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This volume presents a selection from Pope's celebrated translation of Homer's Iliad, edited and arranged so as to concentrate on the central core of the story and thus to be readable as a continuous narrative. Also included is a section of the best of Pope's notes to his own translation;these illuminate his principles as a translator and transmit his intelligent and penetrating assessments of the Iliad's poetic qualities. It will enable students of English literature to sample a neglected poem written by Pope at the height of his powers, once thought to contain some of his finest writing and deepest poetic thoughts about Man and Nature. Students of the Classics, on the other hand, will be able to study in detail the response of one of its most distinguished admirers to the greatest poem of ancient Greece. Felicity Rosslyn's introduction discusses the main themes of the poem and establishes Pope's unique qualifications as a translator of Homer.

Pope and the Heroic Tradition: A Critical Study of His Iliad (Yale studies in English) [Jun 01, 1969] Knight, Douglas ...

Alexander Pope was born on May 21st, 1688 in London into a Catholic family. His education was affected by the recent Test Acts, upholding the status of the Church of England and banning Catholics from teaching. In effect this meant his formal education was over by the age of 12 and Pope was to now immerse himself in classical literature and languages and to, in effect, educate himself. From this age too he also suffered from numerous health problems including a type of tuberculosis (Pott’s disease) which resulted in a stunted, deformed body. Only to grow to a height of 4’ 6”, with a severe hunchback and complicated further by respiratory difficulties, high fevers, inflamed eyes and abdominal pain all of which served to further isolate him, initially, from society. However his talent was evident to all. Best known for his satirical verse, his translations of Homer and the use of the heroic couplet, he is the second-most frequently quoted writer in The Oxford Dictionary of Quotations, after Shakespeare. With the publication of Pastorals in 1709 followed by An Essay on Criticism (1711) and his most famous work The Rape of the Lock (1712; revised and enlarged in 1714) Pope became not only famous but wealthy. His translations of the Iliad and the Odyssey further enhanced both reputation and purse. His engagement to produce an opulent new edition of Shakespeare met with a mixed reception. Pope attempted to "regularise" Shakespeare's metre and rewrote some of his verse and cut 1500 lines, that Pope considered to be beneath the Bard’s standard, to mere footnotes. Alexander Pope died on May 30th, 1744 at his villa at Twickenham (where he created his famous grotto and gardens) and was buried in the nave of the nearby Church of England Church of St Mary the Virgin. Over the years and centuries since his death Pope’s work has been in and out of favour but with this distance he is now truly recognised as one of England’s greatest poets.

Due to a lack of biographical evidence regarding the identity of Homer it has been suggested that the two great works attributed to him, the “Iliad” and the “Odyssey” may in fact be the work of multiple authors passed down through a long oral tradition. While scholarship on the subject will likely never definitely prove one way or the other, it is now generally accepted that these two great epic poems are the work of a single Greek author, Homer, who lived sometime during the 9th century BC. Set during a few weeks in the final year of the Trojan War, “The Iliad” is a classical epic poem concerning a quarrel between King Agamemnon and the warrior Achilles. While encompassing just a brief period of the Trojan War the poem relates events leading up to and following the few weeks that encompass the setting of the poem giving the reader a comprehensive perspective of the Trojan War. Part romanticized historical narrative, part mythological epic, the “Iliad” is widely recognized as one of the most important works from classical antiquity. Along with the “Odyssey,” it would establish Homer as one the most influential authors to ever have lived. This edition is printed on premium acid-free paper, follows the verse translation of Alexander Pope, and includes an introduction and notes by Theodore Alois Buckley.

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" An updated edition of this concise yet comprehensive history of the Civil War, written by a distinguished historian of the conflict. Charles Roland skillfully interweaves the story of battles and campaigns with accounts of the major political, diplomatic, social, and cultural events of the epoch and insightful sketches of the leading actors. Of prime interest are the contrasts he draws between the opposing presidents and generals. What traits, he asks, made Lincoln superior to Davis as a war leader? How were Union military leaders able to forge a more effective fighting force, a more comprehensive strategy than their opponents? Roland's thoughtful anwers and his recognition of the contadictions of human nature and the interpaly of intention and chance raise this book above a mere recounting of military events. The story of the Civil War is the epic of the American people. Never has it been told more movingly.

