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The LEGO® SERIOUS PLAY® program is a radical and innovative process designed to enhance business performance through building with LEGO bricks. The LEGO® SERIOUS PLAY® Identity and Landscape Kit is designed for use in conjunction with the Starter Kit (2000414) for workshops longer than 3 – 5 hours. It supports a group of 10 - 12 workshop participants. Includes:

The LEGO® SERIOUS PLAY® program is a radical and innovative process designed to enhance business performance through building with LEGO bricks. The LEGO® SERIOUS PLAY® Connections Kit is designed for use in conjunction with the Starter Kit (2000414) and the Identity and Landscape Kit (2000430). It supports a group of 10 - 12 workshop participants. It is designed to support 1 – 2 day workshops, participants focus on the relations and connections structure of the business landscape with its network of interdependent factors and explore how the systems responds to change. Includes:

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In Albemarle, photographer Robert Llewellyn and writer Avery Chenoweth explore how the landscape of Albemarle County, where the Virginia piedmont meets the Blue Ridge Mountains, and its people have helped create an American sense of identity.Complemented by Llewellyn's luxurious color photography, the narrative rolls back 15,000 years to the first signs of human habitation, continues through the Colonial period, and arrives in the modern era. The story traces the evolving culture of landscape as it has been played out in the lives of historic figures, from the Monacans to the Moderns, Thomas Jefferson to Lady Bird Johnson, Edgar Allan Poe to Teddy Roosevelt. With a sweeping view of aesthetics, spirituality, religion, and history, the book itself is a work of art, essential reading, and viewing, for anyone who has lived in, or been inspired by, the landscape of Albemarle County.Excerpt:"From the vast pattern of a landscape to the small enclosure behind the house, we blend the elements of water and flower and fruit into an atmosphere of spiritual intimacy. In this manner of taking care, we follow an ancient path into an emotional landscape where all things are in harmony. And yet the story that we found in the Albemarle landscape is one that expands into larger spaces altogether. This landscape, which we believe is unique, encompasses our earliest ideas of America."

People have always attached meaning to the landscape that surrounds them. In Storied Ground Paul Readman uncovers why landscape matters so much to the English people, exploring its particular importance in shaping English national identity amid the transformations of modernity. The book takes us from the fells of the Lake District to the uplands of Northumberland; from the streetscapes of industrial Manchester to the heart of London. This panoramic journey reveals the significance, not only of the physical characteristics of landscapes, but also of the sense of the past, collective memories and cultural traditions that give these places their meaning. Between the late eighteenth and early twentieth centuries, Englishness extended far beyond the pastoral idyll of chocolate-box thatched cottages, waving fields of corn and quaint country churches. It was found in diverse locations - urban as well as rural, north as well as south - and it took strikingly diverse forms.

A Forged Glamour, which takes its title from a poem, is an exploration of the lives and deaths of ironworking communities renowned for their spectacular material culture, who lived in modern-day East and North Yorkshire, between the 4th and 1st centuries BC. It evaluates settlement and funerary evidence, analyses farming and craftwork, and explores what some of their ideas and beliefs might have been. It situates this regional material within the broader context of Iron Age Britain, Ireland and the near Continent, and considers what manner of society this was. In order to do this it makes use of theoretical ideas on personhood, and relationships with material culture and landscape, arguing that the making of identity always takes work. It is the character, scale and extent of this work (revealed through objects as small as a glass bead, or as big as a cemetery; as local as an earthenware pot or as exotic as coral-decoration) which enables archaeologists to investigate the web of relations which made up their lives, and explore the means of power which distinguished their leaders.Table of Contents1. Archaeological Approaches to Landscape, Identity and Material Culture2. History Making: Linear Earthworks in the Landscape3. Building Biographies: Houses and Households4. Life and Death in an Iron Age Community5. From Hand-to-Hand: Biographies of Grave Goods6. Actors and Props: the Theatre of Life and Death7. Making Tracks: Journeying with the Dead8. Conclusion

The Reformation of the Landscape is a richly detailed and original study of the relationship between the landscape of Britain and Ireland and the tumultuous religious changes of the sixteenth and seventeenth centuries. It explores how the profound theological and liturgical transformations that marked the era between 1500 and 1750 both shaped, and were in turn shaped by, the places and spaces within the physical environment in which they occurred. Moving beyond churches, cathedrals, and monasteries, it investigates how the Protestant and Catholic Reformations affected perceptions and practices associated with trees, woods, springs, rocks, mountain peaks, prehistoric monuments, and other distinctive topographical features of the British Isles. Drawing on extensive research and embracing insights from a range of disciplines, Alexandra Walsham examines the origins, immediate consequences, and later repercussions of these movements of religious renewal, together with the complex but decisive modifications of belief and behaviour to which they gave rise. It demonstrates how ecclesiastical developments intersected with other intellectual and cultural trends, including the growth of antiquarianism and the spread of the artistic and architectural Renaissance, the emergence of empirical science and shifting fashions within the spheres of medicine and healing. Set within a chronological framework that stretches backwards towards the early Middle Ages and forwards into the nineteenth century, the book assesses the critical part played by the landscape in forging confessional identities and in reconfiguring collective and social memory. It illuminates the ways in which the visible world was understood and employed by the diverse religious communities that occupied the British Isles, and shows how it became a battleground in which bitter struggles about the significance of the Christian and pagan past were waged.

