39 products were found matching your search for Kunstmuseum in 3 shops:

Over-sized soft cover book titled KUNSTMUSEUM BASEL: The History of the Paintings Collection and a Selection of 250 Masterworks by Christian Geelhaar. Published in 1992 by Eidolon Publishers. Beautifully illustrated with color reproductions. See my photographs (7) of this book on main listing page. Bookseller since 1995 (LL-Base2-BS-5-bottom-middle) rareviewbooks

New book, still in its publisher's shrink-wrap. A very large and heavy book, 11.5" x 10". The Museum was the first municipality to own an art collection, in 19661, with the purchase of a private collection that predated the Renaissance. Its main attraction was - and still is - the 15 paintings and numerous drawings by Hans Holbein the Younger. Today it is also renowned for its collection of 19th and 20 the century paintings. Lavishly illustrated throughout with 255 colour and other illustrations. This will need extra postage to send, given its weight and size.

Neuware -Das Kunstmuseum Bern besitzt eine der bedeutendsten Kunstsammlungen der Schweiz. Seit der Gründung der Staatlichen Kunstsammlung 1809 und der Eröffnung des ersten Museumsbaus 1879 ist die Sammlung stets gewachsen und hat Weltruhm erlangt. Zum ersten Mal werden über 170 Meisterwerke der Sammlung mit zahlreichen Abbildungen in einem Band vereint.Das Kunstmuseum Bern beherbergt hochkarätige Werke Schweizer und internationaler Kunst vom späten 13. Jahrhundert bis zur Gegenwart. Über 3 000 Gemälde und Skulpturen und 48 000 Arbeiten auf Papier und Videos befinden sich in der Sammlung, darunter Meisterwerke von Duccio di Buoninsegna, Paul Cézanne, Salvador Dalí, Ferdinand Hodler, Ernst Ludwig Kirchner, Paul Klee, Franz Marc, Henri Matisse, Meret Oppenheim, Pablo Picasso und Félix Vallotton. Die versammelten Werke sind ganzseitig abgebildet und werden von rund 70 internationalen Autoren neu untersucht. Ein historischer Abriss zur Entstehung des Museums und seiner Sammlung eröffnet die Publikation. 460 pp. Deutsch

Exlibrary with usual library markings. ; 304 pages

107 S. : graph. Darst. ; 21 cm, Orig.-kart. Hrsg. vom Institut für Moderne Kunst Nürnberg. Aus dem Franz. übers. von Ariane Müller und Markus Jakob. Vollst. überarb. von Hubertus von Gemmingen unter Mitw. von Michèle Zaugg-Roethlisberger. Kontaktdaten des Herstellers: Verlag für moderne Kunst GmbH Schwedenplatz 2/24 1010 Wien Österreich Telefonnummer: +43 (0) 699 / 19 16 19 95 E-Mail: hello(at)vfmk(.)org Webseite: WeWeWe.vfmk(.)org Kontaktdaten der verantwortlichen Person: Silvia Jaklitsch (Geschäftsführerin) Schwedenplatz 2/24 1010 Wien Österreich Telefon: +43 (0) 699 / 19 16 19 95 E-Mail: silvia.jaklitsch(at)vfmk(.)org

2004. hardcover. Three volume paperback set in a hardcover pictorial slipcase. Quarto. 135 pp, 156 pp, 174 pp. Profusely illustrated. Text in German and English. In publisher's shrinkwrap. New.

Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

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319 S. : zahlr. Ill. ; 29 cm, Schutzumschlag mit geringfügigen Randläsuren oben, guter bis sehr guter Zustand. K-04-67 9783941263024 Aufgrund der EPR-Regelung kann zur Zeit in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei. Bitte beachten Sie: Auf Grund der vorgegebenen Versandkosten von AbeBooks / ZVAB kann es bei Büchern über 1 kg oder bei mehrbändigen Werken zu höheren Versandkosten kommen. Please note: Due to the shipping costs specified by AbeBooks / ZVAB, there may be higher shipping costs for books over 1 kg or for multi-volume works. Sprache: Deutsch Gewicht in Gramm: 2000

Seiten; Sauber mit leichten Gebrauchsspuren, Seiten und Bindung nahezu unversehrt, keine Knicke, Markierungen oder persönliche Notizen. Antworten in Arbeitsbüchern sind nicht ausgefüllt, Zusatzmaterialien (CDs, Zugangscodes) verwendbar, keine Post-Its. 9783893224258.2 Sprache: Deutsch Gewicht in Gramm: 1

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

8°. 275 S. mit vielen meist farbigen Abbildungen. OFranz.-Broschur. Kunstmuseum Winterthur 26. August bis 19. November 2006, Graphisches Kabinett bis 3. Dezember 2006. Sprache: deutsch.

