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Over-sized soft cover book titled LASZLO MOHOLY-NAGY, Fotogramas, 1922-1943. Published in 1997 by Museo Nacional Centro de Arte Reina Sofia. Text in Spanish. Illustrated with numerous black and white reproductions of this photographer's work. See my photographs (5) of this book on main lsiting page. Bookseller since 1995 (LL-Base2-E-top) rareviewbooks

This innovative and lush 100% polypropylene collection is sure to make an impressive statement. The woven soft yarn provides a dense overall construction that provides a luxurious and plush texture through the low-pile. Bright and welcoming colors are highlighted creating the perfect fashion forward addition to any space. Conveniently kid and pet friendly, this is an easy care rug, non-shedding, stain resistant, and is well-suited for high-traffic areas. For added cushioning and to prevent this rug from slipping, we recommend adding a rug pad underneath. Color: Blue. Pattern: Geometric.

Innovative and lush 100% polypropylene collection is sure to make an impressive statement. The woven soft yarn provides a dense overall construction that provides a luxurious and plush texture through the low pile. Bright and welcoming colors are highlighted creating the perfect fashion forward addition to any space. Conveniently kid and pet friendly, this is an easy-care rug, non-shedding, stain resistant, and is well-suited for high-traffic areas. For added cushioning and to prevent this rug from slipping, we recommend adding a rug pad underneath. Color: Blue. Pattern: Geometric.

About the brand: Finely-crafted home furnishings with a unique flair. Color/finish: powder coating natural/gold Part of the Safavieh Table Lamp collection Add a playful and charming accent to your home with the Laszlo table lamp. A concrete composite is speckled with stone fragments to enrich the sleek cylindrical body of the table lamp. It features a tall and elegant drum shade to vouch for a delightful play of proportions. Lively and charming, the table lamp is completed with a complementing linen shade and gold accents to add personality and drama to your home. Measures approximately 6in x 6in x 16.5in Base color/finish: concrete (terrazzo) /iron Shade color/finish: off-white shade iron/linen Requires 1 bulb(s) 98in chain length Imported

Over-sized soft cover book titled LASZLO MOHOLY-NAGY, Fotogramas, 1922-1943. Published in 1997 by Museo Nacional Centro de Arte Reina Sofia. Text in Spanish. Illustrated with numerous black and white reproductions of this photographer's work. See my photographs (5) of this book on main lsiting page. Bookseller since 1995 (LL-Base2-E-top) rareviewbooks

This companion volume to a major exhibition of the work of Laszlo Moholy-Nagy highlights the extraordinary range of his prolific career. Throughout his career Moholy-Nagy produced brilliant works in painting, film, photography, sculpture, set design and typography. A leading proponent of the Bauhaus School, he strove to apply artistic principles to every aspect of daily life. This companion volume to a retrospective features 170 works from all phases of Moholy-Nagy's career. Essays on his involvement with the Bauhaus School; his late paintings; his photographs, photograms, and photosculptures; and his accomplishments in the field of graphic art are complemented by numerous color illustrations. The book also documents the reconstruction of a never completed work, The Room of Today, which incorporates the most important themes Moholy-Nagy brought to his art. Readers viewing his work for the first time, along with those already possessing a deep appreciation for his art, will celebrate this long-overdue volume.

Offered a position at the Weimar Bauhaus in 1923, László Moholy-Nagy (1895–1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the Bauhausbücher series. In addition to designing and editing the Bauhausbücher, Moholy-Nagy produced a title of his own: the legendary Painting, Photography, Film. In this book, Moholy-Nagy’s efforts to have photography and filmmaking recognized as art forms on the same level as painting are propounded and explained at length. The artist makes the case for a radical rethinking of the visual arts and the further development of photographic design to keep pace with a radically changing technological modernity. Alongside theoretical and technical approaches and forays into the nature of the medium, Moholy-Nagy uses an extensive appendix of illustrations to provide a thorough survey of the numerous possibilities that photography and film could offer―from press photography and scientific imagery to Moholy-Nagy’s own abstract photograms and New Vision photographs. This English translation of Painting, Photography, Film is based in content and design on the 1925 German first edition, making the latter available to an international readership for the first time. The publication includes a brief scholarly text providing crucial contextual information and reflecting on the history and legacy of Moholy-Nagy’s book.

