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So Truly Real Welcome Home Emily 20th Anniversary Signature Edition Lifelike Baby Doll With 9-Piece Custom-Designed Ensemble - One of our proudest accomplishments, the first edition Emily was lauded as a groundbreaking premium-quality baby doll like never seen before. She took the doll industry by storm as a pivotal moment in artistry and sculpture. And now, it's with extraordinary delight for her 20th anniversary, we present the Signature Edition Emilys Homecoming Baby Doll, available exclusively from Ashton-Drake. Created by Master Doll Artist Linda Webb, this lifelike baby doll reintroduces the precious expressive face you can love forever!20 years ago Emily was crafted with features that set us apart from the rest and still hold true today - exclusive RealTouch vinyl to make her skin soft to the touch, and a dual-core head to hold her facial structure. When you hold this realistic baby doll in your arms, you're sure to be amazed at the realistic feel of her weighted cloth body, and the lifelike look of her hand-rooted hair and incredible, hand-painted details. She is designed with exclusive Hold That Pose! technology that lets you pose her in unlimited ways which means she stays in any precious position you choose. Plus, this Signature Edition doll collectible arrives with a 9-piece custom-designed ensemble showcasing a kimono-style top with matching pants and undershirt, mittens, blanket, headband, pacifier, a hospital bracelet and birth certificate. With a limited edition of only 5,000 worldwide, strong demand is anticipated, so don't delay. Order now!

So Truly Real Tiana Goes To Grandma's Lifelike African American Baby Doll - Even before she was born, Tiana's grandma began knitting an adorable outfit for the baby girl she would joyfully welcome and love with all her heart. Now you can meet her with the Tiana Goes to Grandma's Baby Doll, a So Truly Real African-American baby doll by award-winning Master Doll Artist Linda Murray and available only from Ashton-Drake. Tiana is beautifully sculpted and features RealTouch vinyl skin to recreate the real look and feel of an actual newborn. She even has the soft scent of baby powder. This fully handcrafted baby girl doll is fully poseable and weighted to feel like you're holding a real baby. You're sure to love her wispy, hand-rooted hair and be charmed by her bright brown eyes filled with wonder. Even her delicate hands and tiny feet are realistic in every detail!The beauty and craftsmanship of Tiana's ensemble is truly remarkable with a long-sleeved knitted sweater and hat crafted of soft lilac yarn and decorated with white blossoms accented by lilac-toned pearl beads. Her little booties are fastened with tiny lilac pearl beads, too, and her white cotton interlock one-piece is adorned with a small lavender floral pattern to perfectly complement the rest of her outfit. It's obvious that she's all dressed up to go somewhere special - your home! Strong demand is expected for this cute-as-can-be newborn baby girl doll. So don't delay - order now!

Embrace your bold side with the Linda Evangelista dress. Beautifully crafted from mesh with hand crocheted wool knitting, this sheer mermaid dress comes with a six piece cut, finished with a curve hugging silhouette. The webbing through the bodice provides a visually striking look before falling to a flared skirt. Adorned with sleeves and a mock neck that is secured with a zipper closure at the back. A-Line Dress Dry Clean Made in the USA

Embrace your bold side with the Linda Evangelista dress. Beautifully crafted from mesh with hand crocheted wool knitting, this sheer mermaid dress comes with a six piece cut, finished with a curve hugging silhouette. The webbing through the bodice provides a visually striking look before falling to a flared skirt. Adorned with sleeves and a mock neck that is secured with a zipper closure at the back. A-Line Dress Dry Clean Made in the USA

Embrace your bold side with the Linda Evangelista dress. Beautifully crafted from mesh with hand crocheted wool knitting, this sheer mermaid dress comes with a six piece cut, finished with a curve hugging silhouette. The webbing through the bodice provides a visually striking look before falling to a flared skirt. Adorned with sleeves and a mock neck that is secured with a zipper closure at the back. A-Line Dress Dry Clean Made in the USA

