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Ed Roth and the late "Von Dutch" have had a growing following for the past 45 years. The word Pioneer doesn't even begin to describe the work these men have done over their groundbreaking careers. This book shows the best examples of both Roth and Dutch, and contains photos that we all thought were lost years ago. "Von Dutch" (a.k.a. Kenneth Howard) was a very underrated man, who was filled with talent and skills that would revel most of today's artists. This book is a tribute to these artists, allowing the reader to experience the "methods to his madness." This book is a treasure to the art of pinstriping and the "Kustom Kulture" movement.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Extensive and interesting catalogue about pioneers-photographers David Octavius Hill and Robert Adamson, accompanying the exhibition at Museum Ludwig / Agfa-Photo-Historama in Cologne, 2000.

Ed Roth and the late "Von Dutch" have had a growing following for the past 45 years. The word Pioneer doesn't even begin to describe the work these men have done over their groundbreaking careers. This book shows the best examples of both Roth and Dutch, and contains photos that we all thought were lost years ago. "Von Dutch" (a.k.a. Kenneth Howard) was a very underrated man, who was filled with talent and skills that would revel most of today's artists. This book is a tribute to these artists, allowing the reader to experience the "methods to his madness." This book is a treasure to the art of pinstriping and the "Kustom Kulture" movement.

Disguising and unveiling, only to disguise again, Heinrich von Kleist creates characters whose definition of self and of others depends on their own ability to generate, present, and regenerate convincing masks of personal and interpersonal realities. This study focuses on the network of private and public identities in Kleist's works, how those identities function on and between transformative levels of human interaction (role-playing, creative naming, word-dreams, and manipulative games of illusion and delusion), and how those identities in the imaginative consciousness fabricate new universes which become part of and, at the same time, are separated from the temporal and spatial norms we assign to external realities.

Since it was first published in 1972, Learning from Las Vegas has become a classic in the theory of architecture, and one of the most influential architectural texts of the twentieth century. The treatise by Robert Venturi, Denise Scott Brown, and Steven Izenour enjoys a reputation as a signal work of postmodernism in architecture and urban planning. However, despite of the book’s prestige, none of the editions have ever featured high-quality color images of the field research Venturi, Brown, and Izenour conducted in Las Vegas and used to illustrate their argument. Las Vegas Studio presents for the first time these significant photographs in large color reproductions.            The numerous pictures and films the architects shot during their research in 1968 are a crucial aspect of their architectural study, which relies heavily on these images as the foundation of their ideas. The original slides of these pictures are held by Philadelphia architecture firm Venturi, Scott Brown, & Associates, which has only now opened its archive. Las Vegas Studio assembles a large selection of these iconic images and film stills, alongside essays that explore how the pictures contemplate the phenomenon of the modern city—forge the link to architectural practice of the decades since. Essays, including a discussion with celebrated Swiss artist Peter Fischli and highly renowned Dutch architect Rem Koolhaas on the strong and lasting influence Venturi and Scott Brown's images still have on contemporary art and movies, complement the pictures.            A unique opportunity to experience the full intent and import of the Learning from Las Vegas project, Las Vegas Studio will be welcomed by architects, architectural historians, and scholars.

Diese intellektuelle Biographie unternimmt eine grundlegende Revision von Robert Michels politischem Werk und Leben sie ist die bislang umfassendste Gesamtdeutung jenes Klassikers der Politikwissenschaft. Hat die Forschung bisher beim frühen Michels nach Erklärungen für die spätere Wende zum akademischen Botschafter des italienischen Faschismus gesucht, wird hier auf der Basis unbekannten Text- und Archivmaterials der Präfaschist Michels als Legende der Forschung, aber auch des späten Michels selbst entlarvt. Das macht den Blick frei auf den unkonventionellen Sozialdemokraten Michels: als radikaler Liberaler und Republikaner, Feminist, Sexualreformer, Bewegungsforscher, leidenschaftlicher Vertreter des nationalen Selbstbestimmungsrechts und europäischer Pazifist. Die Rekonstruktion der vielfältigen Brüche seiner Biographie präzisiert Michels politische Verantwortung in den 20er und 30er Jahren des vergangenen Jahrhunderts: Obwohl kein ""Faschist der ersten Stunde"", steht er für die Erosion des politischen Liberalismus in der Nachkriegszeit.

