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At the start of the 137-kilometre Tour de Mont Aigoual, Tim Krabbe glances up from his bike to assess the crowd of spectators. 'Non-racers, ' he writes. 'The emptiness of those lives shocks me.' Immediate and gripping from the first page, we race with the author as he struggles up the hills and clings on during descents in the unforgiving French mountains. Originally published in 1978, The Rider is a modern-day classic that is recognised as one of the best books ever written about the sport. Brilliantly conceived and best read at a break-neck pace, it is a loving, imaginative and passionate tribute to the art of cycle racing.

THE RIDER describes one 150-kilometre race in just 150 pages. In the course of the narrative, we get to know the forceful, bumbling Lebusque, the aesthete Barthelemy, the young Turk Reilhan and the mysterious 'rider from Cycles Goff'. Krabbe battles with and against each of them in turn, failing on the descents, shining on the climbs, suffering on the (false) flats. The outcome of the race is, in fact, merely the last stanza of an exciting and too-brief paean to stamina, suffering and the redeeming power of humour. This is not a history of road racing, a hagiography of the European greats or even a factual account of his own amateur cycling career. Instead, Krabbe allows us to race with him, inside his skull as it were, during a mythical Tour de Mont Aigoual.

At the start of the 137-kilometre Tour de Mont Aigoual, Tim Krabbe glances up from his bike to assess the crowd of spectators. 'Non-racers, ' he writes. 'The emptiness of those lives shocks me.' Immediate and gripping from the first page, we race with the author as he struggles up the hills and clings on during descents in the unforgiving French mountains. Originally published in 1978, The Rider is a modern-day classic that is recognised as one of the best books ever written about the sport. Brilliantly conceived and best read at a break-neck pace, it is a loving, imaginative and passionate tribute to the art of cycle racing.