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Make watering easier with this Pop-Up gear drive sprinkler. For simple adjustment and nozzle changes, it offers flow control and flow shut-off. The continuous 360-spray pattern delivers superior coverage for distances from 20 to 48 ft. Color: Blacks. Material: Plastic.

The Pro S 4 in. spray with 15 ft. half circle pattern nozzle, a rugged, contractor friendly spray line. Molded in High-Impact ABS, the durable Pro S Series Spray is a low-flush model. Making it ideal for low-flow, low pressure situations. Color: Blacks. Material: Plastic.

EXCLUSIVELY AT SAKS OFF FIFTH. 14k yellow gold Lobster clasp Made in Italy SIZE Length, about 18" Click here for a Guide to Jewelry & Watches. Center Core - Jewelry Trunk > Saks Off 5th. Saks Fifth Avenue Made in Italy.

The RCW series is designed specifically for use on reclaimed water systems. The RCW rotors have heavy duty rubber purple covers to seal out dirt and increases product durability, positively identifies the use of reclaimed water reducing liability. RCW sprinkler products have pre-installed low angle nozzles to ensure correct trajectory of reclaimed water. Color: Blacks. Material: Plastic.

Easily water your yard with this Pro S with Stop Flow Adjustable 4 in. Pop-Up Sprinkler (6-Pack). It features stop-flow technology that ensures the water will not flow when the nozzle is removed. It is made of durable, high-impact ABS material. Color: Blacks. Material: Plastic.

The RCW series is designed specifically for use on reclaimed water systems. The RCW rotors have heavy duty rubber purple covers to seal out dirt and increases product durability, positively identifies the use of reclaimed water reducing liability. RCW sprinkler products have pre-installed low angle nozzles to ensure correct trajectory of reclaimed water. Color: Blacks. Material: Plastic.

The Super Pro Rotor, with its patented flow shut-off, allows for easy range and flow adjustment and renders installations easier and drier. With a simple adjustment, you can shut off water flow at the head OR easily modify both flow and distance proportionally without changing nozzles. Designed for medium to large landscape areas. Color: Blacks. Material: Plastic.

From the Luxe Collection. Cubic zirconia Glass pearl, 2mm 14K goldplated brass Hollow fill Post back Imported SIZE Drop, about 2" Click here for a Guide to Jewelry & Watches. Center Core - W Jewelry > Saks Off 5th. Eye Candy LA.

While the K&M Popkiller has established itself as a global standard in studio and recording environments, this particular model elevates the experience with its robust and stylish design. The Popkiller Pop Filter & Gooseneck Combo, in a sleek black finish, is an essential tool for any audio professional or enthusiast looking to capture clear and precise sound.Crafted with durability in mind, the double nylon screen of the pop filter ensures superior performance by effectively reducing unwanted plosive sounds, such as the harsh 'p' and 'b' that can disrupt recordings. This high-quality filtration system is encased in an unobtrusive black round filter frame that not only complements any studio setup but also serves to maintain the focus on sound clarity.The versatility of this product is further enhanced by its flexible gooseneck, which allows for easy positioning and stable placement in front of any microphone. The gooseneck is designed to attach to mic stands with a diameter of up to 0.91 inches, providing a secure and adaptable fit for a variety of recording situations.Moreover, the K&M Popkiller Pop Filter & Gooseneck Combo is designed with the utmost care for your equipment. The non-marring locking screw is engineered to prevent any scratching or damage to your microphone stand, ensuring that your gear remains in pristine condition.Professional recording artists and producers might choose this pop filter and gooseneck combo not only for its high-quality construction and performance but also for the reputation of K&M as a trusted brand in the audio equipment industry. The convenience of having both a pop filter and an adjustable gooseneck in one unit makes this combo an invaluable addition to any recording setup.In summary, the K&M Popkiller Pop Filter & Gooseneck Combo is a durable, high-quality, professional, versatile, and stylish solution for achieving the best audio recording quality, free from disruptive plosive sounds.

The K2 RCW is designed specifically for use on reclaimed water systems. Easy to set patented arc adjustment from 40 to 360 degrees. Tamper resistant arc memory clutch prevents internal gear damage and returns rotor to its prior setting.

