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An indispensable tool for high-volume printing needs, the Lexmark C5226KS Black Toner Cartridge delivers superior performance and efficiency. Crafted with precision, this high-quality toner cartridge is specifically designed for use with the Lexmark C522, C524, and C53x series printers, ensuring seamless compatibility and optimal functionality. Boasting a remarkable yield of up to 4,000 pages, this durable toner cartridge offers extended longevity, reducing the frequency of replacements and contributing to cost-efficiency. It's engineered to provide consistent, reliable output, producing crisp, clear black prints that reflect professional quality. Adhering to TAA compliance standards, this Lexmark toner cartridge underscores a commitment to quality and reliability. Whether you're printing important business documents or everyday paperwork, the Lexmark C5226KS Black Toner Cartridge is an affordable solution that doesn't compromise on quality. Experience the difference of Lexmark's trusted printing technology with this efficient and reliable toner cartridge.

The ultimate RD experienceThe RD-2000 EX delivers the ultimate RD experience, fusing Roland's top piano technologies with a rich array of modern creative tools. This powerful and inspiring instrument is the most complete stage piano solution available, offering dual sound engines, two pre-installed V-Piano Expansions, premium playability, and advanced controller features for professional performers.Unrivaled RD performanceThe RD-2000 EX represents the pinnacle of the Roland RD legacy, packing 50 years of piano development knowledge into a no-compromise instrument tailored for today's performers. Two independent engines put our very best sounds at your fingertips, supported by a refined hammer-action keyboard for unmatched playability. Advanced controller features are also included, letting you manipulate sounds and integrate software and hardware synths via an intuitive, hands-on workflow.Premium V-Piano expressionThe RD-2000 EX features a sound engine powered by V-Piano technology, our acclaimed modeling approach that realizes the complex sound and interactive feel of an acoustic piano in astonishing detail. High-speed DSP eliminates the roadblocks of systems based solely on samples, providing natural response, unlimited expression, and full polyphony. There's a wide selection of ready-to-play presets, and it's possible to go much further if you want. With the onboard Piano Designer tools, you can adjust the tuning of individual notes, personalize tonal details, and craft unique instruments not possible in the physical world.Pre-installed V-Piano ExpansionsIn addition to the core V-Piano instrument, the RD-2000 EX extends your creative range with two V-Piano Expansion titles. Ideal for both solo work and ensemble performances, the German Concert expansion offers a versatile new voice inspired by famous concert-class grand pianos. The newly developed Essential Upright expansion brings a more intimate sonic flavor with the distinctive tones and unique spatial quality of a high-end upright piano.SuperNATURAL EPsThe RD-2000 EX offers a diverse selection of iconic electric pianos powered by Roland's renowned SuperNATURAL engine. You also get an authentic recreation of the RD-1000-the breakthrough instrument that began the RD story in 1986-along with the MKS-20, a classic sound module heard on countless hits from the mid-'80s forward. Several vintage-style effects provide distinctive color, including spot-on recreations of the BOSS CE-1 Chorus Ensemble pedal and Roland SDD-320 Dimension D studio rack unit.Sounds for every musical styleThe RD-2000 EX is not just a piano-it also includes over 1100 SuperNATURAL-driven sounds for any genre. Call up Virtual ToneWheel organs derived from the VK series, complete with a rotary effect and authentic drawbar control via the panel sliders. Cover electronic textures with modern and vintage synths. And explore even more styles with clavs, harpsichords, and other keyboard...

