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The art of Harry Gamboa Jr. encompasses photography, video, performance, installation, essays, fiction, poetry, and lesser-known forms of his own creation.Working in the tradition of Bertolt Brecht and Samuel Beckett, Gamboa has pioneered multimedia formats for nearly three decades, setting a precedent for the work of artists such as Coco Fusco, Guillermo Gomez-Pena, and Daniel J. Martinez. Urban Exile gathers Gamboa's diverse creations in a visually compelling collection that reveals a rich vein of Chicano avant-garde production reaching back to the early 1970s.Gamboa was a founding member of Asco (1972-1987), the East L.A. multimedia art group that critically satirized high art and cinema while parodying the utopian nationalism of the Chicano Arts Movement. Urban Exile comprises works Gamboa created with Asco as well as solo efforts -- Mexican fotonovelas rewritten as performance pieces, mail art, No Movies (images presented as stills from nonexistent movies). Firmly grounded in the megalopolis of Los Angeles, these texts present a unique perspective on the bizarre racialized and class-stratified fabric of that city -- the "urban desert in ruins".Gamboa's work is crucial to an understanding not only of Chicano art but also of the post-1968 avant-garde in the United States; he consistently debunks traditional categories, creates innovative alternatives, and reveals a history rendered invisible by the dominant art institutions and media industries. Sometimes hilarious, sometimes dreamlike, always unexpected, these texts present a compelling critique of urban life at the end of the millennium and are essential reading for all "orphans of modernism".

Harry Berger, Jr., has long been one of our most revered and respected literary and cultural critics. Since the late nineties, a stream of remarkable and innovative publications have shown how very broad his interests are, moving from Shakespeare to baroque painting, to Plato, to theories of early culture.In this volume a distinguished group of scholars gathers to celebrate the work of Harry Berger, Jr. To "celebrate," in Berger's words, is "to visit something either in great numbers or else frequently-to go away and come back, go away and come back, go away and come back. Celebrating is what you do the second or third time around, but not the first. To celebrate is to revisit. To revisit is to revise. Celebration is the eureka of revision." Not only former students but distinguished colleagues and scholars come together in these pages to discover Berger's eurekas-to revisit the rigor and originality of his criticism, and occasionally to revise its conclusions, all through the joy of strenuous engagement. Nineteen essays on Berger's Shakespeare, his Spenser, his Plato, and his Rembrandt, on his theories of interpretation and cultural change and on the ethos of his critical and pedagogical styles, open new approaches to the astonishing ongoing body of work authored by Berger. An introduction by the editors and an afterword by Berger himself place this festival of interpretation in the context of Berger's intellectual development and the reception of his work from the mid-twentieth century into the first decade of the twenty-first.

Harry Berger, Jr., has long been one of our most revered and respected literary and cultural critics. Since the late nineties, a stream of remarkable and innovative publications have shown how very broad his interests are, moving from Shakespeare to baroque painting, to Plato, to theories of early culture.In this volume a distinguished group of scholars gathers to celebrate the work of Harry Berger, Jr. To "celebrate," in Berger's words, is "to visit something either in great numbers or else frequently-to go away and come back, go away and come back, go away and come back. Celebrating is what you do the second or third time around, but not the first. To celebrate is to revisit. To revisit is to revise. Celebration is the eureka of revision." Not only former students but distinguished colleagues and scholars come together in these pages to discover Berger's eurekas-to revisit the rigor and originality of his criticism, and occasionally to revise its conclusions, all through the joy of strenuous engagement. Nineteen essays on Berger's Shakespeare, his Spenser, his Plato, and his Rembrandt, on his theories of interpretation and cultural change and on the ethos of his critical and pedagogical styles, open new approaches to the astonishing ongoing body of work authored by Berger. An introduction by the editors and an afterword by Berger himself place this festival of interpretation in the context of Berger's intellectual development and the reception of his work from the mid-twentieth century into the first decade of the twenty-first.

