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In the late 18th and early 19th centuries, attitudes toward history and national identity fostered a romantic rediscovery of folk and fairy tales. This is the period of the Golden Age of folk and fairy tales, when European folklorists sought to understand and redefine the present through the common tales of the past, and long neglected stories became recognized as cultural treasures.In this rich collection, distinguished expert of fairy tales Jack Zipes continues his lifelong exploration of the story-telling tradition with a focus on the Golden Age. Included are one hundred eighty-two tales--many available in English for the first time--grouped into eighteen tale types. Zipes provides an engaging general Introduction that discusses the folk and fairy tale tradition, the impact of the Brothers Grimm, and the significance of categorizing tales into various types.Short introductions to each tale type that discuss its history, characteristics, and variants provide readers with important background information.Also included are annotations, short biographies of folklorists of the period, and a substantial bibliography.Eighteen original art works by students of the art department of Anglia Ruskin University not only illustrate the eighteen tale types, but also provide delightful―and sometimes astonishing―21st-century artistic interpretations of them.

Andrew Lang was born in Selkirk on 31st March 1844. He was the eldest of eight children.Lang was educated at Selkirk Grammar School, Loretto, and at the Edinburgh Academy, St Andrews University and finally Balliol College, Oxford, where he took a first class in the final classical schools in 1868, becoming a fellow and subsequently honorary fellow of Merton College.He was first published in 1863 and from then on was a prolific writer and editor. Although mainly known for his Fairy Books he tackled everything from translations of Homer to Histories, Poetry, Romances and much else besides.On 17th April 1875, he married Leonora Blanche Alleyne, youngest daughter of C. T. Alleyne of Clifton and Barbados. She was an integral part of the production on the Fairy Books adding her talents as author, collaborator, or translator of the Fairy Books which he edited.Lang was one of the founders of "psychical research" (that is the understanding of events and abilities commonly described as psychic or paranormal) and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905). He served as President of the Society for Psychical Research in 1911.Lang was active as a journalist in various ways, ranging from sparkling leader columns for the Daily News to miscellaneous articles for the Morning Post. For many years he was the literary editor of Longman's Magazine. At this point there was no critic more requested, whether for occasional articles and introductions to new editions or as editor of dainty reprints than one Andrew Lang.Andrew Lang died of angina pectoris at the Tor-na-Coille Hotel in Banchory on 20th July, 1912. He was buried in the cathedral precincts at St Andrews.

Reprints by Dover of turn-of-the-century collections of fairy tales by Scottish poet Andrew Lang. Each book is represented by a different color, e.g. The Blue Fairy Book, The Red Fairy Book.

Stories include: "Sinbad the Sailor", "Aladdin and the Magic Lamp", and "The Enchanted Horse". Beautifully illustrated.

Andrew Lang, assisted by Walter Leaf and Ernest Myers, has put the old Greek epos into contemporary English prose. The subject of the Iliad, as the first line proclaims, is the “anger of Achilles.” The manner in which this subject is worked out will appear from the following summary in which we distinguish (1) the plot, i.e. the story of the quarrel, (2) the main course of the war, which forms a sort of underplot, and (3) subordinate episodes.

Andrew Lang (1844 – 1912) was a Scots poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him. Lang is now chiefly known for his publications on folklore, mythology, and religion. His Blue Fairy Book (1889) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was followed by many other collections of fairy tales, collectively known as Andrew Lang's Fairy Books. In the preface of the Lilac Fairy Book he credits his wife with translating and transcribing most of the stories in the collections.Lang examined the origins of totemism in Social Origins (1903). In this book: The Blue Fairy Book The Red Fairy Book The Yellow Fairy Book The Violet Fairy Book The Crimson Fairy Book The Orange Fairy Book

In the late 18th and early 19th centuries, attitudes toward history and national identity fostered a romantic rediscovery of folk and fairy tales. This is the period of the Golden Age of folk and fairy tales, when European folklorists sought to understand and redefine the present through the common tales of the past, and long neglected stories became recognized as cultural treasures.In this rich collection, distinguished expert of fairy tales Jack Zipes continues his lifelong exploration of the story-telling tradition with a focus on the Golden Age. Included are one hundred eighty-two tales--many available in English for the first time--grouped into eighteen tale types. Zipes provides an engaging general Introduction that discusses the folk and fairy tale tradition, the impact of the Brothers Grimm, and the significance of categorizing tales into various types.Short introductions to each tale type that discuss its history, characteristics, and variants provide readers with important background information.Also included are annotations, short biographies of folklorists of the period, and a substantial bibliography.Eighteen original art works by students of the art department of Anglia Ruskin University not only illustrate the eighteen tale types, but also provide delightful―and sometimes astonishing―21st-century artistic interpretations of them.

