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In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.

Introduction; Historical outline; Myth and tradition; History of the excavations;Minoans and Knossos; The archaeological site; Route from Herakleion to Knossos; Tour of the palace; The main features; West court - west façade; West porch - corridor of the procession - central court; South propylaeum - west magazines - piano nobile; Throne room - tripartite shrine - pillar crypts; Grand staircase - hall of the double axes - queen's hall; Upper floor of the domestic quarter - shrine of the double axes; Royal workshops and magazines - east hall; North entrance - north lustral area - theatral area; The dependencies of the palace; Art treasures from Knossos.

Presents the story of the discovery of Knossos, the ancient lost palace of King Minos on the island of Crete in the early twentieth century by English archaeologist Arthur Evans.

Knossos, like the Acropolis or Stonehenge, is a symbol for an entire culture. The Knossos Labyrinth was first built in the reign of a Middle Kingdom Egyptian pharaoh, and was from the start the focus of a glittering and exotic culture. Homer left elusive clues about the Knossian court and when the lost site of Knossos gradually re-emerged from obscurity in the nineteenth century, the first excavators - Minos Kalokairinos, Heinrich Schliemann, and Arthur Evans - were predisposed to see the site through the eyes of the classical authors. Rodney Castleden argues that this line of thought was a false trail and gives an alternative insight into the labyrinth which is every bit as exciting as the traditional explanations, and one which he believes is much closer to the truth. Rejecting Evans' view of Knossos as a bronze age royal palace, Castleden puts forward alternative interpretations - that the building was a necropolis or a temple - and argues that the temple interpretation is the most satisfactory in the light of modern archaeological knowledge about Minoan Crete.

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This second volume reporting on the excavations at the site of the `Unexplored Mansion' describes all the structures and finds that are later than Minoan. The substantial deposits that range between Minoan and Hellenistic are mainly pits, wells and wash levels with little remaining of the buildings with which they were associated; for the Hellenistic and Roman periods, until the third century AD, there are substantial remains of a succession of buildings. These provide a context for the large quantity of finds whose description takes up the bulk of the report. Pottery: sub-Minoan (M R Popham), early Hellenic (J N Coldstream), Archaic to Hellenistic (P J Callaghan), Roman pottery, amphorae and sigillata stamps (L H Sackett); lamps (H W & E A Catling); coins (M J Price); plaster sculptures (G B Waywell); terracottas (R A Higgins); metal objects (K Branigan); bone objects (L H Sackett); glass vessels (J Price). The enormous number of drawings and photos supporting the description of these finds will ensure that this becomes a valuable work of reference.

In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.

Unread book in perfect condition.

New! This book is in the same immaculate condition as when it was published 0.71

Greek Writing from Knossos to Homer examines the origin of the Greek alphabet. Departing from previous accounts, Roger Woodard places the advent of the alphabet within an unbroken continuum of Greek literacy beginning in the Mycenean era. He argues that the creators of the Greek alphabet, who adapted the Phoenician consonantal script, were scribes accustomed to writing Greek with the syllabic script of Cyprus. Certain characteristic features of the Cypriot script--for example, its strategy for representing consonant sequences and elements of Cypriot Greek phonology--were transferred to the new alphabetic script. Proposing a Cypriot origin of the alphabet at the hands of previously literate adapters brings clarity to various problems of the alphabet, such as the Greek use of the Phoenician sibilant letters. The alphabet, rejected by the post- Bronze Age "Mycenaean" culture of Cyprus, was exported west to the Aegean, where it gained a foothold among a then illiterate Greek people emerging from the Dark Age.

Unread book in perfect condition.

Greek Writing from Knossos to Homer examines the origin of the Greek alphabet. Departing from previous accounts, Roger Woodard places the advent of the alphabet within an unbroken continuum of Greek literacy beginning in the Mycenean era. He argues that the creators of the Greek alphabet, who adapted the Phoenician consonantal script, were scribes accustomed to writing Greek with the syllabic script of Cyprus. Certain characteristic features of the Cypriot script--for example, its strategy for representing consonant sequences and elements of Cypriot Greek phonology--were transferred to the new alphabetic script. Proposing a Cypriot origin of the alphabet at the hands of previously literate adapters brings clarity to various problems of the alphabet, such as the Greek use of the Phoenician sibilant letters. The alphabet, rejected by the post- Bronze Age "Mycenaean" culture of Cyprus, was exported west to the Aegean, where it gained a foothold among a then illiterate Greek people emerging from the Dark Age.