The art of Harry Gamboa Jr. encompasses photography, video, performance, installation, essays, fiction, poetry, and lesser-known forms of his own creation.Working in the tradition of Bertolt Brecht and Samuel Beckett, Gamboa has pioneered multimedia formats for nearly three decades, setting a precedent for the work of artists such as Coco Fusco, Guillermo Gomez-Pena, and Daniel J. Martinez. Urban Exile gathers Gamboa's diverse creations in a visually compelling collection that reveals a rich vein of Chicano avant-garde production reaching back to the early 1970s.Gamboa was a founding member of Asco (1972-1987), the East L.A. multimedia art group that critically satirized high art and cinema while parodying the utopian nationalism of the Chicano Arts Movement. Urban Exile comprises works Gamboa created with Asco as well as solo efforts -- Mexican fotonovelas rewritten as performance pieces, mail art, No Movies (images presented as stills from nonexistent movies). Firmly grounded in the megalopolis of Los Angeles, these texts present a unique perspective on the bizarre racialized and class-stratified fabric of that city -- the "urban desert in ruins".Gamboa's work is crucial to an understanding not only of Chicano art but also of the post-1968 avant-garde in the United States; he consistently debunks traditional categories, creates innovative alternatives, and reveals a history rendered invisible by the dominant art institutions and media industries. Sometimes hilarious, sometimes dreamlike, always unexpected, these texts present a compelling critique of urban life at the end of the millennium and are essential reading for all "orphans of modernism".

This fascinating book presents a history of U.S. gold coins and an in-depth biography of Harry W. Bass, Jr., who assembled the finest and most complete collection of early United States gold ever. It provides a catalog of the Bass collection, the core of which is housed in the ANA's Money Museum. Every coin collector will enjoy studying the detailed descriptions and high-quality color photographs in this outstanding sylloge. 499 pages, hardcover

Automatically redirects LP gas vapor flow from an empty designated service Cylinder to a reserve Cylinder without interruption. Green indicator dome changes to red when the service Cylinder needs to be filled.1/4 in. Inverted Flare Inlet Connections. 3/8 in. FPT Outlet Connection. Zinc Die Cast. Molded Rubber Diaphragms. UL Approved. 2nd Stage Relief Mechanism Per UL 144. Powder Coated.

Richard B. Gaffin, Jr. stands tall among present-day theologians as one who has given his life to the study of Scripture and to its expression in the church. His influence spans five decades and is felt through his tireless service both at Westminster Theological Seminary and in the Orthodox Presbyterian Church.This festschrift, written in Gaffin's honor, features essays by twenty-three pastors and scholars, including D. A. Carson, Dennis Johnson, G. K. Beale, Peter A. Lillback, Vern Sheridan Poythress, and K. Scott Oliphint."Resurrection and Eschatology" emphasizes the fruits of Dr. Gaffin's labor in three key areas: biblical and systematic theology, historical and polemical theology, and pastoral theology. A wide range of scholars contribute essays demonstrating his influence in biblical and theological studies, and pastors offer sermons showing how his theology can be brought to the pulpit.

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Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

After reading a letter from his mother, Febb Burn, Harry T. Burn cast the deciding vote to ratify the Nineteenth Amendment to the U.S. Constitution, granting suffrage rights to millions of American women. Born and raised in McMinn County, he served in Tennessee government in various capacities for many years, including terms in the state senate and as delegate to state constitutional conventions. His accomplishments include helping secure universal suffrage rights, drafting clean election laws and leading successful careers in law and banking. He encountered more controversies in his career, such as an unsuccessful gubernatorial bid, election fraud and implementation of state legislative reapportionment. Burn's great-grandnephew, Tyler L. Boyd, chronicles the life and legacy of a Tennessee legend in this never-before-told life story.

