78 products were found matching your search for Libel in 2 shops:

Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Book is in NEW condition. 0.68

Alan Dundes, in this casebook of an anti-Semitic legend, demonstrates the power of folklore to influence thought and history. According to the blood libel legend, Jews murdered Christian infants to obtain blood to make matzah. Dundes has gathered here the work of leading scholars who examine the varied sources and elaborations of the legend. Collectively, their essays constitute a forceful statement against this false accusation. The legend is traced from the murder of William of Norwich in 1144, one of the first reported cases of ritualized murder attributed to Jews, through nineteenth-century Egyptian reports, Spanish examples, Catholic periodicals, modern English instances, and twentieth-century American cases. The essays deal not only with historical cases and surveys of blood libel in different locales, but also with literary renditions of the legend, including the ballad "Sir Hugh, or, the Jew's Daughter" and Chaucer's "The Prioress's Tale". These case studies provide a comprehensive view of the complex nature of the blood libel legend. The concluding section of the volume includes an analysis of the legend that focuses on Christian misunderstanding of the Jewish feast of Purim and the child abuse component of the legend and that attempts to bring psychoanalytic theory to bear on the content of the blood libel legend. The final essay by Alan Dundes takes a distinctly folkloristic approach, examining the legend as part of the belief system that Christians developed about Jews. This study of the blood libel legend will interest folklorists, scholars of Catholicism and Judaism, and many general readers, for it is both the literature and the history of anti-Semitism.

Offers the first internationally comparative study of beguines, investigating the shifting nomenclature both applied to and adopted by lay religious women in northern Europe between the thirteenth and sixteenth centuries to reveal new facets of medieval social, gender, and religious culture.This volume investigates the diverse meanings assigned to and adopted by lay religious women in northern Europe between the thirteenth and sixteenth centuries. While many outstanding studies have unearthed the local or regional significance of such women, little comparative or transregional scholarship exists to date. Moreover, traditional emphasis on medieval ecclesiastical condemnation of beguines has obscured the extent to which their communities were intertwined with supportive local social structures.Exploring the multiplicity of contemporary perspectives in the Belgian, Dutch, French, and German contexts over time, the volume traces not only the women's relationships to various authorities and institutions, but also the specific terms used to represent and respond to 'beguines'. Illuminating the kaleidoscopic ways in which medieval people categorized, described, and engaged with such women, the collected essays also underscore the extent to which simple dualities of 'clerical' and 'lay', 'elite' and 'popular', and 'orthodox' and 'heretical' are insufficient constructs with which to map intersections of medieval gender, lay religiosity, and society. In doing so, they propose new avenues and coordinates for exploring the sociospiritual topography of medieval Europe.

The Littlehampton Libels tells the story of a poison-pen mystery that led to a miscarriage of justice in the years following the First World War. There would be four criminal trials before the real culprit was finally punished, with the case challenging the police and the prosecuting lawyers as much any capital crime. When a leading Metropolitan Police detective was tasked with solving the case, he questioned the residents of the seaside town of Littlehampton about their neighbours' vocabularies, how often they wrote letters, what their handwriting was like, whether they swore-and how they swore, for the letters at the heart of the case were often bizarre in their abuse. The archive that the investigation produced shows in extraordinary detail how ordinary people could use the English language in inventive and surprising ways at a time when universal literacy was still a novelty. Their personal lives, too, had surprises. The detective's inquiries and the courtroom dramas laid bare their secrets and the intimate details of neighbourhood and family life. Drawing on these records, The Littlehampton Libels traces the tangles of devotion and resentment, desire and manipulation, in a working-class community. We are used to emotional complexity in books about the privileged, but history is seldom able to recover the inner lives of ordinary people in this way.

This deeply imaginative and wide-ranging book shows how, since the first centuries of the Christian era, gentiles have associated Jews with noise. Ruth HaCohen focuses her study on a “musical libel"—a variation on the Passion story that recurs in various forms and cultures in which an innocent Christian boy is killed by a Jew in order to silence his “harmonious musicality.” In paying close attention to how and where this libel surfaces, HaCohen covers a wide swath of western cultural history, showing how entrenched aesthetic-theological assumptions have persistently defined European culture and its internal moral and political orientations.Ruth HaCohen combines in her comprehensive analysis the perspectives of musicology, literary criticism,  philosophy, psychology, and anthropology, tracing the tensions between Jewish “noise" and idealized Christian “harmony” and their artistic manifestations from the high Middle Ages through Nazi Germany and beyond. She concludes her book with a passionate and moving argument for humanizing contemporary soundspaces.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

