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As religious violence flares around the world, we are confronted with an acute dilemma: Can people coexist in peace when their basic beliefs are irreconcilable? Benjamin Kaplan responds by taking us back to early modern Europe, when the issue of religious toleration was no less pressing than it is today. Divided by Faith begins in the wake of the Protestant Reformation, when the unity of western Christendom was shattered, and takes us on a panoramic tour of Europe's religious landscape--and its deep fault lines--over the next three centuries. Kaplan's grand canvas reveals the patterns of conflict and toleration among Christians, Jews, and Muslims across the continent, from the British Isles to Poland. It lays bare the complex realities of day-to-day interactions and calls into question the received wisdom that toleration underwent an evolutionary rise as Europe grew more "enlightened." We are given vivid examples of the improvised arrangements that made peaceful coexistence possible, and shown how common folk contributed to toleration as significantly as did intellectuals and rulers. Bloodshed was prevented not by the high ideals of tolerance and individual rights upheld today, but by the pragmatism, charity, and social ties that continued to bind people divided by faith. Divided by Faith is both history from the bottom up and a much-needed challenge to our belief in the triumph of reason over faith. This compelling story reveals that toleration has taken many guises in the past and suggests that it may well do the same in the future.

As religious violence flares around the world, we are confronted with an acute dilemma: Can people coexist in peace when their basic beliefs are irreconcilable? Benjamin Kaplan responds by taking us back to early modern Europe, when the issue of religious toleration was no less pressing than it is today.Divided by Faith begins in the wake of the Protestant Reformation, when the unity of western Christendom was shattered, and takes us on a panoramic tour of Europe's religious landscape--and its deep fault lines--over the next three centuries. Kaplan's grand canvas reveals the patterns of conflict and toleration among Christians, Jews, and Muslims across the continent, from the British Isles to Poland. It lays bare the complex realities of day-to-day interactions and calls into question the received wisdom that toleration underwent an evolutionary rise as Europe grew more "enlightened." We are given vivid examples of the improvised arrangements that made peaceful coexistence possible, and shown how common folk contributed to toleration as significantly as did intellectuals and rulers. Bloodshed was prevented not by the high ideals of tolerance and individual rights upheld today, but by the pragmatism, charity, and social ties that continued to bind people divided by faith.Divided by Faith is both history from the bottom up and a much-needed challenge to our belief in the triumph of reason over faith. This compelling story reveals that toleration has taken many guises in the past and suggests that it may well do the same in the future.

Lawrence County was named for naval captain James Lawrence, who gave the famous command "Don't give up the ship" during the War of 1812. His command became a slogan for western Pennsylvanians in the early 1800s when what was to become Lawrence County was divided between Mercer County and Beaver County. In 1820, residents started to protest the inconvenience of conducting business in two jurisdictions and proposed a new county to unify the community. They did not give up the ship. Finally in 1849, Lawrence County was authorized. The new county was rich with rolling hills, rivers, forests, and fertile land. Limestone, iron ore, coal, and clay supported burgeoning industries. Lawrence County illustrates the effect of these industries on the area through more than 200 vintage postcards and photographs. Also illustrated are the Old Order Amish and places such as Possum Hollow, Breakneck Bridge, SNPJ, and Energy.

In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration, the mass movement of black Americans from the rural South to the urban North that began in 1915–16. Within months of its making, the Migration Series was divided between The Museum of Modern Art (even-numbered panels) and the Phillips Memorial Gallery (odd-numbered panels). The work has since become a landmark in the history of African American art, a monument in the collections of both institutions and a crucial example of the way in which history painting was radically reimagined in the modern era. In 2015 and 2016, the panels will be reunited in exhibitions at The Museum of Modern Art (One-Way Ticket: Jacob Lawrence's Migration Series and Other Works) and at The Phillips Collection (Jacob Lawrence's Migration Series). This catalogue grounds Lawrence's Migration Series in the cultural and political debates that shaped the young artist's work and highlights its continued resonance for artists and writers today. An essay by Leah Dickerman situates the series within contemporary discussions about black history and an artist's social responsiblities in the late 1930s and early 1940s. Elsa Smithgall traces the acquisition and exhibition history of the Migration Series. Short commentaries on each panel explore Lawrence's career and technique, and the social history of the Migration. The catalogue also debuts ten poems commissioned from acclaimed poets that respond to the Migration Series. Elizabeth Alexander, honored as the poet at President Obama's first inauguration, introduces the section.

