9 products were found matching your search for Krabben Connection Brandt Patricia in 1 shops:

1995 The Music Connection Book 1 (H) by Jane Beethoven, Dulce Bohn, Patricia Shehan Campbell, Carmen E. Culp, Jennifer Davidson, Lawrence Eisman, Sandra Longoria Glover, Charlotte Hayes, Martha Hilley, Mary E. Hoffman, Hunter March, Bill McCloud, Marvelene Moore, Catherine Nadon-Gabrion, Mary Palmer, Carmino Ravosa, Mary Louise Reilly, Will Schmid, Carol Scott-Kassner, Jean Sinor, Sandra Stauffer, & Judith Thomas ***ISBN-13: 9780382261800 ***94 Pages

1995 The Music Connection Level 3 (H) by Jane Beethoven, Dulce Bohn, Patricia Shehan Campbell, Carmen E. Culp, Jennifer Davidson, Lawrence Eisman, Sandra Longoria Glover, Charlotte Hayes, Martha Hilley, Mary E. Hoffman, Hunter March, Bill McCloud, Marvelene Moore, Catherine Nadon-Gabrion, Mary Palmer, Carmino Ravosa, Mary Louise Reilly, Will Schmid, Carol Scott-Kassner, Jean Sinor, Sandra Stauffer, & Judith Thomas ***ISBN-13: 9780382261831 ***Pages: 317

1995 The Music Connection Grade 2 (H) by Jane Beethoven, Dulce Bohn, Patricia Shehan Campbell, Carmen E. Culp, Jennifer Davidson, Lawrence Eisman, Sandra Longoria Glover, Charlotte Hayes, Sanna Longden, Hunter March, Bill McCloud, Marvelene Moore, Catherine Nadon-Gabrion, Mary Palmer, Will Schmid, Carol Scott-Kassner, Jean Sinor, Sandra Stauffer, Judith Thomas, Martha Hilley, Carmino Ravosa, Dulce Bohn, Mary E. Hoffman, & Mary Louise Reilly ***ISBN-13: 9780382261824 ***Pages: 286

Self-healing through self-parenting, a concept introduced a generation ago, has helped thousands of adult children of alcoholics who are codependent and have conflicts in their primary relationships. Now Patricia O'Gorman, Ph.D., and Phil Diaz, M.S.W., authors of the classic book The 12 Steps to Self-Parenting for Adult Children and its companion workbook, expand the reach of that successful healing paradigm to anyone who has suffered from any kind of trauma. Whether they grew up in a dysfunctional home, were victims of violence, or suffered other types of acute distress, many people struggle to determine the impact of earlier trauma on current adult decision making. O'Gorman and Diaz show how trauma is a driver of dysfunctional behaviors and linked with codependency, and they offer a concise yet detailed resource for survivors and thrivers as well as the professionals who work with them. Through a process modeled after the 12 Steps of AA, Healing Trauma Through Self-Parenting: The Codependency Connection offers help to a broad array of readers (not just those who are ACOAs) by healing the wounded inner core and helping readers reconnect to their inner child.

Patricia Telesco's Urban Pagan took the first steps toward unifying a philosophical ideal with the conditions of modern life. Now she presents a neopagan's complete guide to maintaining a powerful connection with nature, even when sacred groves and wild rivers are far away. Offering meditations, rituals, and guided visualizations, she suggests how the noise and hectic pace of the city can be countered with simple gestures, such as lighting a candle at dawn to create moments of peace, thanks, and renewal. Both an introduction and a valuable refresher, Shaman in a 9 to 5 World adapts a vast array of ancient shamanic traditions to city life, including fasting, drumming, praying, creating sacred spaces, interpreting omens and signs, and even shapeshifting and divination. Covering everything from tools and supplies to power animals, totems, amulets, fetishes, and the elements, this book provides step-by-step guidance for healers of the human tribe.

