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A los dos años, Helen Keller quedó sorda y ciega. Ella vivía en un mundo de silencio y la oscuridad. Pero con la ayuda de la maestra Annie Sullivan, Helen aprendió a leer, escribir y hacer muchas cosas extraordinarias. Esta biografía inspiradora es perfecta para los jóvenes lectores. Dibujos en blanco y negro, barras laterales sobre temas relacionados, tales como Louis Braille, una cronología, y una bibliografía mejorará la comprensión de los lectores sobre el tema.

FOR USE IN SCHOOLS AND LIBRARIES ONLY. An illustrated biography shows how Helen Keller, deaf and blind since the age of two, learned to communicate, read, and do other amazing things with the help of her teacher, Annie Sullivan.

This 1970's Japanese made banjo was distributed in Canada under the Mann brand name. It s essentially the same as an Ibanez banjo, save for a few m...

When The Five Faces of Manfred Mann was first released in 1964, the band had been named as Britain's top rhythm and blues group. Today the remastered mono recording sounds as fresh as it did 48 years ago. These recordings really do stand the test of time: standards such as Smokestack Lightning, Don't Ask Me What I Say, Sack O'Woe and I've Got My Mojo Working blend seamlessly with original compositions from the band such as What You Gonna Do?, I'm Your Kingpin and Mr Anello. As well as R&B, th

Manfred Mann are primarily known for their pop hits of the 60s, but the band was founded from a love of R&B and jazz, and while their hits gave them due chart success, the members still managed to sneak in jazz and blues tracks on B sides and as album tracks. This album features some of these tracks, and is notable for featuring Jack Bruce on bass before he left to form Cream. Newly remastered, manufactured on heavy duty vinyl and card, with new sleeve notes written by Mike Hugg. This reissue i

Herbie Mann ? Herbie Mann At The Village Gate Herbie Mann at the Village Gate is a 1961 live album by jazz flutist Herbie Mann which was his third album for Atlantic Records, the main label for much of his career. The album was recorded at legendary club The Village Gate. Herbie Mann - flutes, Hagood Hardy - vibraharp, Ahmed Abdul-Malik - bass, Ray Mantilla - conga and percussion, Chief Bey - African drum and percussion, Rudy Collins - drums, Ben Tucker - additional bass.

This vivid, sometimes tragic, and often humorous literary biography brings to life as never before the extraordinary talent and complex person who was Thomas Mann. Engrossing vignettes enable us to enter Mann's life and work from unique angles. We meet the difficult, even unsavory private man: hypochondriac and nervous, narcissistic and vainglorious, isolated and greedy for love, shy and often ungenerous. But we are also introduced to a man who lived an eventful life, was capable of great kindness, loved dogs, doted on his daughters, and listened to Jack Benny. We experience Mann's tragedy as the quintessential German forced by the rise of National Socialism first into inner exile and then into real exile in Switzerland, Princeton, and California. His letters from this time reveal the torment that exile represented for a writer whose work, indeed whose very self, was inextricably bound up with the German language. The book provides fresh and sometimes startling insights into both famous and little-known episodes in Mann's life and into his writing--the only realm in which he ever felt free. It shows how love, death, religion, and politics were not merely themes in Buddenbrooks, The Magic Mountain, and other works, but were woven into the fabric of his existence and preoccupied him unrelentingly. It also teases out what is known about what Mann considered his celibate homoeroticism and what others have labeled closeted homosexuality. In particular, we learn about his affection for the young man who inspired the character of Tadzio in Death in Venice. And, against the unfocused accusations of anti-Semitism that have been leveled at Mann, the book examines in human detail his relationships with Jewish writers, friends, and family members. This is the richest available portrait of Thomas Mann as man and writer--the place to start for anyone wanting to know anything about his life, work, or times.

Murray Gell-Mann is one of the leading physicists of the world. He was awarded the Nobel Prize in Physics in 1969 for his work on the classification and symmetries of elementary particles, including the approximate SU(3) symmetry of hadrons. His list of publications is impressive; a number of his papers have become landmarks in physics. In 1953, Gell-Mann introduced the strangeness quantum number, conserved by the strong and electromagnetic interactions but not by the weak interaction. In 1954 he and F E Low proposed what was later called the renormalization group. In 1958 he and R P Feynman wrote an important article on the V-A theory of the weak interaction. In 1961 and 1962 he described his ideas about the SU(3) symmetry of hadrons and its violation, leading to the prediction of the Ω- particle. In 1964 he proposed the quark picture of hadrons. In 1971 he and H Fritzsch proposed the exactly conserved “color” quantum number and in 1972 they discussed what they later called quantum chromodynamics (QCD), the gauge theory of color. These major publications and many others are collected in this volume, providing physicists with easy access to much of Gell-Mann's work. Some of the articles are concerned with his recollections of the history of elementary particle physics in the third quarter of the twentieth century.