Embrace your bold side with the Linda Evangelista dress. Beautifully crafted from mesh with hand crocheted wool knitting, this sheer mermaid dress comes with a six piece cut, finished with a curve hugging silhouette. The webbing through the bodice provides a visually striking look before falling to a flared skirt. Adorned with sleeves and a mock neck that is secured with a zipper closure at the back. A-Line Dress Dry Clean Made in the USA

Embrace your bold side with the Linda Evangelista dress. Beautifully crafted from mesh with hand crocheted wool knitting, this sheer mermaid dress comes with a six piece cut, finished with a curve hugging silhouette. The webbing through the bodice provides a visually striking look before falling to a flared skirt. Adorned with sleeves and a mock neck that is secured with a zipper closure at the back. A-Line Dress Dry Clean Made in the USA

Embrace your bold side with the Linda Evangelista dress. Beautifully crafted from mesh with hand crocheted wool knitting, this sheer mermaid dress comes with a six piece cut, finished with a curve hugging silhouette. The webbing through the bodice provides a visually striking look before falling to a flared skirt. Adorned with sleeves and a mock neck that is secured with a zipper closure at the back. A-Line Dress Dry Clean Made in the USA

Before Batman and Superman were even a glimmer in Bill Finger and Jerry Siegel’s eyes, Major Malcolm Wheeler-Nicholson created National Allied Publications, which would then go on to become DC Comics; one of the largest comic publishers in the world. Nicky Wheeler-Nicholson (the Major’s granddaughter and noted comics historian) will contribute a historical essay that provides an in depth look at the formation of National Allied Publications and the man behind New Fun, New Comics, and other memorable original comics that predated DC Comics’ inception. Other contributions include an intro by Jim Steranko (Nick Fury, Agent of S.H.I.E.L.D.) and an afterward by comics historian Tom Andrae. All the comics included in this tome have been painstakingly reproduced and repaired to show how they would have looked back in the 1930s; and also included are all the pulps that the comics were based on! This groundbreaking book explores the history of DC Comics before it became the behemoth we know today; the pulp stories that formed the basis for all the different kinds of comics that exist today. Titles included in this historical reprint include Barry O'Neill and Fang Gow (script- Wheeler-Nicholson; art- Leo O'Mealia), Blood Pearls (script- Wheeler-Nicholson; art- Munson Paddock), Foe of the Borgias (script and art- Sven Elven), The Golden Dragon (script and art- Tom Hickey) and more!

Before Batman and Superman were even a glimmer in Bill Finger and Jerry Siegel’s eyes, Major Malcolm Wheeler-Nicholson created National Allied Publications, which would then go on to become DC Comics; one of the largest comic publishers in the world. Nicky Wheeler-Nicholson (the Major’s granddaughter and noted comics historian) will contribute a historical essay that provides an in depth look at the formation of National Allied Publications and the man behind New Fun, New Comics, and other memorable original comics that predated DC Comics’ inception. Other contributions include an intro by Jim Steranko (Nick Fury, Agent of S.H.I.E.L.D.) and an afterward by comics historian Tom Andrae. All the comics included in this tome have been painstakingly reproduced and repaired to show how they would have looked back in the 1930s; and also included are all the pulps that the comics were based on! This groundbreaking book explores the history of DC Comics before it became the behemoth we know today; the pulp stories that formed the basis for all the different kinds of comics that exist today. Titles included in this historical reprint include Barry O'Neill and Fang Gow (script- Wheeler-Nicholson; art- Leo O'Mealia), Blood Pearls (script- Wheeler-Nicholson; art- Munson Paddock), Foe of the Borgias (script and art- Sven Elven), The Golden Dragon (script and art- Tom Hickey) and more!

In the late 1960s identity politics emerged on the political landscape and challenged prevailing ideas about social justice. These politics brought forth a new attention to social identity, an attention that continues to divide people today. While previous studies have focused on the political movements of this period, they have neglected the conceptual prehistory of this political turn. Linda Nicholson's engaging book situates this critical moment in its historical framework, analyzing the concepts and traditions of racial and gender identity that can be traced back to late eighteenth-century Europe and America. She examines how changing ideas about social identity over the last several centuries both helped and hindered successive social movements, and explores the consequences of this historical legacy for the women's and black movements of the 1960s. This insightful study will be of particular interest to students and scholars of political history, identity politics and US history.