Among the early twentieth-century's avant-garde, Hungarian-born photographer Lszlo Moholy-Nagy (1895-1946) was one of the most ardent seekers of the "New Vision." His preoccupation with the phenomenon of light was a defining influence on every period of his work, and one of his great strengths lay in his effortless skill in translating light and spatial dimensions from one medium to another. By the time the first color photographic processes became widely available in the early 1930s, he had mastered black-and-white, and he turned immediately to this next big thing. Color proved to be one of his most important mediums, not only during his early years in Germany, but also as he reestablished himself at the New Bauhaus and the Institute of Design, both of which he initiated upon moving to the United States and settling in Chicago. Until now, with only a few exceptions, his work in color has been unknown. Color in Transparency presents 100 pieces including advertisements, portraits, urban views, New Bauhaus studies and abstract compositions--created between Moholy-Nagy's first experiments with the medium in 1934 and his death in 1946. A foreword by his daughter, Hattula Moholy-Nagy, and an essay and captions by art historian and critic Jeannine Fiedler, along with a chronology and bibliography, elucidate the history of this appealing and accessible area of Moholy-Nagy's work, as well as its significance in his oeuvre.

Laszlo Moholy-Nagy (1895-1946) was a major innovator of the avant-garde and one of the twentieth century's most important art theoreticians. He experimented ceaselessly with new ways of seeing - using photo-montages, photograms, film and kinetic sculpture - and proposed the camera as a way of complementing and perfecting the human eye. Other artists in this series include: Eugene Atget, Mathew Brady, Wynn Bullock, Julia Margaret Cameron, Joan Fontcuberta, David Goldblatt, Nan Goldin, Graciela Iturbide, Andre Kertesz, Dorothea Lange, Mary Ellen Mark, Joel Meyerowitz, Boris Mikhailov, Lisette Model, Eadweard Muybridge, Eugene Richards, W. Eugene Smith, Shomei Tomatsu, Joel-Peter Witkin

Among the early twentieth-century's avant-garde, Hungarian-born photographer Lszlo Moholy-Nagy (1895-1946) was one of the most ardent seekers of the "New Vision." His preoccupation with the phenomenon of light was a defining influence on every period of his work, and one of his great strengths lay in his effortless skill in translating light and spatial dimensions from one medium to another. By the time the first color photographic processes became widely available in the early 1930s, he had mastered black-and-white, and he turned immediately to this next big thing. Color proved to be one of his most important mediums, not only during his early years in Germany, but also as he reestablished himself at the New Bauhaus and the Institute of Design, both of which he initiated upon moving to the United States and settling in Chicago. Until now, with only a few exceptions, his work in color has been unknown. Color in Transparency presents 100 pieces including advertisements, portraits, urban views, New Bauhaus studies and abstract compositions--created between Moholy-Nagy's first experiments with the medium in 1934 and his death in 1946. A foreword by his daughter, Hattula Moholy-Nagy, and an essay and captions by art historian and critic Jeannine Fiedler, along with a chronology and bibliography, elucidate the history of this appealing and accessible area of Moholy-Nagy's work, as well as its significance in his oeuvre.

This companion volume to a major exhibition of the work of Laszlo Moholy-Nagy highlights the extraordinary range of his prolific career. Throughout his career Moholy-Nagy produced brilliant works in painting, film, photography, sculpture, set design and typography. A leading proponent of the Bauhaus School, he strove to apply artistic principles to every aspect of daily life. This companion volume to a retrospective features 170 works from all phases of Moholy-Nagy's career. Essays on his involvement with the Bauhaus School; his late paintings; his photographs, photograms, and photosculptures; and his accomplishments in the field of graphic art are complemented by numerous color illustrations. The book also documents the reconstruction of a never completed work, The Room of Today, which incorporates the most important themes Moholy-Nagy brought to his art. Readers viewing his work for the first time, along with those already possessing a deep appreciation for his art, will celebrate this long-overdue volume.