From Carol Burnett vs. The National Enquirer to William Westmoreland vs. CBS, lawsuits against the media have captured many a headline in recent years. This spirited account offers a close look at these attacks on the press and what they reveal about American culture,the legal system and libel law, and the way the press operates. Why, Rodney Smolla asks, have so many people--people as various as Ralph Nader, Clint Eastwood, Lillian Hellman, and Jerry Falwell--taken to suing the press? Are they mainly interested in money, vengeance, or the restoration of honor? Is the press under fire because it has grown too arrogant and oracular--attempting to set national agendas and monopolize the dispensation of truth? How important is the protection of reputation and privacy in American society, and how should those interests be reconciled with the competing social interests in robust freedom of speech? Are Americans becoming too thin--skinned, too devoted to self-image? Or are the problems of the media in court primarily of the media's own making? To shed light on these and other crucial issues, Smolla examines both the individual lawsuits and broader themes involving the economics of media litigation, the cultural forces that affect libel judgements, and the special problems posed by particular types of expression, such as fictionial works. The media outlets discussed are as varied as the personalities initiating the suits--from The New York Times and The Washington Post to Penthouse and Hustler. Continually lively and provocative, this book reveals much about the media's shortcomings and virtues, not to mention the American character itself. About the Author Rodney A. Smolla is Professor of Law at the University of Arkansas, Fayetteville. Features: What the recent spate of lawsuits against the media reveal about our society· A lively glimpse into important aspects of the American character· Filled with personalities ranging from Carol Burnett to Ralph Nader

"A thoughtful, comprehensive, and invaluable guide for writers."--Bernard Lefkowitz, Professor, Columbia University Graduate School of Journalism "Easy to read and understand . . . should be on every publisher's reference shelf."--Jan Nathan, Executive Director, Publishers Marketing Association For anyone who has ever faced the confusing web of copyright and libel laws, this practical, problem-solving guide is a godsend. In clear, jargon-free language, legal experts provide the information and techniques you need to prepare a manuscript or multimedia work for publication. You'll learn how to: * Clear rights for all types of copyrighted materials, including quotations, photographs, fine art, motion picture stills, song lyrics, and more * Protect yourself against libel suits * Determine if a work is in the public domain * Assess if quoting without permission qualifies as fair use * Locate rights holders * Negotiate clearances Includes library of sample forms: * permission letter * interview release * model release * work-made-for-hire agreement * copyright assignment * photograph license

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

A landmark history of the antisemitic blood libel myth―how it took root in Europe, spread with the invention of the printing press, and persists today.Accusations that Jews ritually killed Christian children emerged in the mid-twelfth century, following the death of twelve-year-old William of Norwich, England, in 1144. Later, continental Europeans added a destructive twist: Jews murdered Christian children to use their blood. While charges that Jews poisoned wells and desecrated the communion host waned over the years, the blood libel survived.Initially blood libel stories were confined to monastic chronicles and local lore. But the development of the printing press in the mid-fifteenth century expanded the audience and crystallized the vocabulary, images, and “facts” of the blood libel, providing a lasting template for hate. Tales of Jews killing Christians―notably Simon of Trent, a toddler whose body was found under a Jewish house in 1475―were widely disseminated using the new technology. Following the paper trail across Europe, from England to Italy to Poland, Magda Teter shows how the blood libel was internalized and how Jews and Christians dealt with the repercussions.The pattern established in early modern Europe still plays out today. In 2014 the Anti-Defamation League appealed to Facebook to take down a page titled “Jewish Ritual Murder.” The following year white supremacists gathered in England to honor Little Hugh of Lincoln as a sacrificial victim of the Jews. Based on sources in eight countries and ten languages, Blood Libel captures the long shadow of a pernicious myth.

On Sunday, March 20, 1911, children playing in a cave near Kiev made a gruesome discovery: the blood-soaked body of a partially clad boy. After right-wing groups asserted that the killing was a ritual murder, the police, with no direct evidence, arrested Menachem Mendel Beilis, a 39-year-old Jewish manager at a factory near the site of the crime. Beilis's trial in 1913 quickly became an international cause célèbre. The jury ultimately acquitted Beilis but held that the crime had the hallmarks of a ritual murder. Robert Weinberg's account of the Beilis Affair explores the reasons why the tsarist government framed Beilis, shedding light on the excesses of antisemitism in late Imperial Russia. Primary documents culled from the trial transcript, newspaper articles, Beilis's memoirs, and archival sources, many appearing in English for the first time, bring readers face to face with this notorious trial.

This deeply imaginative and wide-ranging book shows how, since the first centuries of the Christian era, gentiles have associated Jews with noise. Ruth HaCohen focuses her study on a “musical libel"—a variation on the Passion story that recurs in various forms and cultures in which an innocent Christian boy is killed by a Jew in order to silence his “harmonious musicality.” In paying close attention to how and where this libel surfaces, HaCohen covers a wide swath of western cultural history, showing how entrenched aesthetic-theological assumptions have persistently defined European culture and its internal moral and political orientations.Ruth HaCohen combines in her comprehensive analysis the perspectives of musicology, literary criticism,  philosophy, psychology, and anthropology, tracing the tensions between Jewish “noise" and idealized Christian “harmony” and their artistic manifestations from the high Middle Ages through Nazi Germany and beyond. She concludes her book with a passionate and moving argument for humanizing contemporary soundspaces.

Used - Like New Book. Shipped from UK. Established seller since 2000.

