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What happens when we let robots play the game of life? The challenge of studying evolution is that the history of life is buried in the past—we can’t witness the dramatic events that shaped the adaptations we see today. But biorobotics expert John Long has found an ingenious way to overcome this problem: he creates robots that look and behave like extinct animals, subjects them to evolutionary pressures, lets them compete for mates and resources, and mutates their ‘genes’. In short, he lets robots play the game of life. In Darwin’s Devices, Long tells the story of these evolving biorobots—how they came to be, and what they can teach us about the biology of living and extinct species. Evolving biorobots can replicate creatures that disappeared from the earth long ago, showing us in real time what happens in the face of unexpected environmental challenges. Biomechanically correct models of backbones functioning as part of an autonomous robot, for example, can help us understand why the first vertebrates evolved them. But the most impressive feature of these robots, as Long shows, is their ability to illustrate the power of evolution to solve difficult technological challenges autonomously—without human input regarding what a workable solution might be. Even a simple robot can create complex behavior, often learning or evolving greater intelligence than humans could possibly program. This remarkable idea could forever alter the face of engineering, design, and even warfare.  An amazing tour through the workings of a fertile mind, Darwin’s Devices will make you rethink everything you thought you knew about evolution, robot intelligence, and life itself.

Arthur Conan Doyle is often perceived as the quintessential Englishman, patriotically devoted to the Crown and the empire's defender and apologist. But such a relegation is both limiting and simplistic. Born in Scotland to Irish Catholic parents, Doyle's heritage is complex. His paternal grandfather, John Doyle, had originally left Ireland for London in the early 19th century; his father was committed to the cause of Irish separatism; and his uncle resigned from his position as main cartoonist for ^IPunch^R after the journal launched an attack on the Pope. Consequently, British imperialism, Irish nationalism, and Catholic allegiance converge uneasily in his works.This book examines the resulting tensions between imperialism and colonialism in his writings. It argues that his thematic obsessions with topography, race, psyche, and sexuality stem from his ambivalence toward his own heritage. The volume repositions Doyle and redresses current critical approaches that have seen him solely as the advocate of empire and have ignored his colonial background. It explores how his fictions occur within a colonial context, the complexity of which is evident in gothic tropes of shifting landscapes, disguised criminalities, spiritualism, and sexual anomalies and conflicts.

An anthology devoted to robots and space, featuring the works of Gregory Benton, Jeffrey Brown, Renee French, Jay Geldhof, Paul Hornschemeier, Ellen Lindner, Scott Mills, Bernie Mireault, John Pham, Joel Priddy, Paul Rivoche, Vince Stall, Rob Ullman and others. The interior is printed with metallic blue ink, and the corners will be round to give it that hi-tech look! Four-color cover by Dave Cooper, with spot gloss varnish.