Marking the centenary of the birth of Laszlo Moholy-Nagy (1895–1946), this book offers a new approach to the Bauhaus artist and theorist’s multifaceted life and work—an approach that redefines the very idea of biographical writing. In Laszlo Moholy-Nagy, Louis Kaplan applies the Derridean deconstructivist model of the "signature effect" to an intellectual biography of a Constructivist artist. Inhabiting the borderline between life and work, the book demonstrates how the signature inscribed by "Moholy" operates in a double space, interweaving signified object and signifying matter, autobiography and auto-graphy. Through interpretative readings of over twenty key artistic and photographic works, Kaplan graphically illustrates Moholy’s signature effect in action. He shows how this effect plays itself out in the complex of relations between artistic originality and plagiarism, between authorial identity and anonymity, as well as in the problematic status of the work of art in the age of technical reproduction. In this way, the book reveals how Moholy’s artistic practice anticipates many of the issues of postmodernist debate and thus has particular relevance today. Consequently, Kaplan clarifies the relationship between avant-garde Constructivism and contemporary deconstruction.This new and innovative configuration of biography catalyzed by the life writing of Moholy-Nagy will be of critical interest to artists and writers, literary theorists, and art historians.

Paris 1999. 1 volume/1. -- Neuf -- Broché cousu. Format in-4°( 30 x 23,5 cm )( 1260 gr ). ------ 219 pages avec 97 superbes photogrammes à pleine page . ----- 13 textes sur les 167 répertoriés dans des revues hongroises, allemandes, tchèques, hollandaises, anglaises et américaines. ****************** ref XXsrm

Ken Laszlo Ken Laszlo - LP 090204704880

Hungarian born Moholy-Nagy (1895-1946) was influential not only as a photographer but also as a filmmaker, teacher, and painter. He taught at the Bauhaus in Germany and, after fleeing the Nazi regime, settled in Chicago, where he founded the Institute of Design. He pioneered the photomontage and created the camera-less medium of the "photogram." This book, the second in the Getty's In Focus series, features sixty reproductions from the Getty's outstanding collection of this important photographer's work--each described by Katherine Ware of the Museum's department of photographs. The book also includes the edited transcript of a recent colloquium that provides the historical and critical perspective necessary for understanding Moholy-Nagy's vital contribution to twentieth-century art. The colloquium participants were Charles Hagan, Thomas Barrow, Jeannine Fiedler, Leland Rice, Hattula Moholy-Nagy, and Weston Naef and Katherine Ware.

Philip de László, following a meteoric rise to recognition in his native Hungary, settled in Britain in 1907 and became the leading portrait-painter in the country—taking over from Sargent. Marrying into the Guiness family, he painted members of almost every royal family in Europe and very many more of its Who’s Who. This book, the previous edition of which accompanied the first retrospective exhibition of de László since his death in 1937, illustrates a rich and representative selection of his work, drawn from a range of private collections, and, aided by stunning color plates, reintroduces this well-known but little studied artist to a wider public.

10.87x8.54x0.59 inches. In Stock.

Philip de László, following a meteoric rise to recognition in his native Hungary, settled in Britain in 1907 and became the leading portrait-painter in the country—taking over from Sargent. Marrying into the Guiness family, he painted members of almost every royal family in Europe and very many more of its Who’s Who. This book, the previous edition of which accompanied the first retrospective exhibition of de László since his death in 1937, illustrates a rich and representative selection of his work, drawn from a range of private collections, and, aided by stunning color plates, reintroduces this well-known but little studied artist to a wider public.

Studying medicine by day and partying with Parisian high society by night, young Dr. Dracula, the heir to an aristocratic Hungarian family, is overcome by peculiar sexual urges that compel him to kill an asylum patient. Reprint.

Paris, 1866---A young Hungarian medical student with the arresting last name of Dracula arrives at Salpêtrière Hospital to further his education. There, on his first day, he witnesses a young and beautiful patient submit herself to hypnosis. He becomes obsessed with Stacia, and the affair moves from tender passion to a fit of jealous rage, which ends with a shocking moment of communion.Dracula flees back to Hungary, there assuming his dead brother's title of "Count." During the following decades, other young beauties capture the count's twisted imagination, and he spirals deeper and deeper into the desire for ultimate possession, while ministering to the sick during his daytime existence. Written as a journal, this erotic and chilling tale reveals Dracula as an educated man with serious moral flaws---unable to escape his fantasies and reconcile his inner dichotomy, that of a doctor who is bound by oath to help and mend, and an unstoppable killer feeding on his victims' blood.