Physical description: 226 p : numerous ill. (some col.) ; 28 cm. Notes: Catalogue of an exhibition held at the Kunstmuseum, Lucerne, 19th July - 13th September, 1981. Exhibition catalogue. Includes text by B. Rütti and others. Bibliography: p. 225-226. Subject: Glassware - Exhibitions. Kunstmuseum Luzern. Glassware - Switzerland - Luzern - Exhibitions. Other names: Rütti, Beat. Kunstmuseum Luzern. Genre: Bibliography, Catalogue, Illustrated.

4°, 285 S., mit vielen Abb. (teils farbig), Orig.-Broschur (Fadenheftung). (Zweisprachige Ausgabe, deutsch und englisch.) - Zustand: Farben am Rücken etwas verblaßt, sonst sehr gut.

20 x 24 Spray of Flowers with a Beetle on a Stone Balustrade was painted in 1741 by Rachel Ruysch. The 3-dimensional feeling happens through the use of the unifying shadows and highlights and dramatic lighting. These techniques are common with the Realism movement. Today the original is located in the Kunstmuseum Basel Museum. Our reproduction offers the mastery level of attention to detail recreated with oil on canvas. Frame Description Studio Black Wood Frame. Color: Pink.

238 Seiten, 229 meist farbige Abbildungen, Klappenbroschur, 19 x 27 cm - Die Publikation zur gleichnamigen Sonderausstellung richtet einen neuen Blick auf die weltberühmte Sammlung des Kunstmuseum Basel. Anhand der Bestände des Kunstmuseums werden illustre und vergessene, private und welthistorische, zum Teil auch groteske Ereignisse aus der Geschichte der Stadt Basel und ihrer Protagonisten reflektiert darunter die weltbekannten Frick und Frack, Friedrich Nietzsche und Albert Hofmann.

On the occasion of an exhibition held at Kunstmuseum, Winterthur, January 31 - April 6, 2015.

Matthias Frehner is director of the Kunstmuseum Bern.  

The photographic works of Canadian artist Jeff Wall (b. 1946)―staged, apparently quotidian scenes presented in large-format light boxes―have persistently preoccupied art historians and critics. In this volume, Stefan Gronert, curator for contemporary art at the Kunstmuseum Bonn, tracks the multilayered references to the history of painting that Jeff Wall, himself an art historian, integrates into his work. For example, the title of The Thinker (1986) is itself a reference to Rodin; Wall, however, transfers the figure in the typical Thinker pose to a contemporary urban setting and introduces the “grotesque” element of a knife in the protagonist’s back, which in turn alludes to Dürer. Using 17 examples from the late 1970s until today, Gronert traces the complex strategies of appropriation and reinterpretation of famous works from art history that Jeff Wall’s pictures render in a manner that seems so timelessly contemporary.

Neuware -Castaway Modernismilluminates an important moment in the history of the Kunstmuseum Basel's collection.In 1937 the Nazi cultural policy denounced thousands of works as 'degenerate' and forcibly removed them from German museums. The Third Reich's Ministry of Propaganda correctly assumed that a portion of such works would find buyers abroad, in this way certain artworks deemed 'internationally exploitable' reached the art market through various channels. In 1939 Georg Schmidt (1896-1965), the museum's director at the time, managed to acquire the paintingFate of the Animalsby Franz Marc and 20 other avant-garde masterpieces. In thiscatalogue, renowned experts trace the events based on the seizures from German museums and explain the historical context-presenting the protagonists from the institutions involved and the art market, as well as revealing how the Nazi regime's act of cultural violence that resulted in an artificial fragmentation of modernism into art that was 'exploitable' on the one hand, and art that has been destroyed or forgotten on the other. The various contributions bring the specifically Swiss aspects of this story into focus, such as on the auction of the Galerie Fischer in Lucerne, on Georg Schmidt's approach, and on the classification of the acquisitions in the context of Basel's collection history.The KUNSTMUSEUM BASEL houses the oldest public art collection in the world. 288 pp. Englisch