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This book is a brilliant commentary on the political culture of the BaKongo of Lower Congo (now the Democratic Republic of Congo). MacGaffey analyzes texts written by young Kongo men between 1914 -1916 to explicate KiKongo culture and to question long-cherished anthropological assumptions.

This book is a brilliant commentary on the political culture of the BaKongo of Lower Congo (now the Democratic Republic of Congo). MacGaffey analyzes texts written by young Kongo men between 1914 -1916 to explicate KiKongo culture and to question long-cherished anthropological assumptions.

Interweaving oral history, legend, and historical documents, a study of the ancient kingdoms of West Central Africa discusses the arrival of Portuguese explorers and colonists in the region and the devastating impact of the slave trade on the kingdoms of Kongo and Ndongo.

A compelling examination of one of the most artistically rich and creative African kingdoms Artists from the kingdom of Kongo—a vast swath of Central Africa that today encompasses the Republic of Congo, the Democratic Republic of Congo, and Angola—were responsible for outstanding creative achievements. With the influx of Portuguese, Dutch, and Italian merchants, missionaries, and explorers, Kongo developed a unique artistic tradition that blended European iconography with powerful indigenous art forms. An initially positive engagement with Europe in the 15th century turned turbulent in the wake of later displacement, civil war, and the slave trade—and many of the artworks created in Kongo reflect the changing times.   This comprehensive study is the first major catalogue to explore Kongo’s history, art forms, and cultural identity before, during, and after contact with Europe. Objects range from 15th-century “mother-and-child” figures, which reflect a time when Europeans and their Christian motifs were viewed favorably, to fearsome mangaaka, power figures that conveyed strength in the midst of the kingdom’s dissolution. Lavishly illustrated with new photography and multiple views of three-dimensional works, this book presents the fascinatingly complex artistic legacy of one of Africa’s most storied kingdoms. 

A compelling examination of one of the most artistically rich and creative African kingdoms Artists from the kingdom of Kongo—a vast swath of Central Africa that today encompasses the Republic of Congo, the Democratic Republic of Congo, and Angola—were responsible for outstanding creative achievements. With the influx of Portuguese, Dutch, and Italian merchants, missionaries, and explorers, Kongo developed a unique artistic tradition that blended European iconography with powerful indigenous art forms. An initially positive engagement with Europe in the 15th century turned turbulent in the wake of later displacement, civil war, and the slave trade—and many of the artworks created in Kongo reflect the changing times.   This comprehensive study is the first major catalogue to explore Kongo’s history, art forms, and cultural identity before, during, and after contact with Europe. Objects range from 15th-century “mother-and-child” figures, which reflect a time when Europeans and their Christian motifs were viewed favorably, to fearsome mangaaka, power figures that conveyed strength in the midst of the kingdom’s dissolution. Lavishly illustrated with new photography and multiple views of three-dimensional works, this book presents the fascinatingly complex artistic legacy of one of Africa’s most storied kingdoms. 

8vo (24 x 24 cm). 128 pp. Glossy pictorial covers with blue/black titles to upper and spine. Repaired 3 cm tear to tail of lower spine. Text block tight and unmarked.

Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 1

The jaw-dropping, eye-popping, edge-of-your-seat exploits of the fearless Panther Girl are brought vividly to life in the Republic Pictures serial Panther Girl of the Kongo starring Phyllis Coates (Perils of the Jungle) as Jean Evans, the Panther Girl of the title; Myron Healey (The Unearthly) as big game hunter Larry Sanders; and Arthur Space (The Red House) as the maddest of the mad scientists, Dr. Morgan.

The Kingdom of Kongo: Civil War and Transition, 1641-1718 by John Kelly Thornton

The Kingdom of Kongo: Civil War and Transition, 1641-1718 by John Kelly Thornton

188 pages + fold-out (1 x B2), 127 photos, 232 drawings.

The authors present the importance of the African tradition. Kindezi (the art of Babysitting) and the ndezi (the babysitters) provide extensive value and service to both society and the individual child, making for a cohesive, unified community. Introduction by Marimba Ani.

