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This issue examines the legacy of Nazi-looted art in light of the 2012 discovery of the famous Hildebrand Gurlitt collection of stolen artwork in Germany. When the German government declassified the case almost two years later, the resulting scandal raised fundamental questions about the role of art dealers in the Third Reich, the mechanics of the Nazi black market for artwork, the shortcomings of postwar denazification, the failure of courts and governments to adjudicate stolen artwork claims, and the unwillingness of museums to determine the provenance of thousands of looted pieces of art. The contributors to this issue explore the continuities of art dealerships and auction houses from the Nazi period to the Federal Republic and take stock of the present political and cultural debate over the handling of this artwork. Special topic contributors. Konstantin Akinsha, Meike Hoffmann, Andreas Huyssen, Lawrence M. Kaye, Olaf Peters, Jonathan Petropoulos, Anson Rabinbach, Avinoam Shalem, Julia Voss, Amy Walsh

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In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. The monetary value is estimated at over half a billion dollars. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and frank interviews, Felch and Frammolino give us a fly-on-the-wall account of the inner workings of a world-class museum and tell the story of the Getty’s dealings in the illegal antiquities trade. The outlandish characters and bad behavior could come straight from the pages of a thriller—the wealthy recluse founder, the cagey Italian art investigator, the playboy curator, the narcissist CEO—but their chilling effects on the rest of the art world have been all too real, as the authors show in novelistic detail. Fast-paced and compelling, Chasing Aphrodite exposes the layer of dirt beneath the polished façade of the museum business.

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The story begins, as stories do in all good thrillers, with a botched robbery and a police chase. Eight Apuleian vases of the fourth century B.C. are discovered in the swimming pool of a German-based art smuggler. More valuable than the recovery of the vases, however, is the discovery of the smuggler's card index detailing his deals and dealers. It reveals the existence of a web of tombaroli—tomb raiders— who steal classical artifacts, and a network of dealers and smugglers who spirit them out of Italy and into the hands of wealthy collectors and museums. Peter Watson, a former investigative journalist for the London Sunday Times and author of two previous exposés of art world scandals, names the key figures in this network that has depleted Europe's classical artifacts. Among the loot are the irreplaceable and highly collectable vases of Euphronius, the equivalent in their field of the sculpture of Bernini or the painting of Michelangelo. The narrative leads to the doors of some major institutions: Sothebys, the Getty Museum in L.A., the Museum of Fine Arts in Boston, and the Metropolitan Museum of Art in New York among them. Filled with great characters and human drama, The Medici Conspiracy authoritatively exposes another shameful round in one of the oldest games in the world: theft, smuggling and duplicitous dealing, all in the name of art.

The story begins, as stories do in all good thrillers, with a botched robbery and a police chase. Eight Apuleian vases of the fourth century B.C. are discovered in the swimming pool of a German-based art smuggler. More valuable than the recovery of the vases, however, is the discovery of the smuggler's card index detailing his deals and dealers. It reveals the existence of a web of tombaroli—tomb raiders— who steal classical artifacts, and a network of dealers and smugglers who spirit them out of Italy and into the hands of wealthy collectors and museums. Peter Watson, a former investigative journalist for the London Sunday Times and author of two previous exposés of art world scandals, names the key figures in this network that has depleted Europe's classical artifacts. Among the loot are the irreplaceable and highly collectable vases of Euphronius, the equivalent in their field of the sculpture of Bernini or the painting of Michelangelo. The narrative leads to the doors of some major institutions: Sothebys, the Getty Museum in L.A., the Museum of Fine Arts in Boston, and the Metropolitan Museum of Art in New York among them. Filled with great characters and human drama, The Medici Conspiracy authoritatively exposes another shameful round in one of the oldest games in the world: theft, smuggling and duplicitous dealing, all in the name of art.