This collection of historical children's fairy tales, compiled, though not written by Andrew Lang, includes the Blue, Brown, Crimson, Grey, Olive, and Violet fairy books.

A collection of more than 50 familiar fairy tales originally published in Andrew Lang's color fairy book series.

Andrew Lang (1844 – 1912) was a Scots poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him. Lang is now chiefly known for his publications on folklore, mythology, and religion. His Blue Fairy Book (1889) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was followed by many other collections of fairy tales, collectively known as Andrew Lang's Fairy Books. In the preface of the Lilac Fairy Book he credits his wife with translating and transcribing most of the stories in the collections.Lang examined the origins of totemism in Social Origins (1903). In this book: The Brown Fairy Book The Lilac Fairy Book The Pink Fairy Book The Grey Fairy Book The Green Fairy Book The Olive Fairy Book

Andrew Wyeth: Memory & Magic by Anne Classen Knutson, with essays by Christopher Crosman, Kathleen A. Foster, and Michael R. Taylor. Introduction by John Wilmerding. 2005 paperback published by the High Museum of Art, Atlanta and the Philadelphia Museum of Art, in association with Rizzoli. Illustrated with color reproductions.

Prior to the 1960s, Andrew Wyeth enjoyed a stellar reputation as a rising star in the art world. Since then, critics and scholars have largely ignored him. Wyeth, however, who is age 88 at the date of publication, has continued to paint, to the delight of his admirers, collectors, and the art-loving public. Now, in association with the High Museum exhibition, Andrew Wyeth: Memory & Magic takes a fresh look at the work of one of America's most beloved artists.In examining his entire oeuvre, the book celebrates the artist's ongoing love affair with everyday life-domestic, natural, and architectural. Found throughout Wyeth's work, these objects form patterns that illuminate core themes and reveal the artist wrestling with issues of memory, temporality, embodiment, and the metaphysical. Organized chronologically and thematically, the book explores how the artist's approach to these subjects was formed in his early career, and has been revisited in new and surprising ways in recent years.Andrew Wyeth: Memory & Magic comprises 150 tempera paintings and 50 drawings and watercolors-including his most-famous works, but also many published here for the first time.

Prior to the 1960s, Andrew Wyeth enjoyed a stellar reputation as a rising star in the art world. Since then, critics and scholars have largely ignored him. Wyeth, however, who is age 88 at the date of publication, has continued to paint, to the delight of his admirers, collectors, and the art-loving public. Now, in association with the High Museum exhibition, Andrew Wyeth: Memory & Magic takes a fresh look at the work of one of America's most beloved artists.In examining his entire oeuvre, the book celebrates the artist's ongoing love affair with everyday life-domestic, natural, and architectural. Found throughout Wyeth's work, these objects form patterns that illuminate core themes and reveal the artist wrestling with issues of memory, temporality, embodiment, and the metaphysical. Organized chronologically and thematically, the book explores how the artist's approach to these subjects was formed in his early career, and has been revisited in new and surprising ways in recent years.Andrew Wyeth: Memory & Magic comprises 150 tempera paintings and 50 drawings and watercolors-including his most-famous works, but also many published here for the first time.

Andrew Wyeth: Memory & Magic by Anne Classen Knutson, with essays by Christopher Crosman, Kathleen A. Foster, and Michael R. Taylor. Introduction by John Wilmerding. 2005 paperback published by the High Museum of Art, Atlanta and the Philadelphia Museum of Art, in association with Rizzoli. Illustrated with color reproductions.