The KS-11Z Z-Style Heavy-Duty Adjustable Stand is an essential tool for musicians seeking a robust and reliable base for their stage pianos and keyboards. Crafted with the professional in mind, this stand features a solid steel construction, ensuring durability and a stable performance under the most demanding conditions. Its Z-style design not only provides a sleek, professional look but also offers a minimal footprint, perfect for both on-stage presence and space-saving in the studio.With its seamless width adjustment, the KS-11Z caters to a variety of keyboard sizes, accommodating instruments with precision. A quick-release lever allows for effortless width modification, ensuring a custom fit for your specific equipment, from compact synthesizers to full-sized 88-note stage pianos. This versatility makes it an ideal choice for musicians who value adaptability in their gear.The stand's height can also be tailored to your preference, featuring multiple adjustment points to achieve the optimal playing position. Whether seated or standing, the KS-11Z adapts to your ergonomic needs, enhancing comfort during performances and practice sessions.Stability is paramount when it comes to live performance and recording. The KS-11Z addresses this by including adjustable feet, a feature that compensates for uneven surfaces, ensuring your instrument remains level and secure at all times. This attention to detail underscores the stand's commitment to providing maximum stability, a critical factor for any serious musician.Assembly and transportation are made effortless with the KS-11Z's intelligent design. The stand boasts foldable padded support arms with integrated push pins for quick setup and breakdown. When the show is over, or it's time to hit the road, the stand folds down smoothly, and the center frame can be detached for even more compact storage.Roland's expertise in the music industry is evident in the KS-11Z's construction. Drawing on over five decades of innovation, this stand is engineered to meet the high standards of performers who rely on their equipment to deliver flawless execution, show after show. Whether you're a touring professional or a dedicated enthusiast, the KS-11Z Z-Style Heavy-Duty Adjustable Stand is the reliable, professional-grade foundation your performance deserves.

While working in a studio environment, the Kupo KS940422 80mm Caster with Brake and 22mm Square Adapter set is an essential tool for efficient and smooth operations. These casters are specifically designed to safeguard your flooring from potential damage, maintain a quiet ambiance on set, and facilitate effortless repositioning of your lighting fixtures. The KS940422 set comprises three robust 3-5/32" (80mm) casters, meticulously engineered to fit perfectly onto 7/8" (22mm) square legs. These casters are not just wheels; they come equipped with a reliable braking system. This feature ensures the wheels stay stationary when required, providing a stable and secure lock for your stand. Whether you're rearranging your studio setup or adjusting your lighting fixtures, the Kupo KS940422 80mm Caster with Brake and 22mm Square Adapter set offers the convenience and stability you need. This set is a valuable addition to any studio, enhancing mobility and ensuring a seamless workflow.

A book that uses domain-general learning theory to explain recurrent trajectories of language change.In this book, Vsevolod Kapatsinski argues that language acquisition―often approached as an isolated domain, subject to its own laws and mechanisms―is simply learning, subject to the same laws as learning in other domains and well described by associative models. Synthesizing research in domain-general learning theory as it relates to language acquisition, Kapatsinski argues that the way minds change as a result of experience can help explain how languages change over time and can predict the likely directions of language change―which in turn predicts what kinds of structures we find in the languages of the world. What we know about how we learn (the core question of learning theory) can help us understand why languages are the way they are (the core question of theoretical linguistics).Taking a dynamic, usage-based perspective, Kapatsinski focuses on diachronic universals, recurrent pathways of language change, rather than synchronic universals, properties that all languages share. Topics include associative approaches to learning and the neural implementation of the proposed mechanisms; selective attention; units of language; a comparison of associative and Bayesian approaches to learning; representation in the mind of visual and auditory experience; the production of new words and new forms of words; and automatization of repeated action sequences. This approach brings us closer to understanding why languages are the way they are, Kapatsinski contends, than approaches premised on innate knowledge of language universals and the language acquisition device.

Under the trusted brand of Litepanels, the 3-Riser Fold-up Stand for the 1x1 LED Production Light is a versatile and indispensable tool for photographers and videographers. Crafted from durable aluminum, this sturdy light stand features four distinct sections and three risers, providing a wide range of height adjustments to suit your lighting needs. Equipped with a standard baby pin (5/8"), this stand is designed to securely mount your 1x1 LED production light, ensuring a stable and reliable setup for your shoots. With an impressive extension range from 2 feet 5 inches to a towering 8 feet 6 inches (73 cm to 259 cm), this adjustable light stand offers the flexibility to create the perfect lighting conditions for any scene. The standout feature of this product is its fold-up design, which makes it incredibly portable and easy to transport. Whether you're shooting in a studio or on location, the Litepanels 3-Riser Fold-up Stand for the 1x1 LED Production Light is an excellent choice for professionals seeking a convenient, high-quality lighting solution.

