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{Size: 13.34 x 21.59 cms} Lang: - French, Pages 435. Reprinted in 2016 with the help of original edition published long back [1749]. This book is Printed in black & white, sewing binding for longer life with Matt laminated multi-Colour Soft Cover {HARDCOVER EDITION IS ALSO AVAILABLE}, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible). Hope you will like it and give your comments and suggestions.

Book by Yvonne Brunhammer, Catherine Arminjon, Cooper-Hewitt Museum

White cloth with color plate pasted on. White illustrated dust jacket. 619 pp. Over 1000 illustrations (color and bw). In French. Text is in French. VG/VG- (minor wear and toning to dj)

English summary: MERELY BEING IN THE PRESENCE of a work of art is not the same thing as "listening" closely to the artist to receive his or her confidences or message, because the artist knows nothing about the work until it surprises him. He may have authority over the project, but he does not control its outcome. According to Malevitch, a work of art must emerge from nothingness. It proceeds not from any being - nor even from a vacuous being - but from the nothingness which it opens. Its manifestation takes place within the open space provided that the work opens within the latter in the form of nothingness. From a few Chinese Sung Dynasty landscapes to a diamond-shaped Mondrian and a few 20th-century paintings - all evading the world's logic of intentionality or mondeity - appear, here and there, works whose systematically unique existence is an entry into the presence within the open space. French description: SE TENIR EN PRESENCE d'une oeuvre d'art ce n'est pas se tenir a l'ecoute de l'artiste pour en recueillir les confidences ou le message car ce qu'est l'oeuvre, l'artiste n'en sait rien avant d'etre surpris par elle. Maitre d'ouvrage, il n'est pas le maitre d'oeuvre. Une oeuvre, dit Malevitch, doit sortir de rien. Elle ne procede d'aucun etant, meme d'un neant etant, mais du rien qu'elle ouvre. Sa manifestation a lieu dans l'ouvert pour autant qu'elle s'ouvre en elle sous la forme du rien. De quelques paysages chinois de l'epoque Sung a un losange de Mondrian et a quelques peintures du XXe siecle - tous insoumis a la logique de l'intentionnalite ou de la mondeite du monde - apparaissent de cime en cime des oeuvres dont l'existence, a chaque fois unique, est une entree en presence dans l'ouvert.

Idioma/Language: Francés. La maitrise de l?art de la prose, du secrétaire almoravide Ab? l-Q?sim Ibn ?Abd al-?af?r al-Kal??? (VI H. /XII s. ), est le seul traité andalou du genre de l? adab al-k?tib qui nous soit parvenu dans son ensemble. Il représente également la tentative ambitieuse de la part d?un lettré sévillan, héritier de l?essor culturel et de l?épanouissement de l?adab aux cours des taifas, de proposer un nouveau paradigme de style et de langue de l?écriture curiale, en même temps que de celle littéraire. Si son auteur, écrivant au moment de la crise fi nale de l?empire almoravide, échoua son but premier, son traité reste néanmoins un témoin original de la liberté d?expression reconnue aux hommes de lettres andalous, ainsi que des enjeux lieux à l?usage de la prose littéraire dans un milieu de cour orthodoxe. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Language:Chinese.Paperback. Pub Date: 2009 Pages: 308 in Publisher: the Fondation Cartier In November 2008. the Fondation Cartier pour lart contemporain will present Native Land. an exhibition that will explore that perfecting a attachment to the Earth and its role in forming ones identity. as well as human migrations and the trajectories that they generate. These issues will be explored by Raymond Depardon. director and photographer. and Paul Virilio. urban planner and philosopher. Composed mainly of moving images. either created especially for the occasion or obtained from various sources . the show will offer a unique consideration of what it means to have a homeland. The catalogue Native Land reflects the diversity of these various themes. Reuniting several authors. including Michael Agier. uce Albert. Marc Aug and Paul Virilio. this book will use the exhibition as a poi...