Why did the invasion of Iraq result in cultural destruction and killings of intellectuals? Convention sees accidents of war and poor planning in a campaign to liberate Iraqis. The authors argue instead that the invasion aimed to dismantle the Iraqi state to remake it as a client regime. Post-invasion chaos created conditions under which the cultural foundations of the state could be undermined. The authors painstakingly document the consequences of the occupiers' willful inaction and worse, which led to the ravaging of one of the world's oldest recorded cultures. Targeted assassination of over 400 academics, kidnapping and the forced flight of thousands of doctors, lawyers, artists and other intellectuals add up to cultural cleansing.This important work lays to rest claims that the invasion aimed to free an educated population to develop its own culture of democracy.

Why did the invasion of Iraq result in cultural destruction and killings of intellectuals? Convention sees accidents of war and poor planning in a campaign to liberate Iraqis. The authors argue instead that the invasion aimed to dismantle the Iraqi state to remake it as a client regime. Post-invasion chaos created conditions under which the cultural foundations of the state could be undermined. The authors painstakingly document the consequences of the occupiers' willful inaction and worse, which led to the ravaging of one of the world's oldest recorded cultures. Targeted assassination of over 400 academics, kidnapping and the forced flight of thousands of doctors, lawyers, artists and other intellectuals add up to cultural cleansing.This important work lays to rest claims that the invasion aimed to free an educated population to develop its own culture of democracy.

The catastrophic collapse of companies such as Enron, WorldCom, ImClone, and Tyco left angry investors, employees, reporters, and government investigators demanding to know how the CEOs deceived everyone into believing their companies were spectacularly successful when in fact they were massively insolvent. Why did the nation's top accounting firms give such companies clean audit reports? Where were the regulators and whistleblowers who should expose fraudulent CEOs before they loot their companies for hundreds of millions of dollars?In this expert insider's account of the savings and loan debacle of the 1980s, William Black lays bare the strategies that corrupt CEOs and CFOs—in collusion with those who have regulatory oversight of their industries—use to defraud companies for their personal gain. Recounting the investigations he conducted as Director of Litigation for the Federal Home Loan Bank Board, Black fully reveals how Charles Keating and hundreds of other S&L owners took advantage of a weak regulatory environment to perpetrate accounting fraud on a massive scale. He also authoritatively links the S&L crash to the business failures of the early 2000s, showing how CEOs then and now are using the same tactics to defeat regulatory restraints and commit the same types of destructive fraud.Black uses the latest advances in criminology and economics to develop a theory of why "control fraud"—looting a company for personal profit—tends to occur in waves that make financial markets deeply inefficient. He also explains how to prevent such waves. Throughout the book, Black drives home the larger point that control fraud is a major, ongoing threat in business that requires active, independent regulators to contain it. His book is a wake-up call for everyone who believes that market forces alone will keep companies and their owners honest.

In this expert insider’s account of the savings and loan debacle of the 1980s, William Black lays bare the strategies that corrupt CEOs and CFOs—in collusion with those who have regulatory oversight of their industries—use to defraud companies for their personal gain. Recounting the investigations he conducted as Director of Litigation for the Federal Home Loan Bank Board, Black fully reveals how Charles Keating and hundreds of other S&L owners took advantage of a weak regulatory environment to perpetrate accounting fraud on a massive scale. In the new afterword, he also authoritatively links the S&L crash to the business failures of 2008 and beyond, showing how CEOs then and now are using the same tactics to defeat regulatory restraints and commit the same types of destructive fraud. Black uses the latest advances in criminology and economics to develop a theory of why “control fraud”—looting a company for personal profit—tends to occur in waves that make financial markets deeply inefficient. He also explains how to prevent such waves. Throughout the book, Black drives home the larger point that control fraud is a major, ongoing threat in business that requires active, independent regulators to contain it. His book is a wake-up call for everyone who believes that market forces alone will keep companies and their owners honest.

This book examines the problem of the illicit traffic in looted antiquities. One component analyses the current legal structure governing the international movement of looted antiquities, and the other uses qualitative interview and observational data gathered from meetings with key market figures, and site visits, to construct a scheme for understanding how buyers in the antiquities market make their purchasing choices.

