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This season sees the release of the newest book in Juergen Teller’s (born 1964) original and beloved Masters series. Teller made his first Master in 2005 as an homage to everything he believes is a master or masterful―be it a chef like Fergus Henderson, an artist like David Hamilton, his own grandmother, Kurt Cobain, or a landscape―as well as a tongue-in-cheek recognition of himself as a master of his own photographic identity. The concept was simple: to produce an ongoing series of humble books, each at the same small size, with no text and as little design as possible―an antithesis to the standard coffee-table book.Like past volumes in the series, The Master IV features an unpredictable mix of Teller’s eclectic photography. These books are dedicated to four of Teller’s most important masters who have influenced both his work and outlook on life―Nobuyoshi Araki, William Eggleston, Boris Mikhailov and Charlotte Rampling―and feature new portraits of them.

Hardcover. 'Fashion, for me, should be fun-it should be light and happy, but fashion photography is so deadly serious and manufactured. It just doesn't live in real life. My thing was that I wanted to bring it into the world and make it more human.' - Juergen TellerThis book celebrates Juergen Teller's long-term collaboration with creative director Dennis Freedman for W magazine and later for luxury department store Barneys in New York. Between 1999 and 2016 the pair created a sweep of iconic series, all captured in Teller's trademark realistic style. In his photographs for W, Teller consistently went against the grain, resisting large-budget shoots and seeking out authentic, anti-commercial narratives and pared-down locations-as in his unforgettable first editorial in 1999 which features Stephanie Seymour, Shalom Harlow and Naomi Campbell (among other supermodels) as office workers at the magazine. Seen as a whole, Teller's W commissions reveal the evolution of his creative freedom, from shooting Haute Couture clients, Kate Moss at the Monaco Grand Prix and Tilda Swinton as a socialite collector, to portraits of William Eggleston and Roni Horn.Teller and Freedman's work for Barneys catalogues between 2011 and 2016 epitomizes their risk-taking approach in unusual fashion locations such as Belgrade, Panama City and Tirana. The resulting images show playful juxtapositions and unexpected scenarios, as models and actors explore their environments in comic poses, producing a kind of non-conformist advertising. Throughout Fashion Photography for America 1999-2016 Teller has photographed original W magazines and Barneys catalogues from his archives, a low-fi method that emphasizes the physical process of looking over his past work and allows us to share in the surprises of his retrospection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

LIKE NEW/UNREAD!!! Text is Clean and Unmarked! Has a small black line or red dot on the bottom/exterior edge of pages.

Foremost among a generation of photographers operating between fashion photography and art photography, Juergen Teller (born 1964) brings his energized, life-loving brashness to family photographs, self-portraits and fashion shoots. Teller often provokes his subjects to extremes of expression, as critic Adrian Searle records in this, Teller’s newest monograph: “I kept wondering when he was going to get round to taking my photograph. The tension was unbearable. I felt like a girl on an unsuccessful date. The next thing I know he’s almost climbing over the table to get at me. There’s a camera in my face and he’s shooting picture after picture after picture, looming closer with each shot... There’s a gleam in his eye and a smile and there’s something relentless about his advances.” Teller applies this lust for encounter and complete involvement to the production of his books, and the beautifully printed Calves and Thighs is no exception: “I consider this catalogue a piece of my work,” he writes, having carefully determined the photographs (all new work), the authors and the design. Alongside Teller’s latest photographs, collaborators, friends and admirers such as Nobuyoshi Araki, Sadie Coles, Roni Horn, Marc Jacobs, Karl Lagerfeld, Helmut Lang, Charlotte Rampling, Adrian Searle, Gerhard Steidl, Neville Wakefield, Vivienne Westwood and Raquel Zimmermann pose questions to Teller about his process, his career and his life.

In the summer of 2005 Steidl published a small booklet of Juergen Teller's work called The Master. It offered a characteristic examination of his own world and persona as a photographer, a mixture of fashion and commissioned works, alongside self-portraits, family photographs and scenes from his Bavarian home. The title and starting point for the book were portraits of two of his heroes, the photographers William Eggleston and Nobuyoshi Araki. The book quickly went out of print and a second edition of the The Master will now be printed alongside The Master II. The Master II comprises his recent body of work Ukraine, in which he chose to employ the city of Kiev as the setting for a fashion shoot, mixing fashion, still-lives of the city and portraits of ordinary people as a way of representing his own fantasy of a country marked by a brash youthful energy and an obsession with capitalism.

Jurgen Moltmann's life and work have marked the history of theology after the Second World War in Europe and North America like no other. He is the most widely read, quoted, and translated theologian of our time. His systematic work thrives on the cutting edge of Christian theology in the twentyfirst century, challenging and stimulating a whole generation of theologians to work at theology in different and more comprehensive ways.

