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Kugel and Frijoles: Latino Jews in the United States analyzes the changing construction of race and ethnicity in the United States through the lens of contemporary Jewish immigrants from Latin America. Since Latino Jews are not easily classified within the U.S. racial and ethnic schema, their ethnic identity and group affiliation challenge existing paradigms. Author Laura Limonic offers a view into the lives of this designation of Jewish immigrants, highlighting the ways in which they adopt different identities (e.g., national, religious, or panethnic) in response to different actors and situations. Limonic begins by introducing the stories of Latino Jewish immigrants and laying out the important questions surrounding ethnic identity: How do Latino Jews identify? Can they choose their identity or is it assigned to them? How is ethnicity strategic or instrumental? These larger questions are placed within the existing scholarly literature on immigrant integration, religion, and ethnic group construction. Limonic explains how groups can be constructed when there is a lack of a perfect host group and details the ways different factors influence ethnic identity and shape membership into ethnic groups. The book concludes that group construction is never static in the United States, and, in particular, how race, religion, and class are increasingly important mediating factors in defining ethnicity and ethnic identity.As the Latino population continues to grow in the United States, so does the influence of millions of Latinos on U.S. culture, politics, economy, and social structure. Kugel and Frijoles offers new insight with which to understand the diversity of Latinos, the incorporation of contemporary Jewish immigrants, and the effect of U.S. ethno-racial structures for immigrant assimilation.

Kugel and Frijoles: Latino Jews in the United States analyzes the changing construction of race and ethnicity in the United States through the lens of contemporary Jewish immigrants from Latin America. Since Latino Jews are not easily classified within the U.S. racial and ethnic schema, their ethnic identity and group affiliation challenge existing paradigms. Author Laura Limonic offers a view into the lives of this designation of Jewish immigrants, highlighting the ways in which they adopt different identities (e.g., national, religious, or panethnic) in response to different actors and situations. Limonic begins by introducing the stories of Latino Jewish immigrants and laying out the important questions surrounding ethnic identity: How do Latino Jews identify? Can they choose their identity or is it assigned to them? How is ethnicity strategic or instrumental? These larger questions are placed within the existing scholarly literature on immigrant integration, religion, and ethnic group construction. Limonic explains how groups can be constructed when there is a lack of a perfect host group and details the ways different factors influence ethnic identity and shape membership into ethnic groups. The book concludes that group construction is never static in the United States, and, in particular, how race, religion, and class are increasingly important mediating factors in defining ethnicity and ethnic identity.As the Latino population continues to grow in the United States, so does the influence of millions of Latinos on U.S. culture, politics, economy, and social structure. Kugel and Frijoles offers new insight with which to understand the diversity of Latinos, the incorporation of contemporary Jewish immigrants, and the effect of U.S. ethno-racial structures for immigrant assimilation.

No liquid damage. no notes of any kind.This item has slightly warped pages,large creases and bent marks on the cover and some bent pages inside 1.04

Signed by both authors on the title page

Buy with confidence! Book is in new, never-used condition 1.04

This is A 186 page hardback with dust jacket authored by James L. Kugel and published by Harper Collins.

Is there poetry in the Bible? Does it have rhyme or meter? How did ancient Hebrew writers compose their works? James Kugel's provocative study provides surprising new answers to these age-old questions. Biblical "poetry" is not a concept native to the Bible itself, he proposes, and the idea that the Bible is divided into prose and verse is merely an approximation of the reality of biblical style. Arguing that the Bible presents a continuum of speech heightened in varying degrees by different means, Kugel sets out to describe Hebrew's high style on its own terms. He also offers a thorough history of the idea of biblical poetry, starting with Philo of Alexandria and Josephus in the first century C.E. and charting its development through the Church Fathers, medieval Jewish writers, the Christian Hebraists of the Renaissance, and on into modern times. The story of how each age understood the nature biblical poetry, Kugel concludes, is a key to understanding the Bible's place in the history of Western thought.

A New York Times Notable Book 2012The rural town of Stockton, New York, is famous for nothing: no one was born there, no one died there, nothing of any historical import at all has ever happened there, which is why Solomon Kugel, like other urbanites fleeing their pasts and histories, decided to move his wife and young son there.To begin again. To start anew. But it isn’t quite working out that way for Kugel...His ailing mother stubbornly holds on to life, and won’t stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one Kugel bought, and when, one night, he discovers history—a living, breathing, thought-to-be-dead specimen of history—hiding upstairs in his attic, bad quickly becomes worse.Hope: A Tragedy is a hilarious and haunting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.