In 1945, US Intelligence officers in Manila discovered that the Japanese had hidden large quantities of gold bullion and other looted treasure in the Philippines. President Truman decided to recover the gold but to keep its riches secret. These would be combined with treasure recovered inside Japan during the US occupation, and with Nazi loot recovered in Europe, to create a worldwide American political action fund to fight communism.Overseen by General MacArthur, President Truman, and John Foster Dulles, this ‘Black Gold’ gave Washington virtually limitless, unaccountable funds, providing an asset base to reinforce the treasuries of America’s allies, to bribe political and military leaders, and to manipulate elections in foreign countries for more than fifty years. Drawing on a vast range of original documents and thousands of hours of interviews, Gold Warriors exposes one of the great state secrets of the twentieth century.

During World War II, in a secret Nazi submarine base, containers crafted entirely from looted wartime gold were hidden away. The treasure was not the solid gold chests, but the cargo they carried an artifact so lethal that whoever possessed “Pandora’s boxes” held the power to unleash hell upon the Earth... In the unforgiving wastes of Greenland, geologist Philip Mercer uncovers a long-abandoned U.S. Army base buried under the ice and a long-dead body still hot with radiation. But before Mercer and his colleague, the seductive Dr. Anika Klein, can investigate further, a flash fire engulfs the base. Ordered to evacuate, their plane is forced to land when a bomb is discovered on board, and they must seek shelter from the murderous weather in a hidden ice cavern. That’s where they learn the startling truth. A powerful German corporation has launched an operation to destroy evidence of its Nazi past. But one of the corporate mercenaries knows what’s inside the Pandora’s boxes, and he plans to hold the entire world hostage unless Mercer can find a way to stop him...

Epic in scope, precise in detail, and heart-breaking in its human drama, Former People is the first book to recount the history of the aristocracy caught up in the maelstrom of the Bolshevik Revolution and the creation of Stalin's Russia. Filled with chilling tales of looted palaces and burning estates, of desperate flights in the night from marauding peasants and Red Army soldiers, of imprisonment, exile, and execution, it is the story of how a centuries'-old elite, famous for its glittering wealth, its service to the Tsar and Empire, and its promotion of the arts and culture, was dispossessed and destroyed along with the rest of old Russia.Yet Former People is also a story of survival and accommodation, of how many of the tsarist ruling class―so-called "former people" and "class enemies"―overcame the psychological wounds inflicted by the loss of their world and decades of repression as they struggled to find a place for themselves and their families in the new, hostile order of the Soviet Union. Chronicling the fate of two great aristocratic families―the Sheremetevs and the Golitsyns―it reveals how even in the darkest depths of the terror, daily life went on. Told with sensitivity and nuance by acclaimed historian Douglas Smith, Former People is the dramatic portrait of two of Russia's most powerful aristocratic families, and a sweeping account of their homeland in violent transition.

In 2015, Baltimore plunged into the worst American riots in recent history. In the chaos, two high school honor-roll students, “Brick” and “Wax, used their smarts, computer skills, ambition and gang connections to change the world of illegal drugs forever. With their gang associates, they looted pharmacies and robbed dealers, stealing over one million doses of prescription narcotics and heroin with a street value of more than $100 million. “Brick” and “Wax” were not going to sell drugs on corners; they used location-based technology and encrypted messaging software to dispatch ordered drugs via delivery drivers—an Uber-like service that eliminated street deals and easily tapped phones. They were soon supplying cities along the East Coast, creating a whole new class of opioid addicts with the FBI and DEA trailing in their wake. To ensure their supply of drugs did not run out, the teens formed an alliance with members of the Sinaloa cartel, headed by El Chapo. Veteran Newsday crime reporter Kevin Deutsch has been reporting on the ground in drug-ravaged neighborhoods for over a year. He’s seen the bodies. Across America, thousands are dying from opioid overdoses. This middle-class crisis has been well documented, but the inner cities, where families are being swallowed up by addiction, have been ignored. Deutsch brings us into this underworld, where social unrest and cutting-edge technology allow criminals to seed the next wave of dysfunction and despair.

