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Danièle Cohn, who has worked alongside Anselm Kiefer for many years, explains the central role the artist’s studios play in his artistic process. To enter a painter’s atelier is a rare privilege and the stuff of dreams, as if access to this intimate place were the key to the very act of creation. Entering an atelier allows us to see, in situ, the creative process in action, in the present; we are admitted into the space and virtually participate in the artistic act by our very presence, rather than simply observing from the outside. In this monograph, Danièle Cohn reveals how Anselm Kiefer’s ateliers—and his organization and spatial distribution of them—are essential to his artistic activity as a painter and sculptor. While they serve as production areas and storage spaces, artists’ studios are also physical representations of the mind and memory of an artist, where living and working spaces combine. This book takes the reader on an exploration through Kiefer’s various ateliers and examines the crucial role they have in the creation of his works. From the attic of a former school or a disused brickyard in Germany, via an atelier in the rural surroundings in the south of France or the urban setting of the Marais in Paris, to his current studio on the outskirts of the French capital, we discover how Anselm Kiefer’s work spaces have impacted his art.

A retrospective volume of Anselm Kiefer's work, this book addresses the artist's entire career through the lens of one compelling theme.From his earliest sculptures to his recent highly textured paintings, Anselm Kiefer has woven themes of heaven and earth into his work, exploring the polarities of these ideas while struggling to define the transcendent quality that places art squarely in between. Destruction and rebirth, glory and shame, sin and redemption all figure largely in Kiefer's often controversial depictions of Germany's physical and cultural landscape. This book of more than fifty reproductions includes Kiefer's first work, The Heavens, as well as numerous other rare early works and recent works being presented for the first time. It features an interview with the artist, which is accompanied by rich black-and-white photographs of his ongoing monumental installations on his property in Barjac, France.

Born in the final weeks of World War II--in what Germans who wished to erase it from collective memory called Year Zero--Anselm Kiefer has long sought to come to grips with his country's Nazi past. This monograph traces his development as an artist through four blocks of work which reflect the most important currents in his complex oeuvre. Moving chronologically from microcosm to macrocosm, from the intimate spaces of "Attic Images" in the 70s through the vaster "Stone Halls" of the early 80s and the archaic-looking clay architectures he created in the 90s, Kiefer's pictorial spaces climaxed in the endless universes of "Images of the Cosmos and Constellations," painted at the close of the century. With the monumental "Sunflower Paintings," the progression was complete and he returned to earth. Also included are photographs by Thomas Flechtner which document the greenhouses, underground corridor systems, and installations realized by Kiefer at his studio estate in Barjac since 1993.

Born in Germany in 1945, Anselm Kiefer is one of the most important artists of his generation. His works encompassing and transcending painting, sculpture, photography, and installation are epic in both scale and subject matter; in them, Kiefer wrestles with the darkness of German history, unearthing the taboos that underlie the collective past and interweaving them with Teutonic mythology, cosmology, and meditations on the nature of belief. This superbly designed volume, accompanying a major retrospective and including new works especially made for the exhibition, explores the themes that run through Kiefer s oeuvre, from the complex relationship between art and spirituality to the influence of German woodcuts and folklore.

Offers a profile of the German artist, shows examples of his paintings and photographs, and discusses his approach to art

Born in Germany in 1945, Anselm Kiefer is one of the most important artists of his generation. His works encompassing and transcending painting, sculpture, photography, and installation are epic in both scale and subject matter; in them, Kiefer wrestles with the darkness of German history, unearthing the taboos that underlie the collective past and interweaving them with Teutonic mythology, cosmology, and meditations on the nature of belief. This superbly designed volume, accompanying a major retrospective and including new works especially made for the exhibition, explores the themes that run through Kiefer s oeuvre, from the complex relationship between art and spirituality to the influence of German woodcuts and folklore.