Book is in NEW condition. 0.31

The Swiss writer Robert Walser is one of the quiet geniuses of twentieth-century literature. Largely self-taught and altogether indifferent to worldly success, Walser wrote a range of short stories, essays, as well as four novels, of which Jakob von Gunten is widely recognized as the finest. The book is a young man's inquisitive and irreverent account of life in what turns out to be the most uncanny of schools. It is the work of an outsider artist, a writer of uncompromising originality and disconcerting humor, whose beautiful sentences have the simplicity and strangeness of a painting by Henri Rousseau.

The Swiss writer Robert Walser is one of the quiet geniuses of twentieth-century literature. Largely self-taught and altogether indifferent to worldly success, Walser wrote a range of short stories, essays, as well as four novels, of which Jakob von Gunten is widely recognized as the finest. The book is a young man's inquisitive and irreverent account of life in what turns out to be the most uncanny of schools. It is the work of an outsider artist, a writer of uncompromising originality and disconcerting humor, whose beautiful sentences have the simplicity and strangeness of a painting by Henri Rousseau.

The incredible true account of World War I in Africa and General Paul von Lettow-Vorbeck, the last undefeated German commander. “Let me say straight out that if all military histories were as thrilling and well written as Robert Gaudi’s African Kaiser, I might give up reading fiction and literary bio­graphy... Gaudi writes with the flair of a latter-day Macaulay. He sets his scenes carefully and describes naval and military action like a novelist.”—Michael Dirda, The Washington PostAs World War I ravaged the European continent, a completely different theater of war was being contested in Africa. And from this very different kind of war, there emerged a very different kind of military leader....   At the beginning of the twentieth century, the continent of Africa was a hotbed of international trade, colonialism, and political gamesmanship. So when World War I broke out, the European powers were forced to contend with one another not just in the bloody trenches, but in the treacherous jungle. And it was in that unforgiving land that General Paul von Lettow-Vorbeck would make history.   With the now-legendary Schutztruppe (Defensive Force), von Lettow-Vorbeck and a small cadre of hardened German officers fought alongside their fanatically devoted native African allies as equals, creating the first truly integrated army of the modern age.   African Kaiser is the fascinating story of a forgotten guerrilla campaign in a remote corner of Equatorial Africa in World War I; of a small army of ultraloyal African troops led by a smaller cadre of rugged German officers—of white men and black who fought side by side. But mostly it is the story of von Lettow-Vorbeck—the only undefeated German commmander in the field during World War I and the last to surrender his arms.

206 S. : zahlr. Ill. ; 31 cm Sehr guter Zustand - Inhalt: Vorwort, Ernst Beyeler, Christoph Vitali -- "Blumensehnsucht", Robert Kopp -- Obsession Blume, Philippe Büttner -- Katalog -- Bildkommentare, Ulf Küster -- Werkliste -- A "Strange Passion" for Flowers, Robert Kopp. ISBN 9783905632361 Sprache: Deutsch Gewicht in Gramm: 450

Mit Beiträgen von Inge Baxmann, Annette Bitsch, Robert Brain, Bernhard J. Dotzler, Michael Franz , Rodolphe Gasché, Hans-Christian von Herrmann, Ute Holl, Anton Kaes, Alexandre Métraux, Wolfgang Schäffner, Bernhard Siegert und Robert Stockhammer

The incredible true account of World War I in Africa and General Paul von Lettow-Vorbeck, the last undefeated German commander. “Let me say straight out that if all military histories were as thrilling and well written as Robert Gaudi’s African Kaiser, I might give up reading fiction and literary bio­graphy... Gaudi writes with the flair of a latter-day Macaulay. He sets his scenes carefully and describes naval and military action like a novelist.”—Michael Dirda, The Washington PostAs World War I ravaged the European continent, a completely different theater of war was being contested in Africa. And from this very different kind of war, there emerged a very different kind of military leader....   At the beginning of the twentieth century, the continent of Africa was a hotbed of international trade, colonialism, and political gamesmanship. So when World War I broke out, the European powers were forced to contend with one another not just in the bloody trenches, but in the treacherous jungle. And it was in that unforgiving land that General Paul von Lettow-Vorbeck would make history.   With the now-legendary Schutztruppe (Defensive Force), von Lettow-Vorbeck and a small cadre of hardened German officers fought alongside their fanatically devoted native African allies as equals, creating the first truly integrated army of the modern age.   African Kaiser is the fascinating story of a forgotten guerrilla campaign in a remote corner of Equatorial Africa in World War I; of a small army of ultraloyal African troops led by a smaller cadre of rugged German officers—of white men and black who fought side by side. But mostly it is the story of von Lettow-Vorbeck—the only undefeated German commmander in the field during World War I and the last to surrender his arms.

