra Tecnica Y Fotografia

A Dubious Past examines from a new perspective the legacy of Ernst Jünger (1895-1998), one of the most fascinating figures in twentieth-century German intellectual life. From the time he burst onto the literary scene with The Storms of Steel in the early 1920s until he reached Olympian age in a reunited Germany, Jünger's writings on a vast range of topics generated scores of controversies. In old age he became a cultural celebrity whose long life mirrored the tragic twists and turns of Germany's most difficult century.Elliot Neaman's study reflects an impressive investigation of published and unpublished material, including letters, interviews, and other media. Through his analysis of Jünger's work and its reception over the years, he addresses central questions of German intellectual life, such as the postwar radical conservative interpretation of the Holocaust, divided memory, German identity, left and right critiques of civilization, and the political allegiances of the German and European political right. A Dubious Past reconceptualizes intellectual fascism as a sophisticated critique of liberal humanism and Marxism, one that should be seen as coherent and―for a surprising number of contemporary intellectuals―all too attractive.

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Written in 1932, just before the fall of the Weimar Republic and on the eve of the Nazi accession to power, Ernst Jünger’s The Worker: Dominion and Form articulates a trenchant critique of bourgeois liberalism and seeks to identify the form characteristic of the modern age. Jünger’s analyses, written in critical dialogue with Marx, are inspired by a profound intuition of the movement of history and an insightful interpretation of Nietzsche’s philosophy. Martin Heidegger considered Jünger “the only genuine follower of Nietzsche,” singularly providing “an interpretation which took shape in the domain of that metaphysics which already determines our epoch, even against our knowledge; this metaphysics is Nietzsche's doctrine of the ‘will to power.’” In The Worker, Jünger examines some of the defining questions of that epoch: the nature of individuality, society, and the state; morality, justice, and law; and the relationships between freedom and power and between technology and nature. This work, appearing in its entirety in English translation for the first time, is an important contribution to debates on work, technology, and politics by one of the most controversial German intellectuals of the twentieth century. Not merely of historical interest, The Worker carries a vital message for contemporary debates about world economy, political stability, and equality in our own age, one marked by unsettling parallels to the 1930s.

435 S. : Ill. ; 21 cm Kanten bestossen, Einband gering lichtrandig, dezente papierbedingte Seitenbräunung, enthält u.a. von Ernst Jünger Autor und Autorschaft. Nachträge; Friedrich Georg Jünger: Alter Friedhof, weitere Beiträge von Brigite Kronauer, Douglas Hofstadter, Jürgen Dahl, Erwin Chargaff, Hans Egon Holthusen, Gottfried Benn, E.M. Cioran, Ernst Nolte (Marxismus - Faschismus - Kalter Krieg), Reinhart Koselleck, Ernst H. Gombrich, Anthony Burgess, Stefan George, J.R.R. Tolken, Philip Larkin /// Standort Wimregal MK-00604 ISBN 9783608955026 Sprache: Deutsch Gewicht in Gramm: 610

Neuware -In der Geistesgeschichte des 20. Jahrhunderts ist kaum eine überraschendere Konstellation denkbar als die zwischen Hans Blumenberg und Ernst Jünger. Ernst Jünger, der 'Mann vom Mond', gehört zu denjenigen Autoren der Gegenwart, die polarisiert und Anlaß zu überaus heftigen Kontroversen gegeben haben. Zwischen Nationalbolschewismus und Postmoderne oszilllierend, sind Ernst Jüngers Werke Streitschriften. 185 pp. Deutsch

Eumeswil, ostensibly a post-apocalyptic science fiction novel, is effectively a comprehensive synthesis of Ernst Jünger's mature thought, with a particular focus on new and achievable forms of individual freedom in a technologically monitored and managed postmodern world. Here Jünger first fully develops his figure of the anarch, the inwardly liberated and outwardly pragmatic individual, who lives peacefully in the heart of Leviathan and is yet able to preserve his individuality and freedom. Composed of a series of short passages and fragments, Eumeswil follows the reflections of Martin Venator, a historian living in a futuristic city-state ruled by a dictator known as the Condor. Through Venator, the prototypical anarch, Jünger offers a broad and uniquely insightful analysis of history from the post-historic perspective and, at the same time, presents a vision of future technological developments, including astonishingly prescient descriptions of today's internet (the luminar), smartphone (the phonophore), and genetic engineering. At once a study of accommodation to tyranny and a libertarian vision of individual freedom, Eumeswil continues to speak to the contradictions and possibilities inherent in our twenty-first-century condition.

Eumeswil, ostensibly a post-apocalyptic science fiction novel, is effectively a comprehensive synthesis of Ernst Jünger's mature thought, with a particular focus on new and achievable forms of individual freedom in a technologically monitored and managed postmodern world. Here Jünger first fully develops his figure of the anarch, the inwardly liberated and outwardly pragmatic individual, who lives peacefully in the heart of Leviathan and is yet able to preserve his individuality and freedom. Composed of a series of short passages and fragments, Eumeswil follows the reflections of Martin Venator, a historian living in a futuristic city-state ruled by a dictator known as the Condor. Through Venator, the prototypical anarch, Jünger offers a broad and uniquely insightful analysis of history from the post-historic perspective and, at the same time, presents a vision of future technological developments, including astonishingly prescient descriptions of today's internet (the luminar), smartphone (the phonophore), and genetic engineering. At once a study of accommodation to tyranny and a libertarian vision of individual freedom, Eumeswil continues to speak to the contradictions and possibilities inherent in our twenty-first-century condition.