Anselm Kiefer (b. 1945) is one of the most important and controversial artists of the twentieth century. This book, the first to analyze the essence of his work, begins with Kiefer's arrival on the international art scene at the 1980 Venice Biennale, when he sparked heated debate and controversy over the "Germanity" of his pieces. Since that time, through such diverse mediums as painting, gouache and watercolor, photography, artist's books, engravings, installations, and sculpture, Kiefer has created a body of work that is protean, theatrical, monumental, or intimate, depending on the period. He has interpreted the great political and cultural issues at the heart of the modern European sensibility: the connections among memory, history, and mythology; war; the Holocaust; and ethnic and national identity.

In 1974 Anselm Kiefer produced Erotik im Fernen Osten oder: Transition from Cool to Warm, a book of watercolors. Thirty years later, Gagosian Gallery’s newest catalogue marks Kiefer’s return to the medium, with works made between 2012 and 2015. More than forty unique artists’s books, their pages painted with gesso to mimic marble, can be found in the exciting new tome. Artists’s books are an integral part of Kiefer’s oeuvre; over time they have ranged in scale from the intimate to the monumental, and in materials, from lead to dried plant matter. In this selection of books, the sequences of narrative information and visual effect evoke the fragile endurance of the sacred and the spiritual through the female figures on the marbled pages.

293 S. : mit 300 teils farb. Tafeln u. Abb. Zustand: Neu, verlagsfrisch und original eingeschweisst. - "Anselm Kiefer - Ateliers" aus dem Franz. von Saskia Bontjes van Beek. Gestaltung: Olivier Canaveso. - "Außergewöhnliche Kunstwerke brauchen außergewöhnliche Entstehungsorte. Für kaum ein Oeuvre gilt dies so sehr wie für das von Anselm Kiefer (geb. 1945 in Donaueschingen). Seine Gemälde, Skulpturen und Installationen sind nicht nur außerordentlich schwer und raumgreifend, sondern auch tief durchdrungen von den Eigenheiten der jeweiligen Werkstatt, in der sie entstanden. Mit untrüglichem Gespür für einzigartige Orte verwandelt Anselm Kiefer ehemalige Industriegebäude eine aufgelassene Ziegelei, eine stillgelegte Seidenspinnerei oder leerstehende Lagerhallen in Räume von magischer Aura, die sogar Ausstellungsräumen den Rang ablaufen. Angefangen von den Ateliers im Odenwald, einer alten Schule in Walldürn-Hornbach, einer Industriehalle in Buchen und einer ehemaligen Ziegelei in Höpfingen, über das weitläufige Anwesen im südfranzösischen Barjac bis zu Kiefers derzeitigem Laboratorium, einer ehemaligen Lagerhalle in Croissy-Beaubourg bei Paris." (Verlagstext) - Der herausragend bebilderte Fotoband Anselm Kiefer Ateliers, der nun bei Schirmer/Mosel erscheint, verschafft Zutritt zu diesen verzauberten Arealen. Im Wechsel von Schwarz-Weiß und Farbe präsentiert das Buch Details von Kiefers Kunstwerken und rückt deren charakteristische Materialien wie Blei oder vertrocknete Blumen in den Fokus, lässt aber auch den Blick schweifen durch riesige Hallen, angefüllt mit Kunst und inmitten von verwilderter Natur, die die gigantischen Ausmaße von Kiefers Produktionsstätten erahnen lassen. ISBN: 9783829606356 Sprache: Deutsch Gewicht in Gramm: 2381 4° (31,5x25,5cm), Pappbd., geb. im OSchutzU.

Presents an illustrated survey of the life and work of Anselm Kiefer.

Anselm Kiefer (b. 1945) is one of the most important and controversial artists of the twentieth century. This book, the first to analyze the essence of his work, begins with Kiefer's arrival on the international art scene at the 1980 Venice Biennale, when he sparked heated debate and controversy over the "Germanity" of his pieces. Since that time, through such diverse mediums as painting, gouache and watercolor, photography, artist's books, engravings, installations, and sculpture, Kiefer has created a body of work that is protean, theatrical, monumental, or intimate, depending on the period. He has interpreted the great political and cultural issues at the heart of the modern European sensibility: the connections among memory, history, and mythology; war; the Holocaust; and ethnic and national identity.