In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration, the mass movement of black Americans from the rural South to the urban North that began in 1915–16. Within months of its making, the Migration Series was divided between The Museum of Modern Art (even-numbered panels) and the Phillips Memorial Gallery (odd-numbered panels). The work has since become a landmark in the history of African American art, a monument in the collections of both institutions and a crucial example of the way in which history painting was radically reimagined in the modern era. In 2015 and 2016, the panels will be reunited in exhibitions at The Museum of Modern Art (One-Way Ticket: Jacob Lawrence's Migration Series and Other Works) and at The Phillips Collection (Jacob Lawrence's Migration Series). This catalogue grounds Lawrence's Migration Series in the cultural and political debates that shaped the young artist's work and highlights its continued resonance for artists and writers today. An essay by Leah Dickerman situates the series within contemporary discussions about black history and an artist's social responsiblities in the late 1930s and early 1940s. Elsa Smithgall traces the acquisition and exhibition history of the Migration Series. Short commentaries on each panel explore Lawrence's career and technique, and the social history of the Migration. The catalogue also debuts ten poems commissioned from acclaimed poets that respond to the Migration Series. Elizabeth Alexander, honored as the poet at President Obama's first inauguration, introduces the section.

The book begins with an analysis of Labour's approach to foreign and defence policy in the immediate post-war years, and describes how the Attlee Government's perceptions of the Soviet Union played a leading part in the formation of NATO in 1949. Thereafter, it explores Labour's divided approach to defence policy from the 1950s until the mid 1970s. Although the issue of British nuclear weapons first emerged at this time, Labour's splits were not confined to this topic. There was disagreement about German rearmament, American troops in Britain and the absolute level of defence expenditures. It leads on to an exploration of how Labour adopted a unilateral non-nuclear defence policy and accepted the concept of common security and defensive deterrents in the late 1970s and early 1980s. In turn the book considers the potential implications of Labour's changed policy for British relations with the United States, Europe, the USSR and its allies, and the British Empire, lately the Commonwealth. The last part of the study focuses on Labour's return to multilateralism at the end of the 1980s and on the party's muted response to the transformation of Britain's strategic environment in the early 1990s. Although the central concern of the book is with Labour's defence policy, obviously it has to examine many of the basic questions about the United Kingdom's defence arrangements. As a result, it is a study of post-war British as well as Labour party defence policy.

In this groundbreaking new book by Gordon and Sandra Lawrence, the complex mysteries of Revelation are divided into SEVEN BASIC STAGES in an attempt to provide the reader with a comprehensive view of past history and future prophecy. It is the author’s hope to paint a realistic picture of the second coming of Christ, and to prepare the next generation of Christians for inevitable persecution and unprecedented global crisis. Section 1, Chapters 1-4 provide critical background information: Israel, The Apple of God’s eye; The Spirit of Amalek; Daniel, Man of Prophecy; The Olivet Discourse; Section 2, Chapters 1-7 outline the book of Revelation as follows: The Beginning of Birth Pangs; The Tribulation; Gathering His Church; The Wrath of God Begins; The Day of Atonement; The Millennium; The New Jerusalem; Lawrence addresses what he calls ‘the great theological debate of the 21st century’: the issue of the Pre-Tribulation Rapture vs the Pre-Wrath rapture of the Church. The Day of Atonement chapter provides unique scriptural insight called: The Journey of the Mighty Angel. The author describes this book as: expositional, encyclopedic and editorial. The reader will delight, perhaps for the first time, in learning the systematic progression of events that break the code of end-time mystery. Be prepared to learn new truth from the pages of scripture. A great tool for small group study!

This is the comprehensive, standardized dictionary of military and associated terminology compiled and used by the Department of Defense. Divided into sections, The Dictionary of Military Terms contains all definitions approved for DoD and the North Atlantic Treaty Organization (NATO) use, as well as a complete listing of commonly used abbreviations and acronyms.