The 1938 version of Ernst Jünger's The Adventurous Heart: Figures and Capriccios must be considered a key text in the famous German writer's sprawling oeuvre. In this volume, which bears comparison to the Denkbilder of the Frankfurt School, Jünger assembles sixty-three short, often surrealistic prose pieces—accounts of dreams, nature observations, biographical vignettes, and critical reflections on culture and society—providing, as he puts it, "small models of another way of seeing things." Here Jünger experiments with a new method of observation and thinking, uniting lucid and precise observation with the unconstrained receptivity of dreams. He calls this method stereoscopy, a form of perception by which our commonplace understanding is extended to include a simultaneous awareness of additional dimensions of sense or value in the object observed. But equally important to Jünger is an intuitive receptivity that comprehends matters directly at the midpoint of the matter, making laborious determinations of the periphery superfluous—intuition is a master key that opens all, and not just the individual doors of a house. With these methods, Jünger attempts to penetrate to the hidden harmony of things that lies behind the dualities of surface and depth, image and essence. This superb translation offers Anglophone readers a fresh look at one of twentieth-century Germany's most extraordinary writers.

Originally published in 1920, The Storm of Steel is a first-hand account of World War I trench combat lifted from the diaries of Ernst Jünger, a German infantryman who would become one of Europe's most talented writers. The book was first translated into English in 1929 by Basil Creighton, the acclaimed translator of many other classic works of German literature, and was widely hailed as a masterpiece. The Storm of Steel remains the definitive account of World War I, following Jünger through several major engagements as he develops from an eager young soldier into a battle-hardened officer. Subsequent revisions by the author removed many of the original editions' vivid descriptions of battle, along with his reflections on leadership, patriotism, and the nature of heroism, while later translations failed to compare to the original’s compelling and readable prose. The original translation eventually fell out-of-print, and is now being made available for the first time in decades to allow a new generation of readers to experience the classic that introduced millions to one of Europe's greatest voices.

Ernst Jünger was one of twentieth-century Germany’s most important―and most controversial―writers. Decorated for bravery in World War I and the author of the acclaimed western front memoir Storm of Steel, he frankly depicted war’s horrors even as he extolled its glories. As a Wehrmacht captain during World War II, Jünger faithfully kept a journal in occupied Paris and continued to write on the eastern front and in Germany until its defeat―writings that are of major historical and literary significance.Jünger’s Paris journals document his Francophile excitement, romantic affairs, and fascination with botany and entomology, alongside mystical and religious ruminations and trenchant observations on the occupation and the politics of collaboration. While working as a mail censor, he led the privileged life of an officer, encountering artists such as Céline, Cocteau, Braque, and Picasso. His notes from the Caucasus depict the chaos after Stalingrad and atrocities on the eastern front. Upon returning to Paris, Jünger observed the French resistance and was close to the German military conspirators who plotted to assassinate Hitler in 1944. After fleeing France, he reunited with his family as Germany’s capitulation approached. Both participant and commentator, close to the horrors of history but often distancing himself from them, Jünger turned his life and experiences into a work of art. These wartime journals appear here in English for the first time, giving fresh insights into the quandaries of the twentieth century from the keen pen of a paradoxical observer.

Titans are in Town consists&nbsp;of a&nbsp;novella and cultural essays by Dr. Tomislav Sunic. In the novella and his essays, Sunic discusses the state of Europeans in their postmodern wasteland. Confronted by endless interracial chaos, Europe longs for the return of Titans. Based on Friedrich Georg Jünger’s seminal 1944 work&nbsp;Die Titanen, the dormant Titans represent the only salvation for slumbering Europeans. The Titans’ unexpected return from mid-earth will start a resumption of Europe’s greatness.Sunic’s protagonist Held in his novella struggles to maintain his dignity amidst a dystopian landscape in which consumerism, alien migrants and a never-ending struggle against nobility of character are unceasing. Confronted by decay all around him, he fervently hopes for the return of Europe’s Titans as foretold by the ancient Greeks. They will augur an age in which Indo-European values are restored and degeneracy forever extinguished. These final days will reassert European mythos as superior to Judeo-Christian values. Held is an Everyman for the Current Year and his struggles are reflected in the experiences of today’s Europeans.Dr. Sunic also includes essays concerning the current degradation present within contemporary education. Intended for curious students, he discusses such topics as literature and politics along with tragedy and mythos in ancient Europe and the modern West. Titans are in Town also offers a guide on what to read in order to better understand Europe’s ancient patrimony of myths and lore. Excavating through the rubble of high culture, Dr. Sunic capably depicts pathways towards real learning for young Europeans.

Neuware -»Mit politischem Blick, souveräner Sachkenntnis und minuziöser Kleinarbeit« verfasst (Hans Speidel), führt die Schrift auf diese Weise ins Zentrum einer Situation, in der man - so Jünger rückblickend - »eigentlich nur Fehler machen kann, ob man handelt oder nicht handelt«. 159 pp. Deutsch

A complete English translation of the correspondence between the philosopher Martin Heidegger and the novelist and essayist Ernst Jünger, together with a translation of Jünger’s essay Across the Line.