The studio of photographer Juergen Teller, best known for his fashion pictures, is located in a tiny street in West London. And it is the front door of his studio that somehow seems to play the leading role in this book. During one year, from May 1998 to May 1999, Teller was visited by hundreds of girls, sent to him by agencies for a casting shoot. At the beginning of this book there was a simple idea that struck Teller: why not photograph all his young female visitors and turn the result into a convincing conceptual piece of art photography? The result is striking, sometimes funny, and makes us question the fashion industry and its world of models. We encounter girls, mostly around the age of 16 or 17, presenting themselves to the photographer in the hope of a great career. Sometimes they come alone, sometimes in groups, sometimes accompanied by their parents. Captured in different lights of the changing seasons, but always at the entrance of Teller's studio, the portraits seem to melt into one single portrait - that of the one and only model, whatever she might look like.

On 5 March 2014, Juergen Teller photographed the eagerly anticipated first collection by Nicolas Ghesquière as the new artistic director of Louis Vuitton. In his inimitable style, Teller visualizes the designer’s ambitious manifesto for the luxury house: “Louis Vuitton is a land of contrasts. A time-honored and noble legacy is kept alive by a yearning for discovery and exploration. Coursing boldly and imaginatively through the decades, Louis Vuitton refreshes the world of fashion with an untiring ebb and flow of retrospective and fresh perspective.... This initial collection tells a tale of expertise made possible by innovative techniques. It focuses on the highlights and remains open to interpretation. Living proof that today’s ‘timeless’ was at one time seen as innovative. In this collection, the timeless is now.” This book is a collaboration between two of the most influential vanguards working in contemporary fashion. Teller’s candid unadorned aesthetic perfectly complements the restrained luxury of Ghesquière’s fashion, marking the beginning of a new chapter in the rich history of Louis Vuitton.

The studio of photographer Juergen Teller, best known for his fashion pictures, is located in a tiny street in West London. And it is the front door of his studio that somehow seems to play the leading role in this book. During one year, from May 1998 to May 1999, Teller was visited by hundreds of girls, sent to him by agencies for a casting shoot. At the beginning of this book there was a simple idea that struck Teller: why not photograph all his young female visitors and turn the result into a convincing conceptual piece of art photography? The result is striking, sometimes funny, and makes us question the fashion industry and its world of models. We encounter girls, mostly around the age of 16 or 17, presenting themselves to the photographer in the hope of a great career. Sometimes they come alone, sometimes in groups, sometimes accompanied by their parents. Captured in different lights of the changing seasons, but always at the entrance of Teller's studio, the portraits seem to melt into one single portrait - that of the one and only model, whatever she might look like.

Unread book in perfect condition.

On 5 March 2014, Juergen Teller photographed the eagerly anticipated first collection by Nicolas Ghesquière as the new artistic director of Louis Vuitton. In his inimitable style, Teller visualizes the designer’s ambitious manifesto for the luxury house: “Louis Vuitton is a land of contrasts. A time-honored and noble legacy is kept alive by a yearning for discovery and exploration. Coursing boldly and imaginatively through the decades, Louis Vuitton refreshes the world of fashion with an untiring ebb and flow of retrospective and fresh perspective.... This initial collection tells a tale of expertise made possible by innovative techniques. It focuses on the highlights and remains open to interpretation. Living proof that today’s ‘timeless’ was at one time seen as innovative. In this collection, the timeless is now.” This book is a collaboration between two of the most influential vanguards working in contemporary fashion. Teller’s candid unadorned aesthetic perfectly complements the restrained luxury of Ghesquière’s fashion, marking the beginning of a new chapter in the rich history of Louis Vuitton.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.11

Book is in NEW condition. 0.57

Neuware -»Jürgen Habermas«, so schrieb der US-amerikanische Philosoph Ronald Dworkin anlässlich des 80. Geburtstags des großen europäischen Denkers, »ist nicht nur der berühmteste lebende Philosoph der Welt. Sein Ruhm selbst ist berühmt.« Nach mehrjährigen Forschungen, intensiver Recherche und ausführlichen Gesprächen mit Weggefährten, Zeitzeugen sowie mit Habermas selbst legt Stefan Müller-Doohm nun die erste umfassende Biographie des bedeutendsten Intellektuellen unserer Zeit vor. Sie beleuchtet sowohl das Zusammenspiel von philosophischer Reflexion und intellektueller Intervention als auch das Wechselverhältnis von Lebens- und Werkgeschichte vor dem Hintergrund historischer Ereignisse. 784 pp. Deutsch

