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Some wear. in a Worn jacket. Very serviceable copy.

Our understanding of lycanthropy is limited by our association of it with contemporary portrayals of werewolves in horror films and gothic fiction. No rational person today believes that a human being can literally be metamorphosed into a wolf; therefore, in the absence of an historical context, the study of werewolves can appear to be a wayward pursuit of the perversely irrational and the sensational.This Reader provides the historical context Drawing on primary sources, it is a comprehensive survey of all aspects of lycanthropy, with a focus on the medieval and Renaissance periods. Lycanthropes were on trial in the courtrooms of Europe, and on examination in medical offices and mental hospitals; they were the objects of communal fear and pity, and the subjects of sermons and philosophical treatises.In the Introduction to the Reader, Charlotte Otten shows that the study of lycanthropy uncovers basic issues in human life the significance of violence and criminality, the role of the demonic in aberrant behavior, andultimately the nature of good and evil The implications for modern life are immediately apparent.The Reader is divided into six sections ( 1) Medical Cases, Diagnoses, Descriptions; (2) Trial Records, Historical Accounts, Sightings; (3) Philosophical and Theological Approaches to Metamorphosis; ( 4) Critical Essays on Lycanthropy (Anthropology, History, and Medicine); (5) Myths and Legends; and (6) Allegory . Each section has an introduction that summarizes and interprets the materials.

Long before the political mass-murders witnessed in the present century, western Europe experienced another kind of holocaust--the witch-hunts of the early modern period. Condemned of flying through the air, changing into animals, and worshipping the Devil, over a hundred thousand people were brutally tortured, systematically maimed and burned alive. Why did these persecutions take place? Was it superstition, irrationality, or mass delusion that led to the witch-hunts? This study seeks explanation in the tangible actions of human actors and their worldly circumstances. The approach taken is anthropological; inferences are grounded on a wide spectrum of variables, ranging from the political and ideological practices used to mystify earthly affairs, to the logical structure of witch-beliefs, torture technology, and the role of psychotropic drugs and epidemic diseases.

Of unknown origin, Count Andreas Shibilis is said to have been the King of the Bulgarian Gypsies, sometime in the 19th century. He is also known as a highly skilled practitioner of the black arts. Shibilis disappeared without a trace after allegedly being turned into a werewolf. His other known written works include several monographs on magic and the mystification arts. It is also believed that Count Shibilis authored the mystifying Rohonc Codex, the extraordinary illustrated manuscript which has perplexed scholars since it surfaced in the 19th century in Hungary. There is no record of the birth or death of Count Andreas Shibilis.Concise and precise, with all the facts and data on the subject, laid out simply for the layperson. Put aside all you have read on lycanthropy. Be prepared for a firsthand account of werewolfism. This is a reprint of the singularly unique original monograph by Count Andreas Shibilis. As it is the only known work on lycanthopy written by a lycanthrope. Within this treatise, the reader will learn the ways of becoming a werewolf, methods of defense against a werewolf, ways to lift the affliction of lycanthropy – along with historical accounts, legends and folklore regarding werewolfery. Of particular notoriety, you will read about Edgar Allan Poe – the werewolf, as well as the Count himself. In his own words there is a brief account of how Count Andreas Shibilis became a werewolf and the incredible story of how he relieved himself of the affliction.

Long before the political mass-murders witnessed in the present century, western Europe experienced another kind of holocaust--the witch-hunts of the early modern period. Condemned of flying through the air, changing into animals, and worshipping the Devil, over a hundred thousand people were brutally tortured, systematically maimed and burned alive. Why did these persecutions take place? Was it superstition, irrationality, or mass delusion that led to the witch-hunts? This study seeks explanation in the tangible actions of human actors and their worldly circumstances. The approach taken is anthropological; inferences are grounded on a wide spectrum of variables, ranging from the political and ideological practices used to mystify earthly affairs, to the logical structure of witch-beliefs, torture technology, and the role of psychotropic drugs and epidemic diseases.

Of unknown origin, Count Andreas Shibilis is said to have been the King of the Bulgarian Gypsies, sometime in the 19th century. He is also known as a highly skilled practitioner of the black arts. Shibilis disappeared without a trace after allegedly being turned into a werewolf. His other known written works include several monographs on magic and the mystification arts. It is also believed that Count Shibilis authored the mystifying Rohonc Codex, the extraordinary illustrated manuscript which has perplexed scholars since it surfaced in the 19th century in Hungary. There is no record of the birth or death of Count Andreas Shibilis.Concise and precise, with all the facts and data on the subject, laid out simply for the layperson. Put aside all you have read on lycanthropy. Be prepared for a firsthand account of werewolfism. This is a reprint of the singularly unique original monograph by Count Andreas Shibilis. As it is the only known work on lycanthopy written by a lycanthrope. Within this treatise, the reader will learn the ways of becoming a werewolf, methods of defense against a werewolf, ways to lift the affliction of lycanthropy – along with historical accounts, legends and folklore regarding werewolfery. Of particular notoriety, you will read about Edgar Allan Poe – the werewolf, as well as the Count himself. In his own words there is a brief account of how Count Andreas Shibilis became a werewolf and the incredible story of how he relieved himself of the affliction.