8°. Bd. I: Malthus, Thomas Robert: An Inquiry into the Nature and Progress of Rent. 61 S.; Bd. II: Malthus: The Grounds of an Opinion on the Policy of Restricting the Importation of Foreign Corn. 48 S.; Bd. III: Ricardo, David: An Essay on The Influence of a low Price of Corn on the Profits of the Stock. 50 S.; Bd. IV: Torrens, Robert: An Essay on the External Corn Trade. XIX, 313-348 S.; Bd. V: West, Edward: Essay on the Applicaton of Capital to Land with Observations Shewing the Impolicy of any Great Restriction of the Importation of Corn. Mit Tab. 69 S.; Kommentarband: Mit acht ganzseit. Abb. 164 S. Broschuren in Lederschuber mit vergold. Rückentitel (OPp. = Kommentarband). Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Numeriertes Exemplar (Nr. 251 v. 500 Exemplaren). (Klassiker der Nationalökonomie). Tadelloses Exemplar.

Book by Mcteer, Robert D., Jr., Ebeling, Richard M., Hollander, Paul, Gordon, John Stelle, Balckwell, J. Kenneth

This selection of Schumann's solo piano compositions contains all of his major work: "Variation über den Namen Abegg" (1830), "Papillons" (1832), "Studien nach Capricen von Paganini" (1832), "Davidsbundler" (1837), "Toccata" (1832), "Allegro" (1831), "Carnaval" (1834–5), "6 Concert-Etuden nach Capricen von Paganini" (1833), "Grosse Sonate No. 1" (1833–5), "Phanatasiestucke" (1937), "Grosse Sonate No. 3" (1835–6), "Kinderscenen" (1838), "Kreisleriana" (1838), "Arabeske" (1839), and "Blumenstück" (1839).This book has been especially designed as a playing edition — the notes are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. It is also most useful for analysis.

Gebraucht - Sehr gut SG - leichte Beschädigungen oder Verschmutzungen, ungelesenes Mängelexemplar, gestempelt - Das Standardwerk der französischen Sprache - Aktuell von A bis Z. - Mehr als 60.000 Stichwörter mit rund 300.000 präzise definierten Wortbedeutungen. - Die ganze Bandbreite des Französischen, vom Alltagswortschatz bis hin zu wissenschaftlichen Fachbegriffen. - Zitate aus Filmen, Chansons und literarischen Werken. - Alle neuen Femininformen der Berufs- und Tätigkeitsbezeichnungen. - Ein lückenloses Netz von Verweisen auf Synonyme, Antonyme und Homonyme.

Michael Roberts' rich view of Sicily--its people, traditions, and landscape--permeates his photographic work far beyond his well-known work in the fashion world. Spanning two decades, Shot in Sicily traces Roberts' shifting vision of a sensual and ambiguous country. With an occasional nod to Baron Wilhelm von Gloeden's late nineteenth-century images of the Sicilian town of Taormina, and the films of Visconti and Bolognini, Roberts' sense of Sicily moves beyond conventional and touristic aesthetic categories. His camera captures the beauty of youth, crumbling temples, traditional Easter parades and the theater of daily life, and genuinely recreates the allure of Sicily. This monograph is designed by Roberts and features an epilogue/homage by designer Manolo Blahnik.

Robert Walser gilt heute als einer der wichtigsten Prosa-Autoren des 20. Jahrhunderts. Obwohl er mit seinen Romanen »Geschwister Tanner«, »Der Gehülfe« und »Jakob von Gunten« in Literatenkreisen früh eine gewisse Bekanntheit erwarb, bewegte sich Walser Zeit seines Lebens an den Rändern der Gesellschaft und gelangte erst postum zu internationalem Ruhm. Erstmals werden Leben und Werk dieses bedeutenden Autors in einem Handbuch dargestellt, das Analysen der einzelnen Werke auf dem neuesten Stand der Forschung umfasst und Einblicke in übergeordnete thematische Aspekte vermittelt. Behandelt werden Entstehungskontexte sowie Schreib- und Darstellungsverfahren mit Blick auf aktuelle wissenschaftliche Fragestellungen. Der abschließende Teil zur Rezeption veranschaulicht, wie aus einem einmal fast vergessenen Autor ein Klassiker der Moderne wurde.