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"I started out as a fashion photographer. One cannot say that I was successful but there was enough work to keep me busy. I collaborated with Harper's Bazaar and other magazines. I was constantly aware that those who hired me would have preferred to work with a star such as Avedon. But it didn't matter. I had work and I made a living. At the same time, I took my own photographs. Strangely enough, I knew exactly what I wanted and what I liked." Since the 1940s, Saul Leiter, an inveterate walker, has trawled the streets of New York, capturing its colors and spirit. His liking for disarray, solitude and elusiveness make him a unique artist, quite unconcerned about joining the throng."I spent a great deal of my life being ignored. I was always very happy that way. Being ignored is a great privilege. That is how I think I learned to see what others do not see and to react to situations differently. I simply looked at the world, not really prepared for anything." This volume contains several previously unpublished color pictures alongside Leiter's early work in black-and-white. Co-published with Fondation Henri Cartier-Bresson, Paris.

Welcome to the Rangers, Jack! Make the first of many starts a moment to remember with the Jack Leiter Texas Rangers Major League Debut Bobblehead. Features Portrays Leiter wearing his white gameday uniform in an action pose, ready to introduce himself to the big leagues Thematic, team-colored backdrop and base that will look great in your collection Team and MLB logo displays on backdrop, in case there were any doubts where your allegiances lie “MLB DEBUT” and “WELCOME TO THE RANGERS” text displays on backdrop so you never forget this moment Team logo displays on top and front of base for an extra dose of team spirit Front name display so everyone knows who the face of your franchise is Handcrafted Hand painted Measurements Height: Approximately 8 in., base included Details NOTE: In order to get our bobbles to as many fans as possible, we have a strict limit of two (2) of these items per person while on pre-order. If we find this limit is being abused, we reserve the right to cancel and refund your order. Thank you for your cooperation! Due to its limited nature, sales and discounts are not applicable to this item while on pre-order. We apologize for any inconvenience. The product(s) you receive might vary slightly in appearance from the product’s image on our website due to the nature of your product(s) being handmade. Please understand that all handmade items, by nature, may have imperfections. Although we are thorough, there can be inconsistencies based on the creative nature, and it is possible that one item may look a little different from the next. Our items may have natural and unique imperfections. Any item you purchase is one of a kind. There are no two items that are exactly the same. Not a toy Players Choice Academy™ Edition Size: 96 Individually numbered Officially licensed by Major League Baseball Imported

PEACE FOR ALL"It's time for action, in the name of world peace." Major figures who share this vision with UNIQLO have volunteered to design T-shirts expressing their peaceful wishes. All proceeds will be donated to international organizations supporting those affected by violence, discrimination, armed conflict, and poverty. The Peace for All project is powered by each and every one of you who wears these T-shirts. Our wish is for a world in which all people can feel the peace of a future where

PEACE FOR ALL"It's time for action, in the name of world peace." Major figures who share this vision with UNIQLO have volunteered to design T-shirts expressing their peaceful wishes. All proceeds will be donated to international organizations supporting those affected by violence, discrimination, armed conflict, and poverty. The Peace for All project is powered by each and every one of you who wears these T-shirts. Our wish is for a world in which all people can feel the peace of a future where

PEACE FOR ALL"It's time for action, in the name of world peace." Major figures who share this vision with UNIQLO have volunteered to design T-shirts expressing their peaceful wishes. All proceeds will be donated to international organizations supporting those affected by violence, discrimination, armed conflict, and poverty. The Peace for All project is powered by each and every one of you who wears these T-shirts. Our wish is for a world in which all people can feel the peace of a future where

PEACE FOR ALL"It's time for action, in the name of world peace." Major figures who share this vision with UNIQLO have volunteered to design T-shirts expressing their peaceful wishes. All proceeds will be donated to international organizations supporting those affected by violence, discrimination, armed conflict, and poverty. The Peace for All project is powered by each and every one of you who wears these T-shirts. Our wish is for a world in which all people can feel the peace of a future where

