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Text: Spanish, Greek (translation)

The Greek island of Lesbos is a famous destination for birdwatchers and naturalists. In spring and autumn, the already impressive number of breeding birds swells with the arrival of countless migrants. Less well known but equally attractive are the hiking trails, superb geology and abundance of orchids. The old trails and minor roads between the villages make inviting walks amidst picturesque woodlands, groves and meadows with the blue Aegean never far away.This book covers all these aspects and, like all Crossbill Guides, it answers two questions: What makes this area so special, and how you can see this for yourself. There are descriptions of the flora and fauna, landscape and traditional land use, plus 17 detailed routes and 23 sites with concrete indications on where and how to find birds, wildlife and flora.

The Greek island of Lesbos is a famous destination for birdwatchers and naturalists. In spring and autumn, the already impressive number of breeding birds swells with the arrival of countless migrants. Less well known but equally attractive are the hiking trails, superb geology and abundance of orchids. The old trails and minor roads between the villages make inviting walks amidst picturesque woodlands, groves and meadows with the blue Aegean never far away.This book covers all these aspects and, like all Crossbill Guides, it answers two questions: What makes this area so special, and how you can see this for yourself. There are descriptions of the flora and fauna, landscape and traditional land use, plus 17 detailed routes and 23 sites with concrete indications on where and how to find birds, wildlife and flora.

Best-selling classicist Peter Green recreates the life and times of the Greek lyric poet Sappho in this beautifully conceived, sharply detailed work of historical imagination. We meet Sappho at the age of fifty, when she is shaken by her fatal and final love affair with Phaon. She narrates her own story from the vantage point of self-questioning middle age, and her candid meditations make intimate, engrossing reading.Only fragments of Sappho's poetry survive. In imagining Sappho's life Green found his task "rather like that of an archaeologist reassembling some amphora from hundreds of shards―of which more than half are missing." Yet, in his synthesis of historical evidence and ebullient invention, Green produces a seamless, moving, and persuasive portrait. He recreates Sappho's life by interweaving her surviving poetry into the narrative, not as quotations, but as her own imagined speeches and thoughts.Sappho's life spanned one of the most exciting periods in Greek history. Green's novel, full of details about daily life on ancient Lesbos, draws the reader into the political and social climate of her world: the civil strife accompanying the transition from aristocracy to mercantilism, the household relations between slave and aristocrat, the details of sea travel in the Aegean. Green wrote the novel while living on Lesbos, and his graceful rendering of the landscape, the rhythms of the seasons, and the varied flora of Sappho's island pervades the narrative.Sappho's poetry reveals a direct, spontaneous woman who eschewed artifice and embellishment. Green's extraordinary talent captures those qualities and brings this woman of unflinching honesty very much to life.

Best-selling classicist Peter Green recreates the life and times of the Greek lyric poet Sappho in this beautifully conceived, sharply detailed work of historical imagination. We meet Sappho at the age of fifty, when she is shaken by her fatal and final love affair with Phaon. She narrates her own story from the vantage point of self-questioning middle age, and her candid meditations make intimate, engrossing reading.Only fragments of Sappho's poetry survive. In imagining Sappho's life Green found his task "rather like that of an archaeologist reassembling some amphora from hundreds of shards—of which more than half are missing." Yet, in his synthesis of historical evidence and ebullient invention, Green produces a seamless, moving, and persuasive portrait. He recreates Sappho's life by interweaving her surviving poetry into the narrative, not as quotations, but as her own imagined speeches and thoughts.Sappho's life spanned one of the most exciting periods in Greek history. Green's novel, full of details about daily life on ancient Lesbos, draws the reader into the political and social climate of her world: the civil strife accompanying the transition from aristocracy to mercantilism, the household relations between slave and aristocrat, the details of sea travel in the Aegean. Green wrote the novel while living on Lesbos, and his graceful rendering of the landscape, the rhythms of the seasons, and the varied flora of Sappho's island pervades the narrative.Sappho's poetry reveals a direct, spontaneous woman who eschewed artifice and embellishment. Green's extraordinary talent captures those qualities and brings this woman of unflinching honesty very much to life.

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From Jess Franco, the filmmaker The Vatican called the most dangerous director in the world, comes the most celebrated movie of his legendary career: Stunning Soledad Miranda stars as a vixen vampire who lures women to a Mediterranean island to satisfy her insatiable lust for female flesh and blood. It's a mind-bending odyssey of surreal erotica and 70s Euro Horror, featuring the psycho-sexadelic soundtrack that remains a global phenomenon. Ewa Stromberg (She Killed In Ecstasy), Dennis Price (Ve

Born around 630 BC on the Greek Island of Lesbos, Sappho is now regarded as the greatest lyrical poet of Greece. Her work survives only in fragments, yet her influence extends throughout Western literature, fuelled by the speculations and romances which have gathered around her name, her story, her sexuality. The Sappho Companion brings together many different kinds of work, ranging from blue-stocking appreciations to juicy fantasies. We see her image change, recreated in Ovid's poetry and Boccaccio's tales, in translations by Pope, Rossetti and Swinburne, Baudelaire, and H.D., in the modern versions of Eavan Boland, Carol Rumens, and Jeanette Winterson. Artists, too, have felt Sappho's power, and the, Companion contains a rich variety of illustrations: classical statues and pre-Raphaelite paintings, Roman mosaics, and Romantic pornography.