This is a commentary on human violence. Man Into Wolf: An Anthropological Interpretation of Sadism, Masochism, and Lycanthropy is a reprint of the 1948 edition, with a new introduction by Donald Lathrop. Basing his own hypothesis on the writings of Carl Jung, psychologist Robert Eisler suggests a prehistoric answer to the birth of the werwolf. He suggests that primitive man had been vegetarian and peaceful until the Ice Age forced humans to kill to survive. Not only could the necessity of eating meat to not starve to death have resulted in permanent trauma, but wearing hides to not freeze to death could have been buried deep in our psyche as a memory of turning into fur-covered beasts. Eisler suggests the possibility of a pre-historical, evolutionist derivation of all causes of violence. Also offered is his thesis that many contemporary serial killers were a particular breed of psychologically warped individuals who believed that they were werewolves. The book includes Eisler's lecture given to the Royal Society of Medicine. Also included are chapters on: Professor Jung's Archetypes and Neo Lamarckism; the Roman Luperci and the Lupercalia Ritual, Contemporary Parallels; The Flagellation of Women in the Dio Nysian Mysteries; A Clear Case of Vampirism, John George Haigh; Going Beserk; many pages of his notes; and Index and appendices.

A history of lycanthropy, including case studies from around the world.

According to the Author Peter Beagle: This story was written very long ago, in another world, by a young man to whom the idea of equating womanhood with lycanthropy, sexual desire with blood and death and humiliation, seemed no more at the time than a casual grisly joke. I would write 'Lila the Werewolf today, but not for that reason, and not in that way.

According to the Author Peter Beagle: This story was written very long ago, in another world, by a young man to whom the idea of equating womanhood with lycanthropy, sexual desire with blood and death and humiliation, seemed no more at the time than a casual grisly joke. I would write 'Lila the Werewolf today, but not for that reason, and not in that way.

Shrouded within the dark corners of imagination, the werewolf holds a supreme place in fable and folklore-the nightbeast, stalking its prey under the light of a full moon. Such is the popular conception. But what of the beast himself? In the novel The Wolf's Tale, a werewolf documents his own case of lycanthropy. Amid the gothic backdrop of Victorian London, the author presents three gentlemen and one woman as they share the telling of this tale-the tale of Edgar Lenoir, Duke of Darnley: aristocrat and werewolf.When Lord Darnley learns that Elizabeth is pregnant with Merry's baby, he plans a hunt in the Carpathian Mountains to escape the pain of his unrequited love. Darnely goes alone and returns a changed man . . . a man who will then change Merry's and Elizabeth's lives forever.The centerpiece of the novel is Lord Darnley's journal chronicling his months as a werewolf. He views his condition not with horror, but with a fascination he believes to be thoroughly modern. Unfortunately, he is also narcissistic, ruthless, and ultimately, seduced by his own misguided self-interest to justify as natural and healthy the bestial desires that eventually consume him.

"From the summit of the ivy-grown tower, the very rooks, in the midst of their cawing, are scared away by the furious rush and the wild howl with which the Wehr-Wolf thunders over the hallowed ground." - G. W. M. Reynolds, Wagner, the Wehr-Wolf This collection brings together fifteen chilling stories of lycanthropy and murder written from 1838 to 1896, all taken from their original appearances in Victorian periodicals and story collections, many of them reprinted here for the first time. This edition includes a new introduction by Alexis Easley and Shannon Scott, explanatory notes, and numerous rare Victorian werewolf illustrations. This collection contains: "Hugues, the Wer-Wolf" (1838) by Sutherland Menzies, "The White Wolf of the Hartz Mountains" (1839) by Frederick Marryat, "A Story of a Weir-Wolf" (1846) by Catherine Crowe, excerpts from Wagner, the Wehr-Wolf (1846-47) by George W. M. Reynolds, "Lycanthropy in London; or, The Wehr-Wolf of Wilton-Crescent" (1855) by Dudley Costello, "The Gray-Wolf" (1871) by George MacDonald, "The Were-wolf of the Grendelwold" (1882) by F. Scarlett Potter, "The White Wolf of Kostopchin" (1889) by Gilbert Campbell, "A Pastoral Horror" (1890) by Arthur Conan Doyle, "The Mark of the Beast" (1890) by Rudyard Kipling, "The Were-Wolf" (1890) by Clemence Housman, "Dracula's Guest" (ca. 1892) by Bram Stoker, "The Other Side: A Breton Legend" (1893) by Eric Stenbock, "Morraha" (1894) by Joseph Jacobs, and "Where There is Nothing, There is God" (1896) by William Butler Yeats. An appendix of contextual materials is also included, featuring nonfiction articles from Victorian periodicals dealing with lycanthropy, Rosamund Marriott Watson's poem "A Ballad of the Were-wolf" (1891), excerpts from Sabine Baring-Gould's The Book of Were-Wolves (1865) and Laurence Housman's illustrations for Clemence Housman's The Were-wolf (1896).

