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Authors: Confucius, Fu-Kiang, Hakushu, Lao-Tse, Tseng-Kuang, Hand Sized Pocket book, Copyright 1964

 “A delightful and approachable guide to Chinese kitchen gardening.”—Fuchsia Dunlop, author of Land of Plenty and Land of Fish and Rice  The Chinese Kitchen Garden artfully blends the story of Wendy Kiang Spray’s cultural heritage with growing information for 38 Chinese vegetables and 25 traditional recipes. Organized by season, you’ll learn what to grow in spring, what to cook in winter, and everything in between. You’ll find complete growing information for vegetables you may not have considered growing, including lotus root, bamboo shoots, tatsoi, and luffa gourd. The 25 simple, yet delicious recipes—for congee, dumplings, stir fry, and more—beautifully highlight the flavors of the vegetables.  

In the small southern China town of Chin-kiang, in the last days of the nineteenth century, two young girls bump heads and become thick as thieves. Willow is the only child of a destitute family. Pearl is the headstrong daughter of Christian missionaries-and will grow up to become Pearl S. Buck, Nobel Prize-winning writer and activist. This unlikely pair becomes lifelong friends, confiding their beliefs and dreams, experiencing love and motherhood, and eventually facing civil war and exile. Pearl of China brings new color to the remarkable life of Pearl S. Buck, illuminated by the sweep of history and an intimate, unforgettable friendship.

Authors: Confucius, Fu-Kiang, Hakushu, Lao-Tse, Tseng-Kuang, Hand Sized Pocket book, Copyright 1964

The Cambridge University Press published (1945-1967) in six volumes Professor Bailey's transcriptions of Saka manuscripts found in Sin Kiang and Kansu (of the ancient kingdom of Khotan). They are central to any study of Old Iranian and the Iranian dialects; and they are also important for further understanding of the religious tradition in the sacred Avesta of the Zoroastrians, and for the history of the peoples of Central Asia generally. This 1979 dictionary represents the fulfilment of a plan formed in 1934 which required first the editing and transcription of the manuscripts, and then the slow elucidation of the whole corpus of texts. It contains a linguistic analysis and translation of all the Iranian words used in the texts. It is the necessary key to the understanding of the texts, to the mastery of the language itself, and to the linking of Khotan Saka into the Indo-European linguistic tradition.

The Cambridge University Press published (1945-1967) in six volumes Professor Bailey's transcriptions of Saka manuscripts found in Sin Kiang and Kansu (of the ancient kingdom of Khotan). They are central to any study of Old Iranian and the Iranian dialects; and they are also important for further understanding of the religious tradition in the sacred Avesta of the Zoroastrians, and for the history of the peoples of Central Asia generally. This 1979 dictionary represents the fulfilment of a plan formed in 1934 which required first the editing and transcription of the manuscripts, and then the slow elucidation of the whole corpus of texts. It contains a linguistic analysis and translation of all the Iranian words used in the texts. It is the necessary key to the understanding of the texts, to the mastery of the language itself, and to the linking of Khotan Saka into the Indo-European linguistic tradition.

The Cambridge University Press published (1945-1967) in six volumes Professor Bailey's transcriptions of Saka manuscripts found in Sin Kiang and Kansu (of the ancient kingdom of Khotan). They are central to any study of Old Iranian and the Iranian dialects; and they are also important for further understanding of the religious tradition in the sacred Avesta of the Zoroastrians, and for the history of the peoples of Central Asia generally. This 1979 dictionary represents the fulfilment of a plan formed in 1934 which required first the editing and transcription of the manuscripts, and then the slow elucidation of the whole corpus of texts. It contains a linguistic analysis and translation of all the Iranian words used in the texts. It is the necessary key to the understanding of the texts, to the mastery of the language itself, and to the linking of Khotan Saka into the Indo-European linguistic tradition.