Sappho sang her poetry to the accompaniment of the lyre on the Greek island of Lesbos over 2500 years ago. Throughout the Greek world, her contemporaries composed lyric poetry full of passion, and in the centuries that followed the golden age of archaic lyric, new forms of poetry emerged. In this unique anthology, today's reader can enjoy the works of seventeen poets, including a selection of archaic lyric and the complete surviving works of the ancient Greek women poets―the latter appearing together in one volume for the first time.Sappho's Lyre is a combination of diligent research and poetic artistry. The translations are based on the most recent discoveries of papyri (including "new" Archilochos and Stesichoros) and the latest editions and scholarship. The introduction and notes provide historical and literary contexts that make this ancient poetry more accessible to modern readers.Although this book is primarily aimed at the reader who does not know Greek, it would be a splendid supplement to a Greek language course. It will also have wide appeal for readers of' ancient literature, women's studies, mythology, and lovers of poetry.

The unreleased Euro pysch score to the French/Portuguese X-rated version of The Devils meets The Witchfinder General! Synchronized by Spanish anti-establishmentarian, sexual liberator, die-hard independent filmmaker and unrepentant voyeur Jess Franco (Vampyros Lesbos, de Sade). Composed entirely by French composer Jean-Bernard Raiteux aka Jean-Michel Lorgere and presented here in full soundtrack form for the first time. Proudly claiming the dubious accolade of the Spanish sexploitation version o

She lived on the island of Lesbos around 600 B.C.E. She composed lyric poetry, only fragments of which survive. And she was--and is--the most highly regarded woman poet of Greek and Roman antiquity.Little more than this can be said with certainty about Sappho, and yet a great deal more is said. Her life, so little known, is the stuff of legends; her poetry, the source of endless speculation. This book is a search for Sappho through the poetry she wrote, the culture she inhabited, and the myths that have risen around her. It is an expert and thoroughly engaging introduction to one of the most enduring and enigmatic figures of antiquity.Margaret Williamson conducts us through ancient representations of Sappho, from vase paintings to appearances in Ovid, and traces the route by which her work has reached us, shaped along the way by excavators, editors, and interpreters. She goes back to the poet's world and time to explore perennial questions about Sappho: How could a woman have access to the public medium of song? What was the place of female sexuality in the public and religious symbolism of Greek culture? What is the sexual meaning of her poems? Williamson follows with a close look at the poems themselves, Sappho's "immortal daughters." Her book offers the clearest picture yet of a woman whose place in the history of Western culture has been at once assured and mysterious.

Born around 630BC on the Greek island of Lesbos, Sappho is now regarded as the greatest lyrical poet of ancient Greece, ironic and passionate, capturing the troubled depths of love. Her work survives only in fragments, yet her influence extends throughout Western literature, fuelled by the speculations and romances which have gathered around her name, her story and her sexuality.This remarkable anthology brilliantly displays the way different periods have taken up Sappho's haunting story bringing together many different kinds of work. We see her image change, re-created in Ovid's poetry and Boccaccio's tales, in translations by Pope, Rossetti and Swinburne, Baudelaire, in the modern versions of Eavan Boland, Ruth Padel and Jeanette Winterson.

This volume contains the poetic fragments of the two illustrious singers of early sixth-century Lesbos: Sappho, the most famous woman poet of antiquity, whose main theme was love; and Alcaeus, poet of wine, war, and politics, and composer of short hymns to the gods. Also included are the principal testimonia, the ancients' reports on the lives and work of the two poets.The five volumes in the Loeb Classical Library edition of Greek Lyric contain the surviving fragments of solo and choral song. This poetry was not preserved in medieval manuscripts, and few complete poems remain. Later writers quoted from the poets, but only so much as suited their needs; these quotations are supplemented by papyrus texts found in Egypt, most of them badly damaged. The high quality of what remains makes us realise the enormity of our loss.Volume I presents Sappho and Alcaeus. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century). Volume V contains the new school of poets active from the mid-fifth to the mid-fourth century and also collects folk songs, drinking songs, hymns, and other anonymous pieces.

