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9th revised edition. 119 pages. German language. 9.13x6.14x0.51 inches. In Stock.

Unread book in perfect condition.

Heidegger's lecture delivered to the Marburg Theological Society in July 1924 is designed to be introductory in nature and develops the problem of the concept of time by setting it over and against the everyday concept of 'natural' time and time 'in the world'. Phenomenological analysis of the nature of time points up a more fundamental dimension of temporalness (""Zeitlichkeit"") and its relation to ""Dasein"". In indicating some of the basic structures of ""Dasein"", Heidegger reveals temporalness (""Zeitlichkeit"") to be the fundamental statement of Human Being (""Dasein"") with regard to its own Being (""Sein"").

Used. Very Good conditions. May have soft reading marks and name of the previous owner.

3rd revised edition. 185 pages. German language. 7.20x4.53x0.55 inches. In Stock.

XXXI, 76 Seiten., Philosophische Bibliothek Band 371. Der Einband ist gering berieben, gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1001

Zustand: Hervorragend Seiten: 327 Sprache: Deutsch Produktart: Bücher

O.-Leinen mit OU. 1. Auflage. Aus dem Inhalt: Carl Friedrich von Weizsäcker, Zeit, Physik, Metaphysik. Giichi Saito, Nunc aeternum und Zeit in der Philosophie Kitaro Nishidas. Claus Westermann, Erfahrung der Zeit im Alten Testament. Constanze Eisenbarth, Die Bedrohung der Zeit durch das Böse. Anmerkungen zu »Macbeth«. Manfred Eigen, Evolution und Zeitlichkeit. Klaus Michael Meyer-Abich, Erfahrung der Naturgeschichte. Heinz Eduard Tödt, Die Zeitmodi in ihrer Bedeutung für die sittliche Urteilsbildung. Anregungen aus Georg Pichts Zeitphilosophie für eine evangelische Verantwortungsethik. Enno Rudolph, Platon, Kant und die Einheit der Zeit: Zur Philosophie von Georg Picht.; Jahr: 1984; Format: Oktav; Anzahl der Seiten: 374; Auflage: 1.; Zustand: 2 (Besitz- und Datumsvermerk auf Vorsatz. Sonst sauber und gut erhalten.)Auf Grund der Versandkostenvorgaben von AbeBooks/ZVAB (die Versandkostenkalkulation richtet sich nicht nach Gewicht, sondern nach Anzahl der Artikel), kann es bei Titeln mit über 1000 Gramm Gewicht oder größeren Formaten zu höheren Portokosten kommen. Nach Bestelleingang erfolgt eine Anfrage, ob Sie einverstanden sind. 540 gr. 374 pages. Besitz- und Datumsvermerk auf Vorsatz. Sonst sauber und gut erhalten.

219 Seiten Vereinzelte sehr kleine Bleistift-Korrekturen im Text, sonst wie neu. Sprache: Deutsch Gewicht in Gramm: 461

Neuware - Dieses Buch stellt den Sinologen und Sprachforscher Georg von der Gabelentz (1840-1893), seine wissenschaftliche Arbeit und seine Familiengeschichte einem breiten Publikum vor. Gabelentz stammt aus einer Adelsfamilie auf Poschwitz (Altenburg, Thüringen). Er war der Sohn des damals weltweit bekannten Sprachforschers und Staatsmannes, Hans Conon von der Gabelentz (1807-1874). Kernstück des Buches ist ein von Gabelentz' jüngerer Schwester, Clementine von Münchhausen, hinterlassenes Manuskript 'H. Georg v. d. Gabelentz. Biographie und Charakteristik', das hier erstmals komplett veröffentlicht wird. Ergänzt wird das Manuskript durch eine detaillierte, 1938 als Faksimile der Handschrift gedruckte familiengeschichtliche Darstellung des alten Adelsgeschlechtes. Zusammen mit Bildern und Dokumenten aus der Gabelentz-Ausstellung der Humboldt-Universität zu Berlin von 2010 werden fünf Arbeiten von Fachwissenschaftlern und Forschern zu Gabelentz' Leben als Wissenschaftler, Auszüge aus seinen Hauptwerken sowie seine scharfsinnigen 'Sentenzen', die privat überliefert sind, abgedruckt. So ist der Band ein unterhaltsames, vielseitiges, primäres Quellenbuch für alle diejenigen, die sich für diesen universellen Gelehrten interessieren.