Because professional audio recording demands the best equipment, the Schoeps KS 5 U 5m/16.40' XLR-5Male to XLR-5Female Stereo Microphone Cable is an essential tool for any sound engineer or audio enthusiast. This high-quality, durable cable is designed to connect a microphone with an XLR-5 male connector to a device with an XLR-5 female connector, such as a sound recorder, mixer, or other audio equipment. Crafted by Schoeps, a reputable brand renowned for its superior audio equipment, this reliable stereo microphone cable enables the recording of sound from two separate sources. This feature enhances the depth and realism of your audio experience, making it perfect for professional recording environments. Measuring 16.4 feet (5.0 meters) in length, this sturdy cable offers ample reach for versatile setup options. Its thin diameter of 0.1" (4.4mm) ensures minimal visibility when suspended, making it an ideal choice for on-stage performances or studio recordings. Constructed with Kevlar fiber, this cable is not only robust but also remains flexible even in cold conditions. Its non-twisting property when used for hanging a microphone adds to its practicality and ease of use. In summary, the Schoeps KS 5 U 5m/16.40' XLR-5Male to XLR-5Female Stereo Microphone Cable is a professional-grade, high-quality choice that delivers reliable performance and exceptional audio recording capabilities.

The substantially revised fourth edition of a widely used text, offering both an introduction to recursive methods and advanced material, mixing tools and sample applications.Recursive methods provide powerful ways to pose and solve problems in dynamic macroeconomics. Recursive Macroeconomic Theory offers both an introduction to recursive methods and more advanced material. Only practice in solving diverse problems fully conveys the advantages of the recursive approach, so the book provides many applications. This fourth edition features two new chapters and substantial revisions to other chapters that demonstrate the power of recursive methods. One new chapter applies the recursive approach to Ramsey taxation and sharply characterizes the time inconsistency of optimal policies. These insights are used in other chapters to simplify recursive formulations of Ramsey plans and credible government policies. The second new chapter explores the mechanics of matching models and identifies a common channel through which productivity shocks are magnified across a variety of matching models. Other chapters have been extended and refined. For example, there is new material on heterogeneous beliefs in both complete and incomplete markets models; and there is a deeper account of forces that shape aggregate labor supply elasticities in lifecycle models. The book is suitable for first- and second-year graduate courses in macroeconomics. Most chapters conclude with exercises; many exercises and examples use Matlab or Python computer programming languages.

Versatile solutions to routing network flows in unpredictable circumstances, presenting both mathematical tools and applications.Our increasingly integrated world relies on networks both physical and virtual to transfer goods and information. The Internet is a network of networks that connects people around the world in a real-time manner, but it can be disrupted by massive data flows, diverse traffic patterns, inadequate infrastructure, and even natural disasters and political conflict. Similar challenges exist for transportation and energy distribution networks. There is an urgent need for intelligent and adaptable routing of network flows, and a rich literature has evolved that treats “oblivious network design.” This book offers novel computational schemes for efficiently solving routing problems in unpredictable circumstances and proposes some real world applications for them. The versatile routing schemes mathematically guarantee long-term efficiency and are most appropriate for networks with non-deterministic (or oblivious) current and past states. After an introduction to network design and the importance of routing problems, the book presents mathematical tools needed to construct versatile routing schemes, emphasizing the role of linked hierarchical data structures, both top-down and bottom-up. It then describes two important applications of versatile routing schemes: a secure model for congestion-free content-centric networks (which will play a key role in the future of the Internet) and a novel approach for the distribution of green power resources on a smart electricity grid.

