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Lee Miller (1907-77) began her artistic career in 1929 as a Surrealist photographer in Paris. She produced images, often in collaboration with Man Ray, in which she isolated motifs by means of tight framing and experimental techniques, and in doing so rendered visible a paradoxical reality. This publication surveys Miller's best works, including early Surrealist compositions as well as travel photos. At the end of World War II, Miller traveled through Europe as a war reporter, producing harrowing photographs of considerable historical significance. One of her most spectacular pictures originated in late April 1945 in Adolf Hitler's city apartment at Prinzregentenplatz in Munich: Lee had a photo taken of herself sitting naked in the dictator's bathtub--not long after having captured on film the crimes committed in the concentration camps in Dachau and Buchenwald immediately after their liberation by the occupying forces (Miller was one of the first photographers to do so).

Lee Miller: Photography, surrealism, and beyond offers a major new critical discussion of the work of one of the most significant twentieth-century photographers. Applying art-theoretical analyses and insights afforded by previously unseen material in archives and collections, Patricia Allmer undertakes revisionary readings of many of Miller’s works, including Portrait of Space, Severed Breast from Radical Mastectomy and the famous series of war photographs produced for Vogue. At the same time she sheds new light on Miller’s relations with surrealist groups and American avant-gardes, on her experiences in Paris, Egypt and World War II Europe and on her critically neglected post-war activities. Above all, Lee Miller: Photography, surrealism, and beyond focuses critical attention on the works themselves. As a result it will be of great interest to students and scholars of twentieth-century photography, modernism and surrealism.

Neuware -Described by the Sunday Times as 'a fascinating revelation of an adventurous and protean spirit', this biography is the inspiration behind the 2024 film Lee, starring Kate Winslet as Lee Miller. Beautiful, bewitching and an exceptionally good photographer, Lee Miller was one of life's adventurers. She became a Vogue cover girl in 1920s New York before embracing Paris, photography and Surrealism, and then dramatically changed her life yet again, reinventing herself as a war correspondent, notably covering the liberation of Dachau. These are but three of the many lives of Lee Miller, intimately recorded here by her son, Antony Penrose. Featuring a selection of Miller's finest work, including portraits of her friends Picasso, Tanning and Ernst, Penrose's tribute to his mother brings to life a uniquely talented woman and the turbulent times in which she lived. 220 pp. Englisch

New! This book is in the same immaculate condition as when it was published 0.44

Roland Penrose met Lee Miller's lips a year before he met the rest of her - in a painting by Man Ray. It was a fitting introduction for two artists who were linked by an art movement that delighted in chance encounters. Together they forged a life joined by a common cause - surrealism.This illustrated joint biography tells the story of how a fashion model turned photographer and an English Quaker turned art collector and surrealist painter influenced modern art with their vision and passion, and created a life together that was in itself a work of art.

A trenchant yet sympathetic portrait of Lee Miller, one of the iconic faces and careers of the twentieth century. Carolyn Burke reveals Miller as a multifaceted woman: both model and photographer, muse and reporter, sexual adventurer and mother, and, in later years, gourmet cook—the last of the many dramatic transformations she underwent during her lifetime. A sleek blond bombshell, Miller was part of a glamorous circle in New York and Paris in the 1920s and 1930s as a leading Vogue model, close to Edward Steichen, Charlie Chaplin, Jean Cocteau, and Pablo Picasso. Then, during World War II, she became a war correspondent—one of the first women to do so—shooting harrowing images of a devastated Europe, entering Dachau with the Allied troops, posing in Hitler’s bathtub. Burke examines Miller’s troubled personal life, from the unsettling photo sessions during which Miller, both as a child and as a young woman, posed nude for her father, to her crucial affair with artist-photographer Man Ray, to her unconventional marriages. And through Miller’s body of work, Burke explores the photographer’s journey from object to subject; her eye for form, pattern, and light; and the powerful emotion behind each of her images.A lushly illustrated story of art and beauty, sex and power, Modernism and Surrealism, independence and collaboration, Lee Miller: A Life is an astute study of a fascinating, yet enigmatic, cultural figure.