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A beloved photobook classic from the pioneer of color photographyThis is a reprint of the immensely successful Early Color (2008), which presented Saul Leiter's remarkable body of color work to the public for the first time in book form. Although Edward Steichen had exhibited some of Leiter's color photography at The Museum of Modern Art in 1953, it remained virtually unknown to the world thereafter. Leiter moved to New York in 1946 to become a painter, but through his friendship with Richard Pousette-Dart he quickly recognized the creative potential of photography. Leiter continued to paint, exhibiting with Philip Guston and Willem de Kooning, but the camera remained his ever-present means of recording life in the metropolis. None of Leiter's contemporaries, with the partial exception of Helen Levitt, assembled a comparable body of work: subtle, often abstract compositions of lyrical, eloquent color.

The fruit of fantastic recent discoveries from Saul Leiter’s vast archive, In My Room provides an in-depth study of the nude, through intimate photographs of the women Leiter knew. Showing deeply personal interior spaces, often illuminated by the lush natural light of the artist’s studio in New York City’s East Village, these black-and-white images reveal a unique type of collaboration between Leiter and his subjects. In the 1970s Leiter planned to make a book of nudes, but the project was never realized in his lifetime. Now, we get a first-time look at this body of work, which was begun on Leiter’s arrival in New York in 1946 and honed over the next two decades. Leiter, who was also a painter, allows abstract elements into the photographs and often shows the influence of his favorite artists, including Bonnard, Vuillard and Matisse. Leiter, who painted and took pictures prolifically up to his death, worked in relative obscurity until he entered his eighties. He preferred to be left alone, and resisted any type of explanation or analysis of his work. With In My Room, Leiter ushers viewers into his private world while retaining his strong sense of mystery. Saul Leiter was born in Pittsburgh in 1923. In 1946 he moved to New York to become a painter, but was encouraged to pursue photography by the photographic experimentation and influence of his friend, the Abstract Expressionist Richard Pousette-Dart. Leiter subsequently enjoyed a successful career as a fashion photographer spanning three decades, and his images were published in magazines such as Esquire, Harper’s Bazaar, Elle and British Vogue. His work is held in many prestigious private and public collections, including The Museum of Modern Art, New York, the Whitney Museum of American Art and the Victoria and Albert Museum. Leiter died in November 2013.

A beloved photobook classic from the pioneer of color photographyThis is a reprint of the immensely successful Early Color (2008), which presented Saul Leiter's remarkable body of color work to the public for the first time in book form. Although Edward Steichen had exhibited some of Leiter's color photography at The Museum of Modern Art in 1953, it remained virtually unknown to the world thereafter. Leiter moved to New York in 1946 to become a painter, but through his friendship with Richard Pousette-Dart he quickly recognized the creative potential of photography. Leiter continued to paint, exhibiting with Philip Guston and Willem de Kooning, but the camera remained his ever-present means of recording life in the metropolis. None of Leiter's contemporaries, with the partial exception of Helen Levitt, assembled a comparable body of work: subtle, often abstract compositions of lyrical, eloquent color.

Completely original work collection fruited by Saul · Writer Foundation full cooperation, spinning the life philosophy and aesthetic sense of Saul · writer by the works and words such as photographs

Completely original work collection fruited by Saul · Writer Foundation full cooperation, spinning the life philosophy and aesthetic sense of Saul · writer by the works and words such as photographs