An art-historical perspective on interactive media art that provides theoretical and methodological tools for understanding and analyzing digital art.Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja Kwastek argues that the particular aesthetic experience enabled by these new media works can open up new perspectives for our understanding of art and media alike. Kwastek, herself an art historian, offers a set of theoretical and methodological tools that are suitable for understanding and analyzing not only new media art but also other contemporary art forms. Addressing both the theoretician and the practitioner, Kwastek provides an introduction to the history and the terminology of interactive art, a theory of the aesthetics of interaction, and exemplary case studies of interactive media art.Kwastek lays the historical and theoretical groundwork and then develops an aesthetics of interaction, discussing such aspects as real space and data space, temporal structures, instrumental and phenomenal perspectives, and the relationship between materiality and interpretability. Finally, she applies her theory to specific works of interactive media art, including narratives in virtual and real space, interactive installations, and performance―with case studies of works by Olia Lialina, Susanne Berkenheger, Stefan Schemat, Teri Rueb, Lynn Hershman, Agnes Hegedüs, Tmema, David Rokeby, Sonia Cillari, and Blast Theory.

An integrated approach to the empirical application of dynamic optimization programming models, for students and researchers. This book is an effective, concise text for students and researchers that combines the tools of dynamic programming with numerical techniques and simulation-based econometric methods. Doing so, it bridges the traditional gap between theoretical and empirical research and offers an integrated framework for studying applied problems in macroeconomics and microeconomics.In part I the authors first review the formal theory of dynamic optimization; they then present the numerical tools and econometric techniques necessary to evaluate the theoretical models. In language accessible to a reader with a limited background in econometrics, they explain most of the methods used in applied dynamic research today, from the estimation of probability in a coin flip to a complicated nonlinear stochastic structural model. These econometric techniques provide the final link between the dynamic programming problem and data. Part II is devoted to the application of dynamic programming to specific areas of applied economics, including the study of business cycles, consumption, and investment behavior. In each instance the authors present the specific optimization problem as a dynamic programming problem, characterize the optimal policy functions, estimate the parameters, and use models for policy evaluation.The original contribution of Dynamic Economics: Quantitative Methods and Applications lies in the integrated approach to the empirical application of dynamic optimization programming models. This integration shows that empirical applications actually complement the underlying theory of optimization, while dynamic programming problems provide needed structure for estimation and policy evaluation.

An integrated approach to the empirical application of dynamic optimization programming models, for students and researchers. This book is an effective, concise text for students and researchers that combines the tools of dynamic programming with numerical techniques and simulation-based econometric methods. Doing so, it bridges the traditional gap between theoretical and empirical research and offers an integrated framework for studying applied problems in macroeconomics and microeconomics.In part I the authors first review the formal theory of dynamic optimization; they then present the numerical tools and econometric techniques necessary to evaluate the theoretical models. In language accessible to a reader with a limited background in econometrics, they explain most of the methods used in applied dynamic research today, from the estimation of probability in a coin flip to a complicated nonlinear stochastic structural model. These econometric techniques provide the final link between the dynamic programming problem and data. Part II is devoted to the application of dynamic programming to specific areas of applied economics, including the study of business cycles, consumption, and investment behavior. In each instance the authors present the specific optimization problem as a dynamic programming problem, characterize the optimal policy functions, estimate the parameters, and use models for policy evaluation.The original contribution of Dynamic Economics: Quantitative Methods and Applications lies in the integrated approach to the empirical application of dynamic optimization programming models. This integration shows that empirical applications actually complement the underlying theory of optimization, while dynamic programming problems provide needed structure for estimation and policy evaluation.

How to understand and program interactive devices so that they are reliable and easy to use; includes wide-ranging programming insights, tools, and code.Interactive systems and devices, from mobile phones to office copiers, do not fulfill their potential for a wide variety of reasons―not all of them technical. Press On shows that we can design better interactive systems and devices if we draw on sound computer science principles. It uses state machines and graph theory as a powerful and insightful way to analyze and design better interfaces and examines specific designs and creative solutions to design problems. Programmers―who have the technical knowledge that designers and users often lack―can be more creative and more central to interaction design than we might think. Sound programming concepts improve device design.Press On provides the insights, concepts and programming tools to improve usability. Knowing the computer science is fundamental, but Press On also shows how essential it is to have the right approaches to manage the design of systems that people use. Particularly for complex systems, the social, psychological and ethical concerns―the wider design issues―are crucial, and these are covered in depth.Press On highlights key principles throughout the text and provides cross-topic linkages between chapters and suggestions for further reading. Additional material, including all the program code used in the book, is available on an interactive web site. Press On is an essential textbook and reference for computer science students, programmers, and anyone interested in the design of interactive technologies.

