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To Live and Die in L.A. is a harrowing tale, which has become a major motion picture, of cult status, depicting the dark underside of America's "West Coast" metropolis. Two U.S. Treasury agents, both partners and antagonists, are drawn into a matrix of violence and corruption, L.A. style, a journey through a sunlit hell. At the end, they become experts on the thin line which separates what it takes to live - and to die - in L.A.

To Live and Die in L.A. is a harrowing tale, which has become a major motion picture, of cult status, depicting the dark underside of America's "West Coast" metropolis. Two U.S. Treasury agents, both partners and antagonists, are drawn into a matrix of violence and corruption, L.A. style, a journey through a sunlit hell. At the end, they become experts on the thin line which separates what it takes to live - and to die - in L.A.

From the author of To Die in Beverly Hills comes a harrowing tale of the dark underside of America’s West Coast metropolis. Two U.S. Treasury agents, partners and antagonists, are drawn into a matrix of violence and corruption, southern California-style, that becomes a journey through a sunlit hell – at the end of which they become experts on the thin line between what it takes to live – and die – in L.A. To Live and Die in L.A., the book that inspired the major motion picture.

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Composed between October 1846 and the spring of 1847, I masnadieri features a libretto based on Schiller's play Die Raüber (The Robbers). The opera premiered in July 1847 at Her Majesty's Theatre, London, with Jenny Lind as the prima donna. Verdi himself supervised the rehearsals for the premiere, and the original performing parts, which contain annotations made by the players under Verdi's direction and changes made by the composer during the rehearsals, have been preserved at the archives of the Royal Opera House.The critical edition is the first publication of I masnadieri in full score. Based on the composer's autograph and on important secondary sources such as the performing parts mentioned above, this edition provides scholars and performers alike with unequaled means for interpretation and study of one of Verdi's less well known works. The detailed critical commentary discusses problems and ambiguities in the sources, while a wide-ranging introduction to the score traces the opera's genesis, sources, and performance history and practices.

Composed between October 1846 and the spring of 1847, I masnadieri features a libretto based on Schiller's play Die Raüber (The Robbers). The opera premiered in July 1847 at Her Majesty's Theatre, London, with Jenny Lind as the prima donna. Verdi himself supervised the rehearsals for the premiere, and the original performing parts, which contain annotations made by the players under Verdi's direction and changes made by the composer during the rehearsals, have been preserved at the archives of the Royal Opera House.The critical edition is the first publication of I masnadieri in full score. Based on the composer's autograph and on important secondary sources such as the performing parts mentioned above, this edition provides scholars and performers alike with unequaled means for interpretation and study of one of Verdi's less well known works. The detailed critical commentary discusses problems and ambiguities in the sources, while a wide-ranging introduction to the score traces the opera's genesis, sources, and performance history and practices.

The Cult of Cthulhu shall never die. Its untenable spirit, unearthly and ichorous, is spreading far and wide through the Matrix-esque reality program that we are immersed in. As you read these words, try to wake up from the illusions surrounding you. This book is our manifesto, our truth, our bible! Cthulhu Cult is the integration of H.P. Lovecraft's Cthulhu Mythos, Satanism, Chaos Magic, the Fourth Way, and other Left Hand Path traditions. It is also the fruition of my special plan: to see this world's flaws, to understand why they exist, and then finally. to overcome them! Years ago, I knew that humanity was on the wrong track, and this horrid green tome corrects the mistake of man... before us rushes a new flood of reason. When the Old Ones return, this world shall drown before Their might.