These vitae feature holy men and women who opposed imperial edicts and suffered for their defense of images, from the nun Theodosia whose efforts to save the icon of Christ Chalkites made her the first iconodule martyr, to Symeon of Lesbos, the pillar saint whose column was attacked by religious fanatics.The second volume in this series introduces saints who were active during the period of the iconoclastic controversy in Byzantium (726–843). For almost a century and a half, theological and popular opinions were strongly divided on the question of the manufacture and veneration icons of Christ, the Virgin, and saints.Life of St. Theodosia of ConstantinopleLife of St. Stephen the YoungerLife of St. Anthousa of MantineonLife of St. Anthousa, Daughter of Constantine VLife of the Patriarch Nikephoros I of ConstantinopleLife of Sts. David, Symeon, and George of LesbosLife of St. IoannikiosLife of St. Theodora the Empress

This anthology contains "Dos Lesbos", "Immediate Family", "8 x 10 Glossy", "Going Up", "Out of Bounds" and "Ruby Christmas."

Theophrastus of Eresus in Lesbos, born about 370 BCE, is the author of the most important botanical works that have survived from classical antiquity. He was in turn student, collaborator, and successor of Aristotle. Like his predecessor he was interested in all aspects of human knowledge and experience, especially natural science. His writings on plants form a counterpart to Aristotle's zoological works.In the Enquiry into Plants Theophrastus classifies and describes varieties—covering trees, plants of particular regions, shrubs, herbaceous plants, and cereals; in the last of the nine books he focuses on plant juices and medicinal properties of herbs. The Loeb Classical Library edition is in two volumes; the second contains two additional treatises: On Odours and Weather Signs.In De Causis Plantarum Theophrastus turns to plant physiology. Books One and Two are concerned with generation, sprouting, flowering and fruiting, and the effects of climate. In Books Three and Four Theophrastus studies cultivation and agricultural methods. In Books Five and Six he discusses plant breeding; diseases and other causes of death; and distinctive flavours and odours.Theophrastus's celebrated Characters is of a quite different nature. This collection of descriptive sketches is the earliest known character-writing and a striking reflection of contemporary life.

Theophrastus of Eresus in Lesbos, born about 370 BCE, is the author of the most important botanical works that have survived from classical antiquity. He was in turn student, collaborator, and successor of Aristotle. Like his predecessor he was interested in all aspects of human knowledge and experience, especially natural science. His writings on plants form a counterpart to Aristotle's zoological works.In the Enquiry into Plants Theophrastus classifies and describes varieties—covering trees, plants of particular regions, shrubs, herbaceous plants, and cereals; in the last of the nine books he focuses on plant juices and medicinal properties of herbs. The Loeb Classical Library edition is in two volumes; the second contains two additional treatises: On Odours and Weather Signs.In De Causis Plantarum Theophrastus turns to plant physiology. Books One and Two are concerned with generation, sprouting, flowering and fruiting, and the effects of climate. In Books Three and Four Theophrastus studies cultivation and agricultural methods. In Books Five and Six he discusses plant breeding; diseases and other causes of death; and distinctive flavours and odours.Theophrastus's celebrated Characters is of a quite different nature. This collection of descriptive sketches is the earliest known character-writing and a striking reflection of contemporary life.

"My Name is Sappho" is a moving novel about Sappho, the poet of Lesbos. Against a panoramic view of Greece in the sixth-century BC Sappho, a woman of unconventional intelligence, insight and initiative, comes to life through her poetry, her power and her passionate loves, as the world's first feminist.

This volume contains the poetic fragments of the two illustrious singers of early sixth-century Lesbos: Sappho, the most famous woman poet of antiquity, whose main theme was love; and Alcaeus, poet of wine, war, and politics, and composer of short hymns to the gods. Also included are the principal testimonia, the ancients' reports on the lives and work of the two poets.The five volumes in the Loeb Classical Library edition of Greek Lyric contain the surviving fragments of solo and choral song. This poetry was not preserved in medieval manuscripts, and few complete poems remain. Later writers quoted from the poets, but only so much as suited their needs; these quotations are supplemented by papyrus texts found in Egypt, most of them badly damaged. The high quality of what remains makes us realise the enormity of our loss.Volume I presents Sappho and Alcaeus. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century). Volume V contains the new school of poets active from the mid-fifth to the mid-fourth century and also collects folk songs, drinking songs, hymns, and other anonymous pieces.

A bilingual edition of the work of the Greek poet Sappho, in a new translation by Anne Carson.Sappho lived on the island of Lesbos from about 630 b.c. She was a musical genius who devoted her life to composing and performing songs. Of the nine books of lyrics Sappho is said to have composed, none of the music is extant and only one poem has survived complete. All the rest are fragments. In If Not, Winter Carson presents all of Sappho’s fragments in Greek and in English. Brackets and space give the reader a sense of what is absent as well as what is present on the papyrus. Carson’s translation illuminates Sappho’s reflections on love, desire, marriage, exile, cushions, bees, old age, shame, time, chickpeas and many other aspects of the human situation.