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If the body of knowledge of a profession is a living landscape of practice, then our personal experience of learning can be thought of as a journey through this landscape. Within Learning in Landscapes of Practice, this metaphor is further developed in order to start an important conversation about the nature of practice knowledge, identity and the experience of practitioners and their learning. In doing so, this book is a pioneering and timely exploration of the future of professional development and higher education. The book combines a strong theoretical perspective grounded in social learning theories with stories from a broad range of contributors who occupy different locations in their own landscapes of practice. These narratives locate the book within different contemporary concerns such as social media, multi-agency, multi-disciplinary and multi-national partnerships, and the integration of academic study and workplace practice. Both scholarly, in the sense that it builds on prior research to extend and locate the concept of landscapes of practice, and practical because of the way in which it draws on multiple voices from different landscapes. Learning in Landscapes of Practice will be of particular relevance to people concerned with the design of professional or vocational learning. It will also be a valuable resource for students engaged in higher education courses with work-based elements.

Winner of the 2011 Jane Jacobs Urban Communication Book Award In this study of Kuzguncuk, known as one of Istanbul's historically most tolerant, multiethnic neighborhoods, Amy Mills is animated by a single question: what does it mean to live in a place that once was--but no longer is--ethnically and religiously diverse? "Turkification" drove out most of Kuzguncuk's minority Greeks, Armenians, and Jews in the mid-twentieth century, but they left behind potent vestiges of their presence in the cityscape. Mills analyzes these places in a street-by-street ethnographic tour. She looks at how memory is conveyed and contested in Kuzguncuk's built environment, whether through the popular television programs filmed on location there or in the cross-class alliance that sprung up to advocate the preservation of an old market garden. Overall, she finds that the neighborhood's landscape not only connotes feelings of "belonging and familiarity" connected to a "narrative of historic multiethnic harmony" but also makes these ideas appear to be uncontestably real, or true. The resulting nostalgia bolsters a version of Turkish nationalism that seems cosmopolitan and benign. This study of memories of interethnic relationships in a local place examines why the cultural memory of tolerance has become so popular and raises questions regarding the nature and meaning of cosmopolitanism in the contemporary Middle East. A major contribution to urban studies, human geography, and Middle East studies, Streets of Memory is imbued with a sense of genuine connection to Istanbul and the people who live there.

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Cultural Geography: Environments, Landscapes, Identities, Inequalities explores the relationship between people and the places they live in by analyzing cultural identities and cultural landscapes on both local and global scales. The new edition of Cultural Geography introduces co-author Margaret Walton-Roberts, whose familiarity with contemporary practices in the discipline ensures a good balance between traditional and modern approaches to cultural geography. Ultimately, these approaches demonstrate cultural geography's relation to other areas of geographic interest and the impact it has on them, particularly social, economic, political, environmental, and physical geography. The text has been revised and updated, with enhanced discussion of identity and power, socio-spatial relationships, hybridity and nature, feminism, and Marxism, making it more appropriate for today's student. Boxed features, questions for critical thought, and suggested further readings enhance student engagement and study.

The Reformation of the Landscape is a richly detailed and original study of the relationship between the landscape of Britain and Ireland and the tumultuous religious changes of the sixteenth and seventeenth centuries. It explores how the profound theological and liturgical transformations that marked the era between 1500 and 1750 both shaped, and were in turn shaped by, the places and spaces within the physical environment in which they occurred. Moving beyond churches, cathedrals, and monasteries, it investigates how the Protestant and Catholic Reformations affected perceptions and practices associated with trees, woods, springs, rocks, mountain peaks, prehistoric monuments, and other distinctive topographical features of the British Isles. Drawing on extensive research and embracing insights from a range of disciplines, Alexandra Walsham examines the origins, immediate consequences, and later repercussions of these movements of religious renewal, together with the complex but decisive modifications of belief and behaviour to which they gave rise. It demonstrates how ecclesiastical developments intersected with other intellectual and cultural trends, including the growth of antiquarianism and the spread of the artistic and architectural Renaissance, the emergence of empirical science and shifting fashions within the spheres of medicine and healing. Set within a chronological framework that stretches backwards towards the early Middle Ages and forwards into the nineteenth century, the book assesses the critical part played by the landscape in forging confessional identities and in reconfiguring collective and social memory. It illuminates the ways in which the visible world was understood and employed by the diverse religious communities that occupied the British Isles, and shows how it became a battleground in which bitter struggles about the significance of the Christian and pagan past were waged.