A bear keeps taking the honey needed for the shabbos kugel, until Grandma learns that he is lost and invites him to come to dinner

Shares traditional Passover recipes for appetizers, breakfast dishes, fish, soup, noodles, dumplings, meat, poultry, vegetables, kugel, quiche, casseroles, cakes, and desserts

From the renowned Centers for Surgical Anatomy and Technique of Emory University, here is the revised and updated, defintive memory refresher for the practicing surgeon and the surgical resident entering the operating room. The new sections on panoramic laparoscopic cadaveric anatomy of the inguinal area, Kugel hernia repair, laparoscopic inguinal hernia repair, transhiatal esophagectomy, laparoscopic nissen fundoplication, laparoscopic sigmoid colectomy, laparoscopic splenectomy, and laparoscopic adrenalectomy are all presented in the same concise, accessible and generously illustrated format as the first edition. The carefully outlined and practical explanations of anatomy and how it pertains to general surgery will help the general surgeon in avoiding complications and in developing masterful surgical technique. Now, more than ever, SURGICAL ANATOMY AND TECHNIQUE is a must have for every resident and general surgeon.

James Kugel's The Bible As It Was (1997) has been welcomed with universal praise. Here now is the full scholarly edition of this wonderfully rich and illuminating work, expanding the author's findings into an incomparable reference work.Focusing on two dozen core stories in the Pentateuch--from the Creation and Tree of Knowledge through the Exodus from Egypt and journey to the Promised Land--James Kugel shows us how the earliest interpreters of the scriptures radically transformed the Bible and made it into the book that has come down to us today. Kugel explains how and why the writers of this formative age of interpretation--roughly 200 B.C.E. to 150 C.E.--assumed such a significant role. Mining their writings--including the Dead Sea Scrolls, works of Philo and Josephus and letters of the Apostle Paul, and writings of the Apostolic Fathers and the rabbinic Sages--he quotes for us the seminal passages that uncover this crucial interpretive process.For this full-scale reference work Kugel has added a substantial treasury of sources and passages for each of the 24 Bible stories. It will serve as a unique guide and sourcebook for biblical interpretation.

Is there poetry in the Bible? Does it have rhyme or meter? How did ancient Hebrew writers compose their works? James Kugel's provocative study provides surprising new answers to these age-old questions. Biblical "poetry" is not a concept native to the Bible itself, he proposes, and the idea that the Bible is divided into prose and verse is merely an approximation of the reality of biblical style. Arguing that the Bible presents a continuum of speech heightened in varying degrees by different means, Kugel sets out to describe Hebrew's high style on its own terms. He also offers a thorough history of the idea of biblical poetry, starting with Philo of Alexandria and Josephus in the first century C.E. and charting its development through the Church Fathers, medieval Jewish writers, the Christian Hebraists of the Renaissance, and on into modern times. The story of how each age understood the nature biblical poetry, Kugel concludes, is a key to understanding the Bible's place in the history of Western thought.

Neuware - 'Wir versuchen doch alle nur, auf der goldenen Kugel zu tanzen, ganz egal, wie und wohin sie rollt', meint der Schweizer Geschäftsmann Weill, Spezialist für Import/Export, im Wiener Café Imperial philosophisch zu seinem Partner Blaschky. Währenddessen fantasiert der abgehalfterte Dichter Josef Maria Wassertheurer am Brunnenmarkt über sein nächstes Meisterwerk und im fernen Sankt Petersburg erwartet ein geheimnisvoller Herr Tschernomyrdin den entscheidenden Anruf. Das kriminelle Netzwerk der Globalisten spannt sich von Zürich und Paris nach Bukarest und Moskau bis ins idyllische Salzkammergut. Mit leichter Hand hat Rosei ein Satyrspiel geschaffen, das die Wirklichkeit zur Deutlichkeit entstellt - so bösartig, dass es zum Lachen ist.

The Machlis family hospitality is legendary. Every Shabbos they fit 150 or more people in their small Jerusalem living room, preparing for their guests over 40 chickens, three different kugels, countless salads, four desserts, and, of course, gefilte fish, chicken soup, and cholent-- both traditional and vegetarian.Brooklyn-born Henny Machlis was at the heart of this amazing weekly adventure. But, as author Sara Yoheved Rigler, bestselling author of Holy Woman and a friend of Henny's, discovered as she interviewed Henny's fourteen children, relatives, students, and friends, the Shabbos hospitality was just one glowing facet of the multi-faceted diamond that was Rebbetzin Henny Machlis.A master of prayer, a virtuoso in chesed, an adept in childrearing, a wise Torah teacher, an expert at working on middos, and a successful shadchanit, Henny Machlis regarded a life of Torah and mitzvos as a great treasure that she was eager to share with everyone.And her emunah, her faith in G-d's love and providence? That was where her light shone the most brightly. She lived on the Planet of Emunah, a place where miracles were everyday occurrences, because she knew, really knew, that only Hashem is in charge and He can do anything. And, for Henny, He often did.Like a steaming bowl of chicken soup, this book will satisfy you. Comfort you. And heal you -- in a way that only Rebbetzin Henny Machlis could. Sip it. Savor it. And be inspired and transformed.

