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Ril. in cart., cm 28,5x23, pp 216, moltissime tavv. e ill. a col. - ISBN: 9783868320466

216 Seiten mit zahlreichen Illustrationen; 29 cm. Sehr guter Gesamtzustand. Sprache: Deutsch Gewicht in Gramm: 1330

Although Max Liebermann (1847–1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis’ persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.

Max Liebermann (1847-1935), the leading artist in Germany from the early 1890s until the Nazi takeover in 1933, was known later in his career for his singular approach to Impressionism. Initially a realist painter, his work at times moved into the more abstract realm of "pure painting," which earned him the moniker, "Manet of the Germans."Liebermann, a self-assured cultural leader and the descendent of a successful German-Jewish family, was a celebrity in his own day. He was president of the Berlin Secession from 1898 until 1910 and, during the Weimar Republic served as president of the Prussian Academy of Art from 1920 until 1932.This first English-language publication on Liebermann looks beyond the factual details of his life and work to explore the virtuosity of his art and the personal attributes on which it oftentimes was based. Essays by German and American scholars provide creative new ways of understanding and interpreting Max Liebermann and the times in which he lived.

Complete catalogue. Fourth edition. 304 pp.; 365 illustrations. Text in English and German.. The great German-Jewish artist Max Liebermann was born in Berlin in 1847 and died there in 1935. His art studies began in the 1870s with Ferdinand Pauwels in Weimar. During the latter part of the 'seventies and through the 'eighties he made extensive trips to Holland and Paris. He was named Professor of the Königliche Akademie der Künste in 1898 and became the president of the Berlin Secession the following year. Beginning in 1912, the artist received numerous official decorations in Germany and Holland and was president of the Prussian Academy of Art from 1920 to 1932. Liebermann's earliest etchings date from the early 1890s and are reminiscent of Van Gogh's Nuenen period. After the turn of the century his style became more impressionistic and his subjects consisted of beach scenes, cafe views, equestrian images and street scenes in Holland, including a number of Jewish interest. In the teens he began his inimitable series of self-portraits and portraits of luminaries. During the First World War he created a series of lithographs in support of the German war effort. After the war he returned to his favorite motifs of horses, portraits, landscapes and children at play. The third edition of Schiefler's catalogue raisonné appeared in 1923 and has been unavailable for many years. This new fourth edition is undertaken with the authorization of the original publisher, Bruno Cassirer Ltd., who relocated to Oxford during the Nazi regime. This edition adds corrections and 94 new illustrations. It also provides an English language translation of the introduction, technical terms and titles.

Although Max Liebermann (1847–1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis’ persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.

Complete catalogue. Fourth edition. 304 pp.; 365 illustrations. Text in English and German.. The great German-Jewish artist Max Liebermann was born in Berlin in 1847 and died there in 1935. His art studies began in the 1870s with Ferdinand Pauwels in Weimar. During the latter part of the 'seventies and through the 'eighties he made extensive trips to Holland and Paris. He was named Professor of the Königliche Akademie der Künste in 1898 and became the president of the Berlin Secession the following year. Beginning in 1912, the artist received numerous official decorations in Germany and Holland and was president of the Prussian Academy of Art from 1920 to 1932. Liebermann's earliest etchings date from the early 1890s and are reminiscent of Van Gogh's Nuenen period. After the turn of the century his style became more impressionistic and his subjects consisted of beach scenes, cafe views, equestrian images and street scenes in Holland, including a number of Jewish interest. In the teens he began his inimitable series of self-portraits and portraits of luminaries. During the First World War he created a series of lithographs in support of the German war effort. After the war he returned to his favorite motifs of horses, portraits, landscapes and children at play. The third edition of Schiefler's catalogue raisonné appeared in 1923 and has been unavailable for many years. This new fourth edition is undertaken with the authorization of the original publisher, Bruno Cassirer Ltd., who relocated to Oxford during the Nazi regime. This edition adds corrections and 94 new illustrations. It also provides an English language translation of the introduction, technical terms and titles.