This detailed study of the career of Anthony Mann argues Mann's prominence and influence alongside contemporaries like John Ford. Mann (1906-1967), who was active in Hollywood and Europe, directed or produced more than 40 films, including The Fall of the Roman Empire and God's Little Acre. Best known for his work in the film noir and western genres and his films starring Jimmy Stewart, Mann later moved into Cold War and epic films. The book features a filmography and 49 photographs.

Crossing over the Line describes the folly of the Mann Act of 1910—a United States law which made travel from one state to another by a man and a woman with the intent of committing an immoral act a major crime. Spawned by a national wave of "white slave trade" hysteria, the Act was created by the Congress of the United States as a weapon against forced prostitution.This book is the first history of the Mann Act's often bizarre career, from its passage to the amendment that finally laid it low. In David J. Langum's hands, the story of the Act becomes an entertaining cautionary tale about the folly of legislating private morality.Langum recounts the colorful details of numerous court cases to show how enforcement of the Act mirrored changes in America's social attitudes. Federal prosecutors became masters in the selective use of the Act: against political opponents of the government, like Charlie Chaplin; against individuals who eluded other criminal charges, like the Capone mobster "Machine Gun" Jack McGurn; and against black men, like singer Chuck Berry and boxer Jack Johnson, who dared to consort with white women. The Act engendered a thriving blackmail industry and was used by women like Frank Lloyd Wright's wife to extort favorable divorce settlements."Crossing over the Line is a work of scholarship as wrought by a civil libertarian, and the text . . . sizzles with the passion of an ardent believer in real liberty under reasonable laws."—Jonathan Kirsch, Los Angeles Times

Director of such often-revived films as Winchester '73, The Glenn Miller Story, and El Cid, Anthony Mann enjoyed a lasting and important career as one of Hollywood's premier filmmakers. Mann's Westerns, noir pictures, and epics are admired and studied by fans and scholars alike, and he was an expert in the fundamental elements of cinema (movement and placement of the camera, composition in the frame, and careful editing). Jeanine Basinger's Anthony Mann, which places the director's visual style at the center of its analysis, was among the first formal studies of any filmmaker, and it set a standard in the field over twenty-five years ago. Long out of print and much in demand, this pioneering book is now available again, featuring complete coverage of those Mann films not discussed in the original work, as well as over fifty rare film stills. Wesleyan is proud to issue this expanded edition of an essential text, making it available to new generations of filmgoers and readers.

Thomas Mann, author of "Death in Venice", "The Magic Mountain", and "Buddenbrooks" was a man with secrets. This biography offers a portrait of the Nobel Prize-winning German novelist, drawing on Mann's unexpurgated diaries. It uncovers a brilliant writer's mask to reveal the private man: his bisexuality, his obsession with preserving appearances and the deep guilt which plagued him for nearly fifty years. The sanitized self-image Mann strove to maintain is revealed as a fragile veneer. Drawing on the diaries that he stipulated should remain under seal for twenty years after his death, and on interviews with Mann's children, the author depicts a man subject to nervous trembling, convulsive sobbing and moments of sexual embarrassment. When his novels are reread from this perspective, new meanings emerge and interconnections between the problems of the author and his characters become apparent. As Mann wrote to a friend, he devised "novelistic forms and masks which can be displayed in public as a means of relaying my love, my hatred, my sympathy, my contempt, my pride, my scorn and the accusations I want to make". Ronald Hayman is the biographer of Proust, Sartre, Kafka, Nietzche, Brecht and Sylvia Plath.

The little-known life of Marty Mann rivals a Masterpiece Theatre drama. She was born into a life of wealth and privilege, sank to the lowest depths of poverty and despair, then rose to inspire thousands of others, especially women, to help themselves. The first woman to achieve long-term sobriety in Alcoholics Anonymous, Marty Mann advocated the understanding that alcoholism is an issue of public health, not morality. In their fascinating book, Sally and David Brown shed light on this influential figure in recovery history. Born in Chicago in 1905, Marty was favored with beauty, brains, charisma, phenomenal energy, and a powerful will. She could also out drink anyone in her group of social elites. When her father became penniless, she was forced into work, landed a lucrative public relations position, and a decade later was destitute because of her drinking. She was committed to a psychiatric center in 1938--a time when the term alcoholism was virtually unknown, the only known treatment was "drying out," and two men were compiling the book Alcoholics Anonymous. Marty read it on the recommendation of psychiatrist Dr. Harry Tiebout: it was her first step toward sobriety and a long, illustrious career as founder of the National Council on Alcoholism, or NCA. In the early 1950s, journalist Edward R. Murrow selected Marty as one of the 10 greatest living Americans. Marty died of a stroke in 1980, shortly after addressing the AA international convention in New Orleans. This is a story of one woman's indefatigable effort and indomitable spirit, compellingly told by Sally and David Brown.

