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An indispensable guide to French-Algerian multidisciplinary artist Kader Attia (born 1970), whose work examines the way cultures and histories are constructed. Attia often plays with the vocabulary of museums and architecture to trouble the boundaries between Western and non-Western worlds. The book features an interview with Hayward Gallery director, Ralph Rugoff.

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An indispensable guide to French-Algerian multidisciplinary artist Kader Attia (born 1970), whose work examines the way cultures and histories are constructed. Attia often plays with the vocabulary of museums and architecture to trouble the boundaries between Western and non-Western worlds. The book features an interview with Hayward Gallery director, Ralph Rugoff.

A selection of writings by a great nineteenth-century Sufi Shaikh in the direct lineage of Ibn 'Arabi.Behind 'Abd al-Kader's role of brilliant warrior lay another, that of spiritual master in the direct lineage of Ibn 'Arabi, the Shaikh al-Akbar (the greatest shaikh). The thirty-nine texts translated here were chosen because they represent the major themes of the teaching of 'Abd al-Kader. Many are commentaries on passages from the writings of Ibn 'Arabi. They offer a rare opportunity to share the illumination of a master writing from his own direct experience.

This extraordinary biography of the Algerian warrior and Sufi saint, Emir Abd el-Kader (1807/8-1883), shows his dazzling spiritual qualities in the fight against the French colonial authorities. The New York Times called the Emir “one of the few great men of the century,” while Abraham Lincoln and Pope Pius IX both commended the Emir for rescuing 15,000 Christians while in exile in Damascus. In 1846, the town of Elkader, Iowa was named in his honor.

Commaner of the Faithful is both a biography of Emir Abd el-Kader and a history of the resistance he led to the French colonization of Algeria in the mid 1800s. President Lincoln, Queen Victoria, Pope Pius IX, Sir Richard Burton, and French prisoners sang his praises. When Abd el-Kader died in 1883, The New York Times hailed him as ‘one of the few great men of the century’. The warrior-saint had won the heart of the French nation, his sworn enemy and the invader of his Algerian homeland. He reached the summit of his fame after he saved the lives of thousands of Christians during a Turkish campaign in Damascus. Elkader, a town in Iowa, is named after him.

Commaner of the Faithful is both a biography of Emir Abd el-Kader and a history of the resistance he led to the French colonization of Algeria in the mid 1800s. President Lincoln, Queen Victoria, Pope Pius IX, Sir Richard Burton, and French prisoners sang his praises. When Abd el-Kader died in 1883, The New York Times hailed him as ‘one of the few great men of the century’. The warrior-saint had won the heart of the French nation, his sworn enemy and the invader of his Algerian homeland. He reached the summit of his fame after he saved the lives of thousands of Christians during a Turkish campaign in Damascus. Elkader, a town in Iowa, is named after him.

A selection of writings by a great nineteenth-century Sufi Shaikh in the direct lineage of Ibn 'Arabi.Behind 'Abd al-Kader's role of brilliant warrior lay another, that of spiritual master in the direct lineage of Ibn 'Arabi, the Shaikh al-Akbar (the greatest shaikh). The thirty-nine texts translated here were chosen because they represent the major themes of the teaching of 'Abd al-Kader. Many are commentaries on passages from the writings of Ibn 'Arabi. They offer a rare opportunity to share the illumination of a master writing from his own direct experience.

Four Arab American Plays is the first published collection of plays by contemporary Arab American playwrights. Based on true stories from her life as the daughter of a Lebanese mother and American diplomat father, Leila Buck's ISite invites the audience on an intimate journey in search of identity, home, and the space in between. Jamil Khoury's drama Precious Stones boldly examines the Israeli-Palestinian conflict in the "safe" yet turbulent terrain of the American Diaspora. Yussef El Guindi's Our Enemies: Lively Scenes of Love and Combat is a darkly humorous and sensual look at identity, media-representation, love and lust in the Arab American community. In Lameece Issaq and Jacob Kader's Food and Fadwa, a Palestinian family living under occupation fights to hold onto their culture and traditions while still celebrating love, joy and hope. A preface by Arab American scholar Michael Malek Najjar and a new essay titled "Towards an Arab American Theatre Movement" by Silk Road Rising's artistic director, Jamil Khoury, concludes the book--a valuable expression of Arab American life and theatre in the United States.

Four Arab American Plays is the first published collection of plays by contemporary Arab American playwrights. Based on true stories from her life as the daughter of a Lebanese mother and American diplomat father, Leila Buck's ISite invites the audience on an intimate journey in search of identity, home, and the space in between. Jamil Khoury's drama Precious Stones boldly examines the Israeli-Palestinian conflict in the "safe" yet turbulent terrain of the American Diaspora. Yussef El Guindi's Our Enemies: Lively Scenes of Love and Combat is a darkly humorous and sensual look at identity, media-representation, love and lust in the Arab American community. In Lameece Issaq and Jacob Kader's Food and Fadwa, a Palestinian family living under occupation fights to hold onto their culture and traditions while still celebrating love, joy and hope. A preface by Arab American scholar Michael Malek Najjar and a new essay titled "Towards an Arab American Theatre Movement" by Silk Road Rising's artistic director, Jamil Khoury, concludes the book--a valuable expression of Arab American life and theatre in the United States.