Jacob Lawrence was one of the best-known African American artists of the twentieth century. In Painting Harlem Modern, Patricia Hills renders a vivid assessment of Lawrence's long and productive career. She argues that his complex, cubist-based paintings developed out of a vital connection with a modern Harlem that was filled with artists, writers, musicians, and social activists. She also uniquely positions Lawrence alongside such important African American writers as Langston Hughes, Richard Wright, and Ralph Ellison. Drawing from a wide range of archival materials and interviews with artists, Hills interprets Lawrence's art as distilled from a life of struggle and perseverance. She brings insightful analysis to his work, beginning with the 1930s street scenes that provided Harlem with its pictorial image, and follows each decade of Lawrence's work, with accounts that include his impressions of Southern Jim Crow segregation and a groundbreaking discussion of Lawrence's symbolic use of masks and masking during the 1950s Cold War era. Painting Harlem Modern is an absorbing book that highlights Lawrence's heroic efforts to meet his many challenges while remaining true to his humanist values and artistic vision.

Jacob Lawrence was one of the best-known African American artists of the twentieth century. In Painting Harlem Modern, Patricia Hills renders a vivid assessment of Lawrence's long and productive career. She argues that his complex, cubist-based paintings developed out of a vital connection with a modern Harlem that was filled with artists, writers, musicians, and social activists. She also uniquely positions Lawrence alongside such important African American writers as Langston Hughes, Richard Wright, and Ralph Ellison. Drawing from a wide range of archival materials and interviews with artists, Hills interprets Lawrence's art as distilled from a life of struggle and perseverance. She brings insightful analysis to his work, beginning with the 1930s street scenes that provided Harlem with its pictorial image, and follows each decade of Lawrence's work, with accounts that include his impressions of Southern Jim Crow segregation and a groundbreaking discussion of Lawrence's symbolic use of masks and masking during the 1950s Cold War era. Painting Harlem Modern is an absorbing book that highlights Lawrence's heroic efforts to meet his many challenges while remaining true to his humanist values and artistic vision.

Hardcover. School shootings, police misconduct, and sexual assault where people are injured and die dominate the news. What are the connections between such incidents of violence and extreme harm? In this new book, world-renowned sociologist Patricia Hill Collins explores how violence differentially affects people according to their class, sexuality, nationality, and ethnicity. These invisible workings of overlapping power relations give rise to what she terms lethal intersections, where multiple forms of oppression converge to catalyze a set of violent practices that fall more heavily on particular groups. Drawing on a rich tapestry of cases, Collins challenges readers to reflect on what counts as violence today and what can be done about it. Resisting violence offers a common thread that weaves together disparate antiviolence projects across the world. When parents of murdered children organize against gun violence, when Black citizens march against the excessive use of police force in their neighborhoods, and when women and girls report sexual abuse by employers, coaches, and community leaders, the ideas and actions of ordinary people lay a foundation for new ways of thinking about and combating violence. Through its ground-breaking analysis, Lethal Intersections aims to stimulate debate about violence as one of the most pressing social problems of our times.Also available as an audiobook. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Jacob Lawrence was one of the best-known African American artists of the twentieth century. In Painting Harlem Modern, Patricia Hills renders a vivid assessment of Lawrence's long and productive career. She argues that his complex, cubist-based paintings developed out of a vital connection with a modern Harlem that was filled with artists, writers, musicians, and social activists. She also uniquely positions Lawrence alongside such important African American writers as Langston Hughes, Richard Wright, and Ralph Ellison. Drawing from a wide range of archival materials and interviews with artists, Hills interprets Lawrence's art as distilled from a life of struggle and perseverance. She brings insightful analysis to his work, beginning with the 1930s street scenes that provided Harlem with its pictorial image, and follows each decade of Lawrence's work, with accounts that include his impressions of Southern Jim Crow segregation and a groundbreaking discussion of Lawrence's symbolic use of masks and masking during the 1950s Cold War era. Painting Harlem Modern is an absorbing book that highlights Lawrence's heroic efforts to meet his many challenges while remaining true to his humanist values and artistic vision.