Pope spent his formative years as a poet translating Homer, beginning with the Iliad, and in his translation he successfully found a style that answers the sublimity and grace of Homer. Steven Shankman provides scholarly critical apparatus for this Penguin English Poets edition, which is based on the 1743 edition that contains the poet's final revisions. Pope's Preface and the three indexes are also included. Most importantly, this edition makes available for the first time in paperback Pope's notes in their entirety, enabling us to observe one poetic genius illuminate the work of another.

Alexander Pope's translation of Homer's Iliad and Odyssey is offered in English and Greek, with fifty original color drawings of scenes from the text in Greek vase style, The book has an original introduction by Pope scholar Steven Shankman, and includes two slip-cased volumes, Dutch cloth binding, and dust jackets.

This concise but comprehensive history reflects a synthesis of the major writings on the war, as refined and focused through Professor Roland's own research and interpretation. This is the story of the war with the emphasis on the military action, that element which distinguishes war from all other human activities. Accounts of the major political, economic, diplomatic, social, and cultural developments of the epoch are covered; approximately half of the book is devoted to them. But these discussions are woven into the central narrative in a manner designed to show their role in the war effort itself.

In his Preface to the Iliad, Alexander Pope declared that in his poetic invention Homer possessed "unequalled fire and rapture." Pope spent his formative years as a poet translating Homer, beginning with the Iliad, and in his translation he successfully found a style that answers the sublimity and grace of Homer. Steven Shankman provides scholarly critical apparatus for this Penguin English Poets edition, which is based on the 1743 edition that contains the poet's final revisions. Pope's Preface and the three indexes are also included. Most importantly, this edition makes available for the first time in paperback Pope's notes in their entirety, enabling us to observe one poetic genius illuminate the work of another.

In his Preface to the Iliad, Alexander Pope declared that in his poetic invention Homer possessed "unequalled fire and rapture." Pope spent his formative years as a poet translating Homer, beginning with the Iliad, and in his translation he successfully found a style that answers the sublimity and grace of Homer. Steven Shankman provides scholarly critical apparatus for this Penguin English Poets edition, which is based on the 1743 edition that contains the poet's final revisions. Pope's Preface and the three indexes are also included. Most importantly, this edition makes available for the first time in paperback Pope's notes in their entirety, enabling us to observe one poetic genius illuminate the work of another.

Roland Merullo's playful, eloquent, and life-affirming novel finds the Pope and the Dalai Lama teaming up for an unsanctioned road trip through the Italian countryside to rediscover the everyday joys of life that can seem, even for the two holiest men in the world, unattainable. What happens when the Pope and the Dali Lama decide they need an undercover vacation? During a highly publicized official visit at the Vatican, the Pope suggests an adventure so unexpected and appealing that neither man can resist. Before dawn, two of the most beloved and famous people on the planet don disguises, slip into a waiting car, and experience the countryside as regular people. Along for the ride are the Pope's overwhelmed cousin Paolo and his estranged wife Rosa, an eccentric hairdresser with a lust for life who cannot resist the call to adventure--or the fun. Against a landscape of good humor, exploration and spiritual delight, not to mention the sublime rolling hills of Italy, The Delight of Being Ordinary showcases the charming sensibilities of Roland Merullo (whose bestselling Breakfast with Buddha has sold over 200,000 copies), in a novel that makes us laugh as well as think about the demands of ordinary life, spiritual life, and the identities by which we all define ourselves.

What happens when the Pope and the Dalai Lama decide they need a secret vacation?   Roland Merullo’s playful, eloquent, and life-affirming novel finds the world’s two holiest men teaming up for an unsanctioned road trip through the Italian countryside--where they rediscover the everyday joys and challenges of ordinary life.   During the Dalai Lama’s highly publicized official visit to the Vatican, the Pope suggests an adventure so unexpected and appealing that neither man can resist: they will shed their robes for several days and live as ordinary men. Before dawn, the two beloved religious leaders make a daring escape from Vatican City, slip into a waiting car, and are soon traveling the Italian roads in disguise. Along for the ride is the Pope’s neurotic cousin and personal assistant, Paolo, who--to his terror-- has been put in charge of arranging the details of their disappearance. Rounding out the group is Paolo’s estranged wife, Rosa, an eccentric entrepreneur with a lust for life, who orchestrates the sublime disguises of each man. Rosa is a woman who cannot resist the call to adventure--or the fun.   Against a landscape of good humor, intrigue, and spiritual fulfillment, The Delight of Being Ordinary showcases the uniquely charming sensibilities of author Roland Merullo. Part whimsical expedition, part love story, part spiritual search, this uplifting novel brings warmth and laughter to the universal concerns of family life, religious inspiration, and personal identity—all of which combine to transcend cultural and political barriers in the name of a once-in-a-lifetime adventure.