He was born, wild and free, in the vast mountainous scrublands of Nevada. Until he was a year old, no human hand touched him, though he knew something of the danger people represented to the herd. But one fateful day, the herd was chased by a huge black creature in the sky, and the yearling was separated from his mother. In blind panic he ran, but he could not outdistance the terrifying, whirling thing above him, or the humans on horseback that surrounded him. Before long, JB Andrew would come to the attention of many. He was big, leggy, and awkward, but he had a long, graceful stride and was chosen for an inmate prison program where he would be trained and made ready for adoption. JB, short for Jail Bird, had a special quality that forced people to take notice. Before his retirement years later, he would win hearts and trophies in the elite competitive dressage ring by becoming the first and only wild mustang to attain success in the sport. He paved the way for people to dream, believe, and succeed and in doing so, JB became one of the greatest ambassadors for wild mustangs the breed has ever known.Third in the True Horse Stories series, JB Andrew: Mustang Magic is as warm as it is inspiring.

He was born, wild and free, in the vast mountainous scrublands of Nevada. Until he was a year old, no human hand touched him, though he knew something of the danger people represented to the herd. But one fateful day, the herd was chased by a huge black creature in the sky, and the yearling was separated from his mother. In blind panic he ran, but he could not outdistance the terrifying, whirling thing above him, or the humans on horseback that surrounded him. Before long, JB Andrew would come to the attention of many. He was big, leggy, and awkward, but he had a long, graceful stride and was chosen for an inmate prison program where he would be trained and made ready for adoption. JB, short for Jail Bird, had a special quality that forced people to take notice. Before his retirement years later, he would win hearts and trophies in the elite competitive dressage ring by becoming the first and only wild mustang to attain success in the sport. He paved the way for people to dream, believe, and succeed and in doing so, JB became one of the greatest ambassadors for wild mustangs the breed has ever known.Third in the True Horse Stories series, JB Andrew: Mustang Magic is as warm as it is inspiring.

The captivating image on the cover of this Paperblanks journal comes from the first edition of Scottish poet and anthropologist Andrew Langs The Olive Fairy Book. Compiled in 1907 by Lang, illustrated by Henry Justice Ford and published under the editorial direction of Langs wife, Leonora Alleyne, the book was one in a 12-part series known as Langs Fairy Books, with each book named for the colour of its fairy.

After Santa and his wife are blessed with their daughter, Holly Claus, a curse is suddenly imposed upon them by Herrikhan who locks her in the gates of Forever, forcing Holly Claus to use her special powers and the magic of the enchanted creatures to go on a mission to Victorian New York in order to break the spell. Reprint.

Dana Andrews (1909-1992) worked with distinguished directors such as John Ford, Lewis Milestone, Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Mervyn Le Roy, Jean Renoir, and Elia Kazan. He played romantic leads alongside the great beauties of the modern screen, including Joan Crawford, Elizabeth Taylor, Greer Garson, Merle Oberon, Linda Darnell, Susan Hayward, Maureen O'Hara, and most important of all, Gene Tierney, with whom he did five films. Retrospectives of his work often elicit high praise for an underrated actor, a master of the minimalist style. His image personified the "male mask" of the 1940s in classic films such as Laura, Fallen Angel, and Where the Sidewalk Ends, in which he played the "masculine ideal of steely impassivity." No comprehensive discussion of film noir can neglect his performances. He was an "actor's actor." Here at last is the complete story of a great actor, his difficult struggle to overcome alcoholism while enjoying the accolades of his contemporaries, a successful term as president of the Screen Actors Guild, and the love of family and friends that never deserted him. Based on diaries, letters, home movies, and other documents, this biography explores the mystery of a poor boy from Texas who made his Hollywood dream come true even as he sought a life apart from the limelight and the backbiting of contemporaries jockeying for prizes and prestige. Called "one of nature's noblemen" by his fellow actor Norman Lloyd, Dana Andrews emerges from Hollywood Enigma as an admirable American success story, fighting his inner demons and ultimately winning.

After Santa and his wife are blessed with their daughter, Holly Claus, a curse is suddenly imposed upon them by Herrikhan who locks her in the gates of Forever, forcing Holly Claus to use her special powers and the magic of the enchanted creatures to go on a mission to Victorian New York in order to break the spell. Reprint.