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With a flair for composition and precise perception, young German photographer Simone Nieweg turns a seemingly unspectacular subject--allotment gardens and neighboring fields--into a means of landscape representation. Lush, impossibly green, and intricately, categorically detailed, Nieweg's images give new life to the endless field of landscape photography.

Hans Danuser is among the foremost contemporary Swiss photographers. Peter Zumthor is an equally celebrated Swiss architect. Seeing Zumthor represents a unique collaboration of their distinguished artistic visions: Danuser’s images of the buildings created by Zumthor are photographs that comment equally on the art of photography and the art of architecture.             More than twenty years ago, in a milestone event of twentieth-century architectural photography, Danuser photographed, at Zumthor’s invitation, two buildings: the protective structure built for archaeological excavations in Chur and St. Benedict’s Chapel in Sumvitg. When first shown in exhibition, those photos ignited a lively debate that has been revived with a recent exhibition of Danuser’s photographs of Zumthor’s most famous work, the spa at Therme Vals. Seeing Zumthor collects these three important series of Danuser’s pictures and includes essays by leading art historians exploring the relationship between the two seemingly different disciplines or architecture and photography.            An extraordinary work, Seeing Zumthor will continue to provoke a captivating dialogue between art historians, photographers, and architects.

This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9061861713

Masterpieces from international collections present a vivid survey of the surprising and fascinating variety of pictorial subjects related to the Christmas festival: medieval sculptures, paintings, graphic works and book illustrations tell in large-format images of the incarnation of Christ and the events linked to that occurrence.

Softcover 96p, illustration in b/w, 28 cm. Very good, spine discolored (as usual), damage to front wrapper (see image). Parallel text in Dutch and German.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Volume 9. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:3777276235

This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:3770523083

lt becomes evident how close the image of man and of God is interrelated in the Old Testament, when you look at the phenomenon of anthropomorphism in its literatures. The present volume examines the relationship of anthropology and theology, of the images of God and the images of man. The following questions are touched: What are the consequences of monolatry and monotheism for identity and self-reflectivity of man? Are monotheism and individualism linked to each other? Which human images are transferred to God and which are not?

The drawings of Marcel van Eeden (born 1965) depict seemingly familiar images of decisive or epiphanic moments. Based on photographs culled from vintage magazines and periodicals, which the artist finds in used bookstores and archives, these graphite drawings are often counterposed with captions and assembled in series that further heighten the implication of a buried or occluded narrative. This first comprehensive monograph on van Eeden makes a selection of over 500 drawings, including The Zurich Trial 1 series and the recent Witness for the Prosecution cycle and offers a first overview of Marcel van Eeden's oeuvre.

An extensive catalog from the unique and extraordinary collection of works on paper assembled over more than forty years by the Cologne-based physician Reiner Speck. The artists' names gathered here form a veritable who's who of modern and contemporary art history, exploring the relationship between word and image. Cy Twombly's works on paper are spectacular and dense, despite their small formats; works by Sigmar Polke, Bruce Nauman, Gunther Forg, Martin Kippenberger and others create a brilliantly assembled grouping. Speck contributes an essay on his collection, as do several scholars and curators, notably Renate Goldmann. A beautifully edited and crisply produced monograph on one of the most personal collections of our time.

Attention required: Item cover image may vary

Book measures 26x18.cm. ix,140pp, 84 images. Bound in original publishers illustrated softcover. Cover slightly dusty. Binding in very good condition. Internally, pages/plates clean. A nice clean copy. Size: Large 8 Vo

Volume 37. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:3421018812

The films of Matthias Müller can be read as an unwritten history of German experimental film, beginning with the Super-8 movement in the 1980s and genre-crossing found footage to the weaving of analogue and digital image media and cinematographic installation.

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

This book is in good condition with very minimal damage. Pages may have minimal notes or highlighting. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer.

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

Grey cloth covers with a Printed clear acetate dustjacket. Book is AS NEW; dj just has a few light rubs on it. Text is all in German. 79 pages, index to the images.

Berlin photographer Ken Schluchtmann (born 1970) is known for his clear and cool images, taken without artificial lighting. For this book, Schluchtmann traveled over 20,000 kilometers, passing through dramatic landscapes and profiling the innovative architecture projects commissioned by the Norwegian government in recent years.