Born in the final weeks of World War II--in what Germans who wished to erase it from collective memory called Year Zero--Anselm Kiefer has long sought to come to grips with his country's Nazi past. This monograph traces his development as an artist through four blocks of work which reflect the most important currents in his complex oeuvre. Moving chronologically from microcosm to macrocosm, from the intimate spaces of "Attic Images" in the 70s through the vaster "Stone Halls" of the early 80s and the archaic-looking clay architectures he created in the 90s, Kiefer's pictorial spaces climaxed in the endless universes of "Images of the Cosmos and Constellations," painted at the close of the century. With the monumental "Sunflower Paintings," the progression was complete and he returned to earth. Also included are photographs by Thomas Flechtner which document the greenhouses, underground corridor systems, and installations realized by Kiefer at his studio estate in Barjac since 1993.

Language:Chinese.HardCover. Pub the Date: October 2006 in Publisher: Thames & Hudson. Limited. This beautifully printed volume reproduces an artist's book created by Anselm Kiefer in. 1977. On one level it is a pictorial tale of Kiefer's voyage to Norway's North of Cape. with lyrically expressive seascapes and landscapes rendered in deep blue. violet and purple tones. As this sequence gives way to lush female nudes. the palette grows ighter. creating a virtual explosion of colour and form. This publication. which demonstrates how Kiefer has revitalized and illiantly used the book form as a means of artistic expression. will be welcomed by the artist's many admirers.

Catalog of an exhibition held at the Ausstellungsraum Câeline und Heiner Bastian, Berlin-Mitte, May 2-September 13, 2008.

While most major museums in the United States and abroad hold examples of the German artist Anselm Kiefer's work, the nature and extent of his achievement are the subject of intense debate. This volume reproduces in full The Heavenly Palaces, Merkabah, an important large-scale artist's book created by Kiefer in 1990. Featuring images reproduced here in full color, this work is accompanied by three essays by experts who approach the book from various perspectives, explicating its many layers of meaning to an unprecedented degree.The first essay deals impressionistically with the motifs and iconography of The Heavenly Palaces Merkabah. The next treats its themes and meaning, concentrating especially on Jewish references and resonances, an especially challenging aspect of this German artist's oeuvre. In the final essay, the importance of the medium of photography is addressed by surveying its use by Kiefer since the beginning of his career.

Fine/Near Fine 1st edition very large, imposing 2018 Schirmer Mosel hardback, unclipped DJ, profusely illustrated high quality edition. Some inky rubbing residue mainly to lower right edge of white jacket background, all else Fine, bright and unmarked. Immediate dispatch Text is in English, German. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Art & Design; English, German Language; ISBN: 3829608322. ISBN/EAN: 9783829608329. The book is available to view in-person at our Cambridge hub. The photos provided are of the actual book for sale, further condition-specific photos may be arranged upon request. Inventory No: 093761.

A groundbreaking catalogue of the largest collection of Kiefer works in North America. Anselm Kiefer ranks among the best-known post–World War II European artists. Published to coincide with a new exhibition at the NSU Art Museum Fort Lauderdale and a long-term installation at the Massachusetts Museum of Contemporary Art, this is the first survey of one of the world’s largest collections of works by Anselm Kiefer. The Hall and Hall Art Foundation collections include major Kiefer artist books, works on paper, paintings, sculptures, and large-scale installations from the late 1960s to the present day—many of which have never before been reproduced. Among the earlier treasures are Kiefer’s artist’s books, which are reproduced here in unprecedented depth and which contain in their rough directness so much of the lyricism with which he approaches scale and material complexity. With original texts by Norman Rosenthal, Bonnie Clearwater, and Joseph Thompson, this is a beautiful document of a significant collection and a definitive celebration of one of the most important artists working anywhere today.

Book by Art - Kiefer, Anselm (nan Rosenthal)

First edition. Fine paperback with a touch of flaking along the spine edges. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue published in conjunction with an exhibition of work by Anselm Kiefer, held at the Marian Goodman Gallery, NYC, May 5 - June 16, 1990. Essay by Doreet LeVitte Harten. From an edition limited to 1500 unnumbered copies. 54 pages; 18 full-page or full-spread color illustrations; 9.5 x 11.75 inches. Checklist for 9 works.