The debut album by Manfred Mann Chapter Three was a pivot from Manred Mann's sixties beat roots and focussed on instrumental inventiveness. Regarded as experimental jazz rock upon release in 1969, it was on of the first three albums to come out on the legendary progressive rock label, Vertigo. Though considered a sideline and short lived, being a precursor to the long running Earth Band, the Chapter Three band issued two albums which have been long regarded as a lost masterpieces of the era, sou

From time to time, the diligent science student huddled over dense volumes of research findings and highly technical data will stumble upon a truly rare treasure: the author’s answer to the question of, “Why?” Why did the authors of these volumes commit themselves so ardently to life in the laboratory? What was it that motivated them to keep their eye to microscope for years on end? Why did the world’s greatest scientists devote their lives to research—an endeavor where failure is the exponentially more likely outcome than success?In their new anthology, From Galileo to Gell-Mann, Marco Bersanelli and Mario Gargantini have gathered the answers to these fascinating questions from over one hundred of the brightest scientific minds from our past and our present. It is a goldmine of insight that previously could only to be found hidden deep within thousands of scattershot pages of footnotes from out-of-print journals, rare books, and unpublished papers. Throughout the work, Bersanelli and Gargantini also offer insightful commentary and discussion on the readings.Among the most remarkable similarities that emerge when one considers together these writings from the likes of Albert Einstein, Gregor Mendel, Marie Curie, and others, is the sense of wonder and outright awe at what the study of the natural world can reveal. From Galileo to Gell-Mann makes it clear that science and all parallel attempts to understand our human existence—including fields like philosophy to theology—are viewed as nothing less than grand adventures to those that are probing the limits of what we know.

In the summer of 1911, the German writer Thomas Mann visited Venice in the company of his wife Katia. There, in the Grand Hotel des Bains, as he waited for the dinner-gong to ring, the author’s roving eye was drawn to a nearby Polish family, the Moeses, consisting of a mother, three daughters, and a young sailor-suited son who, to Mann, exuded an almost supernatural beauty and grace. Inspired by this glancing encounter with the luminous child, Mann wrote Death in Venice, and the infatuated writer made of that boy, Wladyslaw Moes, one of the twentieth century’s most potent and enduring icons. According to Gilbert Adair in his sparkling evocation of that idyll on the Adriatic, Mann wrote his novella, “as though taking dictation from God.” But precisely who was the boy? And what was his reaction to the publication of Death in Venice in 1912 and, later, the release of Luchino Visconti’s film adaptation in 1971? In this revealing portrait, including telling photographs, Gilbert Adair brilliantly juxtaposes the life of Wladyslaw Moes with that of his mythic twin, Tadzio. It is a fascinating account of a man who was immortalized by a genius, yet forgotten by history.

In this book, which was first published in 1958 and reissued in 1981, Professor Heller sees Mann as the late heir of the central tradition of modern German literature and also as one of the most ironic writers within that tradition. He offers a detailed study of the major works of fiction, Buddenbrooks, Tonio Kroher, Death in Venice, The Magic Mountain, Joseph and His Brothers, Doctor Faustus and Felix Krull, as well as a discussion of Mann's most significant political essay, 'Meditations of a Non-Political Man'. Beyond this, Heller's book is a profound commentary on Mann by a mind attuned to (and mouded by) precisely the intellectual and cultural traditions which are so much part of Mann's creative make-up.

Thomas Mann (1875-1955) won the Nobel Prize for literature in 1929. This is a collection of his shorter works. "Death in Venice", later filmed by Lucion Visconti starring Dirk Bogarde, was published in 1911. It is a poetic meditation on art and beauty, where the dying composer Aschenbach (modelled on Gustav Mahler) becomes fixated by the young boy Tadzio. The other stories are: "Tonio Kroger"; the collection entitled "Tristan"; "The Blood of the Walsungs"; "Mario the Magician"; and "The Tables of the Law". A number of essays are also included.

Though Gary was an industrial city founded by U.S. Steel, the Horace Mann neighborhood evolved into one of the most exclusive residential areas in northwest Indiana. Skilled craftsmen from the mills were able to live among doctors and lawyers as well as businessmen and supervisors from U.S. Steel. From the boom years of the 1920s through the 1960s, residents of diverse economic backgrounds sent their children to the same schools, prayed together in the same houses of worship, and shopped in Gary's popular downtown. Gary's West Side: The Horace Mann Neighborhood is a pictorial history spanning four generations of one of the Steel City's premier residential districts. Through archival photographs, family snapshots provided by former residents, and shared memories, the reader is taken on a nostalgic journey from the city's founding in 1906 through to the 21st century.