Virtuosity in the front row of the contemporary art Already very early in his artistic career, Georg Baselitz showed a keen interest in printmaking. In 1965, as a scholar at the Villa Romana in Florence, he began to collect the Italian Mannerist, Parmigianino. In an interview he explained: »I liked printmaking for two reasons: Firstly, it is the simplest fixed way to realize an artistic idea. Secondly, it is made for people with little money, for common people.« His first etchings date from 1963–64, woodcuts from 1966, followed by linocuts in 1977—works that were published predominantly in black and white by Johannes Gachnang in a two-volume catalogue raisonné (Vol I: 1963–1974; Vol. II: 1974–1982). The process of cataloging is ongoing. Volumes I and II are to be reissued at some time in the distant future, amended with currently un­published information. Similar to his paintings and sculptures, his graphic works also address subject areas such as heroes, shepherds, eagles, trees and more. The book at hand brings together, with color illustrations throughout and with unique technical brilliance, the work numbers from 1983–1989. There is no question that Baselitz’ graphic work is in no way inferior to his painting and sculptural work. The artist has not only got to the heart of the media in the diversity of his different technical approaches and solutions for several decades, but his unparalleled virtuosity has placed it at the forefront of the art of postwar modernism.

300 Seiten, 120 farbige Abbildungen 24 x 34 cm - Das Buch präsentiert Druckgrafik des Manierismus aus der Sammlung Georg Baselitz in herausragender Qualität. Blätter von Bartholomäus Spranger, Giuseppe Scolari, Melchior Meier, Jacques Bellange, Juste de Juste oder auch von anonymer Urheberschaft sind grossformatig abgebildet, mit kenntnisreichen Texten von Druckgrafikspezialisten kommentiert und in die Kunstgeschichte eingeordnet.

503 Seiten. Untere Ecken stark bestoßen. Ansonsten gut erhalten. 9783495491584 Sprache: Deutsch Gewicht in Gramm: 1200

VII, 234 S. OLn. mit OU. Einband minimal berieben und bestoßen. Buchblock leicht schief. Ansonsten sehr gut erhalten. 3484180153 Sprache: Deutsch Gewicht in Gramm: 1200

Created between the sixteenth and eighteenth centuries, the ukiyo-e woodcut has been counted among the most influential Japanese contributions to world art since the late nineteenth century. Painters like Monet and Van Gogh succumbed to their charm, followed by numerous artists and collectors all over the world. The subject of this publication are two of the most important German ukiyo-e collections, which present all of the great artists and themes of this genre, including theatre prints, scenes from the red light districts, and topographical landscapes ? from the early phases through to the classic masters of courtesan and actor?s portraits, Utamaro and Sharaku, and including the great names of later years like Hokusai and Hiroshige. Over 240 woodcuts offer a representative survey of the most important chapters of this great Japanese art form.

376 Seiten Leichte Lagerspuren. Sprache: Deutsch Gewicht in Gramm: 4000

Virtuosity in the front row of the contemporary art Already very early in his artistic career, Georg Baselitz showed a keen interest in printmaking. In 1965, as a scholar at the Villa Romana in Florence, he began to collect the Italian Mannerist, Parmigianino. In an interview he explained: »I liked printmaking for two reasons: Firstly, it is the simplest fixed way to realize an artistic idea. Secondly, it is made for people with little money, for common people.« His first etchings date from 1963–64, woodcuts from 1966, followed by linocuts in 1977—works that were published predominantly in black and white by Johannes Gachnang in a two-volume catalogue raisonné (Vol I: 1963–1974; Vol. II: 1974–1982). The process of cataloging is ongoing. Volumes I and II are to be reissued at some time in the distant future, amended with currently un­published information. Similar to his paintings and sculptures, his graphic works also address subject areas such as heroes, shepherds, eagles, trees and more. The book at hand brings together, with color illustrations throughout and with unique technical brilliance, the work numbers from 1983–1989. There is no question that Baselitz’ graphic work is in no way inferior to his painting and sculptural work. The artist has not only got to the heart of the media in the diversity of his different technical approaches and solutions for several decades, but his unparalleled virtuosity has placed it at the forefront of the art of postwar modernism.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Neumann EMB1 XXL Bilder unterhalb der Beschreibung / XXL Pictures below the description Der Artikel wurde nicht getestet. Der Verkauf e...

This collection of Trakl’s essential poetry contains the two books published in his lifetime, Gedichte (Poems, 1913) and Sebastian im Traum (Sebastian in a Dream, 1914), together with the later poems published in the magazine Der Brenner which might have formed the nucleus of a third collection. His starkly beautiful, musical poems are rightly regarded as being among the early twentieth century’s most original poetry. From a life marred by drug addiction and breakdowns, he created work of great depth and power, brought hauntingly to life in Margitt Lehbert’s close and sympathetic versions. Georg Trakl (1887-1914) was born in Salzburg, Austria, where he lived apart from spells in Vienna. After qualifying as a pharmacist he spent his year of military service in the Innsbruck garrison hospital pharmacy. In the wake of the Battle of Grodek, he died of a drug overdose in a military hospital in Krakow. Margitt Lehbert was born in Geneva, Switzerland, to German parents in 1957. She grew up in the United States and Germany, studied in Konstanz and Iowa City, and translates into German as well as English. In 2006 she founded Edition Rugerup, which publishes mostly poetry in translation. She lives in south Sweden.