Discover eight remarkable women war photographers who have documented harrowing and unforgettable crises and combat around the world for the past eighty years.Women have been on the front lines of war for more than a century. With access to places men cannot go, the women who photograph war lend a unique perspective to the consequences of conflict. From intimate glimpses of daily life to the atrocities of war, this exhibition catalog reveals the range and depth of eight women photographers' contributions to wartime photojournalism. Each photographer is introduced by a brief, informative essay followed by reproductions of a selection of their works. Included here are images by Lee Miller, who documented the liberation of Dachau and Buchenwald. The first woman journalist to parachute into Vietnam, Catherine Leroy was on the ground during the Tet Offensive. Susan Meiselas raised international awareness around the Somoza regime's catastrophic effects in Nicaragua. German reporter Anja Niedringhaus worked on assignment in nearly every major conflict of the 1990s, from the Balkans to Libya, Iraq to Afghanistan. The work of Carolyn Cole, Françoise Demulder, Christine Spengler, and Gerda Taro round out this collective profile of courage under pressure and of humanity in the face of war.

Lee Miller (1907–1977) moved to London in the late 1930s, just as a rich strand of Surrealist practice was burgeoning in Britain. Miller was central to its development and prolonged life after World War II, exhibiting alongside British Surrealists such as Eileen Agar and Henry Moore in often overlooked London exhibitions. This book is the first to present Lee Miller’s photographs of, and collaborations with, key British Surrealists to tell the story of this exciting cultural moment. Miller's interdisciplinary photographic practice acted as a conduit for the dispersal of Surrealist images out of the realm of fine art and into the worlds of fashion, commercial photography, and journalism. A vital study for all students and enthusiasts of Surrealism and for those enthralled by the enigmatic Lee Miller, this book reveals the social and cultural networks in which she was embedded, offering a holistic view of her work and the life of the Surrealist movement in Britain.

In 1929, Lee Miller, already a legendary fashion model, left the United States to study photography in Paris. Here she became the disciple and lover of Man Ray, and she was soon taking on both portrait and fashion assignments for Vogue and running her own studio. The Second World War saw her as Vogue's war correspondent: she covered the siege of Saint Malo, the liberation of Paris, and the entry of the U.S. Army into the Dachau concentration camp. Her later years were spent in London and Sussex with her husband, the painter and writer Roland Penrose. During her extraordinary life, Miller came into contact with an astonishing range of painters, sculptors, actors, writers, musicians, fashion designers, and socialites. Many became her friends and the subjects of her penetrating portraits. The finest of these photographs are collected together here, along with a selection of portraits of Miller herself, taken by other photographers. The images include not only Miller's highly perceptive and sympathetic studies of Pablo Picasso, Igor Stravinsky, Marlene Dietrich, Fred Astaire, and others but also her pictures of unsung individuals engaged in war work and powerful photographs of victims and perpetrators of Nazi oppression. 157 duotone illustrations.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.49

Black cloth, large octavo. 426 pages, index. Black and white photos. Comprehensive biography. Dust jacket is in a mylar protector. All books shipped in boxes.

Lee Miller (1907-77) began her artistic career in 1929 as a Surrealist photographer in Paris. She produced images, often in collaboration with Man Ray, in which she isolated motifs by means of tight framing and experimental techniques, and in doing so rendered visible a paradoxical reality. This publication surveys Miller's best works, including early Surrealist compositions as well as travel photos. At the end of World War II, Miller traveled through Europe as a war reporter, producing harrowing photographs of considerable historical significance. One of her most spectacular pictures originated in late April 1945 in Adolf Hitler's city apartment at Prinzregentenplatz in Munich: Lee had a photo taken of herself sitting naked in the dictator's bathtub--not long after having captured on film the crimes committed in the concentration camps in Dachau and Buchenwald immediately after their liberation by the occupying forces (Miller was one of the first photographers to do so).

"Part memoir, part photo essay, part search for the real woman behind an unconventional mother....Should ensure Miller the place she deserves in future histories of the period."—Art in America· Lee Miller: 1927: New York. Classically beautiful, she is discovered by Condé Nast and immortalized by Steichen, Hoyningen-Huene, Horst, and other famous photographers.· Lee Miller: 1929: Paris. Protégé and lover of Man Ray, she invents with him the solarization technique of photography and develops into a brilliant Surrealist photographer.· Lee Miller: 1939-1945: Europe. She becomes a U.S. war correspondent and covers the liberation of Paris. Her photographs of the Dachau concentration camp shock the world.These are but three of the many lives of Lee Miller, intimately recorded here by her son, Antony Penrose, whose years of work on her photographic archives unearthed a rich selection of her finest work, including portraits of her friends Picasso, Braque, Ernst, Eluard, and Miró. To these are added many other photos that complement Penrose's highly readable biography of this uniquely talented artist. 171 duotone illustrations.

