18 products were found matching your search for Lovi in 5 shops:

Color Nail Polish 13,5mL 20 Lovi Dovie

About the brand: Luxurious and timeless loungewear and intimates. Lovis Soft Cup Bra in emerald with adjustable shoulder straps and lace trim Adjustable back strap with hook-and-eye closures 91% viscose, 9% elastane Machine wash Imported

About the brand: Luxurious and timeless loungewear and intimates. Lovis Soft Cup Bra in sumac with adjustable shoulder straps and lace trim Adjustable back strap with hook-and-eye closures 91% viscose, 9% elastane Machine wash Imported

This unique piece adds a caged globe inside a single tiered chandelier with a crystal embedded outer band. With a formal look and plenty of lighting coming from the candelabra style sockets, it will certainly impress your guests when you have them over for dinner. Decorative during the day and decoratively functional at night, get the best of both worlds with our 23 in. Lovi Pendant Ceiling Light.

About the brand: Luxurious and timeless loungewear and intimates. Lovis Kimono in pumice with lace trim and self-tie waist sash Approximately 37in from shoulder to hem Model is 5'9 and is wearing a size small. Measurements may vary slightly by size. 91% viscose, 9% elastane Machine wash Imported

About the brand: Luxurious and timeless loungewear and intimates. Lovis Kimono in pumice with lace trim and self-tie waist sash Approximately 37in from shoulder to hem Model is 5'9 and is wearing a size small. Measurements may vary slightly by size. 91% viscose, 9% elastane Machine wash Imported

About the brand: Luxurious and timeless loungewear and intimates. Lovis Kimono in pumice with lace trim and self-tie waist sash Approximately 37in from shoulder to hem Model is 5'9 and is wearing a size small. Measurements may vary slightly by size. 91% viscose, 9% elastane Machine wash Imported

About the brand: Luxurious and timeless loungewear and intimates. Lovis Full Brief in emerald with lace trim 91% viscose, 9% elastane Machine wash Imported

Lovis Corinth was one of the most exciting artists to emerge from turn-of-the-century Germany. Together with Max Beckmann and Oskar Kokoschka, he became one of the greatest figurative painters of the early twentieth century. An outsider of astonishing individuality, he has resisted categorization by art historians in terms of Impressionism, Expressionism, and other movements.Corinth began his career in the realist tradition in the 1880's, but he was soon at the vanguard of change. Following a period in Munich when his religious and mythological paintings brought him his first taste of fame, Corinth moved to Berlin in 1901, where he spearheaded the protest against Kaiser Wilhelm II's official policy on art.Towards the latter part of his career, Corinth's work clearly reflects his reactions to his own illness and to World War I. Objects are caught up in a play of broad, energetic brush strokes, the paste-like layers of paint applied in sweeping, parallel movements to produce the characteristic hatching that became his hallmark. These later works - mainly landscapes, portraits and self-portraits - continued to be an inspiration to representatives of later movements.Lovis Corinth provides a comprehensive analysis of the artist still little known outside Europe. The Munich and Berlin years, his sources and inspiration, his subject matter, his painting and drawing are examined by authors from America, Britain, and Germany. The book is beautifully illustrated with numerous colour reproductions of his oil paintings, watercolours, drawings, and graphic works, providing the definitive illustrated reference on the artist.

Lovis Corinth was one of the most exciting artists to emerge from turn-of-the-century Germany. Together with Max Beckmann and Oskar Kokoschka, he became one of the greatest figurative painters of the early twentieth century. An outsider of astonishing individuality, he has resisted categorization by art historians in terms of Impressionism, Expressionism, and other movements.Corinth began his career in the realist tradition in the 1880's, but he was soon at the vanguard of change. Following a period in Munich when his religious and mythological paintings brought him his first taste of fame, Corinth moved to Berlin in 1901, where he spearheaded the protest against Kaiser Wilhelm II's official policy on art.Towards the latter part of his career, Corinth's work clearly reflects his reactions to his own illness and to World War I. Objects are caught up in a play of broad, energetic brush strokes, the paste-like layers of paint applied in sweeping, parallel movements to produce the characteristic hatching that became his hallmark. These later works - mainly landscapes, portraits and self-portraits - continued to be an inspiration to representatives of later movements.Lovis Corinth provides a comprehensive analysis of the artist still little known outside Europe. The Munich and Berlin years, his sources and inspiration, his subject matter, his painting and drawing are examined by authors from America, Britain, and Germany. The book is beautifully illustrated with numerous colour reproductions of his oil paintings, watercolours, drawings, and graphic works, providing the definitive illustrated reference on the artist.