From the Kingdom of Kongo to Congo Square: Kongo Dances and the Origins of the Mardi Gras Indians presents a provocatively new interpretation of one of New Orleans s most enigmatic traditions the Mardi Gras Indians. By interpreting the tradition in an Atlantic context, Dewulf traces the black Indians back to the ancient Kingdom of Kongo and its war dance known as sangamento. Enslaved Kongolese brought the rhythm, dancing moves, and feathered headwear of sangamentos to the Americas in performances that came to be known as Kongo dances. By comparing Kongo dances on the African island of São Tomé with those in Latin America, the Caribbean, and Louisiana, Dewulf demonstrates that the dances in New Orleans s Congo Square were part of a much broader Kongolese performance tradition. He links that to Afro-Catholic mutual-aid societies that honored their elected community leaders or kings with Kongo dances. While the public rituals of these brotherhoods originally thrived in the context of Catholic procession culture around Epiphany and Corpus Christi, they transitioned to carnival as a result of growing orthodoxy within the Church. Dewulf s groundbreaking research suggests a much greater impact of Kongolese traditions and of popular Catholicism on the development of African American cultural heritage and identity. His conclusions force us to radically rethink the traditional narrative on the Mardi Gras Indians, the kings of Zulu, and the origins of black participation in Mardi Gras celebrations.

wraps, 256 pp Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

The ‘ShipCraft’ series provides in-depth information about building and modifying model kits of famous warship types. Lavishly illustrated, each book takes the modeler through a brief history of the subject class, highlighting differences between sister-ships and changes in their appearance over their careers. This includes paint schemes and camouflage, featuring color profiles and highly-detailed line drawings and scale plans. The modeling section reviews the strengths and weaknesses of available kits, lists commercial accessory sets for super-detailing of the ships, and provides hints on modifying and improving the basic kit. This is followed by an extensive photographic gallery of selected high-quality models in a variety of scales, and the book concludes with a section on research references – books, monographs, large-scale plans and relevant websites.The subject of this volume is the Japanese Kongo class, four ships built during the First World War as battlecruisers, but extensively modified and reconstructed between the wars as fast battleships, so that each ship presented a different appearance. They were the chosen escorts for the elite IJN carrier forces, and saw much action during the Pacific War.

Catalog of an exhibition held at the Musée Dapper, Paris, September 18, 2002-January 19, 2003. Jacket is rubbed and lightly worn. Cover is in great condition, with no visible flaws apart from minor shelving wear. Spine is cracked, but binding is secure. Inside is clean and unmarked.

Fu-Kiau Bunseki, Ph.D. is one of the great scholars of the African religion, and the leading authority on the Bantu-Kongo civilization. He is also a genuine practitioner of the Kongo spiritual tradition. He is intiated in the three "secret societies" Lemba, Khimba and Kimpasi. Lemba is the foundation for several African based religious practices including Palo Mayombe (Cuba), Vodou Petro (Haiti) and Candomble Angola (Brasil). African cosmology of the Bantu-Kongo explores the Bantu-Kongo religious and philosophical teachings, as well as concepts of law and crime. It connects the reader with one of the most ancient and powerful spiritual traditions-explore "seven-direction walk" our origin and links to society, nature and the universe.

Fu-Kiau Bunseki, Ph.D. is one of the great scholars of the African religion, and the leading authority on the Bantu-Kongo civilization. He is also a genuine practitioner of the Kongo spiritual tradition. He is intiated in the three "secret societies" Lemba, Khimba and Kimpasi. Lemba is the foundation for several African based religious practices including Palo Mayombe (Cuba), Vodou Petro (Haiti) and Candomble Angola (Brasil). African cosmology of the Bantu-Kongo explores the Bantu-Kongo religious and philosophical teachings, as well as concepts of law and crime. It connects the reader with one of the most ancient and powerful spiritual traditions-explore "seven-direction walk" our origin and links to society, nature and the universe.

Fu-Kiau Bunseki, Ph.D. is one of the great scholars of the African religion, and the leading authority on the Bantu-Kongo civilization. He is also a genuine practitioner of the Kongo spiritual tradition. He is intiated in the three "secret societies" Lemba, Khimba and Kimpasi. Lemba is the foundation for several African based religious practices including Palo Mayombe (Cuba), Vodou Petro (Haiti) and Candomble Angola (Brasil). African cosmology of the Bantu-Kongo explores the Bantu-Kongo religious and philosophical teachings, as well as concepts of law and crime. It connects the reader with one of the most ancient and powerful spiritual traditions-explore "seven-direction walk" our origin and links to society, nature and the universe.

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