Before the Bauhaus reevaluates the political, architectural, and artistic cultures of pre-World War I Germany. As contradictory and conflict-ridden as the German Second Reich itself, the world of architects, craftsmen and applied-arts "artists" were not immune to the expansionist, imperialist, and capitalist struggles that transformed Germany in the quarter-century leading up to the First World War. In this study, John Maciuika brings together architectural and design history, political history, social and cultural geography. He substantially revises our understanding of the roots of the Bauhaus and, by extension, the historical roots of twentieth-century German architecture and design. His book sheds new light on hotly contested debates pertaining to the history of Germany in the pre-World War I era, notably the issues surrounding "modernity" and "anti-modernity" in Wilhelmine Germany, the character and effectiveness of the government administration, and the role played by the nation's most important architects, members of the rising bourgeois class, in challenging the traditional aristocracy at the top of the new German economic and social order.

The papers included in this volume were presented, in much shorter form, at a conference entitled 'Sources of Identity: Makers, Owners and Users of Music Sources Before 1600' held at the University of Sheffield in 2013. The stated aim of the event was to leave aside the traditionally dominant view of early music sources as a means of access to medieval and Renaissance repertoires, focussing instead on the people who commissioned, made, owned and used music books, and on their reasons for so doing. In the terms proposed by a recent study of art patronage in the period, what was the 'payoff' enjoyed by individuals and groups who created and deployed such objects?

This book examines the status and uses of ethnicity in political debate during the seventeenth and eighteenth centuries, the era that immediately preceded the onset of modern racialist and nationalist thinking. Ranging widely across the political cultures of England, Scotland, Ireland and revolutionary America, it also considers European influences and comparisons as well as engaging historically with current debates over nationalism and identity.

Before the Bauhaus reevaluates the political, architectural, and artistic cultures of pre-World War I Germany. As contradictory and conflict-ridden as the German Second Reich itself, the world of architects, craftsmen and applied-arts "artists" were not immune to the expansionist, imperialist, and capitalist struggles that transformed Germany in the quarter-century leading up to the First World War. In this study, John Maciuika brings together architectural and design history, political history, social and cultural geography. He substantially revises our understanding of the roots of the Bauhaus and, by extension, the historical roots of twentieth-century German architecture and design. His book sheds new light on hotly contested debates pertaining to the history of Germany in the pre-World War I era, notably the issues surrounding "modernity" and "anti-modernity" in Wilhelmine Germany, the character and effectiveness of the government administration, and the role played by the nation's most important architects, members of the rising bourgeois class, in challenging the traditional aristocracy at the top of the new German economic and social order.

New! This book is in the same immaculate condition as when it was published 0.84

This book examines the status and uses of ethnicity in political debate during the seventeenth and eighteenth centuries, the era that immediately preceded the onset of modern racialist and nationalist thinking. Ranging widely across the political cultures of England, Scotland, Ireland and revolutionary America, it also considers European influences and comparisons as well as engaging historically with current debates over nationalism and identity.

Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 0.84

LINDA RONSTADT CLASSIC LINDA RONSTADT: JUST ONE LOOK Before her induction into the Rock and Roll Hall of Fame last year, Linda Ronstadt was already one of the most successful female recording artists in history. Her incomparable voice has graced dozens of hits, she's sold more than 100 million albums, won countless industry awards (including 11 Grammys) and is among the best-selling artists of all time. This 30-track collection spans 26 years and features selections from 11 studio albums. Part 1

A beautifully illustrated, 120-page catalog accompanies Natasha Nicholson: The Artist in Her Museum. Featuring contributions from Thomas E.A. Dale, Eric Ferguson, Stephen Fleischman, Thomas H. Garver, Joseph R. Goldyne, Linda R. James, Natasha Nicholson, and Mike Rebholz, the catalog illuminates Natasha Nicholson's artistic practice and provides an art historical context for her work. The catalog is also available through the Museum Store.