The Kut-it tool is a double ended tool with several enhancements for the irrigation industry. The bottom end of the tool is a turf cutting tool that removes turf from around any sprinkler. The cutting end has a first in industry replaceable blade system and can be used by hand or with common tools such as a 3/4 wrench or socket ratchet. The tool includes a durable reinforced The tool also has a flat side to increase the grip with wet hands or in tough soil environments. The top of the tool features a sprinkler cap removal system. Simply place the tool over the newly exposed sprinkler cap and turn counterclockwise. The patented sprinkler cap removal system will fit most rotor sprinkler head and will remove grass and dirt from around pop-ups. Color: Blacks. Material: ABS Plastic.

The 12 in. Pro S Pop-Up Spray Body with Pressure Regulator 40 PSI, flush cap, (nozzle not included), is a rugged, spray line. Molded in High-Impact ABS, the durable Pro S Series Spray is a low-flush model, making it ideal for low-flow, low pressure situations. The Pro S Spray is designed to be compatible with all standard female threaded nozzles and is a direct replacement for Rain Bird 1800 series sprays. The Pro S Riser assembly drops right in an existing Rain Bird 1800 series can. Color: Blacks. Material: Plastic.

The 12 in. Pro S Pop-Up Spray Body with Pressure Regulator 30 psi, flush cap, (nozzle not included), is a rugged, spray line. Molded in High-Impact ABS, the durable Pro S Series Spray is a low-flush model, making it ideal for low-flow, low pressure situations. The Pro S Spray is designed to be compatible with all standard female threaded nozzles and is a direct replacement for Rain Bird 1800 series sprays. The Pro S Riser assembly drops right in an existing Rain Bird 1800 series can. Color: Blacks. Material: Plastic.

Take your audio recording to the next level with the 23966 Popkiller Pop Filter & Gooseneck Combo. This professional-grade tool, designed by the reputable brand K&M, is a must-have for any modern studio setup. With its large shield diameter of 7.87", this pop filter guarantees optimum sound filtering, effectively reducing plosive sounds and wind noise during your recording sessions. This high-quality pop filter features a durable nylon screen, ensuring longevity and consistent performance. The versatile design includes a flexible gooseneck, allowing for easy and precise positioning in front of any microphone. It's designed to attach seamlessly to all standard microphone stands, with a maximum rod diameter of 0.91". Finished in a sleek black color, this Popkiller Pop Filter & Gooseneck Combo not only enhances your audio quality but also adds a professional touch to your recording equipment. Its universal compatibility makes it a versatile addition to any audio recording setup, whether you're capturing vocals, podcasting, or recording instruments. Experience the difference in sound clarity and quality with the 23966 Popkiller Pop Filter & Gooseneck Combo.

The large Popkiller for modern studio engineering. The large 7.87" nylon screen guarantees optimum sound filtering during studio recording. The Pop...

K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea seeks at once to describe and explain the emergence of export-oriented South Korean popular music and to make sense of larger South Korean economic and cultural transformations. John Lie provides not only a history of South Korean popular music―the premodern background, Japanese colonial influence, post-Liberation American impact, and recent globalization―but also a description of K-pop as a system of economic innovation and cultural production. In doing so, he delves into the broader background of South Korea in this wonderfully informed history and analysis of a pop culture phenomenon sweeping the globe.

K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea seeks at once to describe and explain the emergence of export-oriented South Korean popular music and to make sense of larger South Korean economic and cultural transformations. John Lie provides not only a history of South Korean popular music―the premodern background, Japanese colonial influence, post-Liberation American impact, and recent globalization―but also a description of K-pop as a system of economic innovation and cultural production. In doing so, he delves into the broader background of South Korea in this wonderfully informed history and analysis of a pop culture phenomenon sweeping the globe.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.63

1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean popular music in relation to the rise of personal technology and social media, situating a feverish cross-media partnership within the Korean historical context and broader questions about what it means to be "live" and "alive." Based on in-depth interviews with K-pop industry personnel, media experts, critics, and fans, as well as archival research, K-pop Live explores how the industry has managed the tough sell of live music in a marketplace in which virtually everything is available online. Teasing out digital media's courtship of "liveness" in the production and consumption of K-pop, Kim investigates the nuances of the affective mode in which human subjects interact with one another in the digital age. Observing performances online, in concert, and even through the use of holographic performers, Kim offers readers a step-by-step guide through the K-pop industry's variegated efforts to diversify media platforms as a way of reaching a wider global network of music consumers. In an era when digital technology inserts itself into nearly all social relationships, Kim reveals how "what is live" becomes a question of how we exist as increasingly mediated subjects, fragmented and isolated by technological wonders while also longing for a sense of belonging and being alive through an interactive mode of exchange we often call "live."