A media guru shows us how to use social media intelligently, humanely, and, above all, mindfully.Like it or not, knowing how to make use of online tools without being overloaded with too much information is an essential ingredient to personal success in the twenty-first century. But how can we use digital media so that they make us empowered participants rather than passive receivers, grounded, well-rounded people rather than multitasking basket cases? In Net Smart, cyberculture expert Howard Rheingold shows us how to use social media intelligently, humanely, and, above all, mindfully. Mindful use of digital media means thinking about what we are doing, cultivating an ongoing inner inquiry into how we want to spend our time. Rheingold outlines five fundamental digital literacies, online skills that will help us do this: attention, participation, collaboration, critical consumption of information (or "crap detection"), and network smarts. He explains how attention works, and how we can use our attention to focus on the tiny relevant portion of the incoming tsunami of information. He describes the quality of participation that empowers the best of the bloggers, netizens, tweeters, and other online community participants; he examines how successful online collaborative enterprises contribute new knowledge to the world in new ways; and he teaches us a lesson on networks and network building. Rheingold points out that there is a bigger social issue at work in digital literacy, one that goes beyond personal empowerment. If we combine our individual efforts wisely, it could produce a more thoughtful society: countless small acts like publishing a Web page or sharing a link could add up to a public good that enriches everybody.

Contrary to the assumptions of economists, consumers are not always rational actors who make decisions in their own best interests. The new field of behavioral economics draws on the insights of psychology to study non-rational decision making. The newer field of consumer neuroscience draws on the findings, tools, and techniques of neuroscience to understand how consumers make judgments and decisions. This book is the first comprehensive treatment of consumer neuroscience, suitable for classroom use or as a reference for business and marketing practitioners. After an overview of the field, the text offers the background on the brain and physiological systems necessary for understanding how they work in the context of decision making and reviews the sensory and perceptual mechanisms that govern our perception and experience. Chapters by experts in the field investigate tools for studying the brain, including fMRI, EEG, eye-tracking, and biometrics, and their possible use in marketing. The book examines the relation of attention, memory, and emotion to consumer behavior; cognitive factors in decision making; and the brain's reward system. It describes how consumers develop implicit associations with a brand, perceptions of pricing, and how consumer neuroscience can encourage healthy behaviors. Finally, the book considers ethical issues raised by the application of neuroscience tools to marketing.ContributorsFabio Babiloni, Davide Baldo, David Brandt, Moran Cerf, Yuping Chen, Patrizia Cherubino, Kimberly Rose Clark, William A. Cunningham, Maria C. Cordero, Manuel Garcia-Garcia, Ming Hsu, Ana Iorga, Philip Kotler, Carl Marci, Kai-Markus Müller, Ingrid L. C. Nieuwenhuis, Hirak Parikh, Dante M. Pirouz, Neal J. Roese, Irit Shapira-Lichter, Daniela Somarriba, Brendan Murray, Julia Trabulsi, Arianna Trettel, Giovanni Vecchiato, Sarah Walker

A comprehensive textbook that integrates tools from technology, economics, markets, and policy to approach energy issues using a dynamic systems and capital-centric perspective.The global energy system is the vital foundation of modern human industrial society. Traditionally studied through separate disciplines of engineering, economics, environment, or public policy, this system can be fully understood only by using an approach that integrates these tools. This textbook is the first to take a dynamic systems perspective on understanding energy systems, tracking energy from primary resource to final energy services through a long and capital-intensive supply chain bounded by both macroeconomic and natural resource systems.The book begins with a framework for understanding how energy is transformed as it moves through the system with the aid of various types of capital, its movement influenced by a combination of the technical, market, and policy conditions at the time. It then examines the three primary energy subsystems of electricity, transportation, and thermal energy, explaining such relevant topics as systems thinking, cost estimation, capital formation, market design, and policy tools. Finally, the book reintegrates these subsystems and looks at their relation to the economic system and the ecosystem that they inhabit. Practitioners and theorists from any field will benefit from a deeper understanding of both existing dynamic energy system processes and potential tools for intervention.

