5 products were found matching your search for Le Zotte Jennifer From in 3 shops:

Sleeveless, open back halterneck top crated from stretchy ribbed knit with open back and thin straps around the neck. 50% viscose, 25% cashmere, 25% polyester

ART BOOK! Paperback with tight spine/straight book. 1990, Tate Gallery. Total 264 pages that contains black and white plus color illustrations. Elizabeth Cowling and Jennifer Mundy, authors. Sponsored by Reed International. Approximate size is 9.25 x 11.50. Only minor shelf wear, upper right corner has a very tiny curl or bend. Pages are clean and without markings, no tears, no highlights, no notes on the sides. "The exhibition has been devised and selected by Elizabeth Cowling, Lecturer in History of Art at Edinburgh University, with Jennifer Mundy of the Tate Gallery's Modern Collection, and they have written this catalogue." "A major revival of the classical tradition in art gathered momentum during and after the First World War, affecting many of the most radical artists of the time and causing them to modify the revolutionary styles they themselves had invented." A marvelous art book that any art collector would enjoy owning. Add this one to your collection! This one book contains some wonderful art illustrations and write ups that many do not have. A must have and priced quite reasonable too! *2BC6

Le Temps De L'Amour Jennifer Scott - CD 190394225483

In this surprising new look at how clothing, style, and commerce came together to change American culture, Jennifer Le Zotte examines how secondhand goods sold at thrift stores, flea markets, and garage sales came to be both profitable and culturally influential. Initially, selling used goods in the United States was seen as a questionable enterprise focused largely on the poor. But as the twentieth century progressed, multimillion-dollar businesses like Goodwill Industries developed, catering not only to the needy but increasingly to well-off customers looking to make a statement. Le Zotte traces the origins and meanings of "secondhand style" and explores how buying pre-owned goods went from a signifier of poverty to a declaration of rebellion.Considering buyers and sellers from across the political and economic spectrum, Le Zotte shows how conservative and progressive social activists--from religious and business leaders to anti-Vietnam protesters and drag queens--shrewdly used the exchange of secondhand goods for economic and political ends. At the same time, artists and performers, from Marcel Duchamp and Fanny Brice to Janis Joplin and Kurt Cobain, all helped make secondhand style a visual marker for youth in revolt.

In this surprising new look at how clothing, style, and commerce came together to change American culture, Jennifer Le Zotte examines how secondhand goods sold at thrift stores, flea markets, and garage sales came to be both profitable and culturally influential. Initially, selling used goods in the United States was seen as a questionable enterprise focused largely on the poor. But as the twentieth century progressed, multimillion-dollar businesses like Goodwill Industries developed, catering not only to the needy but increasingly to well-off customers looking to make a statement. Le Zotte traces the origins and meanings of "secondhand style" and explores how buying pre-owned goods went from a signifier of poverty to a declaration of rebellion.Considering buyers and sellers from across the political and economic spectrum, Le Zotte shows how conservative and progressive social activists--from religious and business leaders to anti-Vietnam protesters and drag queens--shrewdly used the exchange of secondhand goods for economic and political ends. At the same time, artists and performers, from Marcel Duchamp and Fanny Brice to Janis Joplin and Kurt Cobain, all helped make secondhand style a visual marker for youth in revolt.