Saul Leiter (b. 1923 in Pittsburgh) has only in recent years received his due as one of the great pioneers of color photography. This can perhaps be attributed to the fact that Leiter saw himself for a long time mainly as a painter.After coming to New York in 1946, he exhibited alongside abstract expressionists like Willem de Kooning before beginning in the late 1940s to take photographs. Like Robert Frank or Helen Levitt, he found his motifs on the streets of New York, but at the same time was visibly interested in abstraction. Edward Steichen was one of the first to discover Leiter's photography, showing it in the 1950s in two important exhibitions at New York's Museum of Modern Art. Back then color photography was regarded as "low art," fit only for advertising. Leiter accordingly worked primarily as a fashion photographer, for magazines such as Esquire and Harper's Bazaar. Nearly forty years would go by before his extraordinary artistic color photography was rediscovered.This book, published to mark the first major retrospective of Leiter's work anywhere in the world, features for the first time, in addition to his early black and white and color images, his fashion photography, the overpainted nudes, as well as his paintings and sketchbooks.

Saul Leiter (b. 1923 in Pittsburgh) has only in recent years received his due as one of the great pioneers of color photography. This can perhaps be attributed to the fact that Leiter saw himself for a long time mainly as a painter.After coming to New York in 1946, he exhibited alongside abstract expressionists like Willem de Kooning before beginning in the late 1940s to take photographs. Like Robert Frank or Helen Levitt, he found his motifs on the streets of New York, but at the same time was visibly interested in abstraction. Edward Steichen was one of the first to discover Leiter's photography, showing it in the 1950s in two important exhibitions at New York's Museum of Modern Art. Back then color photography was regarded as "low art," fit only for advertising. Leiter accordingly worked primarily as a fashion photographer, for magazines such as Esquire and Harper's Bazaar. Nearly forty years would go by before his extraordinary artistic color photography was rediscovered.This book, published to mark the first major retrospective of Leiter's work anywhere in the world, features for the first time, in addition to his early black and white and color images, his fashion photography, the overpainted nudes, as well as his paintings and sketchbooks.

The fruit of fantastic recent discoveries from Saul Leiter’s vast archive, In My Room provides an in-depth study of the nude, through intimate photographs of the women Leiter knew. Showing deeply personal interior spaces, often illuminated by the lush natural light of the artist’s studio in New York City’s East Village, these black-and-white images reveal a unique type of collaboration between Leiter and his subjects. In the 1970s Leiter planned to make a book of nudes, but the project was never realized in his lifetime. Now, we get a first-time look at this body of work, which was begun on Leiter’s arrival in New York in 1946 and honed over the next two decades. Leiter, who was also a painter, allows abstract elements into the photographs and often shows the influence of his favorite artists, including Bonnard, Vuillard and Matisse. Leiter, who painted and took pictures prolifically up to his death, worked in relative obscurity until he entered his eighties. He preferred to be left alone, and resisted any type of explanation or analysis of his work. With In My Room, Leiter ushers viewers into his private world while retaining his strong sense of mystery. Saul Leiter was born in Pittsburgh in 1923. In 1946 he moved to New York to become a painter, but was encouraged to pursue photography by the photographic experimentation and influence of his friend, the Abstract Expressionist Richard Pousette-Dart. Leiter subsequently enjoyed a successful career as a fashion photographer spanning three decades, and his images were published in magazines such as Esquire, Harper’s Bazaar, Elle and British Vogue. His work is held in many prestigious private and public collections, including The Museum of Modern Art, New York, the Whitney Museum of American Art and the Victoria and Albert Museum. Leiter died in November 2013.

The distinctive iconography of Saul Leiter's early black-and-white photographs stems from his profound response to the dynamic street life of New York City in the late 1940s and 50s. While this technique borrowed aspects of the photo-documentary, Leiter's imagery was more shaped by his highly individual reactions to the people and places he encountered. Like a Magic Realist with a camera, Leiter absorbed the mystery of the city and poignant human experiences. Together with Early Color, also published by Steidl, the two volumes comprising Early Black and White show the impressive range of Leiter's early photography.

Título original: Saul Leiter. The Centenial Retrospective. Traducido al español por Sabrina Ellmann. Primera Edición. First Edition. Con ilustraciones Excelente ejemplar. 351pp