A landmark history of the antisemitic blood libel myth―how it took root in Europe, spread with the invention of the printing press, and persists today.Accusations that Jews ritually killed Christian children emerged in the mid-twelfth century, following the death of twelve-year-old William of Norwich, England, in 1144. Later, continental Europeans added a destructive twist: Jews murdered Christian children to use their blood. While charges that Jews poisoned wells and desecrated the communion host waned over the years, the blood libel survived.Initially blood libel stories were confined to monastic chronicles and local lore. But the development of the printing press in the mid-fifteenth century expanded the audience and crystallized the vocabulary, images, and “facts” of the blood libel, providing a lasting template for hate. Tales of Jews killing Christians―notably Simon of Trent, a toddler whose body was found under a Jewish house in 1475―were widely disseminated using the new technology. Following the paper trail across Europe, from England to Italy to Poland, Magda Teter shows how the blood libel was internalized and how Jews and Christians dealt with the repercussions.The pattern established in early modern Europe still plays out today. In 2014 the Anti-Defamation League appealed to Facebook to take down a page titled “Jewish Ritual Murder.” The following year white supremacists gathered in England to honor Little Hugh of Lincoln as a sacrificial victim of the Jews. Based on sources in eight countries and ten languages, Blood Libel captures the long shadow of a pernicious myth.

The Littlehampton Libels tells the story of a poison-pen mystery that led to a miscarriage of justice in the years following the First World War. There would be four criminal trials before the real culprit was finally punished, with the case challenging the police and the prosecuting lawyers as much any capital crime. When a leading Metropolitan Police detective was tasked with solving the case, he questioned the residents of the seaside town of Littlehampton about their neighbours' vocabularies, how often they wrote letters, what their handwriting was like, whether they swore-and how they swore, for the letters at the heart of the case were often bizarre in their abuse. The archive that the investigation produced shows in extraordinary detail how ordinary people could use the English language in inventive and surprising ways at a time when universal literacy was still a novelty. Their personal lives, too, had surprises. The detective's inquiries and the courtroom dramas laid bare their secrets and the intimate details of neighbourhood and family life. Drawing on these records, The Littlehampton Libels traces the tangles of devotion and resentment, desire and manipulation, in a working-class community. We are used to emotional complexity in books about the privileged, but history is seldom able to recover the inner lives of ordinary people in this way.

The Associated Press Stylebook and Libel Manual with Appendixes on Photo Captions, Filling the Wire

The eXile is the controversial biweekly tabloid founded by Americans Mark Ames and Matt Taibbi that Rolling Stone has called "cruel, caustic, and funny" and "a must-read." In the tradition of gonzo journalists like Hunter S. Thompson, Ames and Taibbi cover everything from decadent club scenes to the nation's collapsing political and economic systems - no person or institution is spared from their razor sharp satiric viewpoint. They take you beneath the surface of the Russia that most Western journalists cover, bringing to life the metropolis that Ames describes as "manic, nihilistic, grotesque, horrible; and yet, in its own way, far superior to any city on Earth." Featuring artwork and articles from their groundbreaking newspaper, The eXile is the inside story of how the tabloid came to be and how Ames and Taibbi broke their biggest stories - all the while playing hysterically vicious practical jokes, racking up innumerable death threats, and ingesting a motherlode of speed. It's a darkly funny, up-close profile of the sordid underbelly of the New World Order that you will never forget.

The style of the Associated Press defines clear news writing. In fact, more people write for the AP news service than for any single newspaper or broadcaster in the world. The AP Stylebook is therefore â the journalistâ s bible,â an essential handbook for all writers, editors, students, and public-relations specialists.The AP Stylebook contains over 5,000 entries laying out the APâ s rules on grammar, spelling, punctuation, and usage. It gives journalists the references they need to write about the world today: correct names of countries and organizations, language to avoid, common trademarks. Special sections cover business and sports reporting. This edition, published in the Associated Pressâ s 150th year, also includes crucial advice on how writers can guard against libel and copyright infringement.An up-to-date AP Stylebook belongs on the desk of every working writer.

The eXile is the controversial biweekly tabloid founded by Americans Mark Ames and Matt Taibbi that Rolling Stone has called "cruel, caustic, and funny" and "a must-read." In the tradition of gonzo journalists like Hunter S. Thompson, Ames and Taibbi cover everything from decadent club scenes to the nation's collapsing political and economic systems - no person or institution is spared from their razor sharp satiric viewpoint. They take you beneath the surface of the Russia that most Western journalists cover, bringing to life the metropolis that Ames describes as "manic, nihilistic, grotesque, horrible; and yet, in its own way, far superior to any city on Earth." Featuring artwork and articles from their groundbreaking newspaper, The eXile is the inside story of how the tabloid came to be and how Ames and Taibbi broke their biggest stories - all the while playing hysterically vicious practical jokes, racking up innumerable death threats, and ingesting a motherlode of speed. It's a darkly funny, up-close profile of the sordid underbelly of the New World Order that you will never forget.