Chapters include:The folk and their culture : the formative concepts and the beginnings of culture / Ernst S. Dick -- Aspects of Alsatian folk identity in contemporary Alsatian dialect literature / Marguerite Hessini -- "Beyond the pale" : frontier folk in the southern Ozarks / George E. Lankford -- High art, folk art, and other social distinctions : canons, genealogy and the construction of aesthetics / Gary Shapiro -- Word and image in American folk art / Willem Volkersz -- Belief and practice in medieval folk medicine / Jerry Stannard -- Heracles between two worlds : the Heracles of folktale / Oliver Phillips -- Persistent themes of mice and badgers in Japanese culture / Fumiko Y. Yamamoto and Akira Y. Yamamoto -- Our Nestor complex : nostalgia for the Old West / Ronald Miriani -- Prolegomena to a study of opera and the folk / James E. Seaver -- The Clachan housing settlement pattern in north west Ireland / J. William Carswell -- The great tradition and the study of popular religion : philosophy and method / James F. Skyrms.

People have always attached meaning to the landscape that surrounds them. In Storied Ground Paul Readman uncovers why landscape matters so much to the English people, exploring its particular importance in shaping English national identity amid the transformations of modernity. The book takes us from the fells of the Lake District to the uplands of Northumberland; from the streetscapes of industrial Manchester to the heart of London. This panoramic journey reveals the significance, not only of the physical characteristics of landscapes, but also of the sense of the past, collective memories and cultural traditions that give these places their meaning. Between the late eighteenth and early twentieth centuries, Englishness extended far beyond the pastoral idyll of chocolate-box thatched cottages, waving fields of corn and quaint country churches. It was found in diverse locations - urban as well as rural, north as well as south - and it took strikingly diverse forms.

A Forged Glamour, which takes its title from a poem, is an exploration of the lives and deaths of ironworking communities renowned for their spectacular material culture, who lived in modern-day East and North Yorkshire, between the 4th and 1st centuries BC. It evaluates settlement and funerary evidence, analyses farming and craftwork, and explores what some of their ideas and beliefs might have been. It situates this regional material within the broader context of Iron Age Britain, Ireland and the near Continent, and considers what manner of society this was. In order to do this it makes use of theoretical ideas on personhood, and relationships with material culture and landscape, arguing that the making of identity always takes work. It is the character, scale and extent of this work (revealed through objects as small as a glass bead, or as big as a cemetery; as local as an earthenware pot or as exotic as coral-decoration) which enables archaeologists to investigate the web of relations which made up their lives, and explore the means of power which distinguished their leaders.Table of Contents1. Archaeological Approaches to Landscape, Identity and Material Culture2. History Making: Linear Earthworks in the Landscape3. Building Biographies: Houses and Households4. Life and Death in an Iron Age Community5. From Hand-to-Hand: Biographies of Grave Goods6. Actors and Props: the Theatre of Life and Death7. Making Tracks: Journeying with the Dead8. Conclusion

Boundless Russia, humble yet full of hidden grandeur—such visions of "the motherland" became crucial markers of Russian national identity. This Meager Nature is the first full-length study to trace the cultural construction of Russia's landscape during the nineteenth century, showing how artistic and literary representations of nature reflected and shaped Russians' ideas about themselves and their nation. In the early 1800s, Russians commonly accepted the European judgment that their land lacked aesthetic value. That view changed with the outpouring of literary and artistic creativity that followed the century's political upheavals. Artists such as Aleksei Savrasov, Fedor Vasil'ev, Ivan Shishkin, and Nikolai Nekrasov turned to their native land and revealed the power of grey skies, vast open fields, and simple birch forests. Russians came to embrace their land's modest beauty, which represented strength and hidden depths. The historical creation of Russia's sense of place resulted not so much from its citizens' encounters with their environment, Ely argues, as from their long-term struggle to distinguish Russia from Europe. The humble beauty of the Russian land served to assert the genuineness of Russia against the inauthenticity of western Europe. For those who embraced it, the "meager" beauty of the landscape provided a powerful means for experiencing and expressing Russian national identity.

In Albemarle, photographer Robert Llewellyn and writer Avery Chenoweth explore how the landscape of Albemarle County, where the Virginia piedmont meets the Blue Ridge Mountains, and its people have helped create an American sense of identity.Complemented by Llewellyn's luxurious color photography, the narrative rolls back 15,000 years to the first signs of human habitation, continues through the Colonial period, and arrives in the modern era. The story traces the evolving culture of landscape as it has been played out in the lives of historic figures, from the Monacans to the Moderns, Thomas Jefferson to Lady Bird Johnson, Edgar Allan Poe to Teddy Roosevelt. With a sweeping view of aesthetics, spirituality, religion, and history, the book itself is a work of art, essential reading, and viewing, for anyone who has lived in, or been inspired by, the landscape of Albemarle County.Excerpt:"From the vast pattern of a landscape to the small enclosure behind the house, we blend the elements of water and flower and fruit into an atmosphere of spiritual intimacy. In this manner of taking care, we follow an ancient path into an emotional landscape where all things are in harmony. And yet the story that we found in the Albemarle landscape is one that expands into larger spaces altogether. This landscape, which we believe is unique, encompasses our earliest ideas of America."