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Animals literally jump off the page in this illustrated pop-up featuring 26 wild animals hiding within the pages of the book. Antelope bursts through the letter A; Leopard lurches from behind L; Giraffe, reaches a long neck over G; Koala carrys her baby around K and Penguin waddles out from behind P . . . with accompanying key facts about each animal, this is a book that readers and animal lovers of all ages will treasure and enjoy for years to come.

This Louisville and Chicago trio has added a fourth member in the form of Todd Cook (The for Carnation, Parlor). Upon first listen to "Flies the Fields", one may note the varying colors the band displays, from groove, to urgency, to subtle menace. This is a group making music that breathes and moves, lurches and crawls. "... a unified set of shadows, isolated hurt laid out in fine rainy day garage-demo psychedelia"-Rolling Stone.

KESHIKI is a series of exquisitely designed chapbooks, showcasing the work of eight of the most exciting writers working in Japan today.Mamoru wakes up at 9am in Berlin, eats breakfast, and then sets off to teach a Japanese language class, carrying a sashimi knife in his bag. At this moment in New York, Manfred lurches from a dream where a fisherman was about to gut him he wakes just in time to make his morning work-out. Meanwhile, Michael is preparing to go to the late-night gym in Tokyo, thinking of a man he met in Berlin only weeks before. Tawada s story follows the three men Mamoru, Manfred and Michael as they move through their lives on different sides of the globe. Though thousands of miles apart, odd moments of synchronicity form between these characters, the narrative shifting from one perspective to another as the three men's lives momentarily align and diverge. Here, modernity is rendered textual as Tawada explores the strange nature of human connection in a globalized, technologized world, and discovers what this means for contemporary storytelling.Translated by Jeffrey Angles

Eyes in the Melancholy Palm, the debut long player from Cathode Ray Eyes (Ryan Delgaudio from The Cult Of Dom Keller) is a dark, brooding record that lurches from fuzzed out deranged pop ("Harry Houdini") to cinematic instrumentals ("And the Burial Had Several Different Endings") to dark gothic psych rippers. It is a eerie, bizarre world of Cathode Ray Eyes. Despite the Celtic Frost-summoning title, Eyes In the Melancholy Palm is psych rock par excellance. Heavily distorted vocals leer from behi

A burlesque smorgasbord of international high jinks—the “biography” of a hapless, twelve-fingered, would-be assassin who lurches from Sarajevo to Paris to Hollywood to Chicago to Rio, leaving high-stakes chaos in his wake.Our hero, Dimitri Borja Korozec, is born in the late 1800s to a Brazilian contortionist mother and a fanatically nationalist Serbian linotypist father. Dimitri enrolls in a training school for assassins, where he excels—except for his troubling propensity for fouling things up at the last moment. Part Carlos the Jackal, part Woody Allen’s Zelig, part Inspector Clouseau, and part Forrest Gump, Dimitri is a schlemiel of an assassin and anarchist who can’t seem to kill anyone. He does, however, cause enough mayhem to help start World War I, spread Spanish influenza to the American continent, and unintentionally trigger various other significant events of the twentieth century by slipping and falling, misreading signs, and misunderstanding instructions. Along the way Dimitri runs into—and, sometimes, nearly over—a diverse cast of bit players: Mata Hari, Al Capone, Carmen Miranda, Marie Curie, Pablo Picasso, Jean Cocteau, Irving Thalberg, George Raft, and even Aleister Crowley make their appearances. Jô Soares weaves the lives of his characters in and out of modern history, creating odd synchronicities, uncanny coincidences, and the impression that this “biography” might almost be true. True or not, it’s a laugh-out-loud romp that provides an intriguing new perspective on the history and major figures of our time, blurring the line between fact and fiction—a line which, had he encountered it on his way to an assassination, Dimitri would most certainly have tripped over.

The acclaimed Forgotten Horrors series of movie-genre history and criticism lurches into the turning-point stretch of 1949-1954. This 300-plus-page study of the independent studios' forays into horror, S-F, film noir -- and some unclassifiable oddities -- tackles the most conflicted and paranoid period of American cultural history in terms of such breakthrough pictures as these: Mikel Conrad's "The Flying Saucer," the oddly matched set of George Pal's "Destination Moon" and Kurt Neumann's "Rocketship X-M," Edgar G. Ulmer's "The Man from Planet X," Ivan Tors' "Office of Scientific Investigation" trilogy, and William Cameron Menzies' "Invaders from Mars." To say nothing of E.A. Dupont's "The Neanderthal Man," William Castle's exploitation-film debut "It's a Small World," and -- did somebody say, "Skipalong Rosenbloom"?! A brief flowering of science fiction and general-purpose imaginative zeal gives way to the beginnings of what genre historian Phil Hardy has called "an all-out horror revival. Forgotten Horrors Vol. 5 teams the series' co-originator with Wes Craven biographer John Wooley and Lydecker Bros. biographer Jan Alan Henderson for a rip-snorting round-up of essential titles and long-buried rediscoveries.