In shrink wrap. Looks like an interesting title!

This book uses star maps from Jamieson' "Celestial Atlas" and compares them with modern star maps by Tirion that include all stars visible to the average dark-adapted eye. Lovi's text tells the stories behind each of Jamieson's star maps. A fascinating book

About the brand: Luxurious and timeless loungewear and intimates. Lovis Bodydress in pumice with adjustable shoulder straps and lace trim Approximately 35in from shoulder to hem Model is 5'9 and is wearing a size small. Measurements may vary slightly by size. 91% viscose, 9% elastane Machine wash Imported

20 new songs have been added to the second edition of this big-note piano collection featuring 65 classics from the Fab Four! Includes: All My Lovi...

For sale in very good playable condition this Buffet Crampon A Paris Clarinet / 152856 Made In France.This old clarinet needs a clean-up and a lovi...

This beautiful catalogue gathers a magnificent selection of the finest landscape works by Max Liebermann, Lovis Corinth, and Max Slevogt--Germany’s three greatest Impressionist painters. Impressionism, considered a French style of painting, was greeted with hostility in Germany, where traditionalists opposed all foreign influence in the art of their nation state. Yet Liebermann, Corinth, and Slevogt, whose works were less rigid and routine than those of many of their contemporaries, won over a doubtful domestic audience and inspired a flowering of Impressionism in Germany. This is the first in-depth study in English of works by Liebermann, Corinth, and Slevogt and showcases 92 of their Impressionist masterpieces. The book’s contributors explore the three artists’ approaches to landscape painting; the relation of German Impressionism to French Impressionism, to the Barbizon School, and to the Dutch landscape tradition; and the history of German Impressionism and the development of German landscape painting in the 19th century.

The thirteen essays in this volume, first presented at Emory University's Lovis Corinth Colloquium II, The Meditative Image in Northern Art, 1500-1700', explore the varied forms, functions, and meanings of meditative imagery and image-making in England, France, and the Low Countries. Ut pictura meditatio: The Meditative Image in Northern Art, 1500 -1700 examines the form, function, and meaning of pictorial images produced and/or circulated in the Low Countries, Germany, and northern France as templates for the meditative life and its spiritual exercises. Our epigraph ut pictura meditatio (as is a picture, so is meditation) connotes the ways in which pictures facilitated meditative prayer and, conversely, the extent to which such prayer was experienced visually. Our essayists are prominent scholars in the fields of art history, history, literary studies, philosophy, and religious studies, all of whom study the ways in which visual images served to structure the interior religious life of laity and clergy in the early modern period. The volume asks how and why images were used not only to initiate, sustain, and structure kinds and degrees of meditative and contemplative devotion, but also to figure the souls cognitive operations, its negotiation between states of being, between interior and exterior sense, between corporeal and spiritual sight. Implicit in this questioning are further explorations of the nature and scope of the interplay among mental, visual, and verbal images, and the subject positions such images allowed the votary to represent and inhabit. These questions touch upon issues of identity, subjectivity, and figuration that should be of interest to historians of art, literature, religion, and society.

This beautiful catalogue gathers a magnificent selection of the finest landscape works by Max Liebermann, Lovis Corinth, and Max Slevogt--Germany’s three greatest Impressionist painters. Impressionism, considered a French style of painting, was greeted with hostility in Germany, where traditionalists opposed all foreign influence in the art of their nation state. Yet Liebermann, Corinth, and Slevogt, whose works were less rigid and routine than those of many of their contemporaries, won over a doubtful domestic audience and inspired a flowering of Impressionism in Germany. This is the first in-depth study in English of works by Liebermann, Corinth, and Slevogt and showcases 92 of their Impressionist masterpieces. The book’s contributors explore the three artists’ approaches to landscape painting; the relation of German Impressionism to French Impressionism, to the Barbizon School, and to the Dutch landscape tradition; and the history of German Impressionism and the development of German landscape painting in the 19th century.