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RO40051109: 2021. In-4. Relié. Etat du neuf, Couv. convenable, Dos satisfaisant, Intérieur frais. 171 pages augmentées de nombreuses illustrations en noir et blanc et en couleurs dans et hors texte. . . . Classification Dewey : 709-Histoire des arts

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XXII, 712 S., zahlr. Abb. Originalleinen. Orignalschutzumschlag. Neuwertiges Exemplar.

Long recognized as one of the most significant paintings of the twentieth century, contributors to this volume consider Picasso's Les Demoiselles d'Avignon from a variety of methodological and topical perspectives, including psychoanalytical, feminist, historical, and postcolonial. Through these various analyzes, the contributors explore the power and significance of Les Demoiselles d'Avignon, situating the work within twentieth century art history and debates over Primitivism, sexuality, and stylistic change.

Published as part of the Museum of Modern Art's "Studies in Modern Art" series, this volume offers, in essence, a detailed biography of Picasso's "Demoiselles d'Avignon." This painting, a key icon in the history of Cubism, is often deemed the "first" painting of the 20th century. Noted art historian Rubin carefully narrates the origins, genesis, and execution of the painting. Documenting his essay with numerous illustrations from Picasso's notebooks, oil sketches and completed works, Rubin presents a careful synthesis of past criticism as well as providing new insights into the work's creation, its thematic claims, and its impact on the Cubist aesthetic. A detailed chronology tracks the painting from 1907 (when it was begun) through 1939, when MoMA, which had acquired the painting in 1937, displayed in a major Picasso exhibition. A brief essay by Etienne Alain Hubert discusses the possibility of a previously unknown exhibition of the painting in 1918. Recommended for large collections on modern art.Martin R. Kalfatovic, Smithsonian Inst. Libs., Washington, D.C.Copyright 1995 Reed Business Information, Inc.

Long recognized as one of the most significant paintings of the twentieth century, contributors to this volume consider Picasso's Les Demoiselles d'Avignon from a variety of methodological and topical perspectives, including psychoanalytical, feminist, historical, and postcolonial. Through these various analyzes, the contributors explore the power and significance of Les Demoiselles d'Avignon, situating the work within twentieth century art history and debates over Primitivism, sexuality, and stylistic change.

Long recognized as one of the most significant paintings of the twentieth century, contributors to this volume consider Picasso's Les Demoiselles d'Avignon from a variety of methodological and topical perspectives, including psychoanalytical, feminist, historical, and postcolonial. Through these various analyzes, the contributors explore the power and significance of Les Demoiselles d'Avignon, situating the work within twentieth century art history and debates over Primitivism, sexuality, and stylistic change.

Book by William Stanley Rubin, Helene Seckel, Judith Cousins

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Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.15

Long recognized as one of the most significant paintings of the twentieth century, contributors to this volume consider Picasso's Les Demoiselles d'Avignon from a variety of methodological and topical perspectives, including psychoanalytical, feminist, historical, and postcolonial. Through these various analyzes, the contributors explore the power and significance of Les Demoiselles d'Avignon, situating the work within twentieth century art history and debates over Primitivism, sexuality, and stylistic change.

Bross., cm 30x21, pp 246, 320 ill. a colori - ISBN: 9782711832156

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