In the 1880s, as the European powers were carving up Africa, King Leopold II of Belgium seized for himself the vast and mostly unexplored territory surrounding the Congo River. Carrying out a genocidal plundering of the Congo, he looted its rubber, brutalized its people, and ultimately slashed its population by ten million—all the while shrewdly cultivating his reputation as a great humanitarian. Heroic efforts to expose these crimes eventually led to the first great human rights movement of the twentieth century, in which everyone from Mark Twain to the Archbishop of Canterbury participated. King Leopold's Ghost is the haunting account of a megalomaniac of monstrous proportions, a man as cunning, charming, and cruel as any of the great Shakespearean villains. It is also the deeply moving portrait of those who fought Leopold: a brave handful of missionaries, travelers, and young idealists who went to Africa for work or adventure and unexpectedly found themselves witnesses to a holocaust. Adam Hochschild brings this largely untold story alive with the wit and skill of a Barbara Tuchman. Like her, he knows that history often provides a far richer cast of characters than any novelist could invent. Chief among them is Edmund Morel, a young British shipping agent who went on to lead the international crusade against Leopold. Another hero of this tale, the Irish patriot Roger Casement, ended his life on a London gallows. Two courageous black Americans, George Washington Williams and William Sheppard, risked much to bring evidence of the Congo atrocities to the outside world. Sailing into the middle of the story was a young Congo River steamboat officer named Joseph Conrad. And looming above them all, the duplicitous billionaire King Leopold II. With great power and compassion, King Leopold's Ghost will brand the tragedy of the Congo—too long forgotten—onto the conscience of the West.

In January 1932, thousands of peasants in western El Salvador rose up in armed rebellion. Armed mostly with machetes and a few guns, they attacked military garrisons, occupied towns, and looted or destroyed businesses, government buildings and private homes. In response, the army and local paramilitary bands killed thousands of citizens in a few days, most of them innocent of any involvement in the rebellion. Recalled as a massacre, the government's actions are regarded as one of the most extreme cases of state-sponsored repression in modern Latin American history. The "Matanza" left generations of Salvadorans and internationals alike attempting to make sense of the events.Remembering a Massacre in El Salvador examines national and international historical memories of the events of 1932 and the factors that determined those memories. It also analyzes Miguel Mármol, by Roque Dalton, a well-known and influential narrative of the 1932 Matanza and one of the most important texts in modern Salvadoran history. The authors employ an array of primary evidence, including the personal archive of Roque Dalton, made available by the Dalton family for the first time. They argue that a systematic look at rivaling memories of the Matanza reveals the close association between historical narratives and political action. The book is complemented by a valuable appendix of primary documents that reveal the evolving memories of these important events in 1932.

Close to three hundred stores and supermarkets were looted during week-long food riots in Argentina in December 2001. Thirty-four people were reported dead and hundreds were injured. Among the looting crowds, activists from the Peronist party (the main political party in the country) were quite prominent. During the lootings, police officers were conspicuously absent - particularly when small stores were sacked. Through a combination of archival research, statistical analysis, multi-sited fieldwork, and taking heed of the perspective of contentious politics, this book provides an analytic description of the origins, course, meanings, and outcomes of the December 2001 wave of lootings in Argentina.

A dying criminal confesses that his loot has been secreted ""in the tower."" Both towers of the looted mansion are searched in vain. It remains for the Hardy boys to make an astonishing discovery that clears up the mystery.

The Moonstone, a priceless yellow diamond looted from an Indian temple, is bequeathed to Rachel Verinder on her eighteenth birthday, but it is stolen again that very night. No one is above suspicion as the indefatigable Sergeant Cuff pieces together a series of events as mystifying as an opium dream and as deceptive as the nearby Shivering Sand. T. S. Eliot praised The Moonstone as “the first...and the best of modern English detective novels.” To this day, it draws the reader into its world of danger, suspense, and societal anxiety. Collins unmasks a restrictive society marked by sexual and imperial domination, as well as the often-ignored underside of Victorian life. In his hands, facts, identities, and memory are only transient. This spellbinding mystery, narrated in turn by characters highborn and lowborn, is a fascinating excursion into the shadows that lie just beyond the ordered landscape of English society.  With an Introduction by Alev Lytle Croutier and an Afterword by Lillian Nayder