Gothic horror in the macabre Marvelmanner! One of the most terrifying fi gures in all of fi ction lurches into his own 1970s comic book series, collected in color for the very fi rst time. Witness a dramatic retelling of Mary Shelley's literary classic, then follow the Monster in his quest for the last living descendant of his creator, Victor Frankenstein. It's an odyssey that will lead him into a confrontation with Marvel's other groovy ghoulies, Dracula and Werewolf By Night! COLLECTING: FRANKENSTEIN (1973) 1-18; GIANT-SIZE WEREWOLF BY NIGHT 2; MARVEL TEAM-UP (1972) 36-37; MATERIAL FROM MONSTERS UNLEASHED 2, 4-10; LEGION OF MONSTERS (1975) 1

Five ordinary people must pay the price of survival at the end of the world.A mysterious virus suddenly strikes down millions. Three days later, its victims awake with a single purpose: spread the Infection. As the world lurches toward the apocalypse, some of the Infected continue to change, transforming into horrific monsters. In one American city, a small group struggles to survive. Sarge, a tank commander hardened by years of fighting in Afghanistan. Wendy, a cop still fighting for law and order in a lawless land. Ethan, a teacher searching for his lost family. Todd, a high school student who sees second chances in the end of the world. Paul, a minister who wonders why God has forsaken his children. And Anne, their mysterious leader, who holds an almost fanatical hatred for the Infected. Together, they fight their way to a massive refugee camp where thousands have made a stand. There, what's left of the government will ask them to accept a mission that will determine the survival of them all--a dangerous journey back onto the open road and into the very heart of Infection.

Sterne's utterly original novel—the meandering, maddening "autobiography" of one of literature's oldest comic characters, with an introduction by Tom McCarthy Doomed to become the "sport of fortune" by an interruption at the crucial moment of conception, Tristram Shandy’s life lurches from one mishap to another: his nose crushed by the doctor's forceps during birth, christened with the wrong name, an unfortunate incident involving a slamming sash window. Groundbreaking, subversive, and still controversial, this novel has inspired, enraged, and perplexed writers and readers for centuries. Discover the antiautobiography of the hilarious and impossibly long-winded Tristram Shandy.

As the post-modern world lurches toward the disasters and bereavements that signal the end of an age, we turn to myth to comprehend the elemental forces that move through our lives, to know who we are, to understand which stories inform our consciousness. MADNESS AT THE GATES OF THE CITY, writes Robert Johnson in his introduction, shows how America regularly re-enacts old patterns that cause us to subvert our goals and miss the deeper meaning in events. But by looking at American history, politics and popular culture through the lenses of Greek mythology, indigenous wisdom and archetypal psychology, the author discovers new hope in very old ways of thinking. This book should appeal to anyone interested in myth, Classics, history, psychology or progressive politics. Winner of the 2011 PEN Oakland JOSEPHINE MILES LITERARY AWARD.

The howling madness of the Abyss lurches to terrible life in Book of the Damned Volume 2 ― Lords of Chaos, a harrowing look at the primordial nature of evil. Whether defending the world from the demonic horde or selling it out to your dark master, this 64-page campaign setting guidebook shines an unholy light on the darkest evils ever to befoul the multiverse. Written by Pathfinder Editor-in-Chief and noted demon expert James Jacobs, Lords of Chaos promises dark delights invaluable to any Pathfinder Roleplaying Game campaign, including detailed discussions of the 10 most important Abyssal realms and their fiendish rulers; expanded information on two-dozen lesser demon lords and their nightmarish realms; detailed ecologies of major known demon types; a complete history of the Abyss and the unspeakable creatures who dwelled there before the advent of gods and demons; plus several new demons and Abyssal monsters, demonic spells, magic items, and more.

Mark’s genius lies, not in telling a story about Jesus, but in creating conditions under which the reader may experience the peculiar quality of God’s good news. The Evangelist hurries one along breathlessly, “immediately,” making sure that the reader lurches with the characters into one pothole after another. “What is this new teaching” that consorts with the flagrantly sinful, turning the pious homicidal, intimates into strangers, and mustard seeds into “the greatest of all ... shrubs”? Jesus’ closest adherents, the Twelve, are among the most muddled. Who can blame them? They ask for an obscure parable’s interpretation and receive an answer even more confounding. They are told to feed thousands with next to nothing. Their boat almost capsizes while their teacher sleeps. As they oar in rough waters, the teacher strides the waves intending to bypass them. Putting the reader in the same boat, Mark structures conversations with Jesus that make little sense, if any. The Twelve are craven, stupid, self-serving, and disobedient: meet the average Christian. Besides, “their hearts were hardened.” Who hardens hearts? God. Should not God’s Messiah lift the burdens of those following him? What kind of Christ heads to a cross, handing his disciples another for themselves. “Do you not yet understand?” from the Introduction

Drug pirates stalk their victims in the treacherous waters of the Bahamas, then return to their fortress island of Murder Cay like primal sharks after a kill. Then along comes skipper Nicholas Breakspear with the son and daughter of a U.S. Senator. What should have been a simple de-tox cruise soon lurches into a voyage of terror and death when Breakspear is lured into a horrifying plot of cocaine, cash, and cold-blooded killings. Suddenly, he's racing through the shadowy kingdom of drug lords to save thewoman he loves ... one step ahead of his own murder, and one step away from the big crackdown on Murder Cay.Nicholas Breakspear, ready to quit his Caribbean job as a rent-a-captain and sail to the South Seas, commands one last cruise that pits him against cocaine privateers, leading to a firefight on a tiny island

Hot on the blistering heels of his debut solo single comes this full-length outing from the social worker turned gardener. Double digging over unlikely boundaries is something of a habit for Robin, and this record characteristically lurches between moods; from elegiac to wistful, and from meditative to bouncy, this record runs the full gamut. Creaking synths, loping bass and a succession of chimes seep from the nimble textures pressed tightly together. Lush and filmic, the nine tracks here culti