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The Landing Strip is a photographic series by French-Algerian artist Kader Attia (born 1970) that documents the lives of a group of Algerian transgender sex workers living in Paris in the late 1990s and early 2000s. Focusing on the group's shared intimacy, and taken over a period of roughly two years, Attia sought to capture and present the real lives of those in the community.The title of the series is the name give by the women to the boulevard on which they work. This long straight road, which separates the centre of Paris from its suburbs, resembles an airport runway.Featuring more than 140 illustrations that trace the events from day into night, and an essay by Tarek El-Ariss, Associate Professor and Chair of Middle Eastern Studies at Dartmouth University, this book is an honest and personal insight into the lives and relationships of a group on the periphery of society.

La Bete et la Belle is renowned French choreographer Kader Belarbi's compelling re-imagining of the classic fairy tale Beauty and the Beast - a psychological drama exploring the rejection or acceptance of difference, centering around Beauty's discovery of the depth of true love. Starring Takafumi Watanabe and Julie Loria, Thtre du Capitole's reprise of Belarbi's acclaimed 2005 production has confirmed its status as among the best of modern ballets, combining stunning set and costume designs wi

A bold reinvention of a 19th-century classic. Kader Belarbi's fresh scenario and choreography give this colourful yet ultimately tragic story renewed clarity and simplicity. David Coleman conducts a score based on Adolphe Adam's original work, but enhanced with music by composers from Massenet to Sibelius, as well as new compositions and orchestrations by Coleman himself. This is a version for the modern age....'simply magnificent: A miracle in two acts.' - Le Figaro.

La Bete et la Belle is renowned French choreographer Kader Belarbis compelling reimagining of the classic fairy tale Beauty and the Beast a psychological drama that explores the rejection or acceptance of difference, centring around Beautys discovery of the depth of true love. First performed by the Grands Ballets Canadiens de Montral in 2005, Thtre du Capitoles reprise of Belarbis acclaimed production has confirmed its status as among the best of modern ballets, combining stunning set

The story starts in ‘80s-era Timbuktu, when bookseller, historian, and librarian Abdel Kader Haidara received an order to search for and rescue tens of thousands of lost ancient manuscripts. He is derailed from this formidable task when, in 2012, thousands of Al Qaeda militants take control of Mali. After sharia law is imposed and calls for the destruction of historical manuscripts, Haidara must organize a dangerous clandestine operation to smuggle 300,00 manuscripts out of the occupied city.

The Landing Strip is a photographic series by French-Algerian artist Kader Attia (born 1970) that documents the lives of a group of Algerian transgender sex workers living in Paris in the late 1990s and early 2000s. Focusing on the group's shared intimacy, and taken over a period of roughly two years, Attia sought to capture and present the real lives of those in the community.The title of the series is the name give by the women to the boulevard on which they work. This long straight road, which separates the centre of Paris from its suburbs, resembles an airport runway.Featuring more than 140 illustrations that trace the events from day into night, and an essay by Tarek El-Ariss, Associate Professor and Chair of Middle Eastern Studies at Dartmouth University, this book is an honest and personal insight into the lives and relationships of a group on the periphery of society.

The street as a stage or site of creative action has acquired its own special role in art history: think of Jean-Michel Basquiat, whose work stemmed directly from street culture, or Mark Jenkins irritating pedestrians with his subtle infiltration of human-like sculptures, or the participatory installations of Kader Attia. Each of the 30 artists contributing to this bilingual German-English volume has found ways to weave art strategies into the fabric of street culture. Street and Studio focuses on the street as a zone of creativity, and as a source of inspiration to young artists whose lives and art are marked by an urban and mobile lifestyle.

259pages. 17x10,8x1,8cm. Poche. "L'imagination ce n'est pas le mensonge", tel est le leitmotiv que Crastaing assène inlassablement à ses élèves, qui ne l'écoutent guère. Si peu même que trois d'entre eux, les plus frondeurs, Igor Laforgue, Joseph Pritsky et Nourdine Kader vont écoper, en guise de punition, du devoir suivant : Vous vous réveillez un matin, et vous constatez que vous avez été transformé en adulte. Complètement affolé, vous vous précipitez dans la chambre de vos parents. Ils ont été transformés en enfants. Racontez la suite. La suite prouvera que la réalité dépasse souvent la fiction puisque c'est ce qui va véritablement se produire à travers une série de catastrophes et de métamorphoses rocambolesques qui donnent à l'auteur de Comme un roman, l'occasion de réfléchir non seulement sur le pouvoir de la fiction mais sur l'enfance et l'éducation. Tout en se livrant sans restriction au "bonheur narratif", Daniel Pennac porte un jugement sévère sur une certaine attitude pédagogique qui produit des enfants "amputés de leur enfance, poussés prématurément dans le train des ambitions, programmés dès l'ovule" et invite chacun de ses lecteurs, quel que soit son âge à "ressentir l'enfance au moins une fois". -Gérard Meudal