“I believe few Officers either in America or Europe are held in so high a point of estimation as you are...” ——Gen. Nathanael Greene to “Light Horse” Harry Lee January 27, 1782 The sentiment above, expressed by General Nathanael Greene, an officer whose military contributions to American independence are second only to General George Washington, captures the view of most Americans in 1782 regarding Light Horse Harry Lee. In early 1782, twenty-six year old Lieutenant Colonel Lee commanded a legion of mounted and dismounted dragoons that had just completed a spectacular year of military service in the South. Lee’s efforts in 1781, in conjunction with General Greene and the American southern army, resulted in the British loss of most of South Carolina and Georgia. Over the course of 1781, Lee and his legion, often detached from Greene’s army, helped screen Greene’s desperate retreat to Virginia and then, a few weeks later, captured or destroyed numerous enemy outposts and detachments in South Carolina and Georgia. Lee and his legion played a crucial role in the bloody battles of Guilford Courthouse and Eutaw Springs and the sieges of Augusta and Ninety-Six. The extraordinary service of Lee and his men in 1781 capped what had already been five years of distinguished military service for Lee. He had reported to General Washington’s army as a twenty year old cavalry captain in 1777 and quickly earned a reputation as a bold commander. Lee’s daring exploits at Valley Forge, Powles Hook and Springfield, like his extraordinary service in the south, are all chronicled within this book. Readers will undoubtedly conclude that Lee made the right decision when he declined General Washington’s invitation in 1778 to join his staff as an aide-de-camp with the assertion that, “I am wedded to my sword.” Illustrations, maps, a bibliography and an index to names, places and subjects enhance the text.

Tennessee Statesman Harry T. Burn: Woman Suffrage, Free Elections and a Life of Service 1.23

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Compact version. Automatically redirects LP gas vapor flow from an empty designated service Cylinder to a reserve Cylinder without interruption. Green indicator dome changes to red when the service Cylinder needs to be filled. 1/4" Inverted Flare Inlet Connections. 3/8" FPT Outlet Connection. Zinc Die Cast. Molded Rubber Diaphragms. UL Approved. 2nd Stage Relief Mechanism Per UL 144. Powder Coated.

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Delivering power when you need it, the MIGHTY MAX ML18-12 12-Volt 18 Ah uses a state of the art, heavy-duty, calcium-alloy grid that provides exceptional performance and service life in both float and cyclic applications. The ML18-12 is an Absorbent Glass Mat (AGM) technology with a valve regulated design, that can be used in enclosed and indoor environments without leaking or maintenance, providing a superior performance for thousands of models. MIGHTY MAX SLA batteries are utilized in a wide variety of applications including, Consumer Electronics, Electric Vehicles, Engine Starters, Golf Carts, Hunting, Lawn and Garden Tools, Medical Mobility, Motorcycles, Power sports, Portable Tools, Solar, Toys and Hobby, Access Control Devices, Emergency Lighting, Security and more.

Delivering power when you need it, the MIGHTY MAX ML9-12 12-Volt 9 Ah uses a state of the art, heavy-duty, calcium-alloy grid that provides exceptional performance and service life in both float and cyclic applications. The ML9-12 is an Absorbent Glass Mat (AGM) technology with a valve regulated design, that can be used in enclosed and indoor environments without leaking or maintenance, providing a superior performance for thousands of models. MIGHTY MAX SLA batteries are utilized in a wide variety of applications including, Consumer Electronics, Electric Vehicles, Engine Starters, Golf Carts, Hunting, Lawn and Garden Tools, Medical Mobility, Motorcycles, Power sports, Portable Tools, Solar, Toys and Hobby, Access Control Devices, Emergency Lighting, Security and more.

Delivering power when you need it, the MIGHTY MAX ML22-12 12-Volt 22 Ah uses a state of the art, heavy-duty, calcium-alloy grid that provides exceptional performance and service life in both float and cyclic applications. The ML22-12 is an Absorbent Glass Mat (AGM) technology with a valve regulated design, that can be used in enclosed and indoor environments without leaking or maintenance, providing a superior performance for thousands of models. MIGHTY MAX SLA batteries are utilized in a wide variety of applications including, Consumer Electronics, Electric Vehicles, Engine Starters, Golf Carts, Hunting, Lawn and Garden Tools, Medical Mobility, Motorcycles, Power sports, Portable Tools, Solar, Toys and Hobby, Access Control Devices, Emergency Lighting, Security and more.