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632 Seiten, 1 CD. Buch sehr gut erhalten, nur Einband ganz leicht berieben. ISBN: 9783865685636 Sprache: Deutsch Gewicht in Gramm: 3500

Niedersachsen hat eine erstaunliche Vielfalt an Farbverglasungen bewahrt, die einen regen Austausch mit den benachbarten Kunstzentren bezeugen. So gab es Austausch mit Westfalen, Sachsen und Thuringen sowie - uber die Verbindungen der Hanse - bis nach Skandinavien, ins Rheinland und in die Niederlande. Der Gesamtbestand umfasst rund 450 Glasmalereien des 12. bis 16. Jahrhunderts. Hervorzuheben sind die Chorfenster in der Stiftskirche zu Bucken an der Weser, der Cosmas-und-Damian-Zyklus in der Marktkirche zu Goslar, die Fenster der Heiligen-Geist-Kapelle in Uelzen und der Hannoveraner Marktkirche. Zu entdecken sind auch bislang weniger bekannte Denkmaler in Braunschweig, Northeim und Uslar.

Joannes Burmeister of Lüneburg (1576–1638) was among the greatest Neo-Latin poets of the German Baroque. His masterpieces, now mostly lost, are Christian "inversions" of the classical Roman comedies of Plautus. With only minimal changes in language and none in meter, each transforms Plautus' pagan plays into comedies based on biblical themes. Fascinating in their own right, they also bring back to attention forgotten genres of Renaissance literature. This volume offers the first critical edition of the newly discovered Aulularia (1629), which exists in a sole copy, and the fragments of Mater-Virgo (1621), which adapts Plautus' Amphitryo to show the Nativity of Jesus.The introduction offers reconstructions of Susanna (based on Casina) and Asinaria (1625), his two lost or unpublished inversions of Plautus. Fontaine also provides the only biography of Burmeister based on archival sources, along with discussions of his inimitable Latinity and the perilous context of war and witch burning in which Burmeister wrote. Burmeister's inversions bear witness to the special talent of his age for the creative reworking of classical literature, such as Monteverdi's Poppea or Purcell's Dido and Aeneas, as well as to his tumultuous times, with his views on military abuses in the Thirty Years War prefiguring those of Grimmelshausen's Simplicius Simplicissimus.

Joannes Burmeister of Lüneburg (1576–1638) was among the greatest Neo-Latin poets of the German Baroque. His masterpieces, now mostly lost, are Christian "inversions" of the classical Roman comedies of Plautus. With only minimal changes in language and none in meter, each transforms Plautus' pagan plays into comedies based on biblical themes. Fascinating in their own right, they also bring back to attention forgotten genres of Renaissance literature. This volume offers the first critical edition of the newly discovered Aulularia (1629), which exists in a sole copy, and the fragments of Mater-Virgo (1621), which adapts Plautus' Amphitryo to show the Nativity of Jesus.The introduction offers reconstructions of Susanna (based on Casina) and Asinaria (1625), his two lost or unpublished inversions of Plautus. Fontaine also provides the only biography of Burmeister based on archival sources, along with discussions of his inimitable Latinity and the perilous context of war and witch burning in which Burmeister wrote. Burmeister's inversions bear witness to the special talent of his age for the creative reworking of classical literature, such as Monteverdi's Poppea or Purcell's Dido and Aeneas, as well as to his tumultuous times, with his views on military abuses in the Thirty Years War prefiguring those of Grimmelshausen's Simplicius Simplicissimus.