In the new novel in the iconic Max Liebermann mystery series, master storyteller Frank Tallis delivers his latest suspenseful and spellbinding tale set in the smoky atmospheric world of fin de siecle Vienna. Vienna, 1904.            The body of a man―still sitting in a chair―is discovered in an abandoned piano factory on the outskirts of the city. He has been shot dead but his face has been horribly disfigured with acid, making identification impossible. In front of the body are three chairs positioned conspicuously in a straight line. Who were the former occupants? Had they sat in judgement and pronounced a sentence of death?          Detective Inspector Oskar Rheinhardt calls on his good friend Doctor Max Liebermann―psychiatrist and disciple of Sigmund Freud―to assist in an investigation that draws them both into the shadowy and sexually unconventional world of fringe political activism. It is a world populated by Bohemians, Utopian idealists, and anarchists, many of whom endorse acts of terror to achieve their revolutionary aims.         When bomb-making equipment is found in a suburban basement, the sinister Imperial intelligence bureau (who have been secretly monitoring Rheinhardt’s investigation) make themselves known. A legendary anarchist known only by his code name―Mephistopheles―is abroad in Vienna. An appalling act of terror has been planned and time is running out. Rheinhardt must hope that Liebermann, with his profound knowledge of psychology and science, will be able to prevent the coming catastrophe.          The latest novel in the iconic Max Liebermann mystery series, Mephisto Waltz is a tale of murder, romance, intrigue, and espionage set in the atmospheric world of fin de siecle Vienna.

The second in the Dr. Max Liebermann series, literature’s first psychoanalytic detective. In the grip of a Siberian winter in 1902, a serial killer in Vienna embarks upon a bizarre campaign of murder. Vicious mutilation, a penchant for arcane symbols, and a seemingly random choice of victim are his most distinctive peculiarities. Detective Inspector Oskar Rheinhardt summons a young disciple of Freud - his friend Dr. Max Liebermann — to assist him with the case. The investigation draws them into the sphere of Vienna’s secret societies — a murky underworld of German literary scholars, race theorists, and scientists inspired by the new evolutionary theories coming out of England. At first, the killer’s mind seems impenetrable — his behaviour and cryptic clues impervious to psychoanalytic interpretation; however, gradually, it becomes apparent that an extraordinary and shocking rationale underlies his actions. . . . Against this backdrop of mystery and terror, Liebermann struggles with his own demons. The treatment of a patient suffering from paranoia erotica (a delusion of love) and his own fascination with the enigmatic Englishwoman Amelia Lydgate raises doubts concerning the propriety of his imminent marriage. To resolve the dilemma, he must entertain the unthinkable — risking opprobrium and accusations of cowardice.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Good condition ex-library book with usual library markings and stickers.

This beautiful catalogue gathers a magnificent selection of the finest landscape works by Max Liebermann, Lovis Corinth, and Max Slevogt--Germany’s three greatest Impressionist painters. Impressionism, considered a French style of painting, was greeted with hostility in Germany, where traditionalists opposed all foreign influence in the art of their nation state. Yet Liebermann, Corinth, and Slevogt, whose works were less rigid and routine than those of many of their contemporaries, won over a doubtful domestic audience and inspired a flowering of Impressionism in Germany. This is the first in-depth study in English of works by Liebermann, Corinth, and Slevogt and showcases 92 of their Impressionist masterpieces. The book’s contributors explore the three artists’ approaches to landscape painting; the relation of German Impressionism to French Impressionism, to the Barbizon School, and to the Dutch landscape tradition; and the history of German Impressionism and the development of German landscape painting in the 19th century.

Language:Chinese.HardCover Pub Date: 2010. Pages: 256 in Publisher: Aronldsche Art Publishers Even though France is the birthplace of Impressionism. the Deutsch artists also played a crucial role in shaping this style of painting This book examines the work of the three great German painters of the late 19th and early 20th century: Max Liebermann. Lovis Corinth and Max Slevogt. Inspired by French artists such as Manet. Degas. Monet. Renoir and Cezanne as well as Van Gogh. Liebermann. Corinth and Slevogt. these German artists produced paintings that bore their own distinctive signatures. at once sensitive and forcefully expressive: Liebermann's paintings of his garden on Wannsee. Corinth's landscapes depicting the foothills of the Alps and the shores of Walchensee and the Neukastel county seat where Slevogt lived in the Rhenish Palatinate are world -famous. However. unfamilia...

This beautiful catalogue gathers a magnificent selection of the finest landscape works by Max Liebermann, Lovis Corinth, and Max Slevogt--Germany’s three greatest Impressionist painters. Impressionism, considered a French style of painting, was greeted with hostility in Germany, where traditionalists opposed all foreign influence in the art of their nation state. Yet Liebermann, Corinth, and Slevogt, whose works were less rigid and routine than those of many of their contemporaries, won over a doubtful domestic audience and inspired a flowering of Impressionism in Germany. This is the first in-depth study in English of works by Liebermann, Corinth, and Slevogt and showcases 92 of their Impressionist masterpieces. The book’s contributors explore the three artists’ approaches to landscape painting; the relation of German Impressionism to French Impressionism, to the Barbizon School, and to the Dutch landscape tradition; and the history of German Impressionism and the development of German landscape painting in the 19th century.

