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Text is entirely in German. Text ist völlig auf Deutsch. 576p, musical examples throughout, no dust jacket. A heavy book, weighs approx. 4 lbs., 11 oz.

Published in Spohr's 200th anniversary year, this book is the first to deal at length with both the life and the works of a composer who exerted a strong influence on the development of nineteenth-century music. Spohr was hailed in his own day as a worthy successor to Mozart and Beethoven, yet in the present century his former renown has gone largely unrecognised. Clive Brown gives an account of Spohr's life and character, and examines the areas in which his impact was most profound. He discusses Spohr's compositions critically and provides a stylistic and aesthetic assessment of his work. The chronological account of Spohr's life unfolds in parallel with the description of his musical output; a final chapter considers the decline of his reputation after his death. This volume will be of interest not only to scholars and students but also to general musical readers. And, since so little of Spohr's very substantial output is available in modern editions and is seldom performed, the book will also prove useful to practical musicians in search of worthwhile music for performance.

Louis Spohr: The Complete Symphonies Spohr / Ndr Radiophilharmonie / Griffiths - CD 761203510528

Excerpt from A Hundred Battles in the West, St. Louis to Atlanta, 1861-65: The Second Michigan Cavalry; With the Armies of the Mississippi, Ohio, Kentucky and Cumberland, Under General Halleck, Sherman, Pope, Rosecrans, Thomas and OthersAs the work of searching the records begun, it was found im possible to limit the writings to the doings of one regiment, and so you have here a partial history (written impartially) of the war of 1861-5. General Logan truthfully said the full history of the Great Rebellion will never be known until every regiment and every company has been heard from.Official and private records have yielded up their. Treasures freely, and have been carefully compared and revised with the writer's own journal as the groundwork. There was no need of fiction, for truth was stranger far, in every instance worth re cording.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The history of policing in the United States is generally divided into three eras. The first, the political era, took place in St. Louis between 1861, when the St. Louis Metropolitan Police Department was established, and 1905–1906, when a reform governor thrust St. Louis into the reform/progressive era. This book examines the beginnings of the political era in St. Louis, the reasons for the police department’s establishment, and the inner workings of the department during that era. It not only is the story of the early police department but also integrates that story with the history of St. Louis and even the state of Missouri.In the late 1800s, the city government of St. Louis had not yet evolved into what we know today. The most modern invention available to the police department was the telegraph system. At one time or another the lack of the appropriate city departments turned police officers into sanitation officers; street, building, privy, dairy, and meat inspectors; dogcatchers; census takers; and enforcers of the city tax codes and licensing laws. Most of these duties dwindled as the twentieth century dawned and city government took over almost all responsibilities but law enforcement. This book is the history of a police department that was born at the beginning of the Civil War and, as the political era ended in St. Louis, was policing the fourth-largest city in the United States.

The history of policing in the United States is generally divided into three eras. The first, the political era, took place in St. Louis between 1861, when the St. Louis Metropolitan Police Department was established, and 1905–1906, when a reform governor thrust St. Louis into the reform/progressive era. This book examines the beginnings of the political era in St. Louis, the reasons for the police department’s establishment, and the inner workings of the department during that era. It not only is the story of the early police department but also integrates that story with the history of St. Louis and even the state of Missouri.In the late 1800s, the city government of St. Louis had not yet evolved into what we know today. The most modern invention available to the police department was the telegraph system. At one time or another the lack of the appropriate city departments turned police officers into sanitation officers; street, building, privy, dairy, and meat inspectors; dogcatchers; census takers; and enforcers of the city tax codes and licensing laws. Most of these duties dwindled as the twentieth century dawned and city government took over almost all responsibilities but law enforcement. This book is the history of a police department that was born at the beginning of the Civil War and, as the political era ended in St. Louis, was policing the fourth-largest city in the United States.

On the afternoon of May 10, 1861, Army Captain Nathaniel Lyon marched out of the St. Louis Arsenal at the head of 7,000 Union Regulars and Volunteers to capture an encampment of nearly 700 reputed Confederate sympathizers at Camp Jackson on the western outskirts of St. Louis. It probably did not occur to him that he was embarking on a mission that would forever enshrine his name, and that of the Arsenal, in the annals of Civil War history.In words and images, St. Louis Arsenal: Armory of the West relates in detail the story of the Arsenal, from its founding in 1827 through its transition to cavalry post in 1872, then traces its new life and changing fortunes as the installation adapted its mission to meet the ever changing needs of the federal government. Such personalities as William Beaumont, Ulysses S. Grant, William Sherman, Robert E. Lee, Nathaniel Lyon, Daniel Frost, and many others who would claim a place in American military history once served at, or had dealings with, the St. Louis Arsenal.

On April 1, 1861, the people in the village known as “Illinoistown” went to the polls to choose a new name. On that day, with 183 votes for and 89 votes against, the map had a new place―a bustling town called East St. Louis. This wonderful collection of photographs and memorabilia (some published for the first time) shows the exciting history of this once-mighty industrial town, as well as the people who made it work and shaped its destiny.

Composer: Louis Spohr Nonet, Op. 31 Study Score Publisher: Eulenburg Category: Band/Orchestra/Ensemble Series: Schott Format: Paperback Flu...

Composer: Louis Spohr Octet Op. 32 Publisher: Eulenburg Category: Music Related Products Series: Schott Format: Paperback Octet Op. 32 I...

Composer: Ludwig (louis) Spohr Fantasy and Variations Clarinet Publisher: Southern Music Co. Category: Band/Orchestra/Ensemble Series: Souther...

Composer: Louis Spohr Adagio, WoO 35 Bassoon (Cello, Violin, Flute, or Clarinet) and Piano Publisher: Schott Category: Classical Series: Schot...

(Amadeus). This study of the great songs (lieder) of 19th-century composers Schubert, Schumann, Brahms and Hugo Wolf also includes lesser-known composers such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers such as Luise Reichardt, Fanny Mendelssohn Hensel, and Clara Schumann.

The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.

Composer: Louis Spohr Barcarole in G Major, Op. 135, No. 1 from 6 Salon Pieces Violin and Piano Publisher: Schott Category: Solo Instrumental S...

See Features:Features:Format: BookInstrument: ViolinContributors: By Louis Spohr / ed. Carl HermannSeries: Edition PetersPage Count: 56ISBN 10: 001...

See Features:Features:Format: Part(s)Contributors: By Louis Spohr / ed. Carl HermannPub Date: 2/2023Series: Edition PetersPage Count: 48ISBN 10: 0...

See Features:Features:Format: BookInstrument: ClarinetContributors: By Louis Spohr / arr. Friedrich Demnitz / ed. Friedrich DemnitzPub Date: 4/202...

See Features:Features:Format: BookInstrument: ClarinetContributors: By Louis Spohr / arr. Friedrich Demnitz / ed. Friedrich DemnitzSeries: Edition ...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his n...