Hardcover. One of the most influential photographers working today, Juergen Teller creates images that are instantly recognisable. Raw, often overexposed and displaying a spontaneity and candour, Tellers visual language reflects a measured yet uncompromising sense of rebellion. This book includes landmark editorials with nearly every important fashion label of the era and celebrities from Kate Moss to Charlotte Rampling and Kurt Cobain to Yves Saint Laurent. Outtakes of iconic shoots (including infamous ones with Courtney Love, Cindy Sherman, Marc Jacobs, Victoria Beckham, and Bjoerk) that have never been published will be included in this volume. Teller first broke into fashion in 1996 with a magazine cover of a naked Kristen McMenamy with the word Versace scrawled across her chest. Since then, his fashion photography has been featured in all the international Vogues, AnOther Magazine, Index, Self-Service, W, Details, Purple, i-D, and 032c, among others. A highly sought-after cult hero and the author of many iconic campaigns, Teller has collaborated with the likes of Helmut Lang, Raf Simons, Hedi Slimane, Nicolas Ghesquiere, Phoebe Philo, Vivienne Westwood, Miuccia Prada, and Isabel Marant, and shot every season of Marc Jacobss ready-to-wear collections from 1998 to 2014. Annotated in his wry, inimitable voice, Juergen Teller presents over three decades of fashion and editorial work in a groundbreaking volume that combines photography, collage, and candid (and often humorous) autobiography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Unpaginated (48 pages) 27 illustrations in color.

Foremost among a generation of photographers operating between fashion photography and art photography, Juergen Teller (born 1964) brings his energized, life-loving brashness to family photographs, self-portraits and fashion shoots. Teller often provokes his subjects to extremes of expression, as critic Adrian Searle records in this, Teller’s newest monograph: “I kept wondering when he was going to get round to taking my photograph. The tension was unbearable. I felt like a girl on an unsuccessful date. The next thing I know he’s almost climbing over the table to get at me. There’s a camera in my face and he’s shooting picture after picture after picture, looming closer with each shot... There’s a gleam in his eye and a smile and there’s something relentless about his advances.” Teller applies this lust for encounter and complete involvement to the production of his books, and the beautifully printed Calves and Thighs is no exception: “I consider this catalogue a piece of my work,” he writes, having carefully determined the photographs (all new work), the authors and the design. Alongside Teller’s latest photographs, collaborators, friends and admirers such as Nobuyoshi Araki, Sadie Coles, Roni Horn, Marc Jacobs, Karl Lagerfeld, Helmut Lang, Charlotte Rampling, Adrian Searle, Gerhard Steidl, Neville Wakefield, Vivienne Westwood and Raquel Zimmermann pose questions to Teller about his process, his career and his life.

Juergen Teller spent a year carrying out a study of the Reichsparteitagsgelande, the site of the notorious Nürnberg rallies, and a place he used to visit in his youth. The results are a series of meditative images of stone and flora, photographed over the four seasons of a year, in seed, bloom, demise, and, finally, dormant in the snow. It amounts to a study of mortality, the process of birth, growth and death. The book combines these works with self-portraits and family photographs through the same period, adding the perspective of the personal and quotidian life cycle to a site that has world-historical importance.

Juergen Teller spent a year carrying out a study of the Reichsparteitagsgelande, the site of the notorious Nürnberg rallies, and a place he used to visit in his youth. The results are a series of meditative images of stone and flora, photographed over the four seasons of a year, in seed, bloom, demise, and, finally, dormant in the snow. It amounts to a study of mortality, the process of birth, growth and death. The book combines these works with self-portraits and family photographs through the same period, adding the perspective of the personal and quotidian life cycle to a site that has world-historical importance.

Signed by Author. ~~Signed and dated by Jurgen Teller~~Good+/Good+ 1st ed 2009 Steidl hardback, unclipped DJ, very substantial volume. A little creasing wear and small nicks along edges of DJ, 2cm tears to top front and rear corners of jacket, surface indent bumps and light separation to lower front edge of board next to spine, bright and unmarked throughout, very secure binding. Size: 272\nx 336\nx 54mm. 256 pages. Quantity Available: 1. Shipped Weight: Over 3 kilos. Category: Photography; Individual Photographers; Signed by Author. ISBN: 386521715X. ISBN/EAN: 9783865217158. Dewey Code: 779.974692092. The book is available to view in-person at our Cambridge hub. The photos provided are of the actual book for sale, further condition-specific photos may be arranged upon request. Inventory No: 093749. This book is extra heavy, and may involve extra shipping charges to some countries.