From Ovid’s Lycaon to Professor Lupin, from Teen Wolf to An American Werewolf in Paris, the lycanthrope, or werewolf, comes to us frequently on the page and the silver screen. These interpretations often display lycanthropy as a curse, with the afflicted person becoming an uncontrollable, feral beast during every full moon. But this is just one version of the werewolf—its origins can be traced back thousands of years to early prehistory, and everything from Iron Age bog bodies and Roman gods to people such as Joan of Arc, Adolf Hitler, and Sigmund Freud feature in its story. Exploring the role of this odd assortment of ideas and people in the myth, The White Devil tracks the development of the werewolf from its birth to the present day, seeking to understand why the wolf curse continues to hold a firm grip on the modern imagination.Combining early death and burial rites, mythology, folklore, archaeological evidence, and local superstitions, Matthew Beresford explains that the werewolf has long been present in the beliefs and mythology of the many cultures of Europe. He examines prehistoric wolf cults, the use of the wolf as a symbol of ancient Rome, medieval werewolf executions, and the eradication of wolves by authorities in England during the Anglo-Saxon period. He also surveys werewolf trials, medical explanations, and alleged sightings, as well as the instances in which lycanthropes appear in literature and film. With sixty illustrations of these often terrifying—but sometimes noble—beasts, The White Deviloffers a new understanding of the survival of the werewolf in European culture.

The Reverend Sabine Baring-Gould (1834 - 1924) was an English hagiographer, antiquarian, novelist and eclectic scholar. His folkloric studies resulted in The Book of Werewolves, one of the most frequently cited studies of lycanthropy.

When a possible cure for lycanthropy is announced, investigators Durban and Savik are distraught when the effort's chief researcher and her assistant are murdered, an event that places suspicion on the cause's foremost supporter. Original.

A collection of surrealistic black fantasy fables which disclose an occult world of sex magick, lunar mutiny, excremental demonolatry, in utero lycanthropy, sadomasochistic vampirism, oneiric post mortem malediction, and other bizarre manias; a book steeped in arcane law, suffused with the perfume of graveyard erotica. The publication of James Havoc's anti-novel Raism was greeted with equal extremes of revulsion and delight. In Satanskin, he has taken the motifs of that book and woven them into a series of grotesque morality tales described in his own unique language.

Are werewolves simply folklore or have they existed at some stage in the distant past?Lycanthropy is known to be a mental condition where the sufferer believes himself to be a wolf and embarks upon a psychotic rampage. So perhaps there’s some truth in the age-old legends.The Black Hill in South Shropshire is a dark forest where legend becomes reality. As well as werewolves seeking human prey, the hills hold tales of the black dogs. A sighting of these spectral canines is a harbinger of death.Gordon Hall, the sporting tenant, finds himself caught up in these ancient horrors and is determined to destroy them once and for all.Both his life and his soul are at risk.Werewolf Omnibus collects together three vintage novels from the master of pulp horror, Guy N. Smith: Werewolf By Moonlight (1974), Return Of The Werewolf (1977) and The Son Of The Werewolf (1978), alongside a new short story, Spawn Of The Werewolf.

Things get rough for psychologist Kit Franklyn and Chief Medical Examiner Andy Broussard when they investigate three French Quarter mutilation-murders somehow connected to the rare disease, lycanthropy--werewolfism

With the shocking histories of ten famous cases, this classic blends science, superstition, and fiction to tell the full story of the werewolves among us. The Book of Werewolves was the first serious academic study of lycanthropy and "blood-lust" written in English. Combining a vast body of observation, myth, and lore, it explores the tradition of werewolves as a widespread and persistent theme throughout history.Sabine Baring-Gould, a prominent Victorian theologian, was a gifted and original thinker who possessed a vast knowledge of folklore and mythology. He draws upon his impressive store of scholarship to trace lycanthropy among the ancients and onward through medieval and latter-day Europe. His real-life case studies examine the bloody deeds of cannibals and grave desecrators, including an extended treatment of the crimes of Gilles de Retz, the notorious associate of Joan of Arc, who was convicted and executed for necrosadistic crimes. One of the most oft-cited references, this book is an essential and primary document on the subject of lycanthropy.

Are werewolves simply folklore or have they existed at some stage in the distant past?Lycanthropy is known to be a mental condition where the sufferer believes himself to be a wolf and embarks upon a psychotic rampage. So perhaps there’s some truth in the age-old legends.The Black Hill in South Shropshire is a dark forest where legend becomes reality. As well as werewolves seeking human prey, the hills hold tales of the black dogs. A sighting of these spectral canines is a harbinger of death.Gordon Hall, the sporting tenant, finds himself caught up in these ancient horrors and is determined to destroy them once and for all.Both his life and his soul are at risk.Werewolf Omnibus collects together three vintage novels from the master of pulp horror, Guy N. Smith: Werewolf By Moonlight (1974), Return Of The Werewolf (1977) and The Son Of The Werewolf (1978), alongside a new short story, Spawn Of The Werewolf.