Is there poetry in the Bible? Does it have rhyme or meter? How did ancient Hebrew writers compose their works? James Kugel's provocative study provides surprising new answers to these age-old questions. Biblical "poetry" is not a concept native to the Bible itself, he proposes, and the idea that the Bible is divided into prose and verse is merely an approximation of the reality of biblical style. Arguing that the Bible presents a continuum of speech heightened in varying degrees by different means, Kugel sets out to describe Hebrew's high style on its own terms. He also offers a thorough history of the idea of biblical poetry, starting with Philo of Alexandria and Josephus in the first century C.E. and charting its development through the Church Fathers, medieval Jewish writers, the Christian Hebraists of the Renaissance, and on into modern times. The story of how each age understood the nature biblical poetry, Kugel concludes, is a key to understanding the Bible's place in the history of Western thought.

James Kugel's The Bible As It Was (1997) has been welcomed with universal praise. Here now is the full scholarly edition of this wonderfully rich and illuminating work, expanding the author's findings into an incomparable reference work.Focusing on two dozen core stories in the Pentateuch--from the Creation and Tree of Knowledge through the Exodus from Egypt and journey to the Promised Land--James Kugel shows us how the earliest interpreters of the scriptures radically transformed the Bible and made it into the book that has come down to us today. Kugel explains how and why the writers of this formative age of interpretation--roughly 200 B.C.E. to 150 C.E.--assumed such a significant role. Mining their writings--including the Dead Sea Scrolls, works of Philo and Josephus and letters of the Apostle Paul, and writings of the Apostolic Fathers and the rabbinic Sages--he quotes for us the seminal passages that uncover this crucial interpretive process.For this full-scale reference work Kugel has added a substantial treasury of sources and passages for each of the 24 Bible stories. It will serve as a unique guide and sourcebook for biblical interpretation.

An indispensable companion for rookie and veteran travelers alike that promises to revolutionize both how and why we vacation. By captivating millions during his six-year, fifty-country tenure as the New York Times’s “Frugal Traveler,” Seth Kugel has become one of our most internationally beloved travel writers. While his famously unassuming journeys around the globe have forged a signature philosophy of whimsy and practicality, they have also revealed the seemingly infinite booby traps of on-the-grid tourism. In a book with widespread cultural reverberations, Kugel takes the modern travel industry to task, determined to reignite humanity’s age-old sense of adventure that has virtually been vanquished by the spontaneity-obliterating likes of Google Maps, TripAdvisor, and Starwood points. Woven throughout with vivid tales of his perfectly imperfect adventures, Rediscovering Travel explains―often hilariously―how to make the most of new digital technologies without being shackled to them. For the tight-belted tourist and the first-class flyer, the eager student and the comfort-seeking retiree, Kugel shows how we too can rediscover the joy of discovery.

Is there poetry in the Bible? Does it have rhyme or meter? How did ancient Hebrew writers compose their works? James Kugel's provocative study provides surprising new answers to these age-old questions. Biblical "poetry" is not a concept native to the Bible itself, he proposes, and the idea that the Bible is divided into prose and verse is merely an approximation of the reality of biblical style. Arguing that the Bible presents a continuum of speech heightened in varying degrees by different means, Kugel sets out to describe Hebrew's high style on its own terms. He also offers a thorough history of the idea of biblical poetry, starting with Philo of Alexandria and Josephus in the first century C.E. and charting its development through the Church Fathers, medieval Jewish writers, the Christian Hebraists of the Renaissance, and on into modern times. The story of how each age understood the nature biblical poetry, Kugel concludes, is a key to understanding the Bible's place in the history of Western thought.

This is a guide to the Hebrew Bible unlike any other. Leading us chapter by chapter through its most important stories--from the Creation and the Tree of Knowledge through the Exodus from Egypt and the journey to the Promised Land--James Kugel shows how a group of anonymous, ancient interpreters radically transformed the Bible and made it into the book that has come down to us today. Was the snake in the Garden of Eden the devil, or the Garden itself "paradise"? Did Abraham discover monotheism, and was his son Isaac a willing martyr? Not until the ancient interpreters set to work. Poring over every little detail in the Bible's stories, prophecies, and laws, they let their own theological and imaginative inclinations radically transform the Bible's very nature. Their sometimes surprising interpretations soon became the generally accepted meaning. These interpretations, and not the mere words of the text, became the Bible in the time of Jesus and Paul or the rabbis of the Talmud. Drawing on such sources as the Dead Sea Scrolls, ancient Jewish apocrypha, Hellenistic writings, long-lost retellings of Bible stories, and prayers and sermons of the early church and synagogue, Kugel reconstructs the theory and methods of interpretation at the time when the Bible was becoming the bedrock of Judaism and Christianity. Here, for the first time, we can witness all the major transformations of the text and recreate the development of the Bible "As It Was" at the start of the Common era--the Bible as we know it.