An art-historical perspective on interactive media art that provides theoretical and methodological tools for understanding and analyzing digital art.Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja Kwastek argues that the particular aesthetic experience enabled by these new media works can open up new perspectives for our understanding of art and media alike. Kwastek, herself an art historian, offers a set of theoretical and methodological tools that are suitable for understanding and analyzing not only new media art but also other contemporary art forms. Addressing both the theoretician and the practitioner, Kwastek provides an introduction to the history and the terminology of interactive art, a theory of the aesthetics of interaction, and exemplary case studies of interactive media art.Kwastek lays the historical and theoretical groundwork and then develops an aesthetics of interaction, discussing such aspects as real space and data space, temporal structures, instrumental and phenomenal perspectives, and the relationship between materiality and interpretability. Finally, she applies her theory to specific works of interactive media art, including narratives in virtual and real space, interactive installations, and performance―with case studies of works by Olia Lialina, Susanne Berkenheger, Stefan Schemat, Teri Rueb, Lynn Hershman, Agnes Hegedüs, Tmema, David Rokeby, Sonia Cillari, and Blast Theory.

A theory of the neural bases of aesthetic experience across the arts, which draws on the tools of both cognitive neuroscience and traditional humanist inquiry.In Feeling Beauty, G. Gabrielle Starr argues that understanding the neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and the arts. Drawing on the tools of both cognitive neuroscience and traditional humanist inquiry, Starr shows that neuroaesthetics offers a new model for understanding the dynamic and changing features of aesthetic life, the relationships among the arts, and how individual differences in aesthetic judgment shape the varieties of aesthetic experience. Starr, a scholar of the humanities and a researcher in the neuroscience of aesthetics, proposes that aesthetic experience relies on a distributed neural architecture―a set of brain areas involved in emotion, perception, imagery, memory, and language. More important, it emerges from networked interactions, intricately connected and coordinated brain systems that together form a flexible architecture enabling us to develop new arts and to see the world around us differently. Focusing on the "sister arts" of poetry, painting, and music, Starr builds and tests a neural model of aesthetic experience valid across all the arts. Asking why works that address different senses using different means seem to produce the same set of feelings, she examines particular works of art in a range of media, including a poem by Keats, a painting by van Gogh, a sculpture by Bernini, and Beethoven's Diabelli Variations. Starr's innovative, interdisciplinary analysis is true to the complexities of both the physical instantiation of aesthetics and the realities of artistic representation.

An investigation of different uses for the architectural model through history―as sign, souvenir, funerary object, didactic tool, medium for design, and architect's muse.For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things, sign, souvenir, toy, funerary object, didactic tool, medium, or muse. In this book, Mindrup surveys the history of architectural models by investigating their uses, both theoretical and practical.Tracing the architectural model's development from antiquity to the present, Mindrup also offers an interpretive framework for understanding each of its applications in the context of time and place. He first examines models meant to portray extant, fantastic, or proposed structures, describing their use in ancient funerary or dedicatory practices, in which models are endowed with magical power; as a medium for architectural reverie and inspiration; and as prototypes for twentieth-century experimental designs. Mindrup then considers models that exemplify certain architectural uses, exploring the influence of Leon Battista Alberti's dictum that models be simple, lest they distract from the architect's ideas; analyzing the model as a generative tool; and investigating allegorical, analogical, and anagogical interpretations of models.Mindrup's histories show how the model can be a surrogate for the architectural structure itself, or for the experience of its formal, tactile, and sensory complexity; and beyond that, that the manipulation, play, experimentation, and dreaming enabled by models allow us to imagine architecture in new ways.