The Corpus of Mycenaean Inscriptions from Knossos, to be completed in three or four volumes, constitutes the definitive publication by the world's major Mycenaean epigraphists of the Linear B tablets found by Sir Arthur Evans at Knossos in Crete. It includes all the fragments discarded by Evans and subsequently recovered from the Museums storerooms and elsewhere and represents the result of 30 years' work on reconstituting the documents. Each tablet or fragment is given as a photograph, drawing, and in transcription. The notes are purely textual. Volume I contains tablets 1-1063.

In their 1953 book, Documents in Mycenaean Greek, Michael Ventris (1922-56) and John Chadwick (1920-98) demonstrated that the previously mysterious script Linear B was, in fact, a syllabic form of written Greek, thereby revolutionizing ancient history and linguistics. In this second edition, originally published in 1973, Chadwick examines how the study of the subject has expanded since 1953 and includes some of the material discovered since the initial publication. This book continues to be a valuable part of Classical scholarship and will be of interest to Classicists of every discipline.

In their 1953 book, Documents in Mycenaean Greek, Michael Ventris (1922-56) and John Chadwick (1920-98) demonstrated that the previously mysterious script Linear B was, in fact, a syllabic form of written Greek, thereby revolutionizing ancient history and linguistics. In this second edition, originally published in 1973, Chadwick examines how the study of the subject has expanded since 1953 and includes some of the material discovered since the initial publication. This book continues to be a valuable part of Classical scholarship and will be of interest to Classicists of every discipline.

The raising of the Mary Rose in 1982 made headline news. As an archaeological event it ranked alongside Schliemanns excavations at Troy or Arthur Evanss discovery of Knossos, and so much information has since been gleaned from the wreck and its contents that there is an overwhelming tendency to treat the ship as a "time-capsule", like some Tudor burial site. But the Mary Rose is not just an archaeological relic. She is a warship that was revolutionary in her time and, despite being most famous for her loss in battle, a ship that had served her monarch for 34 years, almost the length of his reign. This book tells the full story of the construction and career of the ship, placing it firmly within the colorful context of Tudor politics, court life and the developing administration of a permanent navy. However, it also brings the story down to the present day, with chapters on the recovery and the new ideas and information thrown up by the massive program of archaeological work since undertaken. Written by the Development Director of The Mary Rose Trust and heavily illustrated from the massive resources of the Trust, this is a book which will appeal to general reader and specialist alike.

A survey of how the Aegean peoples expressed themselves during a period of some 5000 years after the end of the Bronze Age (circa 1100 BC), and before the rise of Greek art. Work produced in the ambience of the palaces of Crete (including the palace of Minos at Knossos) and of Mycenae on the mainland is fully described and illustrated. For purposes of clarity the arts are considered by function and material rather than by geographical region or chronological period; but the main political upheavals affecting them are kept in mind. Little wall-painting has survived, and the so-called minor arts are examined for the light they thow on it, as well as to assess artistic development in the Aegean as a whole.

Despite being enmeshed in a culture steeped in technology and science, the magic and mysteries of the ancient world can still haunt our imagination. Through their architecture, artefacts and deeds, ancient cultures speak to us across thousands of dusty years--from the labyrinthine palace of Knossos on Crete and the lofty pyramids of Egypt to the remotest jungle temples of Peru and the megalithic mystery of Stonehenge. Hidden History brings together a fascinating selection of these ancient enigmas, arranging them into three sections: Mysterious Places, Unexplained Artefacts, and Enigmatic People.You'll discover fascinating facts about:The Great Sphinx--Mysticism and archaeology collide in the ongoing debate over this enigmatic monument.Mystery Hill--Who built the intriguing megalithic complex lying 40 miles north of Boston?The Antikythera Mechanism--An ancient Greek computer found beneath the Aegean Sea.The Giant Hill-Figures of England--The Uffington White Horse and other huge chalk figures cut into the English countryside thousands of years ago.The Queen of Sheba--Clues to the real identity of this mighty ruler famous for her Biblical visit to King Solomon Newgrange--Hundreds of years older than the Giza Pyramid and Stonehenge. Who were the builders of this Irish megalithic monument?Hidden History fills the gap between archaeology and alternative history using the latest available data and a common sense, open-minded approach. The book discusses not only ancient history's major mysteries, but also some of the puzzles of alternative history--like the "Coso Artefact," the possibility of ancient flight, and the mysterious "Voynich Manuscript"--as well as mysterious peoples from the Magi and the Druids to the Knights Templar and the Green Children. With more than 50 photographs and illustrations, this is the ideal reference work for those interested in the archaeology of these great enigmas.

Suddenly possessing total recall of previously lost memories, a woman reenacts climactic moments of the lives she has led in previous incarnations, progressing from the court of the Minos of Knossos to the crucial events of her current existence