This is the most scholarly, accessible, and exciting writing on Lee Miller to date.”---Anthony Penrose, Lee Miller ArchivesLee Miller (1907--1977) was one of the most remarkable photographic artists of the 20th century. She created Surrealist-inspired photographs of haunting originality, portraits of genius, and daring war photographs. This unprecedented book brings together all of Miller’s major vintage prints for the first time, including sensational works never before published, rare and revealing drawings, selections from Miller’s writings as a war correspondent for Vogue magazine, and an extraordinary collage from 1937.Miller performed with unique success on both sides of the camera. A renowned beauty, she began her career being photographed as a fashion and fine art model by such luminaries as Arnold Genthe and Edward Steichen, stunning examples of which are included in this book. Miller moved to Paris in 1928, determined to take up photography; there she became the apprentice, collaborator, and muse of Man Ray. In the 1930s and ’40s, Miller shot remarkable portraits of such iconic figures as Marlene Dietrich, Charlie Chaplin, Pablo Picasso, and Salvador Dalí. Turning her Surrealist eye to unexpected photographic subjects, she earned major commissions from American and European fashion magazines and also became a respected photo-journalist. Miller’s startling images of the Dachau concentration camp are among the most powerful records of the Holocaust.Published in conjunction with the centenary of Miller’s birth, this beautifully designed and produced book is an essential survey of this fascinating woman’s life and career.   

The remarkable and unconventional Lee Miller was one of the twentieth century's most accomplished photographers. At the age of twenty, she was discovered on a New York street by Conde Nast, who instantly decided to put her face on the cover of Vogue. Two years later she left America for Paris to become a photographer herself. There she became the disciple and lover of Man Ray and an intimate of the Paris art world. World War II saw her as Vogue's war correspondent, present at the liberation of Paris and when the Dachau concentration camp was first entered. Her later years were spent in London and at her home on the Sussex downs, where she kept up the many friendships she had made. Miller came into contact with a wide range of people: painters, sculptors, actors, novelists, poets, journalists, musicians, dancers, and leaders in the field of fashion. She photographed them all, and many became close friends. In Lee Miller: Portraits from a Life, the finest of these photographs are shown together for the first time. They include not only perceptive and sympathetic portraits of Pablo Picasso, Georges Braque, Dora Maar, Fred Astaire, Marlene Dietrich, Igor Stravinsky, Yehudi Menuhin, Dylan Thomas, Colette, and a host of others but also pictures of Londoners in the Blitz, of Parisians celebrating their liberation, and of the aftermath of the Third Reich. An exhibition based on this show will be held at the Getty in 2003. 135 duotone photographs.

Interspered with the biography and critique of Lee Miller are the photographs she took during her interest in photography

Lee Miller’s life embodied all the contradictions and complications of the twentieth century: a model and photographer, muse and reporter, sexual adventurer and domestic goddess, she was also America's first female war correspondent. Carolyn Burke, a biographer and art critic, here reveals how the muse who inspired Man Ray, Cocteau, and Picasso could be the same person who unflinchingly photographed the horrors of Buchenwald and Dachau. Burke captures all the verve and energy of Miller’s life: from her early childhood trauma to her stint as a Vogue model and art-world ingénue, from her harrowing years as a war correspondent to her unconventional marriages and passion for gourmet cooking. A lavishly illustrated story of art and beauty, sex and power, Modernism and Surrealism, Lee Miller illuminates an astonishing woman’s journey from art object to artist.

Interspered with the biography and critique of Lee Miller are the photographs she took during her interest in photography

A woman of many lives and mistress of her own re-invention, Lee Miller was a model, surrealist, fashion photographer, war correspondent, gourmet cook, and more. She did everything in her life wholeheartedly and with an imaginative flair. Though much has been written about the varied forms of her creativity, Miller’s achievement as a gourmet chef is usually relegated to the endnotes. However, her granddaughter, Ami Bouhassane, views cooking as a vastly important part of her life—her longest battle and most extraordinary personal accomplishment in every sense.   As a trustee of the Lee Miller Archives, Bouhassane has worked closely with the material for more than nineteen years. Coupled with her access to never-before-published manuscripts and photographs, Bouhassane’s unique insight into her grandmother’s life reveal previously unknown aspects of Miller. More than just a collection of recipes, this award-winning cookbook explores Miller’s life through the influence of food and shows us how it became the creative vehicle for which she eventually swapped her camera and used it to build bridges, heal old wounds, and empower other women.   Featuring more than 180 of Miller’s pictures, nearly one hundred of her recipes, an introduction by her son, Antony Penrose, and material from the cookbook that she was secretly hoping to publish at the end of her life, Lee Miller: A Life with Food, Friends & Recipes is a treasure not to be missed.