This revelatory publication provides a comprehensive and multifaceted account of Cy Twombly’s masterpiece Fifty Days at Iliam (1978), a series of ten paintings based on Alexander Pope’s 18th-century translation of Homer’s Iliad. Essays by a team of both art historians and scholars of Greco-Roman studies explore topics including the paintings’ literary and cultural references to antiquity and Twombly’s broader engagement with the theme of the Trojan War, which first appeared in his work in the early 1960s and was a subject to which he would return throughout his career. Firsthand accounts of the artist at work complement the essays. Images of the canvases and related drawings and sculptures are joined by previously unpublished photographs showing Fifty Days at Iliam in the artist's studio at the time of their completion. 

Poetry is supposed to be untranslatable. But many poems in English are also translations: Pope's Iliad, Pound's Cathay, and Dryden's Aeneis are only the most obvious examples. The Poetry of Translation explodes this paradox, launching a new theoretical approach to translation, and developing it through readings of English poem-translations, both major and neglected, from Chaucer and Petrarch to Homer and Logue.The word 'translation' includes within itself a picture: of something being carried across. This image gives a misleading idea of goes on in any translation; and poets have been quick to dislodge it with other metaphors. Poetry translation can be a process of opening; of pursuing desire, or succumbing to passion; of taking a view, or zooming in; of dying, metamorphosing, or bringing to life. These are the dominant metaphors that have jostled the idea of 'carrying across' in the history of poetry translation into English; and they form the spine of Reynolds's discussion. Where do these metaphors originate? Wide-ranging literary historical trends play their part; but a more important factor is what goes on in the poem that is being translated. Dryden thinks of himself as 'opening' Virgil's Aeneid because he thinks Virgil's Aeneid opens fate into world history; Pound tries to being Propertius to life because death and rebirth are central to Propertius's poems. In this way, translation can continue the creativity of its originals. The Poetry of Translation puts the translation of poetry back at the heart of English literature, allowing the many great poem-translations to be read anew.

Poetry is supposed to be untranslatable. But many poems in English are also translations: Pope's Iliad, Pound's Cathay, and Dryden's Aeneis are only the most obvious examples. The Poetry of Translation explodes this paradox, launching a new theoretical approach to translation, and developing it through readings of English poem-translations, both major and neglected, from Chaucer and Petrarch to Homer and Logue.The word 'translation' includes within itself a picture: of something being carried across. This image gives a misleading idea of goes on in any translation; and poets have been quick to dislodge it with other metaphors. Poetry translation can be a process of opening; of pursuing desire, or succumbing to passion; of taking a view, or zooming in; of dying, metamorphosing, or bringing to life. These are the dominant metaphors that have jostled the idea of 'carrying across' in the history of poetry translation into English; and they form the spine of Reynolds's discussion. Where do these metaphors originate? Wide-ranging literary historical trends play their part; but a more important factor is what goes on in the poem that is being translated. Dryden thinks of himself as 'opening' Virgil's Aeneid because he thinks Virgil's Aeneid opens fate into world history; Pound tries to being Propertius to life because death and rebirth are central to Propertius's poems. In this way, translation can continue the creativity of its originals. The Poetry of Translation puts the translation of poetry back at the heart of English literature, allowing the many great poem-translations to be read anew.

This revelatory publication provides a comprehensive and multifaceted account of Cy Twombly’s masterpiece Fifty Days at Iliam (1978), a series of ten paintings based on Alexander Pope’s 18th-century translation of Homer’s Iliad. Essays by a team of both art historians and scholars of Greco-Roman studies explore topics including the paintings’ literary and cultural references to antiquity and Twombly’s broader engagement with the theme of the Trojan War, which first appeared in his work in the early 1960s and was a subject to which he would return throughout his career. Firsthand accounts of the artist at work complement the essays. Images of the canvases and related drawings and sculptures are joined by previously unpublished photographs showing Fifty Days at Iliam in the artist's studio at the time of their completion.