The second in the Dr. Max Liebermann series, literature’s first psychoanalytic detective. In the grip of a Siberian winter in 1902, a serial killer in Vienna embarks upon a bizarre campaign of murder. Vicious mutilation, a penchant for arcane symbols, and a seemingly random choice of victim are his most distinctive peculiarities. Detective Inspector Oskar Rheinhardt summons a young disciple of Freud - his friend Dr. Max Liebermann — to assist him with the case. The investigation draws them into the sphere of Vienna’s secret societies — a murky underworld of German literary scholars, race theorists, and scientists inspired by the new evolutionary theories coming out of England. At first, the killer’s mind seems impenetrable — his behaviour and cryptic clues impervious to psychoanalytic interpretation; however, gradually, it becomes apparent that an extraordinary and shocking rationale underlies his actions. . . . Against this backdrop of mystery and terror, Liebermann struggles with his own demons. The treatment of a patient suffering from paranoia erotica (a delusion of love) and his own fascination with the enigmatic Englishwoman Amelia Lydgate raises doubts concerning the propriety of his imminent marriage. To resolve the dilemma, he must entertain the unthinkable — risking opprobrium and accusations of cowardice.From the Trade Paperback edition.

Furioso for Orchestra / Piano Concerto Rolf Liebermann - CD 4003913123312

In 1900s Vienna, Psychoanalyst Dr Max Liebermann is called in to help with police investigations into the murder of a young medium.In this first of a new series of psychoanalytical detective novels set in Vienna, Dr Max Liebermann is a young psychoanalyst – and disciple of Freud. The world of 1900s Vienna is one where philosophy, science and art flourish and are hotly debated in the coffee shops. Psychoanalysis is still developing and is viewed with a mixture of excitement and suspicion.Liebermann’s good friend Oskar Rheinhardt is a Detective Inspector — hard working but lacking Liebermann’s insights and forensic eye, and so it is through Rheinhardt that Liebermann is called upon to help with police investigations surrounding the death of a beautiful young medium in what seems at first to be supernatural circumstances. When Liebermann attempts to get to the bottom of the mystery, he also must decide whether he is to follow his father’s advice and marry the beautiful but reserved Clara.From the Trade Paperback edition.

After the death of his best friend, Ben, Jonathan Liebermann is forced to face his grief when a series of strange occurrences and appearances lead him to believe celestial beings are helping him to face the world again

The eagerly awaited third novel in the Max Liebermann series — literature’s first psychoanalytic detective — is about sex, the will to power and deception.Vienna, 1903. In the rambling hillside edifice that is St. Florian’s military school, a young cadet is found dead, his body lacerated with razor wounds. Once again, Inspector Oskar Rheinhardt calls on his friend — and disciple of Freud — Doctor Max Liebermann, to help him investigate.In the closed society of the school, power is everything, and suspicion falls on an elite group of cadets with a penchant for sadism and dangerous games. When it is discovered that the dead boy was a frequent guest of the deputy headmaster’s attractive wife, other motives for murder suggest themselves.A tangled web of relationships and dark secrets is uncovered, which Liebermann, using new psychoanalytic tools such as dream interpretation and the ink-blot test, begins to probe. At the same time, he finds himself romantically involved with a mysterious Hungarian concert violinist, Trezska Novak, a woman gifted with uncannily accurate intuitions. Again, all is not what it seems, and Liebermann is drawn into the perilous world of espionage. The choices he is forced to make will threaten the entire stability of the Habsburg Empire.From the Trade Paperback edition.

A travel memoir through thirty countries, a thousand insulin injections, and one man’s journey from despair to confidence. With tips and information from the American Diabetes Association.In the middle of a yearlong backpacking trip around the world with his wife, Oren Liebermann is teaching English to young Buddhist monks in Pokhara, Nepal, when his body begins to fail him. He is constantly thirsty and exhausted, and by the time he steps on a scale, he has lost forty-five pounds. At a local clinic, a doctor gives him a diagnosis that will change his life forever: I’m sorry to tell you, my friend, that you are a diabetic.”Devastated, Liebermann is trapped in a freezing hospital room, trying to recover enough to fly home. His friends and family urge him to call off the rest of his trip. He had quit his job as a TV news reporter for this dream-come-true journey, but the nightmare diagnosis has thrown his world into disarray. However, Liebermann and his wife, Cassie, make a decision. They have an adventure to finish, and he has the rest of his life to live.Bold, raw, and poignantly candid, The Insulin Express tells the story of what happens when the best-made travel plans are subject to the ever-present chaos of life, and how a major setback can turn into the opportunity of a lifetime. Despite struggling with a chronic disease that almost kills him in the Himalayas, Liebermann hikes along the Great Wall of China, conquers the Inca Trail to Machu Picchu, and sips cobra whiskey in Laos. What begins as a travel chronicle across thirty countries transforms into